3309 books for « j g d clark »Edit

‎Celebration of Spirit‎

‎, IMAS - International Museum of Art and Scienc 2006), 2006 Hardcover, 140 pages, English/ Spanish, 236 x 236 mm, book in perfect condition, with lots of pictures in colour, with a personal word from the author, ISBN 9780977493500.‎

‎The beautifully assembled book captures the story of the Clark family, family photographs, full-color artwork and poetry by Kirk Clark, a fascinating interview with Mr. Clark by Yvonamor Palix conducted via email, essays by Thom Wheeler and Anne Clark, and gallery photographs of the Celebration of Spirit exhibit at the International Museum of Art and Science?s newly renovated Charles and Dorothy Clark gallery in March of 2006.‎

‎Other Monasticisms. Studies in the History and Architecture of Religious Communities Outside the Canon, 11th - 15th Centuries‎

‎, Brepols, 2022 Hardback, iv + 370 pages, Size:220 x 280 mm, Illustrations:20 b/w, 76 col., 8 tables b/w., 10 maps b/w, Language: English. ISBN 9782503587844.‎

‎Summary Monasteries contributed to every aspect of life during the middle ages, from the structures monks built, to land management, craft production to the intellectual and spiritual life of the medieval world. There were more than 300 orders or congregations in existence during the middle ages, yet scholarship considers only a small number of them (notably Cistercians and Cluniacs), and privileges selected sites, such as Mont Saint-Michel, San Francesco in Assisi or Christ Church in Canterbury. This volume considers the history and architecture of other congregations that are essential to a more complete understanding of monasticism in the European middle ages: Augustinians, lesser known Benedictines, Carthusians, Celestines, Clarissans, and Tironensians in France, as well as the Camaldolese and Vallombrosans in Italy. TABLE OF CONTENTS 1. Introduction: Other Monasticisms and the Question of Representivity Sheila Bonde (Brown University) and Clark Maines (Wesleyan University) 2. The French Celestine "network" (ca. 1350-1450): cross-order and lay collaboration in late medieval monastic reform. Robert Shaw (Independent Scholar) 3. Sainte-Croix-sous-Off mont:?An archaeological and architectural perspective on the Celestine order. Arthur Panier (University of Paris I and Free University of Brussels) 4. The abbey of Tiron in the later middle ages: some observations Kathleen Thompson (University of Sheffield) 5. La Sainte-Trinit de Tiron in the Context of Eremitism in Western France Sheila Bonde (Brown University) and Clark Maines (Wesleyan University) 6. The Illumination of the Eye, and the Rhetoric of Sanctity and Contemplative Prayer in the Early to Central Middle Ages. Susan Wade (Keene State University) 7. The Archdiocese of Reims: Tradition, and Benedictine Reform in the Twelfth Century. Kyle Killian (Florida State University) 8. Overlapping Space and Temporal Access in the Chartreuse de Champmol. Laura Chilson-Parks (Brown University) 9. Reconstructing an Order: The Architecture of Isabelle of France's Abbey at Longchamp. Erica Kinias (Brown University) 10. Vallombrosan and Camaldolese: Architecture and Identity in Two Italian Reform Orders. Erik Gustafson, (Washington and Lee University) 11. Augustinian Architecture in France: Aesthetic Restraint within a Regional Frame. Sheila Bonde (Brown University) and Clark Maines (Wesleyan University)‎

‎CACTI & SUCCULENTS OF EL PASO,‎

‎, California, Abbey Garden Press, 1974, Pictorial softcover, 170 x 260mm., 100pp., b/w illustration.‎

‎In good condition.‎

‎Piet Stockmans monogra‎

‎Brugge, Stichting Kunstboek, 2002 Gebonden, Hardcover met stofomslag compleet. 111 pagina's met afbeeldingen in kleur. ISBN 9789058560810.‎

