181 books for « l berti »Edit

‎Mostra del Pontormo e del primo manierismo Fiorentino‎

‎Berti, Luciano et al: Mostra del Pontormo e del primo manierismo Fiorentino. Exhibition: Florence, Palazzo Strozzi, 1956. xx, 145pp with 166 illustrations on 128 plates. Wrappers. 22 x 16cms. Paintings catalogued by Luciano Berti, the drawings by Luisa Marcucci and the general Mannerists by U. Baldini. Text in Italian.‎

‎Paintings catalogued by Luciano Berti, the drawings by Luisa Marcucci and the general Mannerists by U. Baldini. Text in Italian‎

‎Storia di Francia in compendio. Dallo stabilimento della monarchia Francese nelle Gallie, fino a tempi nostri. Traduzione dal Francese del Padre Alessandro Pompeo Berti‎

‎Venise, Niccolo Pezzana, 1737 3 forts vol. grands in-8 carrés, demi-cartonnage de papier marbré, dos lisses, étiquettes de titre aux dos (reliure de l'époque). Des mouillures claires angulaires en début du vol. III.‎

‎Première traduction italienne de l'Histoire de France depuis l'établissement de la monarchie françoise dans les Gaules, du jésuite Gabriel Daniel (1649-1728), fait à partir de l'édition complétée de 1720-1725. Le volume III est presque entièrement de la rédaction d'Alessandro Pompeo Berti (1686-1752).I. Che comprende quanto è passato dall'anno 486 fino al 1421 : [5] ff. n. ch (titre, dédicace au duc de Mortemar, préface, liste des Rois), xl pp., 740 pp., [14] ff. n. ch. d'index. - II. Che comprende quanto è passato dall'anno 1421 fino al 1610 : [2] ff. n. ch., 756 pp., [24] ff. n. ch. d'index. - III. Che comprende quanto è passato dall'anno 1610 fino al 1715 : [2] ff. n. ch., 518 pp. (mal chiffrées 506), [37] ff. n. ch. d'index.Un seul exemplaire au CCF (BnF). - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Partition de la chanson : Bastia Papier fragile ‎

‎Partitions sur la Corse,Partitions illustrées QUELQUE PART EN FRANCE Bals de France 1957‎

‎ Etat moyen Format Coquille ‎

‎Translation Dynamics in Early Christian Literature‎

‎, Brepols, 2025 Hardback, 500 pages, Size:155 x 245 mm, Illustrations:50 tables b/w., Languages:English, Italian, Spanish. *new ISBN 9782503610801.‎

‎Summary This volume marks the culmination of the PRIN Project 'Tradurre tradire tramandare', funded by the Italian Ministry of University and Research and coordinated by the editors. Bringing together contributions on translations of patristic texts from Greek into Latin and Syriac, with excursions into other linguistic domains and types of translation and rewriting, the aim is to investigate specific case studies, highlighting at the same time common methodological issues: texts' authorship and attributions; the relationships between theories and practices of Christian translations; receptions and adaptations; and promising future avenues for research. This scholarly exploration of ancient Christian texts reveals the profound implications of translation as a conduit for comprehension, reinterpretation, and the enduring dissemination (as well as selection) of ideas across different eras and geographical landscapes. The contributions in this volume represent a diverse array of voices, collectively delving into the intricate interplay between translation, context, and transformation. Each contribution offers valuable insights into the labyrinthine corridors of linguistic metamorphosis, where the boundaries of faithfulness and creativity intersect, breathing new meanings into texts as they journey from the source to the target language. TABLE OF CONTENTS Introduction: Translating, Betraying, and Transmitting in Early Christian Literature (Vittorio Berti, Emanuela Colombi & Carla Noce) 1. Greek Fathers in the Syriac World Le epistole sulla verginit attribuite a Clemente di Roma. Appunti per una riconsiderazione della storia della traduzione in ambito siriaco (Marco Pavan) Il movimento di traduzione dei padri antiocheni nella Chiesa di Persia, da Hiba di Edessa a Mar Aba (Vittorio Berti) Riflessioni intorno ad alcuni excerpta tratti dalle versioni siriache dell'Historia Lausiaca di Palladio (Claudia Tavolieri) Finding a Semitic Voice for Chrysostom: The Syriac Versions of Chrysostom's Homilies on Matthew (Jeff W. Childers) The Syriac, Arabic and Armenian Versions of Evagrius Ponticus' Antirrheticus and Their Approach to Translating the Bible (Adrian C. Pirtea) New Discoveries on Gregory of Nyssa in Syriac (Emiliano Fiori) A History of Syriac Translation Techniques in their Wider Contexts. The Works of Severus of Antioch as a Case Study (Yonatan Moss) 2. Greek Fathers in the Latin World La versione di Rufino della Storia ecclesiastica di Eusebio e delle Omelie di Basilio. Una traduzione letteraria (Carla Lo Cicero & Sabrina Antonella Robbe) 'Anomalous' Biblical Quotations in the Pseudo-Origenian Homilies on the Gospel of Matthew (CPG, 1510-17) (Emanuela Colombi) Misled by a Title. The Hidden Ante-Nicene Fathers in Latin Manuscripts (with Some Methodological Remarks) (Marianna Cerno) di Rufino la traduzione latina dell'Epistula Clementis ad Iacobum (CPL, 198)? (Maria Veronese) Hilario de Poitiers como traductor durante la crisis arriana (Samuel Fern ndez) 3. Further Directions I Dialogi di Gregorio Magno nella versione greca di Zaccaria. Un papa traduttore come interlocutore storico (Giandomenico Ferrazza) Tradurre il vangelo in versi. La parafrasi come pratica di 'mediazione culturale' nell'esegesi di Nonno di Panopoli (Arianna Rotondo) Alcune considerazioni in margine al De lepra di Metodio di Olimpo (Federica Candido) Indices‎

