52 books for « marjan »Edit

‎Alabaster Sculpture in Europe (1300-1650)‎

‎, Brepols - Harvey Miller, 2022 Softcover, Pages: 312 pages; Size:240 x 280 mm; Illustrations:360 col. ;Language(s):English. ISBN 9781912554928.‎

‎In short, everyone involved in creating this catalogue and the exhibition it records deserves praise. The volume covers a vast terrain, helpfully summarizing the current state of knowledge on a great many objects and providing a road map for further study by scholars and students of the material (and indeed of ?materiality? writ large). In doing so, the catalogue provides a stellar example of the benefits of stepping outside of the intellectual taxonomies that so often constrain scholarship: our assumptions about the firmness of divisions between stylistic periods, geographic regions, and categories of objects. It compellingly demonstrates that those boundaries are far more permeable than they often might seem, and that they can distract us from important commonalities that transcend them.? (Stephen Perkinson, in Historians of Netherlandish Art Reviews, 09/2023) BIO Marjan Debaene is Head of Collections at Museum M in Leuven. SUMMARY Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs. TABLE OF CONTENTS Foreword M Leuven Peter Bary Foreword Mus e du Louvre Laurence des Cars Preface Marjan Debaene and Sophie Jugie 1 Alabaster as a Material for Sculpture Introduction Sophie Jugie Rhetoric of Alabaster: The Material between its Affordances and Cultural Meaning Aleksandra Lipi?ska How to Distinguish Alabaster from Alabaster: Tracing the Material Back from the Artwork to the Quarry Wolfram Kloppmann ?Marbre d?alabastre?: Status of the Interdisciplinary Research Project on Marble and Alabaster Jude De Roy, Laurent Fontaine and G raldine Patigny Catalogue nos. 1?21 2 Funerary Sculpture Introduction Sophie Jugie Alabaster as a Material for Funerary Monuments Jessica Barker Catalogue nos. 22?41 3 Alabaster Altarpieces Introduction Marjan Debaene and Michaela Z schg The Rimini Altarpiece and Alabaster Sculpture in the Southern Netherlands, around 1430 Stefan Roller English Alabaster and the Continent Lloyd de Beer Alabaster Altarpieces in the Iberian Peninsula: From Gothic to Baroque Carmen Morte Garc a Catalogue nos. 42?99 4 Sacred and Secular Introduction Michaela Z schg and Marjan Debaene The Head of St John the Baptist in Alabaster: The Object in Context Soetkin Vanhauwaert Catalogue nos. 100?126 Epilogue: Alabaster Mentalis, Trinitas Terrestris Sofie Muller Catalogue nos. 127?128 Bibliography Index Lenders to the Exhibition Photographic Acknowledgements‎

‎Borman in Context, Brabantine Sculpture from 1460-1540‎

‎, Brepols - Harvey Miller, 2025 hardcover, Pages: iv + 326 pages; Size:180 x 265 mm, Illustrations:12 b/w, 181 col., Language(s):English, French. **NEW. ISBN 9782503607993.‎

‎In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19?26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as ?the best sculptors?, they did not operate in isolation. Brussels was a thriving artistic centre?a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans? role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. TABLE OF CONTENTS Marjan Debaene and Hannah de Moor, Foreword Part I: Commissions and Commissioners from North to South Magali Briat-Philippe, The Statuary of the Royal Monastery of Brou: An Important and Singular Witness of Brabantine Sculpture between 1513 and 1522 Catheline P rier-D?Ieteren, Emmanuelle Mercier, and Myriam Serck-Dewaide, The Adoration of the Magi in San Nazaro, Milan: An Unknown Work by Jan Borman II? Marjan Debaene and Claire Dumortier, The Bormans and Leuven: An Analysis of Known and Newly Discovered Documents in the Leuven City Archives concerning Jan I Borman, the Borman Family, and Their Artistic Activity in Leuven in the Fifteenth Century Hannah De Moor, In Search of the Patrons of Netherlandish Carved Altarpieces in Sweden Ragnhild M. B , The Resurrected Christ Appearing to His Mother and the Seven Joys of the Virgin: Borman and Beyond Adam Harris Levine, Borman Reliquaries in their Iberian Context Emilio Ruiz de Arcaute Mart nez, Originals or Copies? Interesting Contributions regarding the Technical Study of Some Borman Reliquary Busts Part II: Style, Materials, Techniques, and Workshop Organisation Michel Lefftz, De Rogier van der Weyden Jan Borman I: Transferts, rivalit et mulation dans la peinture et la sculpture des anciens Pays-Bas au XVe si cle Elisabeth Van Eyck and Ria De Boodt, Reunited? Case Study about an Early Sixteenth-Century Carved Wooden Altarpiece and Its Painted Shutters Ingrid Geelen, The Polychromers of the Borman Altarpieces Christel Theunissen, Lost and Found: Tracing the Origin of Scattered Choir Stall Fragments Seppe Roels and Marieke Van Vlierden, Mallets, Flowers, and Circles: Marks on Sculptures Related to the Borman Workshops: A Preliminary Comparison Index ‎