‎Het is de verdienste van de Belgische kunstenaar Piet Stockmans ( 1940) dat hij porselein heeft weten te emanciperen tot zuiver artistiek expressiemiddel. Aanvankelijk heeft hij serviesgoed gedefunctionaliseerd. Daarna heeft hij, na intense materiaalstudie, porseleinen installaties gecre erd en ge nstalleerd op wanden en vloeren. Finaal heeft hij ook het menselijk lichaam ge ntroduceerd in zijn werk. Stockmans is een grensverleggend kunstenaar die, tegelijk virtuoos en sensibel, zijn materiaal weet te kneden tot steeds verrassende kunstwerken. Werk van hem werd opgenomen in de collecties van o.m. het Design museum te Gent (B), het Stedelijk Museum te Amsterdam (NL) en het Metropolitan Museum in New York (USA). Voor het eerst verschijnt een volwaardige monografie over Piet Stockmans, met bijdragen van onder meer Hilde Bouchez, Garth Clark en Ludo Raskin. Dit boek wordt in de eerstkomende maanden in Hasselt, Amsterdam, Delft, Rome en Oostende gepresenteerd, steeds in het kader van overzichtstentoonstellingen van het werk van Piet Stockmans. ‎

‎Subaltern City? Alternative and Peripheral Urban Spaces in the Pre-modern Period (13th-18th Centuries)‎

‎, Brepols, 2019 Hardback, 274 pages, Size:178 x 254 mm, Illustrations:2 b/w, 4 tables b/w., 31 maps b/w, Languages: English, French. ISBN 9782503583310.‎

‎Summary The purpose of this volume is to question traditional notions of city space in pre-modern Europe (with its stress on space being incorporated, regulated and integrated, dominated by its merchants and crafts), and to investigate how far it was in fact economically and politically pluralistic with a great variety of functions and juridictions. The volume examines comparatively the range of different urban spaces in and outside the medieval and early modern city from gardens, farmland and wasteland to industrial sites, poor and rich suburbs, shooting grounds, green space, grey space and military zones. Case studies cover cities in France, Germany, Italy, the Low Countries, England, Portugal and the Middle East. We ask: how far was the pre-modern city a compact city? Or was it in fact a 'subaltern city', as geographers have recently proposed, where many urban spaces were contested and the municipality has to be seen as only one key spatial actor? TABLE OF CONTENTS 1. Peter Clark, Denis Menjot Preface Introduction 2. La ville en puzzle. Centralit et subalternit des espaces urbains Bruxelles au Moyen ge Paulo Charruadas & Bram Vannieuwenhuyze 3. Une ville perm able ? L'espace de transition urbain-rural autour d'une ville aux XIIIe et XIVe si cles Catherine Xandry 4. Penser les p riph ries : l'apport du concept d'urbain pour Paris au XIVe si cle Boris Bove 5. Les liens d'interd pendance entre une cit et ses faubourgs (Amiens, XIIIe-XVIe si cles) Mathieu Beghin, post-doc, France 6. Locating marginality in the city: the extramural neighbourhoods of fifteenth-century London Charlotte Berry 7. Les fondouks chr tiens dans les villes musulmanes du bassin m diterran en au Moyen ge. Espaces p riph riques ou nouvelles polarit s urbaines ? Dominique Val rian 8. Habiter une paroisse suburbaine. La population de Saint-Jean de Latran de Rome (1630-1680) Eleonora Canepari 9. Quartiers, faubourgs et anciens faubourgs : l'espace subalterne Lyon (XVIe-XVIIIe) Olivier Zeller 10. L'embellissement de Marseille en 1666, entre soumission et r sistance des faubourgs Julien Puget 11. La police des espaces non aedificandi de la fortification p riurbaine Lille et Bruxelles au XVIIIe si cle : des espaces abandonn s ou int gr s la ville? Catherine Denys 12. The multiple uses of green space : Haarlem and the Haarlemmerhout in the eighteenth century Carolien Boender‎

‎Sources of Knowledge in Old English and Anglo-Latin Literature. Studies in Honour of Charles D. Wright‎

‎, Brepols, 2023 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:2 b/w, 3 col., 8 tables b/w., Language: English. ISBN 9782503604428.‎

