1976 1976. grand format broché 349 pages ( les Editeurs Français Réunis); édition originale de 1976. biographie 'intellectuelle' de Sigmund Freud sous une perspective marxiste qui montre la naissance et le développement de la psychanalyse à travers les différents problèmes renvcontrés par Freud dans sa pratique. en BON ETAT général; complet et solide ni déchiré ni annoté ; intérieur bon état propre (mais un peu jaunissant); quelques traces de pliures sur la couverture
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Petite bibliothèque payot 1995 1995. Sigmund Freud: Cinq Leçons sur la Psychanalyse/ Petite Bibliothèque Payot 1995 . Sigmund Freud: Cinq Leçons sur la Psychanalyse/ Petite Bibliothèque Payot 1995
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Balland 1985 1985. J.J.Wunenburger - Sigmund Freud :Une vie Une oeuvre Une époque / Balland 1985
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Petite bibliothèque payot 1975 1975. Sigmund Freud: Cinq leçons sur la psychanalyse / Petite bibliothèque Payot 1975 . bon état
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Seine 1981 1981. Bon état. 1981. Livre en Allemand
Editions Gallimard 1975 1975. Sigmund Freud - Ma vie et la psychanalyse / Gallimard 1975
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1977 1977. Sigmund Freud: Essais de psychanalyse / Petite bibliothèque Payot 1977
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1990 1990. Sigmund Freud présenté par lui-même / Gallimard 1990 . bon état
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1972 1972. Sigmund Freud : La rêve et son interprétation / Galimard 1972 LBN8
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1995 1995. Sigmund Freud - Cinq leçons sur la psychanalyse / Petite Bibliothèque Payot 1995
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Leipzig und Wien, 1905. 8vo. Original printed wrappers. Uncut and unopened. In perfect condition in- as well as ex-ternally. (2), 83 pp. Housed in a full burgundy cloth box with gilt leather title to spine. Inside of box with the book plate of Pierre Bergé. Laid in is a typed letter from André Gide with a four-line handwritten and signed (""André Gide"") note dated ""22 Avril 39"".
Scarce first edition, in impeccable original condition and with an inlaid letter from André Gide, of one of Freud’s most significant works, his seminal Three Essays on the Theory of Sexuality. It is this groundbreaking - and to this day highly controversial - work that lays the foundation for the concepts of penis envy, castration anxiety, and the Oedipus complex, apart from defining the entire theory of childhood sexuality. Together with The Interpretation of Dreams, The Three Essays on the Theory of Sexuality (also sometimes translated as Three Contributions to the Theory of Sex) constitutes the most significant of Freud’s works. It is here that the founder of psychoanalysis advances his theory of sexuality, in particular its relation to childhood, a theory that came to permeate through all of his later writings and that came to define psychoanalysis for decades to come. The book covered three main areas that remain at the heart of Freudian psychoanalysis: sexual perversions, childhood sexuality, and puberty. Die Sexuelle Abirrungen (""The Sexual Aberrations""), the first essay, commences by distinguishing between the sexual object and the sexual aim and tries to define what is “normal” within sexuality – an endeavor that in itself has been the cause of much controversy. Die infantile Sexualität (Infantile Sexuality), the second essay, controversially argues that children have sexual urges, from which adult sexuality only gradually emerges via psychosexual development. Looking at children, Freud identified several forms of infantile sexual emotions, including thumb sucking, autoeroticism, and sibling rivalry. Freud’s descriptions of infantile sexuality were considered outright scandalous and it would be another decade before they were reconized as essential to the understanding of human behavior and development. Freud's discovery of infantile sexuality radically altered the perception of the child from one of idealized innocence to one of a person struggling to achieve control of his or her biological needs and make them acceptable to society through the influence of his or her caregivers (see Fonagay and Target 2003). In Die Ungestaltungen der Pubertät (The Transformations of Puberty), the third essay, Freud formalised the distinction between the “fore-pleasures” of infantile sexuality and the “end-pleasure” of sexual intercourse. He also demonstrated how the adolescent years consolidate sexual identity under the dominance of the genitals. Freud himself considered his “Three Essays” the epitome of his work, in which he linked his theory of the unconscious as put forward in The Interpretation of Dreams and his studies of hysteria by positing sexuality as the driving force of both neuroses (through repression) and perversion. Laid-in is a machine-written letter from André Gide, with a four-line handwritten note to top, signed in full by André Gide and dated 22 of April 1939, five months before Freud dies. The letter is an hommage to Freud, excpressing gratitude and admiration for ""the great prospector, [who] freed himself from the shadows where many hideous ghosts and malevolent larvae lurked"" (translation from French). We do not know who the recipient of the letter was, and though it seems to have been meant for publication, perhaps in a celebratory volume for Freud, it never was. It comes from the collection of Philippe Helaers and was displayed at the 2007 UNESCO exhibition ""Are you a doctor, sir?"", in the honour of Freund. ""We learned of this beautiful letter from André Gide during the preparations for the exhibition, currently presented at Unesco: “Are you a doctor, sir? », organized in tribute to Sigmund Freud under the aegis of the School of the Freudian Cause.… Its owner, Mr Philippe Helaers, acquired it a few years ago in London, without the envelope which could have enlightened us as to its recipient. Was it James Strachey? Leonard Woolf? These are the most plausible hypotheses. The collection of tributes, in which it was to be published, never saw the light of day. Why ? We do not know. Did Freud read it? We don't know that either. In the quest to solve these conundrums, the Journal of André Gide is unfortunately of no help to us. The author of Terrestrial Foods – the only work by Gide listed in Freud’s library – always considered that he had practiced Freudianism without knowing it, in particular in his Corydon. In any case, the awe expressed in this letter clashes with the famous page of his diary, where he describes Freud as “an imbecile of genius”. That was, it is true, the day after his brief experience of psychoanalysis with Eugenia Sokolnicka. In Les Faux Monnayeurs, she is mentioned under the transparent pseudonym of Madame Sophroniska. The allusion to the unequal disciples of the master at the end of the 1939 letter is undoubtedly in allusion to this encounter."" (Translated from French from Dans la cause freudienne 2007). André Gide (1869-1951) was a highly important French author, recipient of the Nobel Prize in Literature, considered ""France's greatest contemporary man of letters"" and ""judged the greatest French writer of this century by the literary cognoscenti"" (The New York Times). Gide's work centres around the reconciliation of freedom and empowerment with moralistic and puritan constraints. He continuously strives to towards intellectual honesty, and his self-exploratory texts are groundbreaking in their search of how to be fully oneself, including owning one's sexual nature, without at the same time betraying one's values. As a self-professed pederast, Freud's seminal ""Three Essays on the Theory of Sexuality"" played a dominant role in his quest to understanding and owning his sexual nature. G&M: 4983 (""Freud opened up a new territoryfor exploration - the unconscious mind. His studies of the sexual instinct explained the reasons for, and suggested the treatment of, various perversions and neurotic conditions"").
