106 books for « van der weyden »Edit

‎Rogier van der Weyden and Spain - Rogier van der Weyden y Espana ‎

‎, Brepols - Harvey Miller, 2017 Paperback, /200 p., 100 b/w ill. + 36 colour ill., 200 x 250 mm, languages: English, Spanish . ISBN 9788484803744.‎

‎Lorne Campbell, The Late Style of Rogier van der Weyden Francisco de Paula Canas Galvez, Juan II de Castilla y el Triptico de Miraflores: marco espiritual, proyeccion politica y propaganda regia en torno a una donacion real (1445) Stephan Kemperdick, The Miraflores Triptych and the Issue of Rogier van der Weyden's ?authenticated? Paintings David Chao Castro, Egas Cueman en Castilla y el desarrollo de la tipologia sepulcral con imagen orante Griet Steyaert, "A Deposition including two Men on two Ladders", Carel van Mander?s Description of Rogier?s Deposition and the Deposition by the Master of the Legend of Saint Catherine Bart Fransen, One Altarpiece, one Way: From Brussels to Laredo Yao Fen-You, Another Piece of the Rogerian Puzzle: Recent Findings on the Arenberg Lamentation Catherine Reynolds, Evolution or Derivation: The Prado Descent from the Cross and the lost Carrying of Christ?s Body to the Tomb Jose Juan Perez Preciado, En torno al Triptico de la Redencion del Museo del Prado Lisa Monnas, Textiles in the Paintings of Rogier van der Weyden Maite Jover, Laura Alba, Maria Dolores Gayo, Maistros viajerosm obras importadas. Las tablas del Maestro de Sopretan Laura Alba, El Descendimiento de Rogier Van der Weyden. Aspectos tecnicos de sus copias mas fieles Maria Antonia Lopez de Asiain, La restauracion de La Crucifixion del Maestro de la Leyenda de santa Catalina en el Prado Maria Dolores Gayo, Maite Jover de Celis, El Calvario de Rogier van der Weyden: los materiales del soporte y de la pintura Loreto Arranz Gozalo, La restauracion de la capa pictorica del Calvario de Rogier van der Weyden Jose de la Fuente, La restauracion del soporte del Calvario de Rogier van der Weyden ‎

‎Rogier Van Der Weyden in Context. Proceedings of Symposium XVII, Leuven, November 2009 ‎

‎BE - , Peeters leuven,, 2012 Gebonden, Hardcover.402 Pages, Illustrated. 30x305x221 mm. English. ISBN 9789042926929.‎

‎On 20 September 2009 the new M-Museum Leuven (Belgium) was inaugurated with the opening of the exhibition Rogier van der Weyden 1400-1464 - Master of Passions. The starting point of the exhibition was the work of Rogier van der Weyden himself and the intention was to display and define his individual style and contribution. To demonstrate the significance of his overwhelming influence across artistic media, his own works were brought together with those of his contemporaries and followers: painters, designers, sculptors, tapestry weavers and embroiderers. His significance was reflected in the international Colloquium Rogier van der Weyden in Context, which took place on 22, 23 and 24 October 2009. It was organised by Illuminare - Centre for the Study of Medieval Art (KU Leuven), the Art History Department KU Leuven and Artes.Leuven, in conjunction with the UCL (Catholic University of Louvain-la-Neuve, Laboratoire d'etude des oeuvres d'art par les methodes scientifiques) and the KIK-IRPA (Royal Institute for Cultural Heritage, Belgium). It was the XVIIth Symposium for the Study of Underdrawing and Technology in Painting, yet its scope was extended beyond the technical examination of paintings so that the work of one great genius, Rogier van der Weyden, could be considered in a variety of contexts. The papers in this volume are grouped around the following themes: (i) Rogier van der Weyden, painter and designer; (ii) Archival sources; (iii) Studies in painting; (iv) Studies in underdrawing; (v) Studies in sculpture; (vi) The legacy of Van der Weyden.‎

