922 books for « tim »Edit

‎Sophies Reise fra Nemel til Sachsen. Oversat af det Tydske efter den retmæssige tredie, af Forfatteren igiennemseete og formerede Udgave, i sex Bind, ved Jacob Wolf. 1.-6. Deel (6 Bd., komplet).‎

‎KIøbenhavn, Gyldendal, 1782-84. Indbundet i 2 samtidige hldrbd. med ophøjede bind på ryg og forgykldte rygtitler. Rygge med brugsspor. En smule skind bortslidt fra nederste rygfelt på bd. 4-6. Permernes sidepapir dlevist bortslidt. Ial ca. 2.900 pp. Mangler titelbladet til 5. Del. Med 5 store kobberstukne titelvignetter samt 6 kobberstukne frontispiecer, alle stukne af Peter Haas (som kopier efter Chodowiecki).‎

‎Første danske udgave. Ganske sjælden. - Bibl. Danica IV:459.‎

‎Ist es England gelungen, seinen Raubzug gegen Dännemark zu rechtfertigen ? Eine Untersuchung veranlasst durch die Englische Deklaration vom 25. Sept. 1807.‎

‎Kiel, Akademischen Buchhandlung, 1807. Later full fabrikoid. Gilt lettering on spine. 157 pp. Wide-margined, printed on good paper.‎

‎Er det lykkets England, at retfærdiggjøre sit Røvertog imod Dannemark ? En Undersøgelse, foranlediget ved den engelske Declaration af 25. Sept. 1807. Oversat af Frederik Høegh=Guldberg.‎

‎Kiel, Academiske Boghandling, 1807. Lille 8vo. Samtidigt hldrbd. Rygforgyldning. Forgyldt titeletiket. Øverste kapitæl lidt slidt. Stempel på titel-bladet. 150 pp. Trykt på skrivepapir.‎

‎Vanishing Birds. Their Natural History and Consevation. Foreword by Bruce Campbell.‎

‎London, (1978). Oboards. Part of wrappers pasted in. 296 pp. Colourplates a. textillustr.‎

‎A Guide to the Birds of Nepal. Sec. ed.‎

‎London, (1991). Small 4to. Oboards. Part of wrappers pasted in. 400 pp., 8 colourplates, many textillustr.‎

‎Catastrophe Theory and its Applications.‎

‎London, San Francisco, (1978). 4to. Orig. boards with dustjacket.‎

‎Petit Livre Blanc, Debut, Tim van Steenbergen.‎

‎Antwerp, company Mitzlavv PRIVATE EDITION , 2002 Bound, special design white hardcover, 64 pages with illudstration and an frontispiece with litho. "Le Petit Livre Blanc", a publication on Tim is a booklet printed on hand-layered paper evokes his special story. tirage limite no. 36 / 600.‎

‎Tim Van Steenbergen graduates Magna cum Laude at the Antwerp Royal Academy of Fine Arts (fashion department, textile creation and theatre costume). Subsequently he takes classes in drapery and couture techniques and works as the first assistant of Olivier Theyskens. His first collection is launched in 2002 in Paris and in the same year he sets up his own Meanwhile he's up to his twelfth collection/fashion show and the label Tim Van Steenbergen is being sold in various exclusive boutiques all over the world. His style evolves into a refined pureness, female elegance, but is still very comfortable and wearable. He is a master of contemporary drapery and every detail, high quality standards, tradition and craftsmanship are being cared for. Tim Van Steenbergen also creates jewellery for Swarovski UK, shoes for Novella Italia, a "Barbie" outfit, a jean for Xfit by Lycra, an haute couture dress for the Museum of Fine Arts and Lace in Calais (France) and the bag "le Seau Elsa" for the french label Lancel. He presents a fashion show for Prince Philippe and Princess Mathilde on the Belgian Gala Night during an economic mission in Warshaw (Poland). Further Tim Van Steenbergen exposes four haute couture dresses within the project "Framed", in The Groeninge Museum in Brugge and at the occasion of the motion pictures festival in Cannes. He also sets up an installation "Stills" at the Biennale of Venice in 2003, besides several other expositions into which he participates. He creates the costumes for the opera "Hanjo" , directed by Anne Teresa De Keersmaecker for the Festival Lyrique d'Aix-en-Provence and the Monnaie Opera in Brussels. as artistic director of the fashion company Donaldson he designs 3 collections Tim Van Steenbergen designs the costumes for "Hersenschimmen" of the RO Theatre in Rotterdam and for ?D?Un Soir Un Jour?, a dance creation by Rosas / Anne Teresa De Keersmaecker in collaboration with De Munt Brussels. He works as costume designer for ?Mefisto? By het Toneelhuis Antwerp in corporation with artistic director Guy Cassiers and for ?Steve Reich Evening? by Rosas / Anne Teresa De Keersmaecker. For more information you can consult www.timvansteenbergen.com‎