‎Summary This volume positions source scholarship as integral to an understanding of the transmission of knowledge across intellectual, social, and material networks in early medieval England. Essays in this collection situate source studies in Old English and Anglo-Latin literature within a range of theoretical and methodological approaches as varied as disability studies, feminist theory, history of science, and network analysis, tracing how ideas move across cultures and showing how studying sources enables us to represent the diversity of medieval voices embedded in any given text. The essays in this volume extend the work of Charles D. Wright, who mentored a generation of scholars in methodologies of source study. The essays are organized into three sections. The first demonstrates how source studies facilitate tracing ideas across space and time. The second explores what happens to texts and ideas when they are transmitted from one culture, language, or historical moment to another. The third shows how sources illuminate wider cultural discourses. The volume attests to the flexibility of source work for early medieval English literature and argues for increased access to the tools that make such work possible. TABLE OF CONTENTS Sources of Knowledge: A Reflection on Charles D. Wright's Career THOMAS N. HALL Introduction STEPHANIE CLARK, JANET SCHRUNK ERICKSEN, and SHANNON GODLOVE I. Networks of Knowledge lfric's Traditions about the Apostles and Media Networks BRANDON HAWK Reading Lyric I of the Old English Advent Lyrics as Form-of-Life JOHANNA KRAMER Bede's Books Don't Tell Lies: Named Sources, Unideal Readers, and Bede's Welsh Reception JOSHUA BYRON SMITH lfric's Leitwortstil: Repetition and Autoreferentiality as Adaptive Techniques in the Old English Esther SAMANTHA ZACHER Source Study and the Inconclusive Result: The Case of Candidus Witto's De passione Domini CHRISTOPHER A. JONES II. Translation and Transformation of Knowledge Christ as Doorkeeper in Genesis A THOMAS N. HALL Spiritual Virtues, Unseen Spaces, and the Optics of Authority in Early Medieval English Accounts of Judith JILL FITZGERALD Bede, Cuthbert, and Cuthwine: Conlectores at Monkwearmouth-Jarrow FREDERICK M. BIGGS A Source for a 'Homily' in Byrhtferth's Enchiridion STEPHEN PELLE The Digressions in Andreas THOMAS D. HILL From Eriugena to Dostoyevsky: Christian Universalism in Hiberno-Latin Contexts and its Continued Significance PAUL A.K. SIEWERS III. Bodies of Knowledge Translatio medicinae: Mediterranean Sources in an English Climate RENE R. TRILLING Medievalism, Medicine, and William Somner's Dictionarium Saxonico-Latino-Anglicum REBECCA BRACKMANN Modblind and Unl d: Disability, Intersectionality, and Typology in the Old English Andreas AMITY READING Swallowed and Forgotten: Christ III and the Mouth of Hell in Early Medieval England JILL HAMILTON CLEMENTS Index‎

‎MADE IN FLANDERS. THE MASTER OF THE GHENT PRIVILEGES AND MANUSCRIPT PAINTING IN THE SOUTHERN NETHERLANDS IN THE TIME OF PHILIP THE GOOD,‎

‎, Turnhout, Brepols, 2000, Bound, black cloth, illustrated dustjacket, 205 x 305mm., 499pp., profoundly illustrated in colour and b/w. ISBN 9782503508788.‎

‎The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin. Book is in very good condition.‎

‎OPDRACHT VOLTOOID. SPIONAGETHRILLER.‎

‎Alphen aan den Rijn, Sijthoff, 1979 Paperback, originele uitgeversomslag in kleur door Pieter van den Busken, 20x13.2 cm., 240 pp. ISBN 9021824949.‎

‎Artistes et amateurs francais a Rome au XVIIIe siecle - Pour l'amour de l'art (F)‎

‎, Silvana Editoriale, 2011 softcover, 256pp. ill ISBN 9788836620531.‎

‎Au XVIIIe siecle, Rome represente le principal point de rencontre des communautes europeennes et un bassin important d'influences culturelles variees. Ce catalogue d'exposition mettra en lumiere l'effervescence artistique francaise dans la Ville eternelle et la grande visibilite dont jouissent les artistes francais. Selon une approche synthetique, il explorera, dans l'ordre, les themes suivants : 1) L'enseignement academique, 2) Le paysage de Rome et ses environs, 3) Les amateurs, mecenes et artistes, 4) La redecouverte de l'antique, 5) Les celebrations et festivites. Ce volume, qui regroupera une centaine d'oeuvres, proposera une selection exceptionnelle de dessins et d'estampes, auxquels s'ajoutent plusieurs peintures.Il presentera les oeuvres d'artistes francais parmi les plus significatifs de leur epoque, notamment Hubert Robert, Jean-Honore Fragonard et Jacques-Louis David. Auteurs : Sonia Couturier, Victor Carlson, Alvin L. Clark Jr., Sonia Del Re, Marie-Anne Dupuy-Vachey, Marc-Henri Jordan, Francoise Joulie, Catherine Loisel-Theret, William McAllister Johnson, Jean-Francois Mejanes, Olivier Michel, Michael Pantazzi, Patrick Ramade, Pierre Rosenberg ‎