‎Rogier van der Weyden. St. Luke Drawing the Virgin. Selected Essays in Context,‎

‎Turnhout, Brepols, 2008 Hardback, 200 p., + ill., 210 x 297 mm. ISBN 9782503505725.‎

‎C.J. Purtle; Rogier's St. Luke at the Crossroads , D. Apostopoulos-Cappadona; Picturing Devotion: Rogier's St. Luke Drawing the Virgin, A.G. Kann; Rogier's St. Luke: Portrait of the Artist or Portrait of the Historian? R. Spronk & R. MacBeth; Rogier's St. Luke Drawing the Virgin in the Laboratory: Findings from Technical Examinations and Some Art Historical Implications A. Acres; Luke, Rolin and Seeing Relationships E.M. White; Rogier van der Weyden, Hugo van der Goes and the Making of the Netherlandish St. Luke TraditionC. Eisler; Comments M.A. Faries; The Infrared Studies of Rogier van der Weyden's St. Luke Drawing the Virgin: Stages of Investigation and Perception J.H. Marrow; Artistic Identity in Early Netherlandish Painting: The Place of Rogier van der Weyden's St. Luke Drawing the Virgin and Child T. Borchert; Rogier's St. Luke: A Case of Corporate Identity? R. Newman; The Painting Materials Used by Rogier van der Weyden in St. Luke Drawing the Virgin Appendix I: Correspondence concerning the work from the files of the Museum of Fine Arts, Boston Appendix II: Reprint of 'A Record of Restoration' Helmut Ruhemann. Bibliography. Languages : English.‎

‎ROGIER VAN DEN WEYDEN.‎

‎, Brussel, Paleis der Academien, 1974., Gebrocheerd, 8? -in, 165pp.‎

‎Roger van der Weyden en zijn tijd. Internationaal colloqium 11-12 juni 1964. Roger van der Weyden et son epoque. Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie, Klasse der Letteren.‎

‎L'oeuvre de Roger de la Pasture van der Weyden (1399-1400/1464)‎

‎, 1964 88pp.avec ills.en couleurs & n/bl, Catalogue d'Exposition à l'occasion du 500e anniversaire de la mort de Roger de la Pasture-van der Weyden‎

‎The Flemish Primitives I: The Master of Flémalle and Rogier van der Weyden Groups. Vol 1. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium‎

‎Stroo, Cyriel & P.Syfer-d'Olne: The Flemish Primitives I: The Master of Flémalle and Rogier van der Weyden Groups. Vol 1. Brussels: Brepols, 1996. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 275pp with 30 colour plates and 174 monochrome illustrations. Boards. 30x21.5cms. A detailed scholarly catalogue of eighteen early Netherlandish paintings in the Royal Museums of Fine Arts, Belgium. Details given for each entry include: physical description, provenance, exhibitions, restoration, technical notes; status quaestionis, iconography, comments and bibliography (works and articles, exhibition catalogues, sales catalogues), concordance of old/new attributions, index of works.‎

‎A detailed scholarly catalogue of eighteen early Netherlandish paintings in the Royal Museums of Fine Arts, Belgium. Details given for each entry include: physical description, provenance, exhibitions, restoration, technical notes; status quaestionis, iconography, comments and bibliography (works and articles, exhibition catalogues, sales catalogues), concordance of old/new attributions, index of works. Text in English‎

‎Flemish Primitives I. The Master of Flemalle and Rogier van der Weyden Groups.‎

‎, Brepols Publishers, 1996 hardback 308 pages ., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015.‎

‎This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting. ‎

‎Rogier Van der Weyden. Rogier de La Pasture.‎

‎Bruxelles, Musée communal, 1979, in-4 oblong, br., 178 pp., nombreuses ill. en noir et en couleurs, bibliographie. (S4B87m) ‎

‎Catalogue de l'exposition organisée dans le cadre du Millénaire de Bruxelles, au Musée Communal de Bruxelles, 1979. Rogier Van der Weyden était le peintre officiel de la ville de Bruxelles et le portraitiste de la Cour de Bourgogne. ‎