‎Adrian Ghenie, Jonathan Meese, Rinus Van De Velde: Kunst, Kunst, Kunst, catalogue Tim Van Laere Gallery.‎

‎Antwerpen , Tim Van Laere Books 2019, 2019 Bound, hardcover, 136 pages, Illustrated. 25,8 21,7 cm NL/ENG. ISBN 9789082714562.‎

‎Tim Van Laere Gallery volgt de filosofie van een artist?s gallery, waar het faciliteren en begeleiden van kunstenaars op de eerste plaats staat. Over de jaren heeft Tim Van Laere, samen zijn director Elke Segers en het TVLG team, een sterk programma uitgebouwd met een reeks memorabele solotentoonstellingen. Naarmate de ambities van de galerie en haar kunstenaars groeiden, werd het steeds voelbaarder dat de ruimte in de Verlatstraat niet meer voldeed om mee te groeien met de evolutie van de kunstenaars. Tim Van Laere droomde al langer van een eigen galerie te bouwen als losstaand paviljoen dat helemaal op maat van de kunst werd ontworpen. Die droom wist hij waar te maken via de samenwerking met OFFICE Kersten Geers David Van Severen en projectontwikkelaar Triple Living op Nieuw Zuid. De galerie opende met de tentoonstelling KUNST KUNST KUNST, een groepstentoonstelling waarbij Adrian Ghenie, Jonathan Meese en Rinus Van de Velde met elkaars visie werden geconfronteerd. Verschillende media werden getoond zoals schilderijen, sculpturen en tekeningen.‎

‎In Der Minne, Colin H. Van Eeckhout (AMENRA) Photography by Tim Tronckoe‎

‎, Tim Tronckoe featuring, 2023 Hardcover, Collector's edition, limited to 600 copies. and SIGNED. Size: 31 x 30 cm Pages: 104 pages, including foldout. FINE!‎

‎?In Der Minne?, the highly anticipated photographic art project by Tim Tronckoe featuring Colin H. Van Eeckhout (Amenra), honouring the works by Belgian sculptor and draftsman George Minne. ?In Der Minne? is a black and white photography project, focusing on human tragedy. Being an undeniably relevant theme, Tim starts from the sculptural work by 19th century Minne, to transpose his themes onto the photographic medium, using Colin as a medium to echo the feelings of pain, loss and grief. Tim?s ambitious project has landed him into this book, a museum launch and a gallery show most creatives can only dream of.‎

‎Franz West (Tim Van Laere Gallery) Tim Van Laere, Interview Franz West by Andreas Reiter Raabe‎

‎Antwerpen -, Tim Van Laere Books , 2017 Bound, Hardcover, 96 pages, Illustrated. NL/ENG. ISBN 9789082714531.‎

‎The catalog to the third solo exhibition by the internationally acclaimed Austrian artist Franz West ( 1947, Vienna 2012, Vienna) at Tim Van Laere Gallery. West is without doubt one of the most important sculptors and environment artists of contemporary art. His oeuvre is characterized not only by the forms he invents, but also for the communicative quality with which he directly addresses the viewer, urging him/ her to participate. The exhibition brings together various aspects from the broad oeuvre of Franz West. Both collages, sculptures from papier-m ch , plaster and polyester, furniture, an outdoor sculpture in aluminium and installations from different periods of his career are shown. In the mid-1970s, West made his so-called Pa st cke (Adaptives), movable sculptures made of plaster and metal that were intended to be moved, touched, and handled ? transforming viewers into participants. For West, the essence of the artwork is not the aesthetic quality, but how the work is used. These objects stimulate the ingenuity of the public and disrupt conditioned behavior in the exhibition space. From the 80s, he incorporated more fragile materials, such as papier-m ch and glass bottles in his sculptures, which he combined in the Labst cke (Refresher Pieces). As a consistent continuation of the Pa st cke, West has been working since 1987 to construct furniture for sitting and reclining, using prefabricated elements and discarded industrial products which he covered by stretching fabrics or carpets over them. His work makes us think about our living space and the social and personal activities that are happening there. The artist aims to create a certain interaction between artwork and viewer, between object and subject. An interaction that must ensure that art becomes an open and interactive process. Later in his career, Franz West also focuses on sculptures in the public space. In fall 2018, a major retrospective will open at the Centre Pompidou, Paris, and will travel to the Tate Modern, London the following year.‎

