Robert Wakefield, Thomas Wakefield, James P. Carley (ed), Charles Burnett (ed)
Reference : 63140
, Brepols- PIMS, 2024 Hardback, 348 pages, Size:152 x 229 mm, Language: English. ISBN 9780888442314.
Summary Robert Wakefield and his brother Thomas were pioneers in the study and teaching of Hebrew in early modern England. Robert was trained at Cambridge, acquired expertise in Aramaic, Hebrew, and Arabic, and obtained professorial status in Louvain, Cambridge, and Oxford. Thomas took possession of his brother's books and manuscripts upon his death; he enjoyed long tenure as praelector in Hebrew at Cambridge and was a compulsive annotator of his books. This volume draws together the political, linguistic, and bibliographical materials that shaped the careers of these two scholars, revising previous claims and producing a compelling analysis of Hebrew learning in sixteenth-century England. TABLE OF CONTENTS List of Figures Abbreviations Preface 1 James P. Carley and Charles Burnett Introduction 2 James P. Carley Robert and Thomas Wakefield: A Biographical Sketch 3 Jessica Crown Robert Wakefield's Inaugural Orations in Context 4 Joanna Weinberg The Remarkable Hebraism of Robert Wakefield 5 Charles Burnett Robert Wakefield and Arabic 6 Richard Rex Robert Wakefield and the King's Great Matter 7 Saverio Campanini The ?Ezra Scroll? of Bologna in the Crossfire of the Royal Divorce: John Fisher, Robert Wakefield and an Erased Text 8 Judith Olszowy-Schlanger ?My Silent Teachers?: Hebrew Manuscripts as the Source of Robert Wakefield's Hebraism 9 James P. Carley Robert Wakefield's Manuscript Collections and the English Monastic Libraries: A Parallel to John Leland's Mission 10 James P. Carley Books Owned or Annotated by the Wakefield Brothers 11 Benjamin Williams ?Great Mountains Suspended from Every Single Letter?: Thomas Wakefield and His Hebrew Bibles 12 Herbert L. Kessler Thomas Wakefield's ?Antiquissimus Codex? and San Marco's Musivum Novissimum Appendix 1 David R. Carlson Robert Wakefield, ?Oratio Oxonii habita in Collegio Regio? (1532) Appendix 2 Joanna Weinberg A Hebrew Responsum about Levirate Marriage (1530) Bibliography Contributors Index of Manuscripts Indexes of Printed Books General Index
, Brepols, 2020 Hardback, 304 pages, Size:300 x 240 mm, Illustrations:25 b/w, 130 col., 1 maps b/w, Language: English. ISBN 9782503589114.
Summary Mount Athos, the home of Orthodox spirituality and monasticism, has been in existence for at least 1200 years. Home to over 2,000 monks, in twenty glorious monasteries filled with treasures, the peninsula is undergoing a transformation and renewal of faith. In 1956 there was a proposal to build hotels on Mount Athos. Today it hosts up to 1,000 pilgrims every day! Why? This book will help explain this extraordinary place, the current resurgence, the growing population of monks, the sense of purpose, the love and affection that are so much part of the environment. This wonderful story, with a preface by HRH Prince Charles, Prince of Wales, is told through the recollections of the Friends of Mount Athos, an organisation that has, for thirty years, provided support for the institutions, landscape and people. Here are the stories of enchantment from over forty people of different nationalities, customs and beliefs. In addition to the text, there are a collection of special photographs and a map. TABLE OF CONTENTS Front Matter Table of Contents Foreword by HRH The Prince of Wales Peter Howorth & Chris Thomas - Introduction Part One - Before Robert Byron - Simopetra (Simonos Petras) Sandy Thomas - Monoxylites, 1941 Peter McIntyre - Citations, A visit in 1944 John Warrack - The Diary Michael R Bruce - Athos Revisited Sydney Loch - The Capital Town, Karyes Joice Loch - The End Part Two - Encounters John McCormack - Athos Forty Years Ago Scott Cairns - A Short Trip to the Edge. A Pilgrimage to Prayer Fr Richard Edwards - God's Reason for a Pilgrimage to Mount Athos Nicholas Shakespeare - Journey's End Nicholas Talbot Rice - Holy Mount Athos, Station of Faith Neil Averrit - The Single Gospel John Campbell - Wandering Trevor Curnow - Athos in 1985 Trevor Curnow - Pantokrator and Me Ben Martin - My Recollections of Mount Athos, and an Encounter on London Bridge Shaun Leavey - Two Rather Different Pilgrimages Roumen Avramov - The Holy Mountain - Personal Fragments Robert W. Allison - The Bumblebee Chris Thomas - Impostor Syndrome John Mole - The King's Wine DJ Caso - The Mountain