‎The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium‎

‎Stroo, Cyriel et al: The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Brussels: 2001. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards. 30x21.5cms. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden.‎

‎Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English‎

‎Rogier van der Weyden : 1400 - 1464 De Passie van de Meester ‎

‎Leuven, Davidsfonds / waanders, 2009 Gebonden in linnen met stofomslag, NL, 592 pagina's . met 450 Kleurenfoto's en 50 Zwart-wit foto's: In goede staat., 315 x 260 x 55 mm, ISBN 9789085261049.‎

‎standaardwerk over Van der Weyden. Het boek bevat meer dan vijfhonderd illustraties. De sobere, maar stijlvolle vormgeving, de kwaliteitsvolle uitvoering van het boek staan garant voor uren kijk- en leesplezier.‎

‎Early Netherlandish Painting from Rogier van der Weyden to Gerard David ‎

‎, Brepols, 2010 Paperback, 264 p., 221 ills., 33 in colour, 210 x 280 mm, Languages: English . ISBN 9781905375707.‎

‎ Otto Pacht examines the great Netherlandish painters of the 15th and early 16th century by putting emphasis on formal analysis and on direct contact with the works of art themselves, and by discussing every facet of the works including style, mood, iconography, symbolism and construction of space. Otto Pacht's studies of the Early Netherlandish painters are the fruit of a lifetime's research. Following his book on the brothers Van Eyck and their circle, this volume deals with the next generation of artists, the great figures of the 15th and early 16th century: Rogier van der Weyden, Petrus Christus, Aelbert van Ouwater, Dieric Bouts, Justus van Gent, Hugo van der Goes, Geertgen tot Sint Jans, Hans Memling and Gerard David. In the tradition of the Vienna School, Pacht's approach puts emphasis on formal analysis and on direct contact with the works of art themselves. Taking certain key works by each artist as examples, he discusses every facet of the work including style, mood, iconography, symbolism and construction of space. The chapters are linked by the theme of imitation and continuation: the author compares the same subject as treated by various artists and shows how artists adopted developed ideas and motifs first employed by their predecessors. Although his touchstone was the evidence of his eyes, Pacht was always responsive to the theories of other scholars, and this volume is a gateway to an influential period in the history of art. The proximity of the illustrations to the text enhances his account of the great figures of the period, and there is a folding plate, in colour, of Rogier van de Weyden's Last Judgement alterpiece for the chapel of the hospital, the Hotel-Dieu, in Beaume. ‎

‎Rogier van der Weyden, 1399/1400-1464 : meesters van de Lage Landen‎

‎, Konemann, 1999 Hardcover, 140 pagina's, NL, 320 x 280 mm, Nieuw !, met illustraties in kleur., ISBN 9783829025706.‎

‎Rogier van der Weyden was een Vlaamse kunstschilder die gerekend wordt tot de school der Vlaamse Primitieven. Hij zou opgeleid zijn in het atelier van Robert Campin, samen met onder meer Jacques Daret. Naast Jan van Eyck wordt Van der Weyden als de belangrijkste Vlaamse schilder van de 15e eeuw beschouwd.‎

‎Rogier van der Weyden en zijn tijd. Roger van der Weyden et son époque. (Colloque internationale 11 - 12 juin 1964). (Congress Proceedings).‎

‎ Brussel, Kon. Ac., 1974, in-8°, 165 pp, sewn, b/w ills., (French and Dutch).‎

‎Meister von Flemalle. Die Werkstatt Robert Campins und Rogier van der Weyden,‎

‎Turnhout, Brepols, 1997 Hardback, 210 p., incl. 5 colour + 208 bl/w. ills., 190 x 250 mm. ISBN 9782503505664.‎

