152 books for « logan p a »Edit

‎Le Canada, et l'Exposition Universelle de 1855. Relié à la suite : Esquisse sur le Canada considéré sous le point de vue économiste. Relié à la suite : Catalogue raisonné des produits canadiens exposés à Paris en 1855‎

‎John Lovell / G.-A. Pinard - Dentan et Cie / Hector Bossange Reliure d'éditeur Paris 1856 ‎

‎Bon Grand in-8. 477 pages, note, pagination continue sur les quatre ouvrages. 1855-1856. Frontispice. Carte dépliante au second titre. 3 plans hors-texte au troisième titre. La quatrième partie est de Logan et Sterry-Hunt : "Esquisse géologique du Canada" avec le "Catalogue des minéraux économiques du Canada". À cette exposition, la collection de minéraux de W. E. Logan remporta la grande médaille d'honneur (Voir DBC, "Logan, William Edmond"). Palais de l'Industrie doré sur la reliure d'éditeur.‎

‎Partition de la chanson : Dreamy Sevilla ‎

‎Partitions sur l'Espagne Forster Music 1920‎

‎ Etat moyen Grand format Piano ‎

‎Partition de la chanson : Summer showers ‎

‎Partitions sur la Saison Forster Music 1918‎

‎ Bon état Grand format Piano ‎

‎BUCKSKIN AND SATIN . The life of Texas Jack and his wife , Mlle Morlacchi.‎

‎ Harrisburg , Stackpole , 1954 , in8 reliure éditeur , 218pp , abondantes illustrations. Langue: Français ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6-volumes catalogue raisonné of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates‎

‎, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.‎

‎This is the 6 -volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Miroitements (More Trivia). Traduit de l'anglais avec un avant-propos par Philippe Neel. Librairie Stock Delamain et Boutelleau. Le cabinet cosmopolite. 1928. (Littrature anglaise)‎

‎Librairie Stock Delamain et Boutelleau. Broch D'occasion bon tat 01/01/1928 150 pages ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 Part One: Text and Part Two: Plates, 2 vols.‎

‎, Brepols - Harvey Miller, 2025 Hardback, 2 vols. 555 Pages:2 vols, Size:216 x 280 mm, Illustrations:172 b/w, 342 col., Language: English. *new. ISBN 9782503599564.‎

‎This is the final volume of the catalogue raisonné of the drawings by Peter Paul Rubens, covering the years 1621?1640. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. Accordingly, Volume III consists of the drawings from 1621 to the artist?s death in 1640. The first decade is characterized by Rubens?s first foreign commission, the paintings for the Luxembourg Palace, Marie de? Medici, the Queen Mother?s new residence in Paris, and by the demands of the artist?s diplomatic missions to the courts of Madrid and London. In contrast to the works requested by Rubens?s official duties, especially portraiture, a subject not of primary interest to the artist before, are the paintings and drawings of the second decade, predominantly inspired by the elderly painter?s marriage to the young Helena Fourment and the love and deep affection for his wife and her children. Court portraits are replaced by images of his family à trois crayons, Rubens preferred medium in these years. Helena in disguise appears in the artist?s religious, mythological and genre paintings, most gloriously in the series of drawings for The Garden of Love. Commissions for altarpieces continue but unlike the black chalk anatomical studies of the 1610s, preparatory drawings now consist of head studies in black and red chalk, the latter used for the capture and color of skin. At the same time, images of domestic bliss are accompanied by drawings of the Flemish countryside, especially after Rubens?s purchase of the seignorial estate ?Het Steen? in 1635. In addition, Rubens continues to design title-pages and even to make copies after older works of art that constitute such a large part of his earliest output. But the activity of copying the works of his predecessors for the purpose of artistic instruction now has turned into the antiquarian?s pursuit of knowledge and the collector?s desire and delight, as Rubens records ancient gems and cameos in a series of drawings with the aim of a scholarly publication that, however, never materialized. As in previous volumes, each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color as far as possible. TABLE OF CONTENTS Part One: Text Introduction to the Catalogue Acknowledgments Peter Paul Rubens (1557?1640): Timeline 1621?1640 Catalogue Entries Appendices I Addenda II Corrigenda III Rejected Attributions Part Two: Plates Catalogue Illustrations Appendices I Addenda II Corrigenda Bibliography Exhibitions List of Illustrations Index to Volumes I-III Photographic Credits‎

‎Miroitements (More Trivia)‎

‎ 1928 Paris, Stock, 1928, In-huit, 156 pp broché,bon état, ‎

‎traduit de l'anglais et un avce un avant-propos de Philppe Neel. Sommaire : collection : cabinet Cosmopolite (28), 1/2700 exemplaires numérotés. ‎

‎Trivia‎

‎ 1921 Paris, Grasset, 1921, In-douze, xiv-145 pp broché,bon état, ‎

‎traduit de l'anglais et un avce un avant-propos de Philppe Neel,avant-propos d V.Larbaud,. Sommaire : collection : cahiers verts (6), 1/3300 exemplaires numérotés sur vergé. ‎

‎Mister Roberts - n°47‎

‎ 1951 Paris, Paris-Théâtre, 1951, In-huit, 83 pp, agrafé, ‎

‎"Mister Roberts" est suivie de "Pas d'Orchidées pour Miss Blandish" de J.-H. Chase. ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) 2 VOLS.‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎FLEMISH DRAWINGS IN THE AGE OF RUBENS. SELECTED WORKS FROM AMERICAN COLLECTIONS,‎