‎Céramique Art Déco.‎

‎L Aventurine Paris 1995 In-4 ( 260 X 230 mm ) de 189 pages, pleine toile vert sapin sous jaquette illustrée. Illustrations dans et hors-texte. Très bel exemplaire.‎

‎LIENS DE SANG. L'Affaire Patricia COLUMBO.‎

‎Crimes & Enquetes France 1993 In-8 ( 185 X 110 mm ) de 443 pages, broché sous couverture illustrée. Bon exemplaire.‎

‎Tribute to Lotte Brand Philip. Art historian and detective.‎

‎New York, Abaris Books, 1985 Cloth binding, 227 pages, 31 x 23.5 cm, English. *fine condition.‎

‎Texts by 26 contributors including Fedja Anzelewsky, Colin Eisler, Creighton E. Gilbert, Andr e Hayum, William S. Heckscher, Robert A. Koch, Barbara G. Lane, Carla Lord, Matthias Mende, Charles I. Minott, Lise Lotte Moller, Nanette Salomon, Lucy Reeman Sandler, Gary Schwartz, James Snyder, Leo Steinberg, James H. Stubblebine.‎

‎L'Europe Préhistorique. Les fondements de son économie.‎

‎Payot Paris 1955 ‎

‎MAN ON THE BEACH.‎

‎, Brussels, Cultura, 1993., Paperback, original wrappers, 13x20,5cm, 144pp.‎

‎N? 134 of 321 numbered copies in Roman numerals. Calliographic title by Jeanyee Wong.‎

‎English and French Medieval Stained Glass in the Collection of the Metropolitan Museum of Art,‎

‎Turnhout, Brepols, 2003 Hardback, 488 p., 528 b/w ill. + 32 colour ill., 509 b/w tables + 32 colour tables, 230 x 315 mm. ISBN 9781872501376.‎

‎This comprehensive two-volume catalogue covers the outstanding collection of English and French medieval stained glass in the Metropolitan Museum of Art in New York. Written by curator Jane Hayward, the catalogue is posthumously published as Part I in the Corpus Vitrearum series and represents the culmination of Hayward's pioneering work in the field. 123 panels are examined in depth, ranging from 12th-century border ornaments from the Abbey Church of Saint-Denis to early 16th-century English Passion glass. The catalogue is illustrated with over 500 black and white reproductions and 40 colour plates. It includes discussions on provenance, collection history, dating, style, and iconography, as well as detailed descriptions, restoration charts, and considerations of the current condition of each panel. Mary B. Shepard, Hayward's colleague at The Cloisters, provides an indepth history of collecting medieval stained glass at The Metropolitan Museum of Art -- a fascinating look at the formative influences behind the growth of one of the most important collections in the world. Languages : English. ‎

‎Image, Text, and Church, 1380-1600 Essays for Margaret Aston,‎

‎Turnhout, Brepols, 2009 Hardback, XIV+289 p., 15 b/w ill., 15 x 23. ISBN 9780888448200.‎

‎This collection of essays has been assembled as a tribute to the eminent ecclesiastical historian Dr. Margaret Aston, Fellow of the British Academy. Many of the contributors are themselves distinguished scholars of the late medieval and early modern Church. The twelve essays reflect the extraordinary breadth of Dr. Aston's interests, reaching beyond history into the cognate disciplines of literature, theology, art history and codicology. Colin Richmond's personal appreciation is followed by Anne Hudson's engrossing study of how John Wyclif gained access to the books that he used and cited. Essays by Ann Eljenholm Nichols, Elizabeth Eisenstein and Richard Marks all focus, in different ways, on the relationship between religious text and image. Three biographical essays - by Jeremy Catto, Alison McHardy and Maureen Jurkowski - describe widely varying careers in the late medieval church, from the archbishop of Canterbury to an obscure Lollard preacher. Lollardy is the subject also of Norman Tanner's essay on the conciliar treatment of heresy and the condemnation of Wyclif's teachings, while Ian Forrest considers the role of defamation and heresy in late medieval social life. Andrew Hope compares reputation and reality in the career of the early Tudor reformer John Colet, and John Bossy examines the devotional compositions of the Elizabethan nobleman, Lord Henry Howard. While providing ample testimony of Aston?s influence, these essays are also of considerable - even seminal ?-importance in their own right, and deserve a place on the shelf of any serious student of the period. Languages : English.‎