Veronica Della Dora - From Space Graham Speake - 'The highest place on earth': Climbing the Mountain Alastair Sawday - Travelling Light: Mount Athos Daniel Eriksen - Visits to Mount Athos Kallistos Ware - Fifty-Four Years as an Athonite Pilgrim Doug Patterson - Mount Athos: The Artist Andreas Chrysanthou - A Visit Douglas Dales - Ad Limina: On the Boundary Artur Scholtes - My First Visit to the Holy Mountain Derek Simons - How I got lost and met a Saint Jonathan Dunne - Athos Diary Bart Janssens - A Catechumen Colin Whorlow - Nineteen Ninety-Eight Christopher Deliso - Twenty Years of Gratitude: Lifes since Athos Terry Swehla - A Family Affair Thomas Stoor - Waves of Eternal Praise Anna Conomos-Wedlock - An Athonite Childhood Part Three - FOMA Foothpaths Project John Arnell & Trevor Curnow - Early Days Dimitris Bakalis - Not on My Shift Dominic Solly - The First Lopper? Andrew Buchanan - Brotherhood on The Holy Mountain David Holloway - Reflection David Stothard - Surprise, Grace and Serenity John Mole - A Lopper's Diary John Mole - Brotherhood of the Loppers David Bayne - Mount Athos over Fifty Years John Andrews - An Orthodox Pathclearer Part Four - Back Matter Leslie Currie - Food: Mount Athos May 2019 Peter Brian Desmond - Athonite Iconography and the Patriarch Oliver Rackham - Our Lady's Garden: The Historical Ecology of the Holy Mountain Philip H. Oswald - From the Shore to the Summit: The Vegetation and Flora of the Holy Mountain Dimitri Conomos - Two Syndesmos Sagas Peter Howorth - The Map Peter Howorth - Monastic Medicine Trevor Curnow - A Brief Introduction to the Monasteries of Mount Athos Trevor Curnow & Chris Thomas - The Diamonitirion Author Biographies Book List Glossary List of Illustrations
Londini [London]: Guil [William] Downing 1673 Première édition. Reliure demi-cuir assez récente (années 1970 ?) avec titres dorés au dos et plats marbrés. La reliure récente est en bon état. Le bloc de texte est en bon état, avec un peu d'assombrissement / virage aux pages. Thomas Tully (1620-1676) était un ecclésiastique anglican. Il avait une promotion à Ripon. Il était une voix calviniste conforme dans l'Église d'Angleterre après la restauration. [viii], 1-153, [vii]. pp Aile T3248
First Edition. Fairly recent (1970's ?) half leather binding with gilt titles to spine and marbled boards. The recent binding is in good condition. The text block is in good condition, with a little darkening / toning to the pages. Thomas Tully (16201676) was an Anglican clergyman. He held a preferment at Ripon. He was a conforming Calvinist voice in the post-Restoration Church of England. [viii], 1-153, [vii]. pp Wing T3248
, Brepols, 2022 Paperback, 412 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503600437.
Summary Thomas Gallus (d. 1246) was the Abbot of Vercelli in the north of Italy. Initially a canon regular in the abbey of St Victor in Paris, he helped found a new monastery and church in the home town of his patron, Cardinal Guala Bicchieri. As well as commenting on the Canticle of Canticles three times, Thomas was renowned for his expositions of the works of Dionysius the Areopagite, commentaries which earned him the title magister in hierarchia (master of the hierarchies). This volume contains the first translation in any language of his Glosses on the Angelic (or Celestial) Hierarchy (completed in 1224), as well as his more detailed Explanation of the Angelic Hierarchy (finished in 1243). The commentaries are fascinating for their insights into Thomas's teaching that love has a higher access to an experience of God than the intellect, the role of the angelic hierarchies in the mystical return of the soul, the psychological interpretation of the angels as representing faculties of the soul, and the use of symbols representing analogical features of the divine. The source text of this volume appeared in Corpus Christianorum, Continuatio Mediaeualis as Thomas Gallus, Super angelica ierarchia (CCCM, 223) and Glose super angelica ierarchia (CC CM, 223A). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation. TABLE OF CONTENTS Abbreviations Introduction Bibliography The Explanation of the Angelic Hierarchy Glosses on the Angelic Hierarchy Glossary Indexes
Thomas Schilp, Arnoud-Jan Bijsterveld (ed), Meta Niederkorn-Bruck (ed), Annemarie Stauffer (ed)
Reference : 64440
, Brepols, 2023 Hardback, 402 pages, Size:178 x 254 mm, Illustrations:10 b/w, 51 col., Language: German. ISBN 9782503599939.
