149 books for « p a logan »Edit

‎Le Canada, et l'Exposition Universelle de 1855. Relié à la suite : Esquisse sur le Canada considéré sous le point de vue économiste. Relié à la suite : Catalogue raisonné des produits canadiens exposés à Paris en 1855‎

‎John Lovell / G.-A. Pinard - Dentan et Cie / Hector Bossange Reliure d'éditeur Paris 1856 ‎

‎Bon Grand in-8. 477 pages, note, pagination continue sur les quatre ouvrages. 1855-1856. Frontispice. Carte dépliante au second titre. 3 plans hors-texte au troisième titre. La quatrième partie est de Logan et Sterry-Hunt : "Esquisse géologique du Canada" avec le "Catalogue des minéraux économiques du Canada". À cette exposition, la collection de minéraux de W. E. Logan remporta la grande médaille d'honneur (Voir DBC, "Logan, William Edmond"). Palais de l'Industrie doré sur la reliure d'éditeur.‎

‎Le Canada, et l'Exposition Universelle de 1855. Relié à la suite : Esquisse sur le Canada considéré sous le point de vue économiste. Relié à la suite : Catalogue raisonné des produits canadiens exposés à Paris en 1855‎

‎John Lovell / G.-A. Pinard - Dentan et Cie / Hector Bossange Demi-bougran à coins Paris 1856 ‎

‎Bon Grand in-8. 477 pages, note, pagination continue sur les quatre ouvrages. 1855-1856. Frontispice. Carte dépliante au second titre. 3 plans hors-texte au troisième titre. La quatrième partie est de Logan et Sterry-Hunt : "Esquisse géologique du Canada" avec le "Catalogue des minéraux économiques du Canada". À cette exposition, la collection de minéraux de W. E. Logan remporta la grande médaille d'honneur (Voir DBC, "Logan, William Edmond").‎

‎Partition de la chanson : Dreamy Sevilla ‎

‎Partitions sur l'Espagne Forster Music 1920‎

‎ Etat moyen Grand format Piano ‎

‎Partition de la chanson : Summer showers ‎

‎Partitions sur la Saison Forster Music 1918‎

‎ Bon état Grand format Piano ‎

‎BUCKSKIN AND SATIN . The life of Texas Jack and his wife , Mlle Morlacchi.‎

‎ Harrisburg , Stackpole , 1954 , in8 reliure éditeur , 218pp , abondantes illustrations. Langue: Français ‎

‎ Expédition :France et pays limitrophes :Suivant le poids ou la destination les envois sont effectués par poste ou par transporteur.Reste du monde : Par poste suivie, colis suivi . Ou en "livre-brochure" Très économique mais sans suivi sous la responsabilité de l'acheteur.‎

‎The Relationship Between Nucleus and Cytoplasm - Proceedings of the Symposium held June, 9-13, 1958 at l'Université Libre de Bruxelles, Belgium , Experimental Cell Research, Supplement 6, 1959‎

‎Academic Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1959 Book condition, Etat : Bon paperback, editor's wrappers Grand In-8 1 vol. - 282 pages‎

‎few figures 1st edition Contents, Chapitres : Foreword, Contents, Contributors, vi, Text, 276 pages - F.E. Lehmann : Functional aspects of submicroscopic nuclear structures in Amoeba proteus, and of the mitotic apparatus of Tubifex embryos - W. Bernhard : Ultrastructural aspects of the nucleocytoplasmic relationship - F. Jacob : Transfer and expression of genetic information in Escherichia coli K 12 - W. Plaut : The nucleus and ribonucleic acid synthesis in Amoeba proteus - J. Brachet : New observations on biochemical interactions between nucleus and cytoplasm in Amoeba and Acetabularia - S.R. Pelc : The participation of the cell nucleus and its DNA in the formation of keratin - A. Ficq, C. Pavan and J. Brachet : Metabolic processes in chromosomes - A.E. Mirsky and V.G. Allfrey : Differentiation considered with reference to the relationship between nucleus and cytoplasm - J. Chayen : The quantitative cytochemistry of DNA and its significance in cell physiology and heredity - E.G. Wilson : The development in amoebae of resistance to antiserum - A. Pardee : Experiments on the transfer of information from DNA to enzymes - H. Chantrenne and S. Devreux : Dissociation of the synthesis of nucleic acids from the synthesis of protein by a purine analogue - M. Fischberg, J.B. Gurdon, and T.R. Elsdale : Nuclear transfer in amphibia and the problem of potentialities of the nuclei differentiating tissues - J.A. Moore : The transfer of haploid nuclei between Rana pipiens and Rana sylvatica - F. Baltzer, P.S. Chen, K. Keck , G. Richter and G. Werz : Growth and proteins synthesis in nucleated and enucleated cells - M. Alfert : Variations in cytochemical properties of cell nuclei - P. Michaelis : The genetical interactions between nucleus and cytoplasm in Epilobium - J.F. Danielli : Some theoretical aspects of nucleo-cytoplasmic relationships - M. Errera, A. Ficq, R. Logan, Y. Skreb and F. Vanderhaeghe : Nucleo-cytoplasmic relationships in irradiated cells near fine copy, no markings‎