‎This publication investigates the individual works ascribed to the Master of Flemalle, presenting new conclusions regarding division of hands and dating. The group of paintings ascribed to the Master of Flemalle is one of the most outstanding and at the same time most enigmatic of early Netherlandish painting. Influential throughout the 15th century, these works are nowadays regarded, together with those of the Van Eyck brothers, as a starting point of Northern renaissance art. Ever since these paintings were grouped together a hundred years ago, on the grounds of stylistical analysis, they have been the object of controversial scholarly debates, concerning the identity of the artist and the coherence and homogeneity of the oeuvre. This publication presupposes neither the most newly assumed identification of the artist with Robert Campin of Tournai nor the homogeneity of the oeuvre. Instead, the investigation concentrates on the individual works, starting with the eponymous paintings in Frankfurt. Using the whole range of art historical methods and the results of technical investigations, the study presents new conclusions regarding division of hands and dating. Furthermore, the sometimes complex relations between different works are investigated. Another important result of the study is the reconstruction of now dismembered ensembles. In the course of the study, the Flemalle group turns out to be the work of several artists rather than the oeuvre of one master. There seem to be two major sub-groups which are connected with each other and which may even have come from one workshop. In the light of these findings, the study gives a new evaluation of the roles of Robert Campin and Rogier van der Weyden. Languages: German.‎

‎Rogier van der Weyden (Roger de Le Pasture) (French Edition)‎

‎, Tricorne 1987, 1987 Hardcover, 110 pages, Texte en Francais, 310 x 240 mm, une bon exemplaire. ISBN 9782204025379.‎

‎Van der Weyden utilise les d couvertes de ses illustres pr d cesseurs, le Ma tre de Fl malle et Jan van Eyck, pour traduire un espace nouveau qu'il adapte sa vision essentiellement gothique. Prestigieux coloriste doubl d'un vigoureux inventeur de compositions nouvelles, il cr e de nombreux sch mas iconographiques nouveaux sous l'impulsion de commanditaires tr s au fait des pr occupations religieuses de l' poque. De nombreuses inconnues sur la carri re et l'oeuvre de l'artiste subsistent. Parmi les diff rentes hypoth ses le parti choisi est celui de la plus grande vraisemblance accept par la majorit de la critique d'art. Les plus r centes d couvertes ont toujours t utilis es, rendant le livre plus actuel. L'oeuvre est replac dans son contexte historique. La Bourgogne des Valois, et religieux. L'artiste est tributaire du climat spirituel qui l'entoure. Au XVe si cle s'est d velopp dans les Pays-Bas un mouvement spirituel tr s novateur connu sous le nom de Devotio Moderna qui recommande la m ditation m thodique des fins derni res et de la vie du Christ, principalement de sa Passion. Support de la pens e religieuse, l'art, essentiellement chr tien de Rogier van der Weyden de ses contemporains s'enrichit d'une symbolique des objets utilis s par l'artiste pour expliquer et compl ter le sens premier de l'image. Les principaux panneaux peints de Rogier sont ainsi tudi s, dans la double optique de leur signification et de leur valeur artistique. La r f rence aux sources textuelles des images est constante sans n gliger le r le des commanditaires essentiel dans un temps o le peintre n'est encore qu'un artisan. Les nombreuses photos couleur indispensables l' tude des Primitifs, qui illustreront cet ouvrage en confirment l'actualit .‎

‎Roger van Der Weyden‎

‎Librairie nationale d'art & d'histoire G. Van Oest & Cie, collection "Les grands artistes des Pays-Bas", Bruxelles-Paris, 1912. In-8, broché, 127 pp. Chapitre I. La peinture au XVe siècle dans les Flandres. - II. Naissance de Roger van Der Weyden. Son apprentissage. Ses premières œuvres. - III. Peintures de l'Hôtel-de-Ville de Bruxelles. Cartons de tapisseries. - IV. Les "Descente de croix" de ...‎

‎Planches en noir et blanc en hors texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Rogier van der Weyden‎