Summary Die Beschäftigung mit der Memoria, dem mittelalterlichen Totengedenken, zieht sich leitmotivisch durch die Forschungstätigkeit von Thomas Schilp 19. Oktober 1953 - 28. September 2019). Angeregt durch die Arbeiten von Otto Gerhard Oexle zur mittelalterlichen Erinnerungskultur erschloss er mit seiner ihn auszeichnenden Sorgfalt im historischen Sehen und Denken sowie in der präzisen und gleichzeitig interdisziplinären Analyse der uellen immer weitere Dimensionen dieses alle sozialen Schichten und alle Bereiche des täglichen Lebens umfassenden Phänomens. Dabei war für ihn von zentraler Bedeutung - wie auch in diesem Band - die Art und Weise, wie die Konstituierung unterschiedlichster gesellschaftlicher Gruppen zur Gewährleistung des Totengedenkens erfolgte. Seine Forschungen verdeutlichen auf verschiedenen, sich durchdringenden Ebenen eine von heutigen Denkformen unterschiedene Auffassung gesellschaftlichen Lebens. Dabei rücken die neue Leseart von Bildern, die Interpretation von Tönen und Klängen (wie beispielsweise Schlag und Geläute von Glocken) als akustische Zeichen sowie ephemere Erscheinungen wie etwa die mittelalterlichen Lichtinszenierungen in Kirchen immer stärker in den Blickpunkt seiner Ausführungen. Thomas Schilps früher Tod ermöglichte es ihm nicht mehr, die begonnene umfassende Monographie zum Thema Stadt und Memoria fertig zu stellen. Dieser Band vereint eine Auswahl von Aufsätzen, welche die Dimensionen seiner intensiven Beschäftigung mit Formen mittelalterlichen Denkens und Handelns reflektieren. TABLE OF CONTENTS Vorwort der Herausgeber In Memoriam Thomas Schilp Wilfried Reininghaus Teil 1 Memoria und Stadt Tod und Jenseitsvorsorge in der spätmittelalterlichen Stadt Met groter broderlicher und truwelicher eindracht - Überlegungen zur politischen Stadtkultur des Dortmunder Mittelalters ...in honore sancti Georgii... Burgkirche und Burgmannschaft: Erinnerungskultur der Reichsburg Friedberg im Mittelalter Jenseitsvorsorge in Städten der Grafschaft Mark Teil 2 Memoria und Stadtgesellschaft Stadtkultur im spätmittelalterlichen Dortmund. Der Berswordt-Altar im Kontext spätmittelalterlicher Denk- und Handlungsformen Sakrale Topographie im mittelalterlichen Dortmund Kirchenbau und -ausstattung als politisches Programm. Zur Reichssymbolik im Hochchor der Dortmunder Reinoldikirche (um 1450) Seelenheil und Stadtkultur. Das Dortmunder Predigerkloster in der spätmittelalterlichen Stadt Zunft und Memoria. Überlegungen zur Selbstdeutung von Zünften im mittelalterlichen Westfalen Spielleute, Orgel, Scholarenchöre: Dortmunder Musikleben im Mittelalter. Zugleich ein Beitrag zur Bedeutung der Musik für die Memoria in der mittelalterlichen Stadt Teil 3 Rauminszenierung Memoria in der Dunkelheit der Nacht: Lichtinszenierung mittelalterlicher Kirchen zum Totengedenken Pfarrkirchen und Herrschaftsausbau. Zur Funktion von Pfarrkirchen des Frauenstifts Essen im 13. Jahrhundert 11. August 1899: Kaiser Wilhelm II. in Dortmund Reichsstädtische Vergangenheit in der Erinnerung der industriellen Großstadt Werkverzeichnis Thomas Schilp Bibliographie
WELLENS, JACOBUS THOMAS JOSEPHUS. Jacobus Thomas Josephus Wellens; Spanoghe, Cornelius Martinus
Reference : 1723
, Antwerpen, C.M. Spanoghe, 1784., Relie, gebonden, plats marbre/ gemarmerde platten, In een vernieuwde band, frontispice, 22x28,5cm, Tekst Nederlands/ francais.In-4?°, pp. genummerd i-vii en 33 tot 180. Geïllustreerd met 15 emblematische kopergravures, met Latijnse spreuken, in het Nederlands uitgelegd .2 delen in een volume. with 12 illustrations/gravuren.
Generalis collectionis, omnium operum ... Jacobi Thomae Josephi Wellens, episcopi Antverpiensis, pars ... = Der algemeyne verzaemelinge van de werken van ... Jacobus Thomas Josephus Wellens; bisschop van Antwerpen.
Amsterdam, Van Harrevelt, 1772, in 12 relié plein veau ancien, dos très orné, IV-143-224-136 pages ; coiffe de tête usée.
- Eloges 1ère et 2ème parties : Eloge de Maurice Comte de Saxe - Eloge de Henri François Daguessau - Eloge de René Dugauy-Trouin. Eloge de Maximilien de Bethune, Duc de Sully - Eloge de René Descartes - Lettres de Mr de Voltaire à M. Thomas. - Eloge de Louis Dauphin de France. Discours prononcé dans l'Académie Françoise à la réception de M. Thomas. Poésies diverses de M. Thomas. Epitre au peuple. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
London Constable 1968 Première édition reliée et recouverte de tissu. Provenant de la collection de l'auteur. Au recto figure une dédicace manuscrite à sa seconde femme, Diana Miles, qu'il a épousée en 1970. Leslie Thomas, OBE, était un auteur gallois surtout connu pour son roman comique The Virgin Soldiers. Ce roman se déroule dans le Pacifique Sud, avec de nombreux personnages intéressants - très années 1960 ! Bon exemplaire propre, manifestement lu par la femme et la famille de l'auteur. 284 pages. 200 x 140 mm.
