(Cologne, Ulrich Zell, ca. 1470). Small 4to. Beautifully bound in a later (ca. 1900) full calf binding in Renaissance style with three raised bands and blindstamped ornamentation to spine. Boards with three wide ornamental blindstamped borders inside each other. A damp stain to inner margin and a bit of light brownspotting. Early marginal annotations (some of them slightly shaved) and underlinings. 6 ff. + first and last blank. 27 lines to a page. A large, four-line opening initial in red, a two-line initial in red, paragraph marks as well as capital strokes in red throughout, and red underlinings in beginning and end. A lovely copy. With the gilt red leather ex libris of John Pierpont Morgan to inside of front board.
Magnificent, early incunable edition, being the exceedingly scarce second edition (as a Zell-edition dated between 1467 and 1470 is considered the first - these two first editions are of equal scarcity) of this highly important tract on the moral implications of speaking ill of others in their absence, by one of the pioneers of natural right theory, Jean de Gerson, printed by the eminent first printer of Cologne, Ulrich Zell. The work, though having been overlooked for centuries, is of the utmost importance to the shaping of Western thought, both legal, religious, and moral, and it was extremely influential in its time. It appeared as many as four times around 1470 (the two first editions printed by Zell, who was the main printer of all of Gerson's works, followed by an edition by Fust and Schöffer shortly after and another one by Therhoernen) with editions following in both the 1480'ies and 90'ies. The two Zell-editions, which constitute the first appearances of the work, are distinguishable by the printing error in the first line of A1r, which says ""Intipit"" (the present copy - Hain 7683) instead of ""Incipit"" (Hain 7682). The number of early editions of Gerson's work bears witness to his tremendous popularity as a moral and spiritual authority in 15th-century Europe. In spite of being “[o]ne of the smallest and rarest of the many tracts by the Chancellor of Paris Jean Charlier de Gerson (1363-1429), which were printed by the earliest printer of Germany"" (Rhodes), the work nonetheless exercised great impact. The theme of the treatise is the morality of speaking ill of others behind their backs, which has implications for, not only morality philosophically speaking, but also legally, theologically, and religiously, tying together the most important themes of Gerson’s thought. Curiosity and vanity, which are at the heart of rumor-making and speaking ill of others behind their backs, are two main intellectual vices that must be warned about in all contexts. “The reflection on vices and sins, both from the moral and the intellectual point of view, is a “fil rouge” in Jean Gerson’s production. As a theologian constantly concerned with shaping a correct theology and driven by the necessity to pursue the safety and unity of the doctrine, the Parisian Chancellor often warns his students and colleagues about the dangers connected with this misuse of rationality. (Luciano Micali: The Consent of the Will…, p. 1). “Jean Gerson (b. 1363–d. 1429"" also Jean de Gerson, or, originally, Jean Charlier) was the most popular and influential theologian of his generation, the most important architect of the conciliar solution to the Great Schism (1378–1415), and the leading figure at the Council of Constance (1414–1418). He came from a family of modest means in the Champagne region of France. As a young student at the College of Navarre in Paris, he came in contact with humanist currents from Italy (he probably read Petrarch at this time), which left some traces in his writings. He first gained fame as a popular preacher in Paris in the early 1390s and then followed his master Pierre d’Ailly as the chancellor of the University of Paris in 1395. He gained international renown as a result of his leading role at the Council of Constance, which put an end to the Great Schism. ... Gerson’s wide-ranging interests extended well beyond the traditional limits of university masters, and his writings serve as a window into 15th-century life and thought. His complete works were first printed in 1483 and were frequently reprinted through the first quarter of the 16th century. Later humanists and university theologians alike claimed him as one of their intellectual fathers."" (Oxford Bibliographies in Medieval Studies: Daniel Hobbins: “Jean Gerson”). In spite of his enormous influence upon his contemporaries and near contemporaries of the following century, recent centuries have witnessed little insight into his vast importance. This, however, seems to be changing, as many scholars are now gaining increasing insight into the extension of his influence. “Researchers are familiar with seeing and examining the influence of Augustine, Thomas Aquinas and other significant figures in Western intellectual history. The