‎Hokusai : The Great Picture Book of Everything‎

‎, British Museum Press, 2021 Hardcover, 176 pages, English, 228 x 218 mm, New edition, with illustrations in b/w. ISBN 9780714124896.‎

‎Katsushika Hokusai (1760?1849) is considered by many to be Japan?s greatest artist. During his seventy-year career, he produced a considerable oeuvre of some 3,000 color prints, illustrations for over 200 books, hundreds of drawings, and over 1,000 paintings. This exciting collection of 103 exquisite small drawings were made for an unpublished book called The Great Picture Book of Everything ? featuring wide-ranging subjects from depictions of religious, mythological, historical, and literary figures to animals, birds, flowers, and other natural phenomena, as well as landscapes. They are dominated by subjects that relate to ancient China and India, also Southeast and Central Asia. Many subjects found in the collection are not found in previous Hokusai works, including fascinating imaginings of the origin of human culture in ancient China. This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.‎

‎Introduction to Rembrandt‎

‎, Icon (Harper & Row) 1978, 1978 Paperback, 153 pages, ENG, 235 x 180 mm, in good condition, lots of illustrations in b/w, . ISBN 0064300927.‎

‎The Distribution of Wealth. A Theory of Wages, Interest and Profits. - [FOUNDING WORK OF NEOCLASSICAL MICRO-ECONOMICS - ""A LANDMARK TREATISE IN THE DEVELOPMENT OF ECONOMICS""]‎

‎London, The Macmillan Company, 1899. 8vo. In the original full cloth with gilt lettering to spine. Traces after removel of label on lower part of spine. Library labels pasted on to pasted down front free end-paper. Embossed library stamp to titbel page (not affecting text). Otherwise a fine copy. XXVIII, (2), 445, (3) pp.‎

‎The scarce first edition of Clark's seminal work - a cornerstone of neoclassical micro-economics -, which is considered ""by any reasonable test, a landmark treatise in the development of economics"". (New Palgrave). Clark ""is regarded in some quarters as the one great American economist of the calibre of Smith and Mill"". (Cohen, American Thought: A Critical Sketch, p. 117).Clark here presented his famous theorem: Given competition and homogeneous factors of production labor and capital, the repartition of the social product will be according to the productivity of the last physical input of units of labor and capital. This theorem is one of the pillars of neoclassical micro-economics and was popularly formulated by Clark himself: ""[W]hat a social class gets is, under natural law, what it contributes to the general output of industry.""""Very early in his career Clark began to work on the problem of factor shares (possibly because of his interest in Henry Georg) and concluded that the treatment of land rent as a surplus whose size is not determined by marginal productivity was gross error. The most complete statement of his views on distribution is in [The present work]. [...] Despite its flaws (which include the universal measure of value) 'the Distribution' is a remarkable book and, by any reasonable test, a landmark treatise in the development of economics.The 'Distribution represents an advance on the prior art in two important respects. It offers a discussion of the relation of statics to dynamics - the terms was introduced into economics by Clark - superior to that of previous treatments. And it offers, for the first time, a complete and lucid exposition of the neo-classical theory of distribution."" (The New Palgrave)""One of the classics on the subject. ""Aims ""to show that the distribution of the income of society is controlled by a natural law, and that this law if it worked without friction, would give to every agent of production the amount of wealth which the agent creates."" (A Select Bibliography of Modern Economic Theory, 1870-1929, P. 69). John Bates Clark (1847 - 1938), American neoclassical economist, was one of the pioneers of the marginalist revolution and opponent to the Institutionalist school of economics, and spent most of his career teaching at Columbia University.Mattioli 687Einaudi 1114Katalog der Karl Menger-Bibliothek 431‎

‎The Ethnogeographic Board: Smithsonian Miscellaneous Collections, V. 107, No. 1.‎

‎Smithsonian Institution Washington 1947 In-8 ( 245 X 160 mm ) de VIII-135 pages, broché. Très bel exemplaire, non coupé.‎

‎A la découverte des sociétés préhistoriques.‎

‎Plon Paris 1965 In-8 ( 240 X 155 mm ) de 238 pages, broché sous couverture illustrée rempliée. Traduit de l'anