10 books for « john c welchman »Edit

‎Koen van den Broek : Out of Place‎

‎, MER - Borgerhoff & Lamberigts, 2023 Hardcover, 528 pages, ENG. edition, 300 x 300 x 45 mm, NEW, illustrated in colour / b/w. ISBN 9789463939140.‎

‎In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek?s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to public space. Welchman unpacks a wide spectrum of references and allusions?to Mondrian, Malevich, Matisse, Rothko and many other modernist artists; to postwar photographies; to the art cinemas of the 1960s and ?70s; and to the history of freeways, interstates and the evolution of the singular urban fabrics of the United States. He offers exciting new accounts of the defining orientation of the first decade of van den Broek?s painting as it entered into pathbreaking pictorial dialogues with borders, shadows and cracks. The second part of the monograph takes up with a frankly surprising range of ideas and issues connected to figures, identities, landscape, ecology, appropriation, opera, and institutions ? and to the striking material appurtenances of Formula 1 racing.‎

‎Live or Die: Philippe Vandenberg and Bruce Nauman ‎

‎, Hannibal Books, 2017 Gebonden, Hardcover , 79 PAGES, ENG. edition. ISBN 9789492677006.‎

‎This publication combines the works of Belgian artist Philippe Vandenberg (1952-2009) and American artist Bruce Nauman (b. 1941). At first, it may seem startling to see Nauman's small but dense selection of works alongside those by Vandenberg. The artists never met one another and they could not be more different in their choice of artistic media. And yet there's something that links the oeuvre of these apparently divergent artists. This publication examines that extraordinary link. The art of both Vandenberg and Nauman is direct, uncompromising and distressing. They share a common attitude towards their artistic practices. Their works are raw and uncouth, finished just to the point where they enter the onlooker's conscience as a kind of prelude or genesis to something. The work of Vandenberg and Nauman originates form the same source: frustration. They cry out in despair at the dark side of humanity, mourning our propensity for hatred and violence, coldness and vilification. They explore the impossibility of genuine, uncompromised communication between individual people. Both artists succeed in creating images that capture the abyss within ourselves, our failings and our cruelty. Lust and pain, violence and horror are all too close to each other. It is said that art is about life and death. That may be melodramatic, but it's also true, Nauman said. LIVE OR DIE! Nothing more, nothing less. The book is edited by Wouter Davidts, with texts by Dr. Brigitte Kolle (Head of Contemporary Art, Hamburger Kunsthalle), John C. Welchman (Professor of Art History, University of California, San Diego) and Anna Dezeuze (Lecturer in Art History, Ecole Superieure d Art et de Design Marseille Mediterranee). It accompanies an exhibition at Gallery Sofie Van de Velde in Antwerp: 30.03.2017 - 21.05.2017.‎

‎Joseph Kosuth. Ni apparence ni illusion‎

‎, MER Paper Kunsthalle, 2010 Hardback / harde kaft / gebonden,Formaat 32x26 cm,1050 g. ,161 Pagina's. ISBN 9789490693039.‎

‎Published on the occasion of Joseph Kosuth's installation Neither Appearance Nor Illusion, an exhibition in the Medieval Louvre, October 2009-June 2010. Joseph Kosuth installed on the foundation walls of the original Louvre palace 15 neon text lines he appropriated from an artwork he developed to be read on the Internet, a project for young artists at the Brooklyn Museum. In this context combining a medieval archeological site with a historical art institution the exhibition circuit unfolds the field of potential meanings that always has been the hallmark of Kosuth installations. Entitled 'Neither Appearance Nor Illusion' in reference to Nietzsche, it is undoubtedly one of the artist's most successful and spectacular interventions to date. Texts by Henri Loyrette, Marie-Laure Bernardac and John Welchman and an interview between Joseph Kosuth & Jacinto Lageira.‎

‎Les peintres contemporains et leur technique.‎

‎Paris Sylvie Messinger 1984 1 vol. relié in-4, cartonnage sous jaquette illustrée, 192 pp., nombreuses reproductions en couleurs, glossaire, index. Très bon état.‎

‎Les Peintres contemporains et leur technique‎

‎Messinger 1983 23x30. 1983. Cartonné avec sa jaquette. 192 pages. Bon Etat intérieur propre la jaquette est légèrement frottée sur ses bords‎

‎Les peintres contemporains et leur technique.‎

‎MESSINGER Sylvie. 1983. In-4. Cartonné. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 191 pages. Nombreuses illustrations en noir et blanc et en couleurs dans le texte et hors-texte.. Avec Jaquette. . . Classification Dewey : 751-Technique de peinture‎

‎ Classification Dewey : 751-Technique de peinture‎

‎LES PEINTRES CONTEMPORAINS ET LEUR TECHNIQUE.‎

‎ Paris, Sylvie Messinger éditrice, 1984. Format 23 x 30 cm., 192 pp., abondamment illustré en couleurs. Cartonnage de l'éditeur, jaquette illustrée. Bon état, jaquette légèrement usagée. ‎

‎Joseph Kosuth. 'ni apparence ni illusion'. 'Neither Appearance Nor Illusion'. Eassai de John Welhman.‎

‎2. Paris, Musée du Louvre Éditions, (imprimerie Lannoo) , 2010, in-4°, 164 pp, publisher's cased binding, silver edges. Bi-lingual edition - French - English.‎

‎Les peintres contemporains et leur technique‎

‎Edité par Inter-Livres, Paris, 1991. 30x23cm. 192pp. Relié avec jaquette en couleurs. Nombreuses oeuvres en couleurs et examinées. Quelques taches sur la première page, très bon état général.‎

6 Images

‎LES PEINTRES CONTEMPORAINS ET LEUR TECHNIQUE ‎

‎Paris : S. Messinger, cop. 1984. In-8 (31 cm), cartonnage pleine toile de l'éditeur sous jaquette illustrée, 191 pages, 1179 gr.‎

‎Très bon état.‎