reception of Jean Gerson (1363-1429) — the late medieval French Church reformer, ecclesiastical leader, theologian, poet, educator and chancellor of the University of Paris — is, however, an understudied field. Gerson’s legacy had nevertheless an impact on late medieval and early modern movements and thinkers of great significance, paving the way for many developments, which still shape our existence today. He became a source of inspiration for all those involved in establishing new religious and national identities, and his name appears in both Protestant (of all branches) as well as in Catholic sources. Aside from the expected influence in theology and Church history, his ideas transformed law, jurisprudence, art, music, pedagogy, literature and even medicine. The topography of his legacy is just as broad and varied, spanning from Portugal to Scandinavia, and from Japan to Mexico. From a deeper perspective, Gerson is extremely important for understanding the religious evolution of Western civilization. Jean Gerson’s legacy provides a significant theological context where contemporary ideas such as, for example, the concept of individual right or need of palliative care, find their roots. Today, when the question of religion has retaken the central stage of our existence, an understanding of our theological background is no longer the fief of specialized researchers, but a social necessity.” (Introduction to: The Reception of Jean Gerson in Late Medieval and Early Modern Theology, Spirituality and Law. Roundtable Discussion at KU Leuven, 2018) Although commonly accepted as a seminal figure important in legal theory, even his role a a pioneer of natural right theory has been overlooked, as has his vast influence on thinkers like Thomas Moore. A 2018-conference at KU Leuven has contributed to the renewed understanding of his importance. As Yelena Mazour-Matuzevich (University of Alaska Fairbanks / Senior Fellow KU Leuven) concluded: “Before looking closely at Thomas More’s connection to the late medieval French theologian Jean Gerson (1363-1429), I could not imagine the breadth and depth of More’s dependency on his legacy as a source of scriptural narrative, moral theology or legal theory. More’s extensive knowledge of Gerson’s works is evident from the Englishman’s writings, and his admiration, already manifest in his early years, only increased as he aged, climaxing during his imprisonment in the Tower.” (The Very Special Case: Gerson & Thomas More). It was only with Richard Tuck and his ""Natural Rights Tradition"" from 1979 that Gerson was first really credited with his pioneering work in this field. Tuck argues that Jean Gerson was the first to describe the notion of ius as “a dispositional faculty or power, appropriated to so meone and in accordance with a right was understood in terms of an ability” and places him at the centre in the rights tradition. Thus, the guiding light of the Concillar Movement and one of the most prominent theologians at the Council of Constance was also one of the first thinkers to develop what would later come to be called natural rights theory, and he was even one of the first individuals to defend Joan of Arc and proclaim her supernatural vocation as authentic. The celebrated devotional work traditionally ascribed to Thomas à Kempis, ""The Imitation of Crist"" has been considered by some scholars, to be the work of Gerson, although no conclusive evidence has yet been found. ""Gerson was a prolific writer, and a powerful intellectual force in a calamitous period in France’s history. A champion of his university, he strongly advocated the role of theologians in the debates which erupted when the Great Schism divided the catholic church between 1378 and 1417, as first two, and then three, claimants contended for the papacy. As a cleric, he had a strong sense of pastoral responsibility, often expressed in his more personal writings. He witnessed and bewailed France’s descent into political chaos, when the madness of King Charles VI allowed rival princes to jostle, and eventually murder, to gain their ends. In 1413 the civic and political disturbances in Paris almost cost him his life. That civic disorder, civil war, and then the Lancastrian takeover with King Henry VI of England as questionable heir to Charles VI, doubtless explains why Gerson, ever the Valois loyalist, spent his final years in a kind of exile in Lyons. Many of Gerson’s major writings deal with the Schism, and the debates over the Church’s structure which it provoked. These pushed him to argue for reform, a programme which challenged papalism by urging the authority of a general council as representative of the Church as a whole. Some of his most important work addresses such matters, and he was occasionally a key player in events, notably at Constance in March–April 1415. ” (Swanson: Review of Patrick McGuire's Jean Gerson and the Last Medieval Reformation). Hain: 7683" BMC: I:184 Goff: 219.