(Wien, K.k. Hof- und Staatsdruckerei, 1877). 8vo. In the original orange-brown printed wrappers, uncut and unopened. Near mint. (16), 13, III pp + 1 folded lithographic plate by Schuma, after Freud.
First edition, in the scarce offprint, of Freud's first publication, which documents the early beginnings of the scientific thought that came to found psychoanalysis. In 1873 Freud entered the University of Vienna to study medicine. He chose to study medicine, not because he wanted to be a practitioner, but because he wanted to study the human condition with scientific rigor. In his early career, he modeled himself on Ernst von Brücke. ""He spent an increasing amount of time in Brücke's Physiological Institute from 1876 through 1882. His first studies were on the connection of a large nerve cell (Reissner's cell) that had been discovered in the spinal cord of a primitive genus of fish, and his observations made it possible to fit these cells into an evolutionary scheme."" (D.S.B. V:172).In the background of this task - of studying this nerve cell of a primitive fish - lay a greater question"" a question that arguably became formative for the greatest revolutionizer of the human mind, namely the question about the nervous system of higher animals - including human beings - differing in kind from the lower ones. ""Freud's precise observation revealed that the presence of Reissner cells in the primitive spinal cord was because of the incomplete development of the embryonic neural tube to the periphery, and that this demonstrated an evolutionary continuity between the two. Having successfully solved this problem, he then continued his histological research on nerve cells, but also decided independently to work on crayfish... [h]e was beginning to show himself to be a creative scientist, heuristically positing a conception on the basis of empirical evidence, something that would reappear in his psychoanalytic method..."" (Thomas Dalzell, ""Freud's Schreber Between Psychiatry and Psychoanalysis..."", p. 156). ""Years later Freud found this evolutionary-anatomical parallel to his phychoanalytic findings of important didactic use in his ""Introductory Lectures on Psycho-Analysis."" (Sulloway, ""Freud, Biologist of the mind: Beyond the Psychoanalytic Legend"", p. 268). ""To this vast and exciting field of research [the composition of nerve cells and the question whether the nervous system of higher animals is made up of elements different from those of lower animals] belonged the very modest problem which Brücke put before Freud. In the spinal cord of the Amoecetes (Petromyzon), a genus of fish belonging to the primitive Cyclostomatae, Reissner had discovered a particular kind of cell. ... Brücke wished the histology of these cells clarified. After a few weeks Freud came to him with the quite unexpected discovery that non-myelinated fibres of the posterior (sensory) nerves originated in some of Reissner's cells. Other fibres, probably also sensory, coming from these cells passed behind the central canal to the opposite side of the spinal cord ... Brücke pressed for publication [and] presented the study at the Academy of Sciences meeting of january 4, 1877. It appeared in the January Bulletin of the Academy. It was the first paper of Freud's to be actually published, since the one on his first piece of research, on the eel, did not appear until 3 months later."" (Jones, Life and Work, vol. I, pp. 51 - 53).
[" The Artist "] - Nicholas Penny, Robert Flynn Johnson ; Lucian Freud
Reference : 59916
, Thames & Hudson, 1988 Hardcover, 128 pages, ENG, 285 x 260 mm, dustjacket, book is as new, with illustrations in color and b/w, here and there some texts underlined with pencil, better that than with a ballpoint pen, apart from that, the book is really as new. ISBN 9780500091852.
Lucian Michael Freud ( 8 December 1922 - 20 July 2011) was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War. His early career as a painter was influenced by surrealism, but by the early 1950s his often stark and alienated paintings tended towards realism. Freud was an intensely private and guarded man, and his paintings, completed over a 60-year career, are mostly of friends and family. They are generally sombre and thickly impastoed, often set in unsettling interiors and urban landscapes. The works are noted for their psychological penetration and often discomforting examination of the relationship between artist and model. Freud worked from life studies, and was known for asking for extended and punishing sittings from his models
Presses Universitaires de France - PUF 1992 13 4x2 4x21 4cm. 1992. Broché.
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Gallimard 1999 256 pages poche. 1999. Poche. 256 pages.
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Payot 1976 297 pages poche. 1976. Broché. 297 pages.
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Payot-rivages / Petite bibliothèque payot 1998 441 pages in8. 1998. broché. 441 pages.
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