‎Sisyphus dochters. Beeldhouwsters en hun werk in de publieke ruimte (Parijs, Londen en Brussel, ca. 1770-1953). Tekst en Catalogus. ‎

‎Brussel, KVAB Press, 2013 Softcover, 2 delen, Verhandelingen Nieuwe Reeks nummer 25. ISBN 9789065691132.‎

‎Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus. Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken...... lees meer. Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus.Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken van vrouwen in de drie onderzochte steden, beschrijft de auteur de toenmalige moeilijkheden en mogelijkheden voor vrouwen met diverse profielen om beeldhouwer te worden, een degelijke opleiding te genieten en openbare opdrachten te bekomen in die steden. Vervolgens gaat ze in op de vormelijke en inhoudelijke kenmerken van het getraceerde beeldhouwwerk, en hun zichtbaarheid in de publieke en semipublieke ruimte. Een laatste deel behandelt de ontvangst, vroeger en nu, van de bestudeerde beeldhouwsters en hun (semi)publieke werken. Een tweede volume, de catalogus, inventariseert en illustreert waar mogelijk 365 niet eerder bijeengebrachte sculpturen van de hand van vrouwen in publieke en semipublieke buiten- en binnenruimtes in Parijs, Londen en Brussel in de periode ca. 1770-1953.‎

‎Lettre autographe signée à Monsieur Olibé, (libraire à Narbonne) - Ecouflant - le 25 juin 1965 - et - Poèmes des deux M - Marjan - Mougin -‎

‎ 1 page in4 - enveloppe - 2 pages in4 pour les dessins - bon état - et - Rodez - Feuillets poètiques et Littéraires 1965 - 1 plaquette in8 agraphée pour l'ouvrage - ‎

‎Marjan (typographe poète) et lui vont publier quelques poèmes cette année! - "Le facteur rêve encore" - La lettre comporte deux petits dessins: en en-tête, un autoportrait et sous la signature, un képi de facteur - ‎

‎Gotische architectuur in Belgie.‎

‎Tielt, Lannoo, 1997 Gebonden in linnen met stofomslag, 240pp., 25.5 x33.5 cm, rijkelijk ge llustreerd, In goede staat. ISBN 9789020931624.‎

‎Overzicht van de gotische architectuur in Belgie met essays over de kerkelijke en monastieke architectuur, over donjons en kastelen, over de openbare en particuliere bouwkunst in de stad en over de gotische muurschilderingen.‎

‎Sculpting Abroad Nationality and Mobility of Sculptors in the Nineteenth Century‎

‎, Brepols 2020, 2020 160 p., 28 b/w ills, 39 col. ills, 216 x 280 mm, English, Hardcover,. ISBN 9782503580272.‎

‎An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Tom Verschaffel is professor in cultural history at KU Leuven. His research concerns the intellectual and cultural history of the eighteenth and nineteenth centuries, and more specifically the history of historical writing, the popular representation of history and cultural nationalism, the history of cultural infrastructure and of cultural transfers. Art historian Marjan Sterckx is associate professor in Art History at Ghent University, where she recently launched the research group ThIS: The Inside Story: Art, Interior design & architecture 1750-1950. Her research concerns the intersections between sculpture, gender, photography and the interior.‎