Berl Emmanuel,Bloch-Michel Jean,Cabanis José,Duvignaud Jean,Faust Jean-Jacques,Gombrowicz Witold,Herling Gustav,Mercier Louis,Philip André,Roudaut Jean,Salles Georges,Sperber Manes,Vaillant Annette
Reference : lu865
(1963)
Preuves Preuves Revue 1963 Revue grand in-8 (25.5*18.5), dos broché, 93pp., Jean-Jacques Faust : Brésil 1963 : la 'bossa nova' ou la mort ; Jean Bloch-Michel : Le soliloque ; Georges Salles ; Histoire d'un plafond ; Gustav Herling : De Tchékov à Soljenitsyne ; Jean Duvignaud ; La malédiction ; Emmanuel Berl : Faites un tribunal..., etc... ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Chèvre-feuille étoilée, barzakh Broché 2002 In-8 (13,3 x 21 cm), broché, 94 pages, correspondance entre Jean Sénac et Jean Pélégri avec reproductions de lettres, dessins, cartes postales, textes des deux poètes, avec des poèmes inédits de Pélégri, réunis et présentés par Dominique Le Boucher ; bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Berl Emmanuel, Rousset David, Jelenski K.-A., Dery Tibor, Luthy Herbert, Ageron Charles-Robert, Jean-Nesmy Claude Dom, Boucourechliev André, Fejtö François, Faust Jean-Jacques, Revel Jean-François, Freund Julien, Gresset Michel
Reference : xc92
(1964)
Preuves Preuves Revue 1964 In-4 (18,5 x 25,5 cm), revue brochée, 94 pages, avec au sommaire : Jean-Jacques Faust - David Rousset : Le Brésil dévore ses présidents ; Tibor Dery : Monsieur G. A. à X. (récit) ; Jean-François Revel : la philosophie de l'art Taine ; Charles-Robert Ageron : Aux origines de l'Algérie française ; Julien Freund - Herbert luthy : Controverse sur Max Weber, etc... ; bords du premier plat brunis, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Plon Moi et mes personnages, Coups de coeur de Bernard Broché 1962 DEDICACE DE JEAN COCTEAU A JEAN-LOUIS BARRAULT ET MADELEINE RENAUD, SERVICE DE PRESSE In-8 (14 x 20 cm), broché, 81 pages, non coupé, édition originale, exemplaire intéressant étant un service de presse, grandes marges, illustré de 4 lithographies de l'auteur, envoi autographe de Jean Cocteau au couple Jean-Louis Barrault-Madeleine Renaud: « à Jean Louis et à Madeleine en vieil ami Jean»; légères traces d'usures, très bon état par ailleurs. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
[HEIMETSPROCH,LIEDER ] - HANGARTER (Pierre und Robert), EBERLEIN (Jean und Jean Paul) -
Reference : 200607656
Ribeauvillé, Edité par l'association D'Schleh'Bich, 1988; in-4, 208 pp., cartonnage de l'éditeur. Dédicacées pleine page des 3 auteurs (Jean Paul Eberlein,Hangerter Pierre, Jean-Luc Buttighoffer).
Dédicacées pleine page des 3 auteurs (Jean Paul Eberlein,Hangerter Pierre, Jean-Luc Buttighoffer).
, Editions Serpenoise, 1986; grand in-8, 299 pp., br. En très bon état - broché 5e recueil de chroniques - illustrations de Jean Morette.
En très bon état - broché 5e recueil de chroniques - illustrations de Jean Morette.