Hardback cloth covered First Edition. From the author's own collection. To the front there is a hand written dedication to his second wife, Diana Miles, whom he married in 1970. Leslie Thomas, OBE was a Welsh author best known for his comic novel The Virgin Soldiers. This novel is set in the South Pacific, with many interesting characters - very 1960's! Good clean copy, obviously been read by the author's wife and family. 284 pages. 200 x 140 mm (7Ÿ x 5œ inches). .
Abramovic Marina, Vito Acconci, Jean Marc Bustamante, Thomas Joshua Cooper, Paul Van Dijk, Chohreh Feyzdjou, Ian Hamilton Finlay, Hamish Fulton, Jochen Gerz, Krijn Giezen, Roni Horn, Jean Le Gac, Richard Long
Reference : 104950
Eindhoven: Peninsula Foundation, 1994. 500x400mm, 4 pages de catalogue avec les textes de Tjeu Teeuwen et Thomas A. Clark, et 13 estampes séparées par des serpentes, l'ensemble contenu dans un coffret ouvrant marouflé de toile rouge, une reproduction d' Equivalent (1927 -1929) d'Alfred Stieglitz en couverture.
Eindhoven: Peninsula Foundation, 1994. 500x400mm, 4 pages de catalogue avec les textes de Tjeu Teeuwen et Thomas A. Clark, et 13 estampes séparées par des serpentes, l'ensemble contenu dans un coffret ouvrant marouflé de toile rouge, une reproduction d' Equivalent (1927 -1929) d'Alfred Stieglitz en couverture. Les estampes:-color print by Marina Abramovic, -Silver gelatin print on pep paper by Vito Acconci.-Silver gelatin print on the paper by Jean Marc Bustamante.-Offset print by Thomas Joshua Cooper. -Color print by Paul van Dijk. -Silver gelatin print by Chohreh Feyzdjou.-Silver gelatin print on baryta paper by Ian Hamilton Finlay. -Silver gelatin print on baryta paper by Hamish Fulton. -Color print by Jochen Gerz.-Silver gelatin print and text by Krijn Giezen.-Offset print by Roni Horn. -Silver gelatin print with text by Jean Le Gac.-Offset print in tritone by Richard Long.Tirage unique de 41 exemplaires, toutes les planches signées par les artistes, seul tirage (n°XX). Parfait état.(104950)
Phone number : +33 1 48 01 02 37
, Brepols, 2024 Hardback, 500 pages, Size:216 x 280 mm, Illustrations:46 b/w, 44 col., 30 tables b/w., Language(s):French, English, Spanish. *new ISBN 9782503593913.
Summary L'Antiphonaire de León, «?joyau des antiphonaires latins?» (dom Louis Brou), est le seul complet de l'ancienne liturgie hispanique. Conservé à la cathédrale de León et daté du dixième siècle, il est introduit par vingt-sept folios qui appartiennent très certainement au manuscrit originel. Encore largement méconnus malgré leur grande richesse, ces folios contiennent des textes littéraires et liturgiques, un calendrier, des miniatures, des tableaux et des roues de comput, ainsi qu'un traité de comput. L'édition de ces pièces - à l'exception du traité - et leur analyse pluridisciplinaire (codicologique, paléographique, iconographique, littéraire, musicologique, liturgique et computistique) permettent d'étudier en profondeur la vie religieuse et la culture de cette époque, l'importance de l'héritage wisigothique, les influences venues du monde ultra-pyrénéen, ainsi que les origines et les remaniements de ce codex. Ces folios introductifs constituent tout à la fois la porte d'entrée et la clef de lecture d'un manuscrit dont l'histoire se trouve au c?ur des grands enjeux de son temps?: réalisé pour le monastère San Cipriano del Condado, il fut vite transféré au monastère Santiago de León puis au chapitre de la cathédrale. Bien que proche des centres de pouvoir - il comporte les seings du roi Ferdinand Ier et de ses fils -, il sombra dans l'oubli lorsque son fils Alphonse VI accepta en 1080 de renoncer à la liturgie hispanique et d'adopter, à la demande du pape Grégoire VII, le rit romain. Cette étude participe à sa redécouverte. TABLE OF CONTENTS Thomas Deswarte, Introduction Études Thomas Deswarte, Origine et vicissitudes de l'Antiphonaire de León: de la codicologie à l'histoire Eva Castro Caridad, Textos proemiales antiguos y nuevos en el Antifonario de León (L8) Ainoa Castro Correa, Los folios introductorios del Antifonario de León (León, Archivo Capitular, MS 8): análisis paleográfico Emma Hornby and Rebecca Maloy, Notated chant in the opening folios of the León antiphoner Miguel C. Vivancos, El calendario y otros contenidos litúrgicos en los folios introductorios del antifonario de León Immo Warntjes, The computistica of the Antiphonary of León in context Soledad de Silva y Verástegui, La iconografia en los prólogos del Antifonario de la catedral de León Édition des folios 1-28 Thomas Deswarte, Immo Warntjes et Alfred Lohr Glossaire Sources & bibliographie Planches
, Brepols, 2024 Hardback, 435 pages, Size:156 x 234 mm, Illustrations:8 tables b/w., Language: English. ISBN 9782503603278.