‎Campaspe Talks Back. Women Who Made a Difference in Early Modern Art‎

‎, Brepols, 2024 Hardback, 436 pages, Size:230 x 280 mm, Illustrations:10 b/w, 196 col., 2 tables b/w., Language: English.*New. ISBN 9782503613055.‎

‎Summary With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonn of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom. TABLE OF CONTENTS Introduction Campaspe, Apelles, and Alexander the Great Hans Vlieghe, Katlijne: Portrait of an Art Historian I: Sitters & Subjects Barbara Baert, Cutting the Gaze: Salome in Andrea Solario's Oeuvre (c. 1465-1524) Nils B ttner, Rubens, the Capaio Ladies, and Their Niece Hans Cools, Why Margaret of Parma Should Make It to the Next Version of the Flemish Canon Liesbeth De Belie, Concerning Orbs and the Value of a Destroyed Portrait Guy Delmarcel, The Virtuous Women of the Bible: A Series of Baroque Tapestries from Bruges and Their Mysteries Gerlinde Gruber, Brave (if Brazen) Women: Spartans, not Amazons, by Otto van Veen (1556-1629) Karen Hearn, Portrait of a Poisoner? An Early Seventeenth-Century British Female Portrait Reconsidered Fiona Healy, Sacred History Imitating Real Life: How a Curious Portrayal of the Birth of the Virgin Reflects Childbirth Practices in the Early Modern Period Koenraad Jonckheere, Rubens's Verwe: Head Studies and Complexion Elizabeth McGrath, The Girls in Rubens's Allegory of Peace Hubert Meeus, Judith's Maid Bert Schepers, Lifting the Veil on Justus van Egmont (1602-1674): On Cleopatra Approaching Alexandria and Some Other Newly Identified Designs for Tapestries Lieke van Deinsen, The Voiceless Virgin and the Speaking Likeness: Anna Maria van Schurman's Portrait as a Labadist Hans Vlieghe, Portrait of a Young Woman in Triplicate: On a 'Rubensian' Head Study II: Artists & Artisans Rudy Jos Beerens, Unravelling the Story of Jannetje Laurensd. Wouters (c. 1640-1722), Tapitsierster Ralph Dekoninck, Pausias and Glycera by Rubens and Beert: Amorous Emulation and/or Mimetic Rivalry Kirsten Derks, Leaving Her Mark: Michaelina Wautier's Signing Practice Inez De Prekel, Female Artists and Artisans in the Antwerp Guild of St Luke, 1629-1719 Ad Leerintveld, Constantijn Huygens and Louise Hollandine, Princess of the Palatinate, or How High a Highness Could Rise in the Arts Fred G. Meijer, All in the Family: A Previously Unrecorded Landscape Painter: Catrina Tieling, 1670-? Judith Noorman, 'Elck heeft sijn eijgen pop': Dollmaker Drawings by Leonart Bramer and Dolls as Indicators of Class and Identity Anna Orlando, Sofonisba and van Dyck: A Matter of Style Marjan Sterckx, Talent and Sentiment: A Portrait of the Artist Marie-Anne Collot (1748-1821) as a Young Woman Jan Van der Stock, Women Who Stood Their Ground in the Guild of St Luke at the Beginning of Antwerp's 'Golden Age', 1453-1552 Francisca van Vloten, From 'Russian Rembrandt' to 'Baronin' and 'Nonna': Marianne von Werefkin (1860-1938), Evolution and Appreciation Wendy Wiertz, Craft, Gender, and Humanitarian Aid: The Representation of Belgian Lacemakers in the Era of World War I Beatrijs Wolters van der Wey, Catharina Pepyn, Rising Star III: Partners & Patrons Rudi Ekkart and Claire van den Donk, In the Lead: Another Look at the Role of Women in Seventeenth-Century Family Portraits Valerie Herremans, Arte et Marte: Countess Maria-Anna Mulert-van den Tympel and Ian-Christiaen Hansche's Pioneering Stucco Ceilings in Horst Castle (1655) Corina Kleinert, Hidden in the Footnotes: The Collection of Anna-Isabella van den Berghe, 1677-1754 Hannelore Magnus, 'Periculum in Mora': Frans Langhemans the Younger (1661-c.1720) and the Scandalous Elopement of Maria Cecilia de Wille Volker Manuth and Marieke de Winkel, The Marital Misfortunes and Messy Divorce of a Mennonite Woman: Catharina Hoogsaet Sarah Joan Moran, Court Beguinage Mistresses as Art Curators Erik Muls, Isabella and Catharina Ondermarck: Spiritual Daughters on a Mission Eric Jan Sluijter, Rembrandt's Saskia Laughing (1633): The Affect and Effect of Reciprocal Love Bert Timmermans, Art Patronage in an Unequal Playing Field: Women's Convents during the Building Boom of the Antwerp 'Invasion Conventuelle' Ben van Beneden, A Flemish Shepherd for Amalia? Some Thoughts on a Newly Discovered Painting by Thomas Willeboirts Bosschaert Carla van de Puttelaar, Marriage in Painting: Painterly Collaborations between Juriaan Pool and Rachel Ruysch and a Newly Discovered Portrait of a Girl Martine van Elk, 'The Name Gives Lustre': Anna Maria van Schurman's Glass Engravings Bert Watteeuw and Klara Alen, Dealing with Helena Jeremy Wood, In the Shadow of the 'Proud Duke'? Elizabeth Percy, Duchess of Somerset (1667-1722), as Patron Lara Yeager-Crasselt, Painting Margherita: Louis Cousin and Flemish Portraiture in Seventeenth-Century Italy Leen Huet, Epilogue: Reading between the Lines, Reading between the Brushstrokes - Two letters Bibliography of Katlijne Van der Stighelen, Compiled by Lies De Strooper and Koen Brosens‎