Arban Dominique,Berl Emmanuel,Blot Jean,Bonnefoy Yves,Boucourechliev André,Cabanis José,Le Breton georges,Löbl Eugen,Marczewski Jean,Pinder John,Roudaut Jean,Rougemont Denis de,Schritta Alain G.,Vajda Imre
Reference : lu888
(1966)
Preuves Preuves Revue 1966 Revue grand in-8 (25.5*18.5), dos broché, 94pp., John Pinder - Imre Vadja - Eugen Löbl - jean Marczewski : Un dialogue Est-Ouest - Marché Commun et Comecon ; Yves Bonnefoy : Romme, 1630 : définition du baroque ; Denis de Rougemont : Dans l'amitié d'André Breton ; Dominique Arban : Les noms propres chez Dostoïevski ; Emmanuel Berl : Paul Reynaud dans l'épreuve, etc... ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Chédid Andrée,Giono Jean,Noël Bernard,Pagnoux Michel,Robbe-Grillet Alain,Trebaul Jean-Noël,Trébaul Jean-Noël
Reference : gg1852
Ecole Municipale des Beaux-Arts de Quimper Agrafé In-4 (21 x 29.5 cm.), plaquette agrafée, 49 pages, dossier élaboré entre 1978 et 1980 par Jean-Noël Trébaul et Michel Pagnoux, composé des correspondances échangées avec divers artistes et écrivains, de textes écrits à cette occasion, de compilations diverses : écrits théoriques, littérature, presse, publicité, etc., tirage limité à 1000 exemplaires ; trace au 4e plat, dos frotté, intérieur très frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Editions du Conquistador Broché 1951 In-12 (12 x 18,6 cm), broché, 218 pages, Jean-Louis Lagor (Jean Arfel de son vrai nom) est également connu sous le pseudonyme de Jean Madiran ; pliures au dos, rousseurs sur les plats et le dos, intérieur bruni, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Paris, J. du Puys, 1580. 4to. Contemporary full vellum wih contemporary handwritten title to spine. Binding somewhat warped, but unrestored and tight. A (mostly very faint) damp stain to upper blak margin of some leaves (not affecting text), but otherwise internally very nice clean and fresh. Old owner's name to title-page (Dufault) and old acquisition note to front free end-paper. Woodcut title-vignette, woodcut headpieces, woodcut end-vignette, and a few woodcut initials. A large copy with good margins. (14), 252 (recte: 256) ff.
Scarce first edition of Bodin's seminal ""Demon-Mania"", the most important book on witchcraft of the era. The work profoundly influenced the position on witchcraft of the following half century and directly influenced the course of witch trials of this period. The work is furthermore of fundamental importance to the understanding of Bodin's tripartite world picture and constitutes an invaluable supplement to his ""Six livres de la république"".""Jean Bodin's ""On the Demon-Mania of Witches"" (De la démonomanie des sorciers) appeared in 1580 and rapidly became a major publishing success. It underwent at least twenty-three editions and was translated from its original French into German, Italian and Latin. It was surely the most published work of the era on the subject of demons and witches. Because of its wide distribution, it has been considered by generations of historians to have been an extremely influential book, responsible in itself for large-scale prosecutions of witches in the four or five decades following its appearance."" (Pearl, p. 9).The present first edition constitutes not only the original version of the work, but also the model for all French editions that followed (as well as the later translations) - as many as 11 between 1581 and 1616. Bodin edited an edition in 1587, which contained some additions"" that edition is considered very flawed, however, and no subsequent editions were based upon it. Jean Bodin (1529/30 - 1596), ""one of the towering figures in the history of French thought"" (Scott), was a lawyer, economist, natural philosopher, historian, and one of the major political theorists of the sixteenth century. His main work, the ""Six livres de la république"" is one of the most important works of modern political thought. Here Bodin gave the first systematic statement of sovereignty and coined the term ""political science"". With his theory of the State and statement of Sovereignty, he fundamentally changed the history of political thought in the West. The ""Six livres de la république"" is Bodin's most famous and frequently read work. Due to the seemingly ""supernatural"" contents