Summary Who was not born, was buried in his mother's womb, and was baptized after death? Who first spoke with a dog? Why don't stones bear fruit? Who first said the word 'God'? Why is the sea salty? Who built the first monastery? Who was the first doctor? How many species of fish are there? What is the heaviest thing to bear on earth? What creatures are sometimes male and sometimes female? The Old English dialogues The Prose Solomon and Saturn and Adrian and Ritheus, critically edited in 1982 by J. E. Cross and Thomas D. Hill, provide the answers to a trove of curious medieval 'wisdom questions' such as these, drawing on a remarkable range of biblical, apocryphal, patristic, and encyclopaedic lore. This volume (which reprints the texts and translations of the two dialogues from Cross and Hill's edition) both updates and massively supplements the commentary by Cross and Hill, contributing extensive new sources and analogues (many from unpublished medieval Latin question-and-answer texts) and comprehensively reviews the secondary scholarship on the ancient and medieval texts and traditions that inform these Old English sapiential dialogues. It also provides an extended survey of the late antique and early medieval genres of 'curiosity' and 'wisdom' dialogues and florilegia, including their dissemination and influence as well as their social and educational functions. TABLE OF CONTENTS Introduction Sourcing Wisdom: Commentary as Dialogue Organizing Wisdom: The Compilatory Structure of the Prose Solomon and Saturn (SS) and Adrian and Ritheus (AR) Transmitting Wisdom: Encyclopaedic Notes, Dialogues, and Florilegia Disputing Wisdom: Medieval Lore Masters and Modern Scholars List of Texts I. Latin Curiosity Dialogues II. Latin Wisdom Dialogues III. Latin Commonplace Dialogues ad Florilegia IV. Latin Hybrid Dialogues and Florilegia V. Vernacular Dialogues VI. Greek Dialogues VII. Slavonic Dialogues VIII. Encyclopaedic Notes Commentary I. The Prose Solomon and Saturn including Items Shared with Adrian and Ritheus II. Items Unique to Adrian and Ritheus Works Cited Indices I. Biblical and Apocryphal Citations II. Manuscripts III. Primary Sources IV. Subjects
, Brepols, 2024 Paperback, 533 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503607337.
Summary This volume contains a newly-edited exposition on the Mystical Theology contained in MS UV6 of the Biblioteca degli Intronati in Siena. The MS attributes the work to the abbot of Vercelli (Thomas Gallus), but this is shown to be a false attribution. A commentary on the Canticle of Canticles has also been attributed to Thomas Gallus but argued against by J. Barbet in Brepols' SRSA volume 10 (2005). This commentary is reprinted and accompanied with the first ever English translation. A treatise on the Seven Steps to Contemplation in Latin with an English translation is the third text. An introductory critical study evaluates all three works and argues that they all belong to the same author, pseudo-Thomas Gallus. TABLE OF CONTENTS Introduction The Texts and the Background of Dionysius the Areopagite Previous Editions The Three Texts Analysis of the Style and Language of the Texts New evidence from the Exposition of the Mystical Theology, Intime domus sue Postlude: Exposition of the Books of Blessed Dionysius (Expositio librorum beati Dionysii) Conclusions Principles of the Edition Text and Translation Exposition of the Mystical Theology (Intime domus sue) Commentary on the Canticle of Canticles (Deiformis anime gemitus) On the Seven Steps of Contemplation (De septem gradibus contemplationis) Bibliography Glossary Indices
, Abbeville Press, NY, 1990 Hardcover, 190 pages, ENG, 350 x 270 x 20 mm, dustjacket, in Perfect Condition !, illustrated in special colours. ISBN 9780896600881.
The wide appeal of McKnight's world is explained in part by its mixture of wild beauty and domestic luxury. His idyllic islands in the sun invariably include aspects of the developed culture he considers indispensable. McKnight's paradise has the best of everything -- what better definition of heaven can there be? Clearly and strongly, his beautiful images of places near and far appeal to our senses -- his lush but subtle color, his charming and elegant compositions, his skillful rendering of form -- these qualities we admire and enjoy in the works of master artists of all time. Thomas McKnight's work is in the collections of major museums, including the Metropolitan Museum of Art, and millions of his paintings and silk-screen prints have sold through galleries and print stores across the nation. McKnight, who has devoted his time exclusively to art since 1972, is best known for his pictures of serene and beautiful rooms. These inviting, jewel-toned spaces have large windows or archways overlooking equally attractive outdoors scenes both local (Boston Public Garden or Manhattan Penthouse) and exotic (Venice, Parts, or the Greek isles). "This was my first introduction to Thomas McKnight, who has traveled the world and has translated his vision into gorgeous, colorful paintings rich with detail, whimsy and creativity. McKnight finds paradise everywhere he goes, and it's easy to enjoy his vision and fantasize about your own experience there, from New York City to the Greek Islands, to the Caribbean. A great book gift for those who travel, or for armchair travelers. Makes you want to see his artwork 'up close' to see even more."