‎Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period‎

‎, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.‎

‎Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places‎

‎Noble Magnificence. Culture of the Performing Arts in Rome 1644-1740‎

‎, Brepols, 2024 Paperback, 619 pages, Size:230 x 280 mm, Illustrations:16 b/w, 154 col., 6 maps color, 5 musical examples, Language: English. ISBN 9782503613123.‎

‎Summary The thirty chapters in this book are based on the work of an international, multidisciplinary team of researchers and archivists brought together for the PerformArt project, funded by the European Research Council from 2016 to 2022. This project investigated the artistic patronage of the great Roman aristocratic families of the seventeenth and eighteenth centuries through research in the extant archives. After the accession to the papal throne of Innocent X in 1644, and more so after the Peace of the Pyrenees in 1659 - which led to a greater loss of power for the pope in his relations with other European states - the Roman families stepped up their efforts to assert their social preeminence not only through architecture and the fine arts, but also through the ephemeral performing arts: music, theatre, and dance, which were omnipresent throughout the year and especially during the intense period of artistic production that was the Roman Carnival. The search for traces of these spectacles in the archives of these families reveals that their desire to display their magnificence - an ideal well documented in the literature of the period - gave rise to lavish expenditure on a scale that could only be justified by the benefits (if not tangible, then at least symbolic) they hoped to gain. The essays in this book, which draw on social economic history, the history of ideas, and the evolving artistic practices of the time, make a major contribution to our knowledge of courtly societies in Ancien R gime Europe by integrating the performing arts into their analyses in innovative ways. TABLE OF CONTENTS Overture Anne-Madeleine GOULET, Introduction - Prologue: The Roman Context Isabella CECCHINI and Anne-Madeleine GOULET, Some Thoughts about the Roman Context Irene FOSI, Magnificence and the Roman Nobility between the Papacy and Europe I. The Economy of Magnificence Beno t MAR CHAUX, Patrons, Aristocratic Patrimonies and Finance: Reconsidering the Economic Foundations of Private Magnificence in Rome (c. 1650-1700) Isabella CECCHINI, Instruments of Magnificence. Finance and Credit in Early Modern Rome Maurizio PEGRARI, The Costs of Magnificence, the Magnificence of Costs: Nobility, Economics, and Status in Seventeenth and Eighteenth-Century Rome Isabella CECCHINI and Anne-Madeleine GOULET, Celebrating a Wedding in the Lante della Rovere Family: An Exercise in Magnificence (1682-83) Cristina FERNANDES, Portuguese Patronage in Rome and the Economics of Magnificence: La Virt negl'amori by Alessandro Scarlatti at the Teatro Capranica (1721) - Intermezzo I. Into the Family Archives Marco CAVIETTI, Portraying the Family in Household Archives in the Seventeenth and Eighteenth Centuries Orsetta BARONCELLI, The Computista and the Archivista: Two Key Figures in the Management of Roman Family Archives in the Seventeenth and Eighteenth Centuries Letizia LELI, Reordering a Family Archive in the Seventeenth Century: The Case of the Lante della Rovere Archive II. Social Values and Moral Principles Aldo ROMA, Education to Magnificence: Aristocratic Schooling and College Academies in Seventeenth- and Eighteenth-Century Rome Sarah MALFATTI, Patronage and Pastoral Simplicity in Arcadia: Patronus nullus esto - the Case of Francesco Maria Ruspoli (1707-21) Diana BLICHMANN, Sumptuousness versus Sobriety: Magnificence in the Musical Productions at Cardinal Pietro