Paris, Hachette, Collection Chefs-d'oeuvre de l'Art, Grands Peintres, N° 77, 1966. In-4, (26,5 x 35,5 cm), broché, couverture glacée illustrée en couleurs et à rabats.
16 planches en couleurs hors texte et en noir dans le texte, une bibliographie, des notes, des informations par de grands spécialistes et critiques de notre temps. ÉTAT NEUF. Photos sur demande.
Halle, 1966 Complete in 2 volumes, together 710pp. (continuous pagination), 30cm., Doctoral Dissertation (Habilitationsschrift vorgelegt der Philosophischen Fakultät der Martin-Luther-Universität Halle-Wittenberg), hardcovers (corners bit bumped), text in typoscript, weight: 3.7kg., T112851
Jena, Verlag von Gustav Fischer, 1910 ; 159 x 235 mm, 4 pp., couverture et feuille collées. Tiré à part, en langue allemande. "Zeitschrift für Immunitätsforschung und experimentelle Therapie". Fünfter Band. Viertes Heft. 1910 (Separatabdruck aus der). Bon état.
Berlin, Gebrüder Borntræger, 1906 ; 161 x 243 mm, 8 pp., couverture et cahier agrafés. Tiré à part, en langue allemande. Den Berichten der Deutschen Botanischen Gesellschaft. Jahrgang 1906, Band XXIV, Heft 10 (Sonderabdruck aus). Bon état.
Berlin, Gebrüder Borntræger, 1907 ; 166 x 245 mm, 4 pp., couverture et feuille collées. Tiré à part, en langue allemande. Den Berichten der Deutschen Botanischen Gesellschaft. Jahrgang 1907, Band XXV, Heft 6 (Sonderabdruck aus). Bon état.
Berlin, Gebrüder Borntræger, 1907 ; 159 x 245 mm, 8 pp., couverture et feuilles collées. Tiré à part, en langue allemande. Den Berichten der Deutschen Botanischen Gesellschaft. Jahrgang 1907, Band XXV, Heft 5 (Sonderabdruck aus). Bon état.
Kopenhagen, Prost, 1780. Small 8vo. Contemp. hcalf. pine gilt and titlelabel with gilt lettering. A bit rubbed. Stamps on titlepage. (12),148 pp.
Very scarce.- Bibl. Danica II:890.
Kopenhagen, Prost, 1780. Small 8vo. Contemp. boards. Gilt spine. Nick to titlelabel. Stamp on title-page. (12),148 pp.
BELLEVUE - CAPITOL. 1973. In-12. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 184 pages - dos desolidarisé - tranches rouges - 1 annotation sur le 1er contre-plat et sur la page de faux-titre.. . . . Classification Dewey : 830-Littératures des langues germaniques
Classification Dewey : 830-Littératures des langues germaniques
Leopold. 1983. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 226 pages. Texte en néerlandais.. . . . Classification Dewey : 490-Autres langues
Roman. Omslag van Daan Gort. Classification Dewey : 490-Autres langues
Spengler 1995 190 pages in12. 1995. broché jaquette. 190 pages.
Couv en bon état-quelques rousseurs sur les tranches-texte jauni
, Brepols, 2022 Hardback, 478 pages, Size:156 x 234 mm, Illustrations:25 b/w, 9 col., 4 maps b/w, 4 maps, Language: English. ISBN 9782503594026.
Summary Although 'Otherness' is an extremely common phenomenon in every society, related research is still at its beginnings. 'Otherness' in the Middle Ages is a versatile and complex theme that covers a great number of different aspects, facets, and approaches: from non-human monsters and cultural strangers from remote places up to foreigners from another country or another town; it can refer to ethnic, cultural, political, social, sexual, or religious 'Otherness', inside or outside one's own community. In any case, however, 'Otherness' is a subjective phenomenon depending on personal views and ascriptions, an issue of 'imagination' and experience rather than 'reality'. There is neither one single model of alterity nor is 'Otherness' a stable phenomenon, but it changes over time and according to the cultural context. All this calls for methodological reflection and needs thorough investigation. The methodological introduction and the 18 contributions of this volume demonstrate the great diversity of the theme and its different manifestations and perspectives. They tackle the problem from distinct angles and disciplines (history, art history, archaeology, literary history, and philology) in a wide chronological and thematic frame, using different methodological approaches, dealing with different areas (from Northern and Southern Europe to Byzantium and India), perspectives (including law, social order, the past, a sea), and diverse kinds of sources. They examine all kinds of 'Otherness' mentioned above, highlight demarcation and rejection, aversion or acceptance, assimilation and integration, thus relativizing a strict dichotomy between 'the Self' and 'the Other' or between inside and outside. This volume is so far the most comprehensive attempt to tackle the huge problem of 'Otherness' in the Middle Ages. TABLE OF CONTENTS Introduction: The Many Facets and Methodological Problems of 'Otherness' ? HANS-WERNER GOETZ AND IAN WOOD The Mediterranean Other and the Other Mediterranean: Perspectives of Alterity in