‎ 1973 Arcade Hardcover As New ‎

‎Rogier van der Weyden éssai accompagné d'un catalogue critique des oeuvres qui lui ont été attribuées ainsi qu'a Robert Campin hard coveravec jacquette et etui, 300 x 245 mm, 344pp, illustrations, comme neuve , état superieur‎

‎Rogier van der Weyden‎

‎ 1973 Arcade Hardcover As New ‎

‎Rogier van der Weyden éssai accompagné d'un catalogue critique des oeuvres qui lui ont été attribuées ainsi qu'a Robert Campin Reliure en lin rouge , avec jacquette et etui, 300 x 245 mm, 344 pp, illustrations, comme neuve , état superieur‎

‎Hommage Roger de le Pasture-van der Weyden, 1464-1964‎

‎, Bruxelles : Minist re de l' ducation nationale et de la culture, 1964 Couverture souple 50 pp ill b/n Texte en Francais.‎

‎Cath drale [Tournai] [Kathedraal [Doornik] Expo / Tentoonstelling: Cath drale [Tournai]. 1964/11/15 - 1964/12/15‎

‎Dessins du XVème siècle : Groupe Van der Weyden.‎

‎Bruxelles, s.n., 1969, in-4, toile bleu lavande et jaquette éd., 324 pp., 68 planches en noir in fine, bibliographie, index. (S4B87h) ‎

‎Essai de catalogue des originaux du maître, des copies et des dessins anonymes inspirés par son style. ‎

‎Maitres de l art flamand - Rogier Van der Weyden 1399/1400 - 1464‎

‎ 1999 Konemann Hardcover Fine ‎

‎Maitres de l art flamand - Rogier Van der Weyden 1399/1400 - 1464 broché, avec antipoussiere, 320 x 275 mm, 140 pp , tres bon etat ‎

‎Flemish Primitives III, Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden.‎

‎, Brepols Publishers, 2002 hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297.‎

‎The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)‎

‎Rogier Van der Weyden and Stone Sculpture in Brussels ‎

‎, Brepols - Harvey Miller, 2013 Hardback, IV 237 p., 65 b/w ill. 170 colour ill., 220 x 280 mm, Languages: English. ISBN 9781909400153.‎

‎The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels?s famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor?s workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum?s reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden?s direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century. Bart Fransen holds a doctorate in Art History from the Catholic University of Leuven. He is currently head of the Centre for the Study of the Flemish Primitives, a specialized research unit and part of Belgium's Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels.. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands (HMDC 2)‎

‎Rogier Van der Weyden - Roger de Le Pasture.‎

‎[s.l, Paris], Editions du Cerf / Tricorne, 1987 1 volume 23 x 30,4cm Reliure éditeur pleine toile sous jaquette illustrée couleurs. 110p., 1 feuillet; illustrations en noir in texte, vignettes et pleines pages, 5 cahiers hors texte de planches couleurs sur papier couché (3 de 16 et 2 de 8) soit 64 planches couleurs dont 1 dépliante. Bon état (quelques petites rousseurs sur les gardes et contre-plat du dessous). ‎

‎Vie et oeuvre du peintre de l'Ecole flamande Rogier Van der Weyden (nom flamand) ou (forme wallonne de son nom) Rogier de Le Pasture (1400?-1464) par l'historienne de l'art Odile DELENDA, spécialiste d'iconographie chrétienne, qui inscrit l'oeuvre dans son contexte historique et religieux, "la Bourgogne des Valois, la spiritualité des Chartreux et la "Devotio moderna"", imagine "la condition du peintre, riche artisan, pieux et philanthrope" (l'autrice), et étudie les principaux panneaux peints par l'artiste; reproductions en noir et 64 planches hors texte de reproductions couleurs de peintures dans leur ensemble et de détails: "104 illustrations dont 80 en couleurs" annoncées; notes et références; chronologie; bibliographie. Exemplaire bien complet de sa jaquette. ‎

‎L'oeuvre De Roger De Le Pasture Van Der Weyden‎

‎Générique Broché D'occasion bon état 01/01/1964 87 pages‎