‎Dieric Bouts Creator of Images.‎

‎, Hannibal Books, 2023 Hardcover 260 pages, Illustrated. ISBN 9789464666816.‎

‎A contemporary view of the masterly works of Dieric Bouts This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Dieric Bouts (ca. 1410/20-75) is one of the most elusive figures in the history of Western art. Flemish primitive of the second generation, painter of silence such are the labels that are usually attributed to him. But was the Master of Brabant not more than that? This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Edited by Peter Carpreau. With contributions by Inigo Bocken, Jordan Marie Booker, Till-Holger Borchert, Peter Carpreau, Marjan Debaene, Mark Derez, Bart Fransen, Valentine Henderiks, Stephan Kemperdick, Didier Martens, Gust Van den Berghe, and Michiel Verweij.‎

‎kunst van het drinken.‎

‎, Van Wiele / Museum , 2011 gebonden ,168pp.hardcover, vier kleuren, 125 kleurenafbeeldingen.ondanks wat krassen op de cover, is het boek zelf in nieuwstaat ! ISBN 9789076297491.‎

‎De catalogus van de tentoonstelling De kunst van het drinken belicht het genre van de 19de- en vroeg 20ste-eeuwse herberg- en drinkscenes in de Belgische schilderkunst en laat een 40-tal werken zien van kunstenaars als Constantin Meunier (1831-1905), Josse Impens (1840-1905), Gerard Portielje (1856-1929), Prosper De Wit (1860-1947) en Eugeen Van Mieghem (1875-1930). Herbergen en staminees waren in de 19de eeuw een geliefd onderwerp in de schilderkunst. Als kruispunt van talloze kleine, meanderende menselijke levenslopen, met al hun bescheiden mijmeringen en uitgelaten verzetjes, bood de kroeg in de eerste plaats immers een scene waarop het leven van dat moment zelf geensceneerd en getoond kon worden, in al haar vrolijke gulzigheid en treurige eenzaamheid. ‎