Medieval Studies?NIKOLAS JASPERT Strangers in the House of Israel: Confronting the Problems of Inner Diversity in Jewish Communal Ordinances at the End of the Middle Ages?MARTIN BOR SEK Between a Rock and a Hard Place? South-Italian Portrayals of Franks and Byzantines in the Ninth Century?CLEMENS GANTNER The Construction of Allegiance and Exclusion in Erchempert's Historia Langobardorum Beneventanorum?SOPHIE GRUBER Other Genders, Other Sexualities: Crises of Identity in Medieval French Ovidian Narratives?SYLVIA HUOT The Jew as the 'Other' in Word and Deed?ASTRID KHOO Layers of 'Otherness': Appearance Defining and Disguising 'Otherness' in Byzantine Monasticism?NIKE KOUTRAKOU The 'Others' from Within: Herders between Rural Communities and Venetian Governance on Late Medieval Kor?ula?FABIAN K MMELER Assimilating 'Otherness' in Early Islam?EDUARDO MANZANO MORENO The Familiar Stranger: Biblical Perception and Depiction of Muslims in Christian Chronicles of the Iberian Peninsula, c.900?PATRICK S. MARSCHNER Not 'the Other': Barbarians and the End of the Western Roman Empire?RALPH W. MATHISEN How 'Other' Was the Viking Otherworld??MEGHAN MATTSSON MCGINNIS Otherness as an Ideal: The Tradition of the 'Virtuous' Indians?YU ONUMA Distinctive Signs and Otherness: The Depiction of Prophets, in the Late Fourteenth Century in the Cathedral of Toledo (Spain)?MARIA PORTMANN 'It Was the Law Back Then': The Viking Age as the Other in Medieval Scandinavian Legal Thought?ROLAND SCHEEL The Other- Part of the World for Late Medieval Latin Christendom?FELICITAS SCHMIEDER The Muslim Archother and the Royal Other: Aristocratic Notions of Otherness in Fourteenth-Century Portugal?TIAGO JO O QUEIMADA E SILVA 'Otherness' Within? The S mi in Medieval Scandinavian Law?MIRIAM TVEIT General Index Index of Names and Subjects Related to Otherness
, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 512 pages , NEW, Edition: English. ISBN 9783836580922.
A condensed edition of the best-selling Basquiat monograph. Pristine reproductions of Basquiat?s seminal paintings, drawings, and notebook sketches, as well as texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne, bring us up close and personal to a legend synonymous with 1980s New York.
Stuttgart, Belser Presse, 1967, in-4to, 91 p. + 4 full page etchings, half leather bound, gilt title on red leather spine, gilt name of author on front cover, in matching slipcase. As new.
Artistic German-English parallel edition, illustrated with 4 full page etchings by the famous Swiss artist Hans Erni. Printed in 1000 copies, handnumbered and signed in pencil by the artist on the impressum; one of 850 copies on “Zerkall-Bütten", nr. 822.Second issue. The original English version of the address, delivered by the famous German physicist Werner Heisenberg, on the Hill of Pnyx, Athens, the 3rd of June 1964, was published in «Frontiers of modern scientific philosophy and humanism, the Athens Meeting 1964». Amsterdam 1966.
Phone number : 41 (0)26 3223808
Ostfildern-Ruit, Hatje Cantz Publishers, 2010 Faux-alligator binding, with paper strip, 224 pages, 29.5 x 23.5 cm. English text. *Fine condition. ISBN 9783775725217.
When the Berlin Wall fell in 1989, the artist Neo Rauch was 30 years old, living in his East German hometown of Leipzig and just beginning to exhibit his paintings. It was the perfect moment for a painter who had been reared on Social Realism to gain access to art outside East Germany, to receive its influences into his art and to emerge onto the stage of world art as a star. At first closely identified with the generation of painters known as the Leipzig School, in recent years Rauch's wonderfully bizarre blend of Social Realism (not exactly a widely-mined style in contemporary art) with de Chirico or Stanley Spencer has come to be seen as a painterly barometer of post-Communist Europe. "Post-Communist Surrealism" could therefore be one way to describe the look of his canvases, which convey narrative intent--men and women from various historical eras performing obscure tasks in uniform, or midway through some ominous occasion--shifting styles several times within the same picture, but always displaying a lush brushwork. Rauch has established a particularly strong audience in the U.S., having been championed by The New York Times' Roberta Smith as the painter of the zeitgeist. Marking Rauch's fiftieth birthday and a simultaneous retrospective in Leipzig and Munich featuring works dating from 1982 to early 2010, this monograph is the most substantial appraisal of his work published to date. In it, his friends and colleagues supply testimonies, among them Luc Tuymans, Jonathan Meese and Micha l Borremans. Alongside essays by critics and historians, Timm Rautert provides a photographic portrait of Rauch's studio.