‎, Massachusetts, Davis Museum and Cultural Center, Wellesley College, 1993, 1993 Bound, half cloth and cardboard, colour frontispice, 250 x 355mm., 252pp., profoundly illustrated in colour and b/w.‎

‎The exhibition was held in Wellesley, October 15- November 28, 1993 and at The Cleveland Museum of Art, January 4 - February 20, 1994. Book is in good condition.‎

‎The Relationship Between Nucleus and Cytoplasm - Proceedings of the Symposium held June, 9-13, 1958 at l'Université Libre de Bruxelles, Belgium , Experimental Cell Research, Supplement 6, 1959‎

‎Academic Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1959 Book condition, Etat : Bon paperback, editor's wrappers Grand In-8 1 vol. - 282 pages‎

‎few figures 1st edition Contents, Chapitres : Foreword, Contents, Contributors, vi, Text, 276 pages - F.E. Lehmann : Functional aspects of submicroscopic nuclear structures in Amoeba proteus, and of the mitotic apparatus of Tubifex embryos - W. Bernhard : Ultrastructural aspects of the nucleocytoplasmic relationship - F. Jacob : Transfer and expression of genetic information in Escherichia coli K 12 - W. Plaut : The nucleus and ribonucleic acid synthesis in Amoeba proteus - J. Brachet : New observations on biochemical interactions between nucleus and cytoplasm in Amoeba and Acetabularia - S.R. Pelc : The participation of the cell nucleus and its DNA in the formation of keratin - A. Ficq, C. Pavan and J. Brachet : Metabolic processes in chromosomes - A.E. Mirsky and V.G. Allfrey : Differentiation considered with reference to the relationship between nucleus and cytoplasm - J. Chayen : The quantitative cytochemistry of DNA and its significance in cell physiology and heredity - E.G. Wilson : The development in amoebae of resistance to antiserum - A. Pardee : Experiments on the transfer of information from DNA to enzymes - H. Chantrenne and S. Devreux : Dissociation of the synthesis of nucleic acids from the synthesis of protein by a purine analogue - M. Fischberg, J.B. Gurdon, and T.R. Elsdale : Nuclear transfer in amphibia and the problem of potentialities of the nuclei differentiating tissues - J.A. Moore : The transfer of haploid nuclei between Rana pipiens and Rana sylvatica - F. Baltzer, P.S. Chen, K. Keck , G. Richter and G. Werz : Growth and proteins synthesis in nucleated and enucleated cells - M. Alfert : Variations in cytochemical properties of cell nuclei - P. Michaelis : The genetical interactions between nucleus and cytoplasm in Epilobium - J.F. Danielli : Some theoretical aspects of nucleo-cytoplasmic relationships - M. Errera, A. Ficq, R. Logan, Y. Skreb and F. Vanderhaeghe : Nucleo-cytoplasmic relationships in irradiated cells near fine copy, no markings‎

‎South Pacific : a Musical Play.‎

‎New York Random House 1949 1 vol. relié in-8, cartonnage sous jaquette illustrée, 170 pp. (jaquette usée au dos), 3 photos hors-texte. Edition originale de la pièce adaptée des "Tales of the South Pacific" de James A. Michener. Texte en anglais. Bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Feu de Saison Série Chance harlequin‎

‎Editions Harlequin 1985 1985. Dayse Logan - Feu de Saison / Série Chance Harlequin 1985‎

‎Bon état‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) Part One: Text and Part Two: Images‎

‎, Brepols - Harvey Miller, 2023 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col. Language(s):English. ISBN 9782503599533.‎

‎This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Trivia.‎

‎Paris Grasset, coll. "Les Cahiers verts" 1921 1 vol. broché in-12, broché, 145 pp. Très bon état général.‎

‎VERSES‎

‎The Pen and Pencil Club, Montreal. 1916. In-8. Relié. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. 129 pages. Photo-gravure en noir et blanc en frontispice (portrait). Annotations en page de garde (envoi d'un membre de 'The Pen & Pencil Club').. . . . Classification Dewey : 97.2-Dédicace, envoi‎

‎By Johnn Edward Logan ('Barry Dane'). Classification Dewey : 97.2-Dédicace, envoi‎

‎Trivia. Traduction de Philippe Neel avec la collaboration de l'auteur. - Introduction de Valéry LARBAUD.‎

‎ Paris, B. Grasset, Les Cahiers Verts - 6 -, 4 Novembre 1921. In-8, broché, ex à grandes marges, 145 pp. ‎

‎Edition originale de la traduction. Un des 100 exemplaires numérotés sur vélin pur fil Lafuma (deuxième papier après trente ex sur papier vert lumière). Photos sur demande.‎

‎Trivia. Traduction de Philippe Neel avec la collaboration de l'auteur. - Introduction de Valéry LARBAUD.‎

‎ Paris, B. Grasset, Les Cahiers Verts - 6 -, 4 Novembre 1921. In-12, broché, 145 pp. (dos défraichi, jauni avec léger manque de papier en queue). ‎

‎Edition originale de la traduction. Un des exemplaires numérotés sur vergé bouffant. Photos sur demande.‎

‎The Unfamiliar‎

‎Virago Press Ltd (6/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780349016580‎

‎TAYLOR SWIFT PORTRAITS EN MOSAIQUE DE STICKERS‎

‎LTA EDITIONS TEMPS APPRIVOISE‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782299004907‎

‎TU MERITES MIEUX !‎

‎COURRIER DU LIVRE‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782702927564‎

‎PEINTURE EN TROMPE L'OEIL TECHNIQUES ET REALISATIONS‎

‎ULISSE‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782844151766‎