‎Enjoy and Take Care, Tim Van Laere Gallery expo‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Gebonden, Hardcover 120 pages, 25.5x20.5cm, NL/FR/ENG. Illustrated. ISBN 9789464004038.‎

‎Enjoy and Take Care aantalIn winkelmand In maart 2020 werd ons leven op pauze gezet. Het uitbreken van de wereldwijde pandemie veroorzaakt door het virus COVID-19 dwong landen van over heel de wereld om nieuwe strategie n uit te vinden om de verspreiding van de ziekte tegen te gaan. Dit resulteerde in lockdowns, het sluiten van alle internationale grenzen en social distancing. In lijn met de door de regering vastgestelde maatregelen sloot Tim Van Laere Gallery de galerie voor het eerst sinds de oprichting in 1997 voor meer dan een maand voor het publiek. Na deze periode vond de galerie het belangrijk om het leven en de kunst opnieuw te vieren en besloot een groepsshow samen te stellen met bijna alle kunstenaars van de galerie. Hoewel reisrestricties nog steeds actief zijn, bracht deze groepsshow op een manier de kunstenaars via hun werk weer bij elkaar. De titel van de show ?Enjoy and Take Care!? versterkt dit gevoel van feest, solidariteit en samenhorigheid /// Enjoy and Take Care quantity In March 2020 our lives were put on hold. The outbreak of the global pandemic caused by the COVID-19 virus forced countries around the world to invent new strategies to combat the spread of the disease. This resulted in lockdowns, the closing of all international borders and social distancing. In line with governmental measures, Tim Van Laere Gallery closed the gallery to the public for more than a month for the first time since its inception in 1997. After this period, the gallery felt it was important to re-celebrate life and art and decided to put together a group show featuring almost all of the gallery's artists. Although travel restrictions are still active, this group show in a way brought the artists back together through their work. The show's title "Enjoy and Take Care!" Reinforces this sense of celebration, solidarity and togetherness‎

‎La planète des singes‎

‎Fox 2010 2010.‎

‎dialoog/dialogue deel 1‎

‎, Tim Onderbeke, 2016 Softcover, garengenaaid, 220 pagina?s, 240 x 335 mm., zwart/wit off-set. N? 107 van 150 exemplaren. .‎

‎Tentoonstelling als boek / boek als tentoonstelling. Een boek bestaande uit 99 beelden gemaakt door Tim Onderbeke gedurende een periode van 2 jaar. Ze zijn het resultaat en een reproductie van wat Tim Onderbeke in samenwerking met 7 kunstenaars verwezenlijkt heeft in en rond een cabane die op het recreatie-oord Vosselare Put staat. De beelden werden in off-set gedrukt, waarbij de structuur van het boek wordt aangegeven door 8 grafische composities, 3 van Ines Cox en 5 van Lauren Grusenmeyer. Het geheel wordt door een stofwikkel beschermd waarop de inleiding van Piet Coessens, een woordje uitleg en een foto van de Oude Leie gedrukt staat. Het boek is op een editie van 150 stuks en met de hand genummerd. De databank die u onderaan kan terug vinden geeft aan welk nummer bij wie of welke instantie een exemplaar van het boek kan terug gevonden worden. Via deze databank kan u contact opnemen met de eigenaar in kwestie, en op een dusdanige manier kan het visuele dialoog verder geexploiteerd worden aan de hand van fotokopie.‎

‎Aaron van Erp.‎

‎Antwerp, Tim Van Laere Books 2012, 2012 Hardcover, ongepag (ca 90pp.); 25.5x20.5cm., doorlopend geillustr. in kleur, nieuwstaat.‎

‎10 may - 30 june 2012. Interview in het nederlands van Aaron Van Erp door Tim van Laere.‎

‎Last Waltz (For Leon) catalogue Tim Van Laere Gallery, Rinus Van de Velde, Kati Heck, Adrian Ghenie, Jonathan Meese en Franz West Tomasz Kowalski, Ben Sledsens, Ryan Mosley of Anke Weyer.‎

‎Antwerpen -, Tim Van Laere Books 2019, 2019 bound, hardcover, 100 pages, Illustrated., 25.8 21.7 cm, NL/ENG. ISBN 9789082714555.‎