‎South Pacific : a Musical Play.‎

‎New York Random House 1949 1 vol. relié in-8, cartonnage sous jaquette illustrée, 170 pp. (jaquette usée au dos), 3 photos hors-texte. Edition originale de la pièce adaptée des "Tales of the South Pacific" de James A. Michener. Texte en anglais. Bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue 1-4, - 4-volumes catalogue raisonn of all drawings.‎

‎, Brepols - Harvey Miller, 2021-2023 4 vols., 536 pages + 732 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, FINE ISBN 9782503595702.‎

‎This is the 4-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Feu de Saison Série Chance harlequin‎

‎Editions Harlequin 1985 1985. Dayse Logan - Feu de Saison / Série Chance Harlequin 1985‎

‎Bon état‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) Part One: Text and Part Two: Images‎

‎, Brepols - Harvey Miller, 2023 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col. Language(s):English. ISBN 9782503599533.‎

‎This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Trivia.‎

‎Paris Grasset, coll. "Les Cahiers verts" 1921 1 vol. broché in-12, broché, 145 pp. Très bon état général.‎

‎Trivia. Traduction de Philippe Neel... Introduction de Valéry Larbaud.‎

‎Paris, Grasset, 1921. in-12, XIVpp.-145pp.-1f. Broché. (Collection Les Cahiers Verts).‎

‎Édition originale de la traduction et de la préface de Larbaud. - Dos passé, papier jauni.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608)‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck?s. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes‎

‎Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019.‎

‎First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubenss copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English‎

‎Peter Paul Rubens. The Drawings.‎

‎Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked.‎

‎Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English‎

‎VERSES‎

‎The Pen and Pencil Club, Montreal. 1916. In-8. Relié. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. 129 pages. Photo-gravure en noir et blanc en frontispice (portrait). Annotations en page de garde (envoi d'un membre de 'The Pen & Pencil Club').. . . . Classification Dewey : 97.2-Dédicace, envoi‎

‎By Johnn Edward Logan ('Barry Dane'). Classification Dewey : 97.2-Dédicace, envoi‎

‎Trivia. Traduction de Philippe Neel avec la collaboration de l'auteur. - Introduction de Valéry LARBAUD.‎

‎ Paris, B. Grasset, Les Cahiers Verts - 6 -, 4 Novembre 1921. In-8, broché, ex à grandes marges, 145 pp. ‎

‎Edition originale de la traduction. Un des 100 exemplaires numérotés sur vélin pur fil Lafuma (deuxième papier après trente ex sur papier vert lumière). Photos sur demande.‎

‎Trivia. Traduction de Philippe Neel avec la collaboration de l'auteur. - Introduction de Valéry LARBAUD.‎

‎ Paris, B. Grasset, Les Cahiers Verts - 6 -, 4 Novembre 1921. In-12, broché, 145 pp. (dos défraichi, jauni avec léger manque de papier en queue). ‎

‎Edition originale de la traduction. Un des exemplaires numérotés sur vergé bouffant. Photos sur demande.‎

‎Cyberespions‎

‎Larousse jeunesse (4/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782036013322‎

‎Real Listening and Speaking 3 with Answers and Audio CD‎

‎Cambridge University Press ELT (4/2008)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780521705882‎

‎Lire des textes de recherches 6th edition‎

‎ELSEVIER SCIENCE BV (6/2019)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780323661508‎

‎TU MERITES MIEUX !‎

‎COURRIER DU LIVRE‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782702927564‎

‎PEINTURE EN TROMPE L'OEIL TECHNIQUES ET REALISATIONS‎

‎ULISSE‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782844151766‎

‎Now She is Witch‎

‎Harvill Secker (1/2023)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781787303430‎

‎BRAM DEMUNTER‎

‎, Hannibal Books, 2023 Hardcover, 232 pages, ENG / NL / FR. edition, 320 x 255 x 27 mm, NEW / NIEUW, illustrated in colour / b/w. ISBN 9789464666748.‎

‎Kunstenaar Bram Demunter ( 1993) speelt een spel van verzamelen en onderzoeken. Hij combineert schilderstijlen, -technieken en onderwerpen uit diverse tijdsperioden en cre ert zo een geheel eigen, vernieuwende beeldtaal. In zijn oeuvre refereert Demunter aan klassieke grootmeesters als Rogier van der Weyden, Matthew Paris en de Vlaamse primitieven, maar evenzeer aan kunstenaars als James Ensor en Georg Baselitz. Zijn werk gaat over ons, de mens, en de plaats die wij innemen in de wereld, de verhalen en beeldculturen die uit ons voortkomen en de veranderingen die we teweegbrengen. Oude hi rarchie n zijn niet langer geldig, en nieuwe schakels worden gemaakt tussen het heden, verleden en de toekomst.‎