DUERLOO, Luc en THOMAS, Werner; W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten.
Reference : 54732
, MRAH - BREPOLS, 1998 Paperback , 368 pages, English/French /SP / NL. Illustrations. Fine. ISBN 9782503507262.
Dit boek, uitgegeven naar aanleiding van de succesvolle tentoonstelling in 1998, is een unieke bron van informatie voor de regeerperiode van Albrecht en Isabella in de Nederlanden (1598-1621). Zo?n 400 jaar geleden was het hof te Brussel, dankzij hun mecenaat en cosmopolitische geest, een model voor de andere Europese vorstenhuizen van die tijd. De aartshertogen leverden een belangrijke bijdrage tot de uitstraling van wat later de ?Vlaamse barok? zal genoemd worden. De eeuw van Pieter Paul Rubens lijkt nu ondenkbaar zonder de steun van dit vorstenpaar. This book is a selected collection of essays on the court of Archdukes Albert and Isabella in the Low Countries as a flourishing centre of arts, and on their great contribution towards the radiation of the style later known as Flemish Baroque. The Rule of the Archdukes Albert & Isabella over the Low Countries began in 1598, exactly 400 years ago. Their highly cosmopolitan court became a flourishing centre of the arts, a showcase for other courts throughout Europe. The archdukes made a great contribution towards the radiation of the style later known as 'Flemish Baroque'. The century of Peter Paul Rubens would never have been the same without the support of Albert and Isabella. In the Habsburg Netherlands, a region split by civil war, the protestant Northern Provinces had broken away from Catholic Spain, while Spanish rule was established in the Southern Netherlands. The confidence between sovereign and subject would be restored by the Archdukes. The Twelve Year Truce (1609-1621) brought the necessary peace for a political, economic and in particular cultural revival. Albert and Isabella surrounded themselves with a score of artists, including the architects Wenzel Coebergher and Jacques Franckaert, the composer Peter Philips and the court painters, Peter Paul Rubens in the first place, but also Jan I Brueghel, Otto Van Veen and Theodoor van Loon. The South-Netherlandish humanists, Justus Lipsius in particular, brought about an intellectual apogee. With contributions by: W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten.
Lyon, Presses Universitaires de Lyon, PUL, 1982, in 8° broché, 177 pages ; couverture illustrée.
PHOTOS SUR DEMANDE ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
London, Wisbech : Printed by John Leach, 1845. Sixth Edition, revised, enlarged, and edited by the Rev. Thomas Clark. In-8 relié demi cuir, xxxiv (dedication - prefaces - advertisement - Table - Index)-306 p. Planche dépliante en frontispice : "Principio sedes Apibus statioque petenda - Virgil." 1 planche dépliante to face p. 168. 10 illustrations in-t. Très bon état intérieur - dos de la reliure décoloré. Ouvrage en anglais.
Barcelona Luis de Caralt 1970 ¡Copia del autor! Primera versión en idioma español. Firmado por el autor en la página de dedicatoria. En tela roja del editor con sobrecubierta tal como se emitió. El libro está un poco polvoriento y la sobrecubierta un poco rozada, pero este era el libro de Leslie Thomas y estaba firmado frente a nosotros antes de que lo compráramos. 254 paginas.
Author's own copy! First Spanish language version. Signed by the author to the dedication page. In publisher's red cloth with dust jacket as issued. Book is a little dusty, and the dust jacket a little rubbed, but this was Leslie Thomas's own book and was signed in front of us before we purchased it. 254 pages. 200 x 140 mm (7Ÿ x 5œ inches).
Llandysul Gwasg Gomer 1972
Argraffiad cyntaf. Prin. Llyfr clawr caled mewn siaced lwch wreiddiol. Llun blaen o Sarnicol. Mae rhai geiriau wedi'u tanlinellu mewn ar dudalen neu ddwy. 100 tudalen. Mewn cyflwr da. 220 x 145 mm (8Ÿ x 5Ÿ inches).
Newcastle S. Hodgson for Emerson Charnley, and Baldwin, Cradock and Joy 1820
First edition. A nice copy of this collection of fables with the attractive Bewick engravings. Frontis portrait of Thomas Bewick, title with engraved vignette. Half leather with marbled boards and gilt titles to spine. Slight rubbing to the edges. of the binding. Internally clean and tidy, with just a little darkening to the page edges. [4]; xl; 332 pp. 225 x 145 mm (8Ÿ x 5Ÿ inches).