‎In april 2019 verhuist Tim Van Laere Gallery naar het Antwerpse Nieuw Zuid. Voor de deuren van de Verlatstraat definitief dicht gaan, organiseert Van Laere er nog een laatste afscheidstentoonstelling, getiteld The Last Waltz (For Leon). De tentoonstelling is een feestelijke afsluiter van een periode van 20 jaar waarin vriendschap, kwalitatieve tentoonstellingen en plezier centraal stonden. Alle kunstenaars die de voorbije twintig jaar de ruimte mee hebben bepaald met opvallende tentoonstellingen krijgen een plek in deze expo. Zowel grote namen die de galerie mee op de kaart geplaatst hebben als Rinus Van de Velde, Kati Heck, Adrian Ghenie, Jonathan Meese en Franz West dus, maar ook nieuwe talenten als Tomasz Kowalski, Ben Sledsens, Ryan Mosley of Anke Weyer komen aan bod in de expo.‎

‎THE WORLD OF TIM BURTON‎

‎, Silvana Editoriale, 2023 PB, 240 x 170 mm, 240 p, 200 illustrations in colour, EN-IT edition, NEW, . ISBN 9788836656097.‎

‎The volume accompanies the major exhibition - the first in Italy - that the National Cinema Museum dedicates to Tim Burton (1958). A journey into the visionary universe and creativity of the Californian director through original works of art, photographs, film material - storyboards, costumes, sketches, maquettes - and precious documents, many of which come from his personal archive. The volume retraces Tim Burton's thirty-year production from his beginnings, with Beetlejuice and Batman, up to the recent great success of Wednesday, highlighting the evolution of his singular imagination, which draws not only from the most varied forms of popular culture - such as fairy tales , comics, television films - but also to classic illustrators such as Edward Gorey, Charles Addams, Don Martin and Theodore Geisel, to expressionist cinema, to the horror catalog of Universal Studios and the masters of suspense William Castle and Vincent Price. Likewise, it emerges how ideas, themes and even some images peculiar to his art have flowed into the most iconic films that we today associate with the sumptuous cinema spectacle.‎

‎RINUS VAN DE VELDE A Life in a Day.‎

‎Antwerp, Tim Van Laere, 2023 Hardcover,158 pages, Illustrated., Quadrilingual: English, Dutch, French, Italian . ISBN 9789464004243.‎

‎Tim Van Laere Gallery presents A Life in A Day, Rinus Van de Velde's seventh solo exhibition at the gallery. In this exhibition, the artist not only presents new drawings in oil pastel, colored pencil, and charcoal but also premieres his third film, A Life in A Day, along with a selection of sculptures featured in the film.. Rinus Van de Velde's oeuvre reads like a multiverse, in which different storylines always run parallel to one another. He has already created several alter egos that allow him to appropriate different personas and explore worlds that do not (yet) belong to him. Throughout these different worlds, the constant anchor point is the artist himself. Through impersonations, constructed lies, and appropriations, he comes closer to uncovering the truth about his own identity and artistry. His latest film also mirrors this process. In his debut film, The Villagers, Van de Velde started from a predefined narrative, in which the artist himself played a small role as spectator. That narrative already evolved into a more abstract form in his second film, La Ruta Natural. For this film, the artist had a mask made in his likeness allowing one of his assistants to embody the artist?s role. This allowed Van de Velde to observe himself from a distance and portray and analyze his artistry. This same mask reappears in A Life in A Day. While La Ruta Natural?s storyline focused on the creation and destruction of his various alter egos, A Life in A Day delves into Van de Velde's artistry in a more intimate and pure way, inviting us to partake in the artist's inner process. The film opens with a very mundane scene where the artist wakes up, gets dressed, and then walks out the door with his briefcase to start his day. The motif of the briefcase plays an important role here as the depiction of a bundle of thoughts, ideas, and visualizations. It also plays an important role in the encounter between the artist and his gallerist Tim Van Laere, with the briefcase symbolising the dialogue between the two figures. After his daily activities, the artist then enters his imaginary universe, where he walks into a natural scenery. Here, in his solitude, the artist finds a moment of peace and takes his place like a pleinairist to create new work. This desire is visible in the oil pastel drawings in the first space of the exhibition, where the majority focuses on natural landscapes. Then he takes a shortcut to an underground, deeply hidden space, where we find the artist's inner vault. Within this archive, the artist meticulously organizes all his ideas, thoughts, images, and texts. This process of exploration, deepening, appropriating, and reinventing also resonates within the exhibition, where charcoal, oil pastel, colored pencil drawings, and sculptures are showcased. All of these works speak volumes about the artist: about his ambitions, doubts, concerns, his moments of happiness, but also of loneliness, frustration, and sadness. The predominance of the artist's personal voice in all his works makes it possible for him to appropriate any style, without losing his own identity in it. Works by Picasso, Van Gogh, Ensor, Matisse, Armen Eloyan, and Alfred Wallis are unmistakably redirected to a Rinus Van de Velde. The fact that the artist looks a lot to his predecessors and also immerses himself completely in their work is also portrayed in his latest film, in which he defies gravity while climbing through a hatch into a swimming pool that refers to David Hockney. In this scene, too, Van de Velde appropriates the pool by the simple act of washing out his brushes in the pool, resulting in a transformation of the water?s hue. Rinus Van de Velde (b. 1983 in Leuven, Belgium) lives and works in Antwerp. Work by the artist is in several international collections, including S.M.A.K. (Ghent), M HKA (Antwerp), Royal Museums of Fine Arts of Belgium (Brussels), CAC (Malaga), Kunstmuseum Luzern (Lucerne), FRAC des Pays De La Loire (Nantes), Museum Voorlinden (Wassenaar), Kunstmuseum (The Hague), AZ Artgestion Collection (Bilbao), Kunsthalle Sao Paolo (Sao Paolo), KWM Art Center (Shangai), KPN Art Collection (Netherlands), Stad Antwerpen (Antwerp), Erasmus University (Rotterdam), Belfius Art Collection (Brussels) and Colleccion Solo (Madrid).‎