of the ""Démonomanie"", scholars have had difficulties recognizing the Bodin of the ""Six livres"" in this work, which, within its domain, was just as influential. There has been, however, increasing recognition of the political contents of the ""Démonomanie"", and a tendency towards reconciliation of the great works by this towering figure of early modern French thought. First of all, the work is written with the same impressive thoroughness and style as Bodin's other works. Second, although based upon a concrete sorcery case, the ""Démonomanie"" is of the utmost importance to the understanding of Bodin's tripartite world picture and his attempts at maintaining a clear line of separation between the world of nature and the supernatural. His monumental conception of ""Theatrum Naturae"" is just as dominant as a thematical background in his ""Démonomanie"" as it is in his ""Six livres"" and there ought to be no doubt about the fact that the basic features of his system of thought are dominant in the present work, which due to its concrete matter of investigation is all the more interesting. In fact, the ""Démonomanie"" is now considered an invaluable source for the general thought of the great political thinker. With its two-fold turn of focus on social problems and questions of natural-philosophical and theological character, the ""Démonomanie"", in accordance with Bodin's scientific plan of life, marks the transition from ""human sciences"" to ""the science of natural and divine things"". ""Contrary to the judgment of the Enlightenment thinkers, this midway-position does not reduce its value in the Bodin corpus"" on the contrary: Precisely this work is suitable for clarifying and illustrating the unity of his works."" (Own translation from the German. Lange, p. 162). Concerning himself with witchcraft and demonology, it is in this work that we find an emphasized statement of Bodin's thoughts on women, on punishing and sentencing, and on the general threats of state and society. Having experienced severe criticism of his earlier works, Bodin's critics became more serious and dangerous with regard to his ""Démonimanie"". In his letter of dedication (December 20, 1579) to Christophle de Thou, the first president of the Parlement of Paris, Bodin explained his motives for writing the work. ""First, he hoped to denounce the mania, the spiritual errors, and distraction, as well as the ""fury"" that sorcerers possess as they ""chase after the devil."" He wrote this treaty with two purposes in mind: on the one hand, ""to use it as a warning to all who will see him [the devil],"" and on the other hand, ""to alert readers that there is no crime that could be more atrocious or deserve more serious punishment."" Bodin wished to speak out against those who ""try by all means to rescue the sorcerers through printed books."" He reminded all that ""Satan has men in his grasp who write, publish, and speak claiming that nothing that is said about sorcerers is true."" It was essential to provide the tools to magistrates and judges, who were confronted by the accused sorcerers, in order to face this formidable problem. The work was bold and perilous for its author. Many wondered if Bodin, so curious about this topic, such an expert, so convinced of the devil's existence, may not himself have been involved with witchcraft. These suspicions alarmed the authorities, and on June 3, 1587, the general prosecutor to the Parlement of Paris ordered the general lieutenant of the baillage of Laon to proceed with a search of Bodin's home, on suspicion of witchcraft. This inspection brought no results due to the intervention of eight prominent citizens and two priests who registered their support of Bodin."" (SEP).""The conclusions of the proceedings against a witch, to which I was summoned on the last day of April, 1578, gave me occasion to take up my pen in order to throw some light on the subject of witches, which seems marvelously strange to everyone and unbelievable to many... And because there were some who found the case strange and almost unbelievable, I decided to write this treatise which I have entitled ""The Demon-Mania of Witches"", on account of the madness which makes them chase after devils: to serve as a warning