London J.T. Smith 1816 Belle gravure sur cuivre représentant un vieux vendeur ambulant proposant la réparation de parapluies cassés. Non colorée (telle qu'elle a été publiée). Légère trace d'eau sur le bord droit et un peu d'assombrissement sur les bords, mais dans l'ensemble en très bon état. La plaque mesure 17 cm x 12 cm. La feuille mesure 25,5 cm x 16,5 cm. Une pièce rare. Collection Wellcome 44003i. Smith, John Thomas, (1766-1833). Également connu sous le nom d'Antiquity Smith, était un peintre, graveur et antiquaire anglais. Il fut également conservateur des estampes au British Museum.
Beautiful copperplate engraving of an old traveling salesman offering to repair broken umbrellas. Uncolored (as published). Slight water mark on the right edge and some darkening around the edges, but overall in very good condition. The plate measures 17 cm x 12 cm. The sheet measures 25.5 cm x 16.5 cm. A rare piece. Wellcome Collection 44003i. Smith, John Thomas, (1766-1833). Also known as Antiquity Smith, was an English painter, engraver and antiquarian. He was also curator of prints at the British Museum. First Edition. .
New York, P. Blum Edition, 1994 Hardcover with dustjacket, 200 pages, 33 x 25 cm, English text. *Near Fine. ISBN 9780935875126.
Contents: Notes to a synthesis of a text / Eduardo Souto de Moura -- Abstract juncture / Hans Kollhoff -- New discipline / Rem Koolhaas -- Raw experience / Steven Holl -- Representing architecture ; Interview with Jacques Herzog ; Interview with Thomas Ruff / Theodora Vischer.
London S.W. Fores 1796 Une belle copie de cette caricature, collée sur une feuille de support. Malheureusement, la personne qui l'a collée l'a rognée de très près, et autour du titre (voir photo), de sorte qu'aucune information sur l'éditeur n'apparaît. Un père demande à son fils quel métier il veut faire. Le fils aime bien l'idée de devenir évêque, avec un bon salaire pour très peu de travail ! L'estampe est propre et bien rangée, et pourrait encore être joliment encadrée. L'estampe mesure 32 cm x 22,5 cm. La feuille de support mesure 36,5 cm x 27 cm Thomas Rowlandson (13 juillet 1757 - 21 avril 1827) était un artiste et caricaturiste anglais renommé de l'ère géorgienne, célèbre pour sa satire politique acerbe et ses observations sociales vives. Ses uvres, souvent paillardes et robustes, vont de la caricature individuelle à l'illustration de romans, de livres humoristiques et d'ouvrages topographiques. Il est considéré comme l'un des plus grands artistes graphiques britanniques, aux côtés de contemporains comme James Gillray. .
A nice copy of this caricature, pasted onto a backing sheet. Sadly, the person who pasted it trimmed it very close, and around the title (see photo) so no publisher information showing. A father asks his son what career he wants. The son rather likes the idea of becoming a Bishop, with good pay for very little work! The print is clean and tidy, and could still be nicely framed. Print is 32cm x 22.5cm. Backing sheet is 36.5cm x 27cm Thomas Rowlandson (13 July 1757 21 April 1827) was a renowned English artist and caricaturist of the Georgian era, celebrated for his sharp political satire and vivid social observation. His works, often bawdy and robust, ranged from individual caricatures to illustrations for novels, humorous books, and topographical works. He is considered one of Britain's greatest graphic artists, alongside contemporaries like James Gillray. .
, Brepols, 2020 Hardback, 412 pages, Size:156 x 234 mm, Illustrations:19 b/w, 2 tables b/w., Language: English. ISBN 9782503585291.
Summary While they often go hand-in-hand and the distinction between the two is frequently blurred, authority and power are distinct concepts and abilities - this was a problem that the Church tussled with throughout the High and Late Middle Ages. Claims of authority, efforts to have that authority recognized, and the struggle to transform it into more tangible forms of power were defining factors of the medieval Church's existence. As the studies assembled here demonstrate, claims to authority by members of the Church were often in inverse proportion to their actual power - a problematic paradox which resulted from the uneven and uncertain acceptance of ecclesiastical authority by lay powers and, indeed, fellow members of the ecclesia. The chapters of this book reveal how clerical claims to authority and power were frequently debated, refined, opposed, and resisted in their expression and implementation. The clergy had to negotiate a complex landscape of overlapping and competing claims in pursuit of their rights. They waged these struggles in arenas that ranged from papal, royal, and imperial curiae, through monastic houses, law courts and parliaments, urban religious communities and devotional networks, to contact and conflict with the laity on the ground; the weapons deployed included art, manuscripts, dress, letters, petitions, treatises, legal claims, legates, and the physical arms of allied lay powers. In an effort to further our understanding of this central aspect of ecclesiastical history, this interdisciplinary volume, which