‎Museum of Renaissance Music. A History in 100 Exhibits‎

‎, Brepols - Harvey Miller, 2023 Paperback Pages: 532 pages,Size:230 x 280 mm, Illustrations:250 col., 6 musical examples, Language(s):English. ISBN 9782503588568.‎

‎ history of Renaissance music told through 100 artefacts, revealing their witness to the priorities and activities of people in the past as they addressed their world through music. SUBJECT(S) Renaissance Music (c. 1400-1600) Material culture Renaissance art history REVIEW(S) "Like a veritable pop-up book, The Museum of Renaissance Music surprises its readers with the multidimensional quality of its content. Presenting a hundred diverse objects organized in different themed rooms, Borghetti and Shephard?s volume offers readers the experience of walking through an imaginary museum where objects ?speak out? their complex web of allusion connecting texts, images and sounds. A veritable tour de force, this book brings history, art history, and musicology together to highlight the pervasive nature of music in Renaissance culture, and does so in a direct and effective manner that can be enjoyed by experts and amateurs alike." Martina Bagnoli, Gallerie Estensi, Modena "With imaginative verve, The Museum of Renaissance Music contributes to a current explosion of material studies whose cacophony remakes our understanding of the Renaissance via ?history by collage,? in this case understanding Renaissance musicking through the spatial affordances of the gallery with its multitude of ?rooms? (travels, psalters, domestic objects, instruments, and much more), rather than through the traditional edited collection. The results are mesmerizing, indispensable." Martha Feldman, University of Chicago "This imaginary museum of Renaissance music, through a collection of one hundred exhibits, returns a proper share of sonority to objects, images, artworks and spaces. A fascinating reference book, offering a transformative vision of music in Renaissance culture, from domestic space to the global dimension." Diane Bodart, Columbia University, New York "The high-quality reproductions together with the knowledgeable commentaries are a treat for the eyes and mind of the reader. An entirely new type of music history book, this wonderful volume will appeal to scholars, music lovers, and students alike." Melanie Wald-Fuhrmann, Max Planck Institute for Empirical Aesthetics, Frankfurt BIO Vincenzo Borghetti is Associate Professor of Music History at the University of Verona. He holds a doctorate in musicology from the University of Pavia-Cremona and in 2007?08 was a fellow of Villa I Tatti, The Harvard University Center for Renaissance Italian Studies in Florence. His research interests are centred on Renaissance polyphony and opera. His essays and articles have appeared in Early Music History, Acta musicologica, Journal of the Alamire Foundation, and Imago Musicae, among other journals, and in several edited collections. In 2019 he was elected to the Academia Europaea. Tim Shephard is Professor of Musicology at the University of Sheffield. He is the co-author of Music in the Art of Renaissance Italy (Harvey Miller, 2020), as well as numerous other books and essays on Italian musical culture in the fifteenth and sixteenth centuries. He currently leads the project ?Sounding the Bookshelf 1501: Musical Knowledge in a Year of Italian Printed Books?, funded by the Leverhulme Trust. SUMMARY This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the musical cultures of Renaissance Europe, at home and in its global horizons. It is a history through artefacts?materials, tools, instruments, art objects, images, texts, and spaces?and their witness to the priorities and activities of people in the past as they addressed their world through music. The result is a history by collage, revealing overlapping musical practices and meanings?not only those of the elite, but reflecting the everyday cacophony of a diverse culture and its musics. Through the lens of its exhibits, this museum surveys music?s central role in culture and lived experience in fifteenth- and sixteenth-century Europe, offering interest and insights well beyond the strictly musicological field. TABLE OF CONTENTS ? I. The Room of Devotions Introduction (Matthew Laube) 1 Silence (Barbara Baert) 2 Virgin and Child with Angels (M. Jennifer Bloxam) 3 Madonna of Humility (Beth Williamson) 4 Virgin Annunciate (Marina Nordera) 5 The Prato "Haggadah" (Eleazar Gutwirth) 6 The Musicians of the Holy Church, Exempt from Tax (Geoffrey Baker) 7 A Devotional Song from Iceland ( rni Heimir Ing lfsson) 8 Alabaster Altarpiece (James Cook, Andrew Kirkman, Zuleika Murat, and Philip Weller) 9 The Mass of St Gregory (Bernadette Nelson) Psalters 10 Bernardino de Sahag n?s "Psalmodia christiana" (Lorenzo Candelaria) 11 The "??????????" of Abgar Dpir Tokhatetsi (Ortensia Giovannini) 12 A Printed Hymnal by