to all those who read it, in order to make it clearly known that there are no crimes which are nearly as vile as this one, or which deserve more serious penealties. Also partly to respond to those who in printed books try to save witches by every means, so that it seems Satan has inspired them and drawn them to his line in order to publish these fine books."" (Bodin's Preface).A feature which clearly distinguishes Bodin's theories on witchcraft from late medieval and early Renaissance demonology is his struggle against skepticism, and the gender strategies that he deploys in the present work to thwart Skeptics, constitute a central feature of his modern demonology - a demonology that came to be dominating for more than half a century. The ""Démonomanie"" is a work designed to update a vast corpus concerned with the identification and punishment of witches. It provides us quite clearly with Bodin's thoughts on divinity, punishment, practice of law, and not least on women - women in general and women in society. ""[W]omen generally serve as means to an end in Bodin's thought. The wife's natural inferiority to the husband provides an analogy for a nonreciprocal relation of command and obedience that he establishes between the sovereign and his subjects in ""De la république"". In ""De la démonomanie"", Bodin's portrayal of women as the possessors of unsavory secrets and his characterization of the confessions of witches as fragments of a grandly devilish design create the need for hermeneutical expertise - expertise that he claimed to have. In using women to ""think with"", the author of ""De la démonomanie"" had much in common with his opponent, the Lutharen physician Johann Weyer, who protested against the witch trials in ""De praestigiis daemonum"" (1563)."" (Wilkin p. 53).An important part of Bodin's defence of the existence of witchcraft lies in the latter part of the present work, namely the pages 218-252, which constitute the famous refutation of the opinions of Johann Weyer (""Refutation des opinions de Jean Wier""). In his ""De praestigiis daemonum"" from 1563, Weyer had argued that that which we call witchcraft are actually manifestations caused by mental illness of the women in question. It is interesting to see how much Bodin actually drew on Weyer, while at the same time attacking him on both scholarly and legal grounds. As the thorough and classically bred scholar that he was, he cited both classical, Arab, and Christian authorities on witchcraft against Weyer. He arrays the authority of all philosophers, prophets, theologians, lawgivers, jurists, rulers, etc. Ultimately, Bodin here became the first to challenge Weyer's denial of the right to judge and punish the mentally ill, making the work of foundational importance to the following development of legal theory specifically targeted on the punishment of insane men and women. ""As a major Renaissance scholar, Bodin based his work on an extensive and varied group of sources. He depended heavily on the Old Testament, classical and patristic authorities and a large number of medieval scholastic works. He was immersed in the late medieval legal and canon law traditions. He also cited a large number of recent and contemporary texts like the ""Malleus meleficarum"", as well as accounts told by friends and acquaintances. Interestingly, while Bodin condemned the work of Johann Weyer, he mined this book for anecdotes and accounts when they could be useful."" (Pearl).The refutation of Weyer shows Bodin as a formidable controversialist. The reason why the ""Démonomanie"" is published two years after the trial of Jeanne Harvillier, which is constitutes the concrete basis of the work, is that Bodin needed time to carefully prepare the most effective resonse to Weyer's works and attach it to his own. Bodin seeks total demolishment of his opponent - and, as time will tell, he succeeds. Despite some modern disciples, Weyer's position was largely traditional. His aim is not to deny the existence of Satan, nor of satanic practitioners, but rather to contend that those suspected of witchcraft are delusional and victims of mental illness. ""Weyer's characterization of women replicated the views of the ""Malleus Maleficarum"" (1487), or ""witches hammer"", one of the