effects a broad temporal, geographical, and thematic sweep, points the way to new avenues of research and new approaches to a traditional topic. It fuses historical methodologies with art history, gender studies, musicology, and material culture, and presents fresh insights into one of the most significant institutions of the medieval world. TABLE OF CONTENTS Acknowledgements, Abbreviations, List of Illustrations Introduction - THOMAS W. SMITH Part I: Concepts of Papal Authority Privilegium Romanae Ecclesiae: The Language of Papal Authority over the Church in the Eleventh Century - I. S. ROBINSON Papal Authority and Power during the Minority of Emperor Frederick?II - BENEDICT WIEDEMANN The Medieval Papacy and the Concepts of 'Anti-Judaism' and 'Anti-Semitism' - REBECCA RIST The Place of the Papacy in Four Illuminated Histories from Thirteenth-Century England - LAURA CLEAVER Part II: Representatives of Papal Authority The Interface between Papal Authority and Heresy: The Legates of Honorius?III in Languedoc, 1216-1227 - THOMAS?W. SMITH Papal Legates in Thirteenth-Century Hungary: Authority, Power, Reality - GÁBOR BARABÁS Pope Alexander?IV, King Henry?III and the Imperial Succession: Master Rostand's Role in the Sicilian Business, 1255-1258 - PHILIPPA?J. MESIANO Cardinal Gerard of Parma as Co-Ruler in the Kingdom of Sicily, 1285-1289 - JEAN DUNBABIN Part III: The Papacy and the East The Power of Tradition: The Papacy and the Churches of the East, c.?1100-1300 - ??BERNARD HAMILTON Politics and Power in Latin Efforts at Church Union, 1300-1360 - JAMES HILL Modifications to Papal Trade Licences at the Avignon Curia - MIKE CARR Part IV: Cultures of Ecclesiastical Authority and Power The Late Medieval Papal Chapel: A?Culture of Power and Authority - MATTHEW ROSS Dress to Impress: Jacque de Vitry's Clothing and Episcopal Self-Fashioning - JAN VANDEBURIE Imaging Power: Gender, Power, and Authority in Florentine Piety - CATHERINE LAWLESS Royal Women, the Franciscan Order, and Ecclesiastical Authority in Late Medieval Bohemia and the Polish Duchies - KIRSTY DAY Part V: Ecclesiastical Communities and Collective Authority and Power Shall the First Be Last? Order and Disorder Amongst Henry?II's Bishops - NICHOLAS VINCENT Eustathios's Life of a Married Priest and the Struggle for Authority in Twelfth-Century Byzantium - MAROULA PERISANIDI The Bishop, the Convent and the Community: The Attempt to Enclose the Nuns of S.?Giustina, Lucca, 1301-1302 - CHRISTINE MEEK Archbishop Walter Reynolds, the Clerical gravamina, and Parliamentary Petitions from the Clergy in the Early Fourteenth Century - MATTHEW PHILLIPS The Power of the Cardinals: Decision-Making at the Papal Curia in Avignon - MELANIE BRUNNER Negotiation and Conflict: The Templars' and Hospitallers' Relations with Diocesan Bishops in Britain and Ireland - HELEN?J. NICHOLSON Hospitaller and Teutonic Order Lordships in Germany - KARL BORCHARDT Index
, Brepols, 2021 Hardback, xviii + 318 pages, Size:210 x 270 mm, Language: English. ISBN 9782503590998.
Summary The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the «ars antiqua». Polyphonic, monophonic, liturgical, paraliturgical, secular, Latin, and vernacular genres were cultivated and disseminated throughout Europe on a scale not seen since the imposition of the liturgical plainchant repertory centuries earlier. This volume presents eleven new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of «ars antiqua» ideas well into the fourteenth-century era of the «ars nova», and the role that information technologies may play in future «ars antiqua» scholarship. With its examination of musical and cultural contributions from all across Europe through a wide variety of different perspectives by a range of scholars from all over the globe, this book both contributes to and substantiates the healthy state of inquiry into one of the most significant artistic achievements of pre-modern Europe. TABLE OF CONTENTS Gregorio Bevilacqua - Thomas B. Payne Introduction List of Cited Manuscripts Gregorio Bevilacqua The Production of Polyphonic Conductus.Collections in Ars Antiqua Manuscripts Mary Channen Caldwell Texting Vocality: Musical and Material Poetics of the Voice in Medieval Latin Song Anne Ibos-Augé Poetic and Melodic Recurrences in the Thirteenth-Century Refrain Repertoire Kaho Inoue Franco of Cologne, Ars cantus mensurabilis: Ligature, Notation and Mode Matteo Macinanti L'auditio del pulchrum musicale in Tommaso d'Aquino e Bonaventura da Bagnoregio Nausica Morandi The corpus of Sequences for Saint Anthony of Padua: A Study of the Musical Sources Grace Newcombe Britain's Cleric Composers: Poetic Stress and Ornamentation in Worldes blis Thomas B. Payne Vetus abit littera: From the Old to the New Law in the Parisian Conductus Anne-Zoé Rillon-Marne Conductus sine musica: Some Thoughts on the Poetic Sources of Latin Songs Jennifer Louise Roth-Burnette Mapping Melodic Composition: A Metadata Approach to Understanding the Creation of Parisian Organum Duplum Amy Williamson Polyphonic Music in the British Isles c. 1300: Networks of Practice Abstracts Biographies Index of Names