Jacobus Finno (Sanna Raninen) 13 "The Whole Booke of Psalmes" (Jonathan Willis) ? II. The Room of Domestic Objects Introduction (Paul Schleuse) 14 Commonplace Book (Kate van Orden) 15 Knife (Flora Dennis) 16 Playing Cards (Katelijne Schiltz) 17 Cabinet of Curiosities (Franz K rndle) 18 Table (Katie Bank) 19 Statue (Laura Moretti) 20 Valance (Katherine Butler) 21 Painting (Camilla Cavicchi) 22 Fan (Flora Dennis) 23 Tapestry (Carla Zecher) Sensualities 24 Venus (Tim Shephard) 25 Sirens (Eugenio Refini) 26 Death and the Maiden (Katherine Butler) 27 Erotokritos Sings a Love Song to Aretousa (Alexandros Maria Hatzikiriakos) ? III. The Room of Books Introduction (Elisabeth Giselbrecht) 28 Chansonnier of Margaret of Austria (Vincenzo Borghetti) 29 The Constance Gradual (Marianne C.E. Gillion) 30 The Bible of Borso d?Este (Serenella Sessini) 31 The Jistebnice Cantionale (Lenka Hl vkov ) 32 The Saxilby Fragment (Lisa Colton and James Cook) 33 "Le Jardin de Plaisance et Fleur de Rh torique" (Jane H. M. Taylor) 34 "Hypnerotomachia Poliphili" (Massimo Privitera) 35 Embroidered Partbooks (Birgit Lodes) 36 "Grande Musicque" Typeface (Louisa Hunter-Bradley) 37 Coat of Arms of Matth us Lang von Wellenburg (Elisabeth Giselbrecht) 38 The Eton Choirbook (Magnus Williamson) 39 "Liber Quindecim Missarum" (Pawe? Gancarczyk) 40 "Les simulachres & histori es faces de la mort" (Katelijne Schiltz) Imagined Spaces 41 The Musical Staff (Jane Alden) 42 Deduit?s Garden (Sylvia Huot) 43 Arcadia (Giuseppe Gerbino) 44 Heaven (Laura ?tef?nescu) ? IV. The Room of Instruments Introduction (Emanuela Vai) 45 Lady Playing the Vihuela da Mano (David R. M. Irving) 46 Double Virginals (Moritz Kelber) 47 Horn from Allg u (Martin Kirnbauer) 48 Inventory after the Death of Madame Montcuyt (Emily Peppers) 49 Girl Playing the Virginals (Laura S. Ventura Nieto) 50 Vihuela (John Griffiths) 51 Bagpipes (John J. Thompson) 52 K s (Kate van Orden) ? V. The Room of Sacred Spaces Introduction (David Fiala) 53 The Basilica of the Santissima Annunziata, Florence (Giovanni Zanovello) 54 Hauptkirche Beatae Mariae Virginis, Wolfenb ttel (Inga Mai Groote) 55 A Sow Playing the Organ (Mattias Lundberg) 56 Ceiling with the Muses and Apollo (Tim Shephard) 57 St Katherine?s Convent Church, Augsburg (Barbara Eichner) 58 Misericord (Fr d ric Billiet) 59 The Chapel of King Sigismund, Wawel Cathedral, Krakow (Pawe? Gancarczyk) 60 The Bell Founder?s Window, York Minster (Lisa Colton) 61 Organ Shutters from the Cathedral of Ferrara (Sophia D?Addio) 62 The Cathedral of St James, ?ibenik (Ennio Stip?evi?) 63 The Funeral Monument of the Princess of boli (Iain Fenlon) ? VI. The Room of the Public Sphere Introduction (Robert L. Kendrick) 64 Street Music from Barcelona (Tess Knighton) 65 African Musicians at the King?s Fountain in Lisbon (Nuno de Mendon a Raimundo) 66 Songs for Hanukkah and Purim from Venice (Diana Matut) 67 A Tragedy from Ferrara (Laurie Stras) 68 A Bosnian Gravestone (Zdravko Bla?ekovi?) 69 Morris Dancers from Germany (Anne Daye) 70 A Princely Wedding in D sseldorf (Klaus Pietschmann) Cities 71 Mexico City ? Tenochtitlan (Javier Mar n-L pez) 72 Dijon (Gretchen Peters) 73 Milan (Daniele V. Filippi) 74 Munich (Alexander J. Fisher) Travels 75 The Travels of Pierre Belon du Mans (Carla Zecher) 76 Aflatun Charms the Wild Animals with the Music of the Arghanun (Jonathan Katz) 77 Granada in Georg Braun?s "Civitates Orbis Terrarum" (Ascensi n Mazuela-Anguita) 78 News from the Island of Japan (Kathryn Bosi) ? VII. The Room of Experts Introduction (Jessie Ann Owens) 79 Will of John Dunstaple, Esquire (Lisa Colton) 80 Portrait Medal of Ludwig Senfl (Birgit Lodes) 81 Zampolo dalla Viola Petitions Duke Ercole I d?Este (Bonnie J. Blackburn) 82 A Diagram from the Mubarak Shah Commentary (Jeffrey Levenberg) 83 Cardinal Bessarion?s Manuscript of Ancient Greek Music Theory (Eleonora Rocconi) 84 The Analogy of the Nude (Antonio Cascelli) 85 The Music Book of Martin Crusius (Inga Mai Groote) 86 The World on a Crab?s Back (Katelijne Schiltz) 87 Juan del Encina?s "Gasaj monos de huz a" (Emilio Ros-F bregas) 88 Josquin de Prez?s "Missa Philippus Rex Castilie" (Vincenzo Borghetti) 89 The Elite Singing Voice (Richard Wistreich) ? VIII. The Room of Revivals Introduction (David Yearsley) 90 Instruments of the Middle Ages and Renaissance (Martin Elste) 91 Dolmetsch?s Spinet (Jessica L. Wood) 92 Assassin?s Creed: Ezio Trilogy (Karen M. Cook) 93 "Christophorus Columbus: Para sos Perdidos" (Donald Greig) 94 A Palestrina Contrafactum ? Samantha Bassler 447 95 St Sepulchre Chapel, St Mary Magdalene, London (Ayla Lepine) 96 The Singing Fountain in Prague (Scott Lee Edwards) 97 Liebig Images of "Die Meistersinger von N rnberg" (Gundula Kreuzer) 98 Das Chorwerk (Pamela M. Potter) 99 "Ode to a Screw" (Vincenzo Borghetti) 100 Wax Figure of Anne Boleyn (Linda Phyllis Austern) Notes on Contributors 477 Bibliography 487‎