first and certainly the most influential manual for identifying and prosecuting witches... Weyer draws from the same sources as Kramer to argue that women cannot be held accountable for the crimes for which they stand accused and to which they often confess... Vying with the author of the ""Malleus"", weyer inscribes in etymology the correspondence between the soft female body and her persuasive mind... Weyer's portrayal of women diverges from that of Kramer only in his assessment of the witch's responsibility."" (Wilkin, pp. 13-14).""The essentially melancholic imagination of women, he argues, makes them incapable of the sense perception to which he assigned pride of place in the search for truth. The madness with which Weyer diagnosed witches thus masked the contradiction that vitiated his plea. Identifying the susceptibility to demonic illusion as a feminine trait was to compartmentalize it, to limit implicitly the damage that the Devil could inflict elsewhere - for instance, on the perception of learned physicians. Those who refuted ""De praestigiis daemonum"" rejected the hermeneutical advantage that Weyer claimed for himself. To the gender strategy by which he claimed his advantage, however, they did not object. Weyer's vociferous adversary, Jean Bodin, decried the physician's medical diagnosis of witches"" nevertheless, he called upon woman to embody his opposing hermeneutics. The phenomenon that Clark has felicitously termed ""thinking with demons"" was thus, I argue, inseparable from another thought process: ""Thinking with women""."" (Wilkin, pp. 9-10).The ""Démonomanie"" also constitutes a seminal exercise in jurisprudence, which came to set the standard for following decades. Bodin's aim was not only to make sure that witches were judged and punished, he also aimed at fair trial rules according to principles of law developed over centuries in the secular and ecclesiastical courts. Also in this way, the work differs profoundly from other works on demonology and witchcraft and shows us the author as a profound political and legal thinker, whose aim was to alter society for the better. Because this interesting work places itself amidst the divine and the earthly, between the supernatural and the natural, we find in it a wealth of themes that go beyond the actual witch trial with which Bodin begins his work. It is also for these reasons that the work provides us with an even more thorough knowledge of the foundational thoughts of the great legal and political thinker that is its author. See: Rebecca May Wilkin: Women, Imagination and the Search for Truth in Early Modern France, 2008.Jean Bodin: On the Demon-Mania of Witches. Translated by Randy A. Scott with an Introduction by Jonathan L. Pearl, 1995. Ursula Lange: Untersuchungen zu Bodins Demonomanie, 1970.
Association des Amis du Musée Gauguin, Tahiti, Gauguin and Oceania Foundation, New York Cartonnage d'éditeur 1987 In-4 (29 x 41 cm), cartonnage d'éditeur toilé sous étui cartonné muet, non paginé, illustrations en couleurs, ouvrage réalisé et présenté par Gilles Arthur, Jean-Pierre Fourcade, Jean-Pierre Zingg ; quelques traces et marques d'usage sur l'étui, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Barré Michel,Connan Jean-Lou,Cornec Gilles,Fédérenko Nicolas,Garo Alain,Pagnoux Michel,Thaéron Jean-Paul,Trebaul Jean-Noël
Reference : mz184
(1979)
Groupe FINISTERE Agrafé 1979 In-4 (21 x 30 cm), dos collé, non paginé, illustrations en noir et blanc, n°3 de la revue Grisaille ; quatrième plat détaché, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Illustration "Illustration en couleurs (20,3 x 18 cm sur support 25,5 x 24 cm) de Jean-Adrien Mercier, tirée de l'album ""Le Rêve de Jean-François"" ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Illustration "Illustration en couleurs (20,3 x 18 cm sur support 25,5 x 24 cm) de Jean-Adrien Mercier, tirée de l'album ""Le Rêve de Jean-François"" ; papier légèrement froissé, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Paris, Chez jean de bonnot, 1990; in-8, cartonnage de l'éditeur. Les 3 volumes. Reliure rouge en 3 volumes.
Reliure rouge en 3 volumes.
Paris, Chez jean de bonnot, 1971; in-8, cartonnage de l'éditeur. Les 3 volumes. En 3 volumes reliure verte.
En 3 volumes reliure verte.