‎La ligne retrouvéeLe Haags Gemeentemuseum à l'Institut néerlandais‎

‎Institut néerlandais, Paris/Haags Geementemuseum, 1990. In-4, broché, 24 pp. Avant-propos, par Annelys Meijer - La ligne retrouvée. Art et décoration en Hollande autour de 1900 : K.P.C. de Bazel. - H.P. Berlage. - Th. A.C. Colenbrander. - M. Duco Crop. - Th. van Hoytema. - J. Jurriaan Kok. - ...‎

‎Avec 13 illustrations et planches en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com‎

‎Traces n°3‎

‎1963. Le Pallet (Loire Atlantique) revue Traces n°3 1963 - Broché 14 cm x 21 cm 28 pages ex. tiré à la main sur vélin non justifié - Direction : Michel-François Lavaur Poèmes de M. Alhau R. Bécousse L. Bérimont L. Guillaume M.-F. Lavaur A. Lebeau Marjan C. Serreau C. Vaillant etc ; linogravure de Maurice Prado ; il est écrit au stylo : « offert par Marcel Béalu » - Bon état‎

‎David Bielander‎

‎Arnoldsche Verlagsanstalt‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783897904873‎

‎Un thé à Téhéran‎

‎Hauteville‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782381229447‎

‎Geëxamineert de tijtels ende papieren. Het verhaal van de Zonnebeekse augustijnerabdij, 1072-1796. Een bijdrage tot de Vlaamse kloostergeschiedenis‎

‎Roeselare, Roularta Books 2009 288pp., rijkelijk geïllustreerd, 31cm., geïllustreerde uitgeversband, geïllustreerde stofwikkel, goede staat, B121092‎

‎L'Erdre ou l'Histoire de la plus belle rivière de France (À la découverte de la France)‎

‎ Photos sur demande. Broche, parfait etat ‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.‎

‎Untold Stories. Designers femmes en Belgique.‎

‎<p>Women Designers in Belgium.</p><p>Vrouwelijke ontwerpers in België.</p> Bruxelles, 2025 cfc editions 346 p., nombreuses fig. couleur, broché 16,5 x 22‎

‎Neuf‎

‎Verlangen naar Egmond. De kunstenaarskolonie Egmond, waar Gari Melchers en George Hitchcock het leven en landschap schilderden.‎

‎, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language Dutch (NL) ed. *nieuw ISBN 9789462626171.‎

‎Nederland was in het laatste kwart van de negentiende eeuw een populair reisdoel voor kunstenaars. Ook de Amerikaanse kunstenaars Gari Melchers en George Hitchcock bezochten in de jaren 1880 ons land. In 1884 vestigden ze zich in Egmond aan Zee. De aanwezigheid van Melchers en Hitchcock in Egmond oefende een grote aantrekkingskracht uit op vakbroeders. Verlangen naar Egmond biedt een overzicht van de ontwikkelingen in de kunstenaarskolonie Egmond en de sleutelrol die Hitchcock en Melchers er vervulden.‎

‎Longing for Egmond. The artist colony of Egmond, where Gari Melchers and George Hitchcock painted life and landscape. Verlangen naar Egmond. ‎

‎, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language ENGLISH ed. ISBN 9789462626317.‎

‎Holland was a popular travel destination for artists in the last quarter of the nineteenth century. American artists Gari Melchers and George Hitchcock also visited our country in the 1880s. In 1884, they settled in Egmond aan Zee. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on fellow professionals. Desire for Egmond offers an overview of the developments in the artist colony of Egmond and the key role Hitchcock and Melchers played there.‎

‎Atlantis ou les quatre saisons de la Bretagne‎

‎Le cercle d'or Broché 1981 In-8, (21x21 cm), broché, couverture illustrée, 61 pages, illustrations en noir et blanc, bibliographie ; petites traces sur les plats, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎The Use and Abuse of Sacred Places in Late Medieval Towns‎

‎Leuven, Leuven University Press 2006 247pp., with some ills., 24cm., in the series "Mediaevalia Lovaniensia. Series I studia" volume XXXVIII (38), softcover, dustwrapper, very good condition, R119734‎

‎La Librairie de Téhéran.‎

‎Hauteville. 2023. In-12. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 356 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par Florence Moreau. Classification Dewey : 810-Littérature américaine‎