Ottoboni's Teatro della Cancelleria (1710-12) Valeria DE LUCCA, Ars moriendi in Seventeenth-Century Rome: Staging Lorenzo Onofrio Colonna's Death - Intermezzo II. Some Thoughts on Method Manuela GRILLO and Michela BERTI, Magnificenza as a Paradigm in the Development of a Thesaurus: From Scientific Research to a Difficult Definition, and Back Again III. Conquering and Asserting Magnificence Sara Elisa STANGALINO, Lorenzo Onofrio Colonna 'L'Africano': Military and Artistic 'Campaigns' in Rome and Spain Barbara NESTOLA, 'Donna regale in auree scene t'apre il mondo in teatro': Maria Camilla Pallavicini Rospigliosi and Opera in Rome at the End of the Seventeenth Century Michela BERTI, The Conquest of Magnificence: The Performing Arts and the Social Ascent of the Vaini Family Huub VAN DER LINDEN, Boxes at the Teatro Capranica in 1732: Occupants, Financial Dealings, and Social Visibility - Intermezzo III. Brokers of Magnificence in the Noble Household Natalia GOZZANO, Maestri di casa: Masters of Roman Magnificence in the Old Regime Alexandra NIGITO, The Christmas Cantata in Rome: Papal Munificence and Self-promotion by the Majordomo (1676-1740) milie CORSWAREM, The Art of Appropriation: Girolamo Colonna and the Festivities Held at Rome for the Coronation of Ferdinand IV as King of the Romans (1653) IV. Magnificence on Stage Gloria GIORDANO, 'Si fatto di nuovo ma impiegandovi molte cose del vecchio': The Artifice of Magnificence in the Choreographic Episodes at the Seminario Romano Valentina PANZANARO, Monumentality and Magnificence: Dance and Dramaturgy in Seventeenth century Roman Visual and Musical Sources Jos Mar a DOM NGUEZ, Gloria GIORDANO, Chiara PELLICCIA, Beyond Magnificence: The Caduta and its Imagery in the Performing Arts in Seventeenth-Century Rome Teresa CHIRICO, Magnificence in Miniature: The Puppet Theatre of Cardinal Pietro Ottoboni in the Palazzo della Cancelleria (1694-c. 1712) - Intermezzo IV. The City as a Stage. The Roman Scene in the Early Eighteenth Century Antonella FABRIANI ROJAS, Nobility, Spectacle, and Competition: Reflections on Francesco Valesio's Diario (1700-42) V. The Glories of Fame: Reputation, Circulation, Market Chiara PELLICCIA, The Colonna Family and the Performing Arts in Villeggiatura at Marino lodie ORIOL, From the Reputation of the Artist to the Magnificence of the Prince: The Borghese Family and its Musicians in the Eighteenth Century Giulia VENEZIANO and Margaret MURATA, Rome, Naples, Opera and the 1720s in Rome Glossary Maps General Bibliography Sources and Archival Documents Names of Individuals and Communities Titles of Works Place Names‎

‎Trattato dei tre impostori. La vita e lo spirito del signor Benedetto de Spinoza.‎

‎Torino Einaudi, "Nuova Universale Einaudi" 216 1994 1 vol. relié in-12, cartonnage sous jaquette de l'éditeur, LXXXIV + 313 pp. Publié d'après l'édition de 1719 par Silvia Berti, avec un envoi autographe signé de celle-ci. Ouvrage anticlérical de la fin du XVIIe ou début du XVIIIe siècle sur l'imposture des fondateurs des trois religions monothéistes. Texte français et traduction italienne en regard. Préface en italien par Richard H. Popkin. Très bon état. Epuisé et recherché.‎

‎Carteggio Croce-Venturi.‎

‎Napoli Il Mulino 2008 1 vol. broché in-8, broché, LXXII + 88 pp., index. Envoi autographe de Silvia Berti. Texte en italien. Excellent état.‎

‎Le Chant de la cloche Das Lied von der Clocke. Illustrations de René BERTI. ‎

‎Das Lied von der Clocke. Illustrations de René Berti Éditions Laville, Paris, 1927 Édition originale, limitée à 1850 exemplaires numérotés (ex. n° 124). In-4° de 32 pp., broché, sous couverture de papier brun rempliée, l'étiquette de titre contrecollée sur le 1er plat est absente. Dans un souci de précision le premier cahier et légèrement détendu du corps d'ouvrage. Réf AA710‎