‎Tim Burton ‎

‎, [UK] T & H, Distributed , 2014 Paperback, 254x203mm, 64p, 54 colour illustrations, English edition . ISBN 9780870707605.‎

‎Expo: 22/11/2009 - 26/4/2010. First published Oct. 2009. Second Reprint, M.O.M.A, New York With a visual style inspired by the aesthetics of animation and silent comedy, Tim Burton has reinvented Hollywood genre filmmaking over the past three decades, melding the exotic, the horrific and the comic, and manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major retrospective at The Museum of Modern Art, New York, this volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings trhoug his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards, and examples of his work as a graphic artist for his nonfilm projects, this publication sheds new light on Burton and presents previously unseen works from the artist's personal archive. ‎

‎PORTRAITS DE YACHTS‎

‎ 1988 PORTRAITS DE YACHTS. Peints par Tim Thompson.Ecrits par Ranulf Rayner. Anthèse , 1988 , in4° à l' italienne ,95pp. 36 reproductions de tableaux , abondants plans, dessins. Tim Thompson est un excellent peintre figuratif de marine. ‎

6 Images

‎ Expédition :France et pays limitrophes :Suivant le poids ou la destination les envois sont effectués par poste ou par transporteur.Reste du monde : Par poste suivie, colis suivi . Ou en "livre-brochure" Très économique mais sans suivi sous la responsabilité de l'acheteur.‎