Seuil L'Univers historique Dos carré collé 1997 In-8 (14 x 20.5 cm), dos carré collé, 454 pages, sous la direction de Jean-Pierre Rioux et Jean-François Sirinelli ; pliure au dos, quelques marques d'usae aux plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Collectif,Dubois Jean,Giacomo Mathée,Guespin Louis,Marcellesi Christiane et Jean-Baptiste,Mével Jean-Pierre
Reference : dk1244
(1994)
Larousse Trésors du français Cartonné avec jaquette 1994 In-8 (16 x 24 cm), cartonné avec jaquette, 514 pages ; jaquette légèrement usagée (coiffes et bords frottés, quelques marques d'usage aux plats), bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Illustration "Illustration en couleurs (20,3 x 18 cm sur support 25,5 x 24 cm) de Jean-Adrien Mercier, tirée de l'album ""Le Rêve de Jean-François"" ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Illustration "Illustration en couleurs (20,3 x 18 cm sur support 25,5 x 24 cm) de Jean-Adrien Mercier, tirée de l'album ""Le Rêve de Jean-François"" ; papier très légèrement froissé, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Illustration "Illustration en couleurs (20,3 x 18 cm sur support 25,5 x 24 cm) de Jean-Adrien Mercier, tirée de l'album ""Le Rêve de Jean-François"" ; papier légèrement froissé, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Forqueray Antoine,Forqueray Jean-Baptiste,Rameau Jean-Philippe
Reference : ys3510
(2001)
EMI, Virgin CD 2001 "2 CD ""Pièces de clavecin"" de Jean-Philippe Rameau et Antoine & Jean-Baptiste Forqueray, interprétées par Monica Huggett, Mitzi Meyerson et Sarah Cunningham ; CD1 (Rameau) : Quatrième, deuxième, Premier, Cinquième et Trosième concerts ; CD2 (Forqueray) : Suite No. 3, Suite No. 5 ; quelques légères marques d'usage sur le boîtier, très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Arrou-Vignod Jean-Philippe,Beaude Pierre-Marie,Daeninckx Didier,Detambel Régine,Germain Sylvie,Huston Nancy,Lépront Catherine,Lou Virginie,Nozière Jean-Paul,Pépin Ernest
Reference : gm3183
(1998)
Gallimard Page Blanche Dos carré collé 1998 "Dix volumes in-12 (12,5 x 17,7 cm), dos carré collé, 45 pages par volume, série complète de dix nouvelles inédites éditées à l'occasion des 10 ans de la collection ""Page Blanche"" de Gallimard, l'ensemble comprend : Blanc comme neige (Jean-Paul Nozière). Le poème indigo (Régine Detambel). L'écran rouge (Ernest Pépin). L'encre du poulpe (Sylvie Germain). La vie en rose (Virginie Lou). Les souliers d'or (Nancy Huston). Ivoire (Catherine Lépront). La statuette de jade (Jean-Philippe Arrou-Vignod). Ocre (Pierre-Marie Beaude). La couleur du noir (Didier Daeninckx) ; très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Editions Jean d'Auvergne Feuilles sous chemise et emboitage 1963 Petit in quarto (24.5x29 cm), livre en feuilles non coupées sous chemise cartonnée et sous emboîtage d'édition titré au dos, 115 pages suivies de XXIX dessins en noir, nombreuses illustrations en noir hors texte (dont blason du Pilat), dessins de René Fages, un des 130 exemplaires sur Vélin pur chiffon Montgolfier filigrané de Saint-Marcel-Lès-Annonay, notre exemplaire est non justifié ; Panorama économique, agricole, forestier, l'industrie du bois ; 'Pilat, montagne sacrée druidique' par Gabriel Fay de la Roche ; 'Flore du Pilat' par Jean Paret ; 'La Jasserie' par Eugène Masson ; 'Pilat d'hier et de demain' par Jean Bertail ; 'La Chapelle de Saint Sabi, les rebouteurs' par Francus ; 'Notre Mont Pilat' par Joseph Berlier ; Texte sur Jean du Choul ; Claude Berthier apôtre du Pilat ; Texte sur Marcellin Champagnat ; Le cardinal Donnet de Bourg Argental ; les Odouard de Saint Sabin ; Pierre Vanel d'Izieux ; Auguste Prenat ; l'abbé Seytre de la Cherbouze de Thélis la Combe ; une planche sur les minuscules et vénérables sanctuaires en Pilat ; chemise légèrement salie, emboîtage un peu enfoncé, très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.