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‎Dans un souci de précision le premier cahier et légèrement détendu du corps d'ouvrage et un défaut en queue du dos ‎

‎Vita E Studi Di Timoteo I: Patriarca Cristiano Di Baghdad Ricerche Sull' Epistolario E Sulle Fonti Contigue (Studia Iranica. Cahier 41 Chretiens En Terre D'iran III Band 41)‎

‎Association pour l'Avancement des Etudes Iraniennes 2026 395 pages 26 416x2 286x18 034cm. 2026. Cartonné. 395 pages. Cet ouvrage académique de Vittorio Berti est une étude approfondie de la vie et des travaux de Timothée I (†823) patriarche chrétien de Bagdad. Il se concentre sur l'analyse de son épistolaire et des sources connexes examinant cette période clé pour comprendre la réorganisation des communautés chrétiennes orientales sous le califat abbasside en particulier l'Église de l'Orient (ou Église syriaque orientale)‎

‎Très bon état‎

‎Les offices - toutes les peintues en 697 illustrations - le couloir de vasari [Paperback] LUCIANO BERTI‎

‎ PHOTOS SUR DEMANDE ‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.‎

‎FLORENCE toute la ville et ses oeuvres artistiques. [Hardcover] BERTI (Luciano)‎

‎ Photo sur demande. Demi-reliure bradel noir. Couverture originale conservée. Ex-libris. ‎

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‎Florence, toute la ville et ses oeuvres artistiques [Paperback] LUCIANO BERTI‎

‎ BROCHE ‎

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‎Florence, toute la ville et ses oeuvres artistiques [Paperback] LUCIANO BERTI‎

‎ BROCHE ‎

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‎Les mondes de l'au-delà Berti, Giordano‎

‎ RELIE SOUS JAQUETTE PAPIER ‎

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‎Sämtliche Werke Berti, Luciano‎

‎ BROCHE ‎

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‎Les Aventures de Polichinelle‎

‎Illustrations de Ribet, 1 vol. in-4 cartonnage éditeur illustré, B. Sirven, s.d. [ 1931 ], 6 pp.‎

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‎ Bon état. René Berti (1884-1939), également connu sous la signature de Ribet, a eu une production variée, comme illustrateur dans la publicité, comme peintre orientaliste ou de chevaux, ainsi que comme illustrateur d'enfantina.‎

‎Florence Toute la ville et ses oeuvres artistiques / Berti Luciano / Réf47554 [Hardcover]‎

‎ Broché bon état .Couverture érodée .Contenu propre .159 pages .1979.PHOTOS SUR DEMANDE ‎

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‎Les reines de france au temps de s valois en 2 tomes‎

‎le livre de poche ditions de fallois Broch D'occasion bon tat 01/01/1995 150 pages ‎

‎La Vie du Cardinal de Retz‎

‎Le Livre de Poche Broch D'occasion bon tat 16/06/2010 896 pages ‎

‎L'Inoubliable‎

‎ 2011 Paris, ACtes sud, 2011 11,5 x 21,5 cm, 126 pp Neuf car service de presse ‎

‎Nouvelles traduites de l'espagnol par Jean-Marie Saint-Lu. ‎

‎Le Chant de la Cloche Das Lied von der Clocke‎

‎ 1927 Paris, éditions Laville, 1927, 34 x 26 cm, ss pp couverture en parfait état, intérieur frais, très bon état, ‎

‎1:1850 exemplaires numérotés , texte en français ,en allemand ,et 16 planches illustrés parRené Berti ,décors de pages de Maurice Rapegno, traduction nouvelle par Ch.Laville. ‎

‎Rétrospective de Bernabé Lofeudo‎

‎ 2007 Paris, Actes Sud, 2007, 10x19, 64pp., couverture souple, très bon état, ‎

‎traduit de l'espagnol par Jean-Marie Saint-Lu, collection "Un endroit où aller",. ‎

‎Frégate de 18. LA VENUS 1782. Planches ‎

‎ J. Boudriot - H. Berti 1979 in 4 (31x23) 1 volume broché. Chemise illustrée de l'éditeur renfermant 13 planches dépliantes, N° 1 à 13. Collection archéologie navale française. Tel quel, 13 planches sur 14. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎Parole des dieux : Rituels de possession en Himalaya indien‎

‎CNRS Editions Broch D'occasion bon tat 14/02/2001 338 pages ‎