‎L'Odeur de Ia Haine. ( Avec belle dédicace autographe, signée de Tim Willocks ).‎

‎ Editions Plon 1995. In-8 broché de 334 pages au format 15,5 x 24 cm. Couverture illustrée par une photographie de Tina Merandon. Dos bien carré. Plats et intérieur frais, malgré de tout petits frottis aux coins de la couverture. Rare édition originale du premier roman de l'auteur, en bel état de fraicheur. Précieux exemplaire enrichi d'une belle dédicace autographe, signée de Tim Willocks : To Philippe For a fascinating conversation and with all my love & best wishes, Yours, Tim Willocks.‎

‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

‎ARTS PLASTIQUES TIM YIP‎

‎ Editions Grand vaux~maison de la culture de Bourges~2003~couverture souple à rabats~format 21 x 24 cm~219 pages~nombreuses photos couleurs~infimes frottements sur la couv sinon bon état~~~‎

‎Fotografen in tijden van oorlog‎

‎, Ludion, 2002 Softcover, 48 pagina's, met prachtige illustraties. ISBN 9789055444113.‎

‎Prangende foto?s van oorlogsfotograaf James Nachtwey en Tim Dirven worden geconfronteerd met het Vietnam-relaas van Tim Page: onthutse‎

‎Epoque épique 1970 - 1981‎

‎Paris, éd. Albin Michel, 1981, EDITION ORIGINALE, gd. in-4, cartonnage toilé éd., jaquette ill. coul. éd., 230 pp., papier fort, très nb. dessins en noir de l'auteur, gardes reproductions en coul. de couvertures de magazine avec les dessins de Tim, Un "condensé" des dessins de Tim durant la période de 1970 à 1981. Pas courant Très bon état ‎

‎BRAM DEMUNTER - Burrowers, Climbers, Crawlers. ‎

‎, Tim Van Laere Books , 2024 hardcover, 112 pages, throughout colour illustrations Text in English, Dutch, French, Italian. . ISBN 9789464004281.‎

‎BRAM DEMUNTERB urrowers, Climbers, Crawlers30 November, 2023 - 20 January, 2024 INSTALLATION VIEWS WORKS Tim Van Laere Gallery presents the second solo exhibition by Bram Demunter, titled Burrowers, Climbers, Crawlers. Bram Demunter's work is about us, human beings, and about the place we occupy in the world. It is about the mythologies we shape around ourselves, the narratives and the visual cultures we create, as well as the traces we leave behind in the natural world. His paintings and drawings strongly illustrate his process of collecting, examining and categorizing different elements. The artist can spend many hours studying an object, while wondering where it came from and what history it has been gone through. These objects then manage to nestle in his subconscious, establishing new connections between obscure stories, tales, legends and myths with forgotten symbolism, which he seamlessly connects to more recent events. His oeuvre does not convey an unambiguous message, but rather weaves meanings that resonate with individual and collective memories whereby a depicted motif reminds us of countless other images. His references do not focus on specific symbols or archetypes and must not be mistaken as unequivocal allusions. In doing so, the artist emphasizes that all things can exist simultaneously and can be displayed as such. This phenomenon is clearly demonstrated in his work Turn the Mud Around, where Demunter makes use of an eclectic range of influences and sources: ranging from the late Middle Ages to the Flemish Primitives as well as the impasto of seventeenth-century artists like Rubens and Jordaens. His artistic affiliations, such as his depiction of landscapes and other scenes of nature in some of his paintings, seem to originate from Italian Renaissance painting and and are reminiscent of the sfumato technique of that period. His imagery extends far beyond classical influences; it is infused with elements of twentieth-century abstract expressionism including artists such as Philip Guston, neo-expressionist Georg Baselitz and Grandma Moses. In addition, Demunter embraces the refinement of Indian miniature art, the splendor of Persian and Indian tapestries, alongside the intimacy of Enclosed Gardens. For this exhibition, Demunter drew inspiration from obscure maps and old books, diving deep into human history in search of handed-down traces of interaction with nature. Rocks are therefore an important theme in his work, and take the form of mountains, rock formations, caves, meteorites, thereby embodying ancient symbolism. The diversity of symbols reveals the deep-rooted human fascination with nature across epochs and cultures. Instead of using maps as merely representational tools, Demunter exploits them as sources that capture the human interaction with the world. Demunter's approach is not limited to visual compositions, but extends far beyond words: each work, whether drawn, painted or written, forms an exploratory journey, which transcends time and space; his images suspend time, as it were. Bram Demunter (b. 1993, Kortrijk) lives and works in Kortrijk, Belgium. Work of the artist can be found in several national and international collections. ?‎