‎Speybank : De Containerarchitectuur Van Luc Deleu‎

‎Gent, provincie Oost Vlaanderen, 2010 Softcover, 122 pagina's, 28 x 19 cm, Nederlands, Goede staat. ISBN 9789076686417.‎

‎Speybank : De Containerarchitectuur Van Luc Deleu‎

‎Nieuwe kijk op oude kleur in conservatie-restauratie. / nouveau regard sur la couleur ancienne en conservation-restauration‎

‎Brugge, Keure, 2024 softcover, 152 pages. 29.8 x 21cm. afbeeldingen in kleur en z/w Texte en Francais / Nederlands ISBN 9789048650170.‎

‎De kennis en de juiste perceptie van kleuren, inbegrepen hun degradatie in de tijd, zijn belangrijk in de praktijk van het beroep van conservator-restaurateur. De kleur ontstaat uit de gebruikte materialen en uit de afwerking. Pigmenten of kleurstoffen, bindmiddelen, maar ook drager, onderliggende lagen, vernissen, al dan niet gekleurde beschermlagen spelen allemaal een belangrijke rol bij de perceptie van kleuren, evenals bepaalde externe factoren zoals licht en omgevingsomstandigheden. De conservator-restaurateur moet op de hoogte blijven van nieuwe ontdekkingen, of het nu gaat om de verschijnselen van chromatische degradatie van de materialen waaruit de werken bestaan, maar ook van de huidige oplossingen die zijn ontwikkeld om een betere kleurstabiliteit te garanderen. Het boek bevat casestudies uit de praktijk, maar ook recent onderzoek of methodieken in functie van de praktijk van de conservatie-restauratie. Het thema Nieuwe kijk op oude kleur in de conservatie-restauratie omvat vele specialisaties van de conservatie-restauratie, zoals schilderijen, muurschilderingen, sculptuur, meubilair, textiel, grafische documenten, metaal, ceramiek, hedendaagse kunst, preventieve conservatie, historische interieurs en afwerkingslagen. ------La connaissance et la bonne perception des couleurs, tout comme la prise en consid ration de leur d gradation au cours du temps, occupent une place importante dans le travail de tout conservateur-restaurateur. La couleur mane du mat riau brut ou de couches de finition. Pigments ou colorants, liants, mais galement support, couches sous-jacentes, vernis, lasures ou couches de protection color es ou non jouent tous un r le important dans la perception des couleurs, tout comme certains facteurs externes tels que l' clairage et les conditions de l?environnement. Le conservateur-restaurateur doit se tenir au courant des nouvelles d couvertes, que ce soit au niveau des techniques anciennes de mise en ?uvre que des ph nom nes de d gradation chromatique des mat riaux constitutifs des ?uvres, mais aussi des solutions actuelles mises au point pour garantir une meilleure stabilit des couleurs qu'il emploie. Le livre contient des tudes de cas issues de la pratique, mais aussi des recherches ou m thodologies r centes li es la pratique de la conservation-restauration. Le th me Nouveau regard sur la couleur ancienne en conservation-restauration couvre beaucoup de sp cialit s de la conservation-restauration, comme peinture, peinture murale, sculpture, mobilier, textile, documents graphiques, m tal, c ramique, art contemporain, conservation