, Taschen, 2025 Hardcover, 25 x 33.4 cm, 3.45 kg, 616 pages, Edition: Multilingual (English, French, German) *new. ISBN 9783836599108.
From existential paintings and motifs painted upside-down to rough-hewn wooden sculptures and remixes of earlier paintings?the art of Georg Baselitz is consistently challenging. With 400+ images from 1960 to the present, this updated monograph presents the full range of his work in stunning depth and detail. Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of ?Heroes? that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving, from 1980 on Baselitz also created rough sculptures hewn from wood with axe and chainsaw, then adding bronze to his materials in the late 2000s.
, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 512 pages , English, . ISBN 9783836582490.
A year-by-year journey through the life and work of David Hockney that follows the artist from London in the Swinging Sixties, via Californian swimming pools, to the landscapes of his native Yorkshire. Artworks and biographical text together let the reader take part in Hockney?s artistic research, inspiration, and creation.
, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 512 pages , NEW ,Edition: English, French, German ISBN 9783836581950.
Renowned for his politics as much as for his art based on social intervention, a new approach to the readymade, and Chinese traditional crafts, Ai Weiwei?s fame extends beyond the art world. This monograph explores 30 years of work, from his exile in 80s New York to the art as social campaign that led to his detention.
, Taschen, 2022 Hardcover, 248 pages, ENG, 385 x 300 mm, NEW, dustjacket, XL-edition, with illustrations in color, . ISBN 9783836593922.
David Hockney?s artist?s book in an unlimited XL-edition When David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital drawings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line. Each image in this book captures a fleeting moment seen through a window in Hockney?s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 drawings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney.
, Taschen Gmbh 2012, 2012 Hardcover, 317 pages, English/French/German, 225 x 185 mm, much info, pictures and illustrations, book in fine state, . ISBN 9783836536189.
Now you're in the know. This is a cutting-edge selection of the artists that matter the most. Tracking the trends of art in the world today, bringing you illustrations and information about all the most important artists. Want a head start on the things you'll be seeing in art institutions a decade down the road? Look no further than this special edition featuring highlights from Art Now 3 . A to Z magazine-style entries include captivating images of important recent work, short biographies, exhibition history and bibliographical information. The illustrated appendix features names and contact information for the galleries representing the artists featured, as well as primary market prices and examples of auction results. Think of this tome as a global go-round of the world's most influential galleries: a truly invaluable, invigorating, and intense experience.
2007 Paris, Christian Bourgois, 2007, 13 x 20 , 249 pp état neuf car service de presse
traduit de l'allemand par Marie-Claude Auger.
FASSBINDER (Rainer Werner) - IDEN (Peter) - KARSUNKE (Yaak) - PRINZLER (Hans-Helmut) - ROTH (Wilhelm) - WIEGAND (Wilfried) -
Reference : 42595
Textes traduits de l'allemand par Esther Tanon - Nantes : L'Atalante, 1982. Un volume broché (13x20 cm) sous jaquette illustrée, 233 pages. Illustré de photographies en noir. textes de Peter Iden, Yaak Karsunke, Hans-Helmut Prinzler, Wilhelm Roth et Wilfried Wiegand. Filmographie in-fine. Bon état.
Arend Brigitte, Hesse Gunter, Prahl Hans-Werner
Reference : RO60154196
(1983)
ISBN : 3150095743
Philipp Reclam. 1983. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 158 pages. Texte en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Sommaire : Arbeit und Arbeitslosigkeit im Wandel, par Hans-Werner Prahl - Arbeitsvermittlung und Arbeitslosenversicherung (1900-30), par Horst Peters - Die Ohnmacht der Gewerkschaften, par Timothy W. Mason - etc Classification Dewey : 430-Langues germaniques. Allemand
"etc J. J. Baumgartner Jürgen Thorwald Hans-Werner Richter Helmut Bohn Carl Zuckmayer Ruth Fischer Arnold von Rechberg Rolf Wagenführ"
Reference : 8306
(1950)
"1950. Sans lieu Documents revue mensuelle des questions allemandes n°3 mars 1950 - Broché 14 cm x22 5 cm 98 pages - Textes de J. J. Baumgartner Jürgen Thorwald Hans-Werner Richter Helmut Bohn Carl Zuckmayer Ruth Fischer Arnold von Rechberg Rolf Wagenführ etc bibliographie éphéméride - couv. restaurée sinon bon état intérieur Bon état"
Editions Ides et Calendes, Neuchâtel et Paris, S.d. Un volume 23 x30. 112 pp. Cartonnage éditeur sous jaquette illustrée, illustré de 72 planches photographiques tirées en héliogravures de Hans Keusen. Edition originale.