pr ventive, int rieurs historiques et couches de finition. ------ INHOUD - SOMMAIRE | 5 LIGNES DIRECTRICES POUR L? CLAIRAGE D?UN ATELIER DE CONSERVATION-RESTAURATION 13 LAURA DEBRY INCOLORE VERSUS D COLOR : LES OUTILS ET STRAT GIES PR VENTIVES DE CONTR LE DE LA LUMI RE POUR LES MAT RIAUX COLOR S SENSIBLES 21 CATHELINE P RIER-D?IETEREN & XENIA WASILEWSKI LA FONDATION P RIER-D?IETEREN 24 TATIANA GERSTEN LE MANUSCRIT DES BASSES DANSES DE MARGUERITE D?AUTRICHE (KBR MS 9085) : L? NIGME DE LA FABRICATION DU PARCHEMIN NOIR SUR LEQUEL MUSIQUE ET DANSE SCINTILLENT D?OR ET D?ARGENT 35 FRANZISKA BUNSE & URSULA HALLER A CASE STUDY IN THE CONSERVATION OF CONTEMPORARY MONOCHROME MATTE PAINTINGS. METHYLCELLULOSE AS A RETOUCHING MEDIUM 42 NATALIA ORTEGA SAEZ VIJFTIG TINTEN ZWART: EEN ONDERZOEK NAAR DE RECONSTRUCTIE VAN ZWARTGEVERFD TEXTIEL 50 KLAAS REMMEN KLEUREN VAN METAAL: PATINA?S OP KOPERLEGERINGEN 57 FRANCIS TOURNEUR & JACQUES VEREECKE NUANCES DE NOIR, DE L?ANTHRACITE MAT AU POLI MIROIR : FINITIONS DES MARBRES ET RESTAURATION 65 MARIE-CHRISTINE CLAES L?UTILISATION DE PHOTOS ANCIENNES EN NOIR ET BLANC ET LE PROBL ME DE L?ORTHOCHROMATISME 74 JUDY DE ROY KLEURACCENTEN OP MARMER EN ALBAST. KIK-STUDIES VAN MIDDELEEUWSE EN RENAISSANCISTISCHE BEELDHOUWWERKEN UIT DE LAGE LANDEN 83 GAELLE SILVANT LE M TAM RISME ET LA R INT GRATION CHROMATIQUE DES LACUNES : NOUVELLE APPORT DE LA FORMULATION DE COULEUR PAR ORDINATEUR POUR LA RETOUCHE DES FA ENCES EN BLEU ET BLANC DE DELFT 91 SASKIA WU, YU LEE, CHING-TAI WU, LI CHIH-CHENG & WU MU-HSUAN THE DISCOLORATION OF THE POLYCHROME PAINTED DOOR PANELS AT THE LONGSHAN TEMPLE IN LUKANG, TAIWAN 102 SOPHIE WITTEMANS, EMMANUELLE JOB & ELKE OTTEN L?H MICYCLE DU S NAT ET SA COUPOLE : L?HISTOIRE RETROUV E DE SES COULEURS 111 ANN VERDONCK & MARJOLEIN DECEUNINCK HET EXUBERANTE DECOR VAN DE GENTSE OPERA : ?UN PALAIS DES MILLE ET UNE NUITS? 121 SOFIA HENNEN, PEDRO DE CAMPOS, MARCIA RIZZUTTO, ELIZABETH KAJIYA, ALINE ASSUMP O, MARIA TEREZA DANTAS MOURA, FLORENCE WHITE DE VERA & F BIO LUCHIARI THE USE OF PIGMENTS AND THE IMPORTANCE OF COLOUR IN CANDIDO PORTINARI?S WORK. THE PARTICULAR CASE OF THE RETIRANTES PAINTINGS AT THE S O PAULO MUSEUM OF ART 134 GUIDO STEGEN LICHT, KLEUR EN VORM IN BLOEMENWERF EN LA NOUVELLE MAISON VAN HENRI VAN DE VELDE 141 PRIX APROA-BRK PRIJS 2023 NORMAN VERSCHUEREN CONSERVATION AND PHOTOMECHANICS. STUDY OF THE MECHANICAL BEHAVIOUR OF A PANEL PAINTING UNDER THE CONSTRAINTS OF ITS CRADLE 147 CAMILLE DE CLERCQ CONCLUSIES / CONCLUSIONS ‎

‎L'Art flamand et hollandais. Belgique et Pays-Bas 1520-1914‎

‎ Paris, Citadelles & Mazenod, 2002. Grand in-4, 613 pp. pleine toile éditeur sous jaquette illustrée en couleurs et étui carton souple . ‎

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‎Monographie, 32e titre de la collection "L'Art et les Grandes Civilisations", magnifiquement illustrée. Exemplaire en parfait état. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Meunier in dialoog : een actueel kunstparcours door Leuven‎

‎, Erfgoedcel leuven, 2005 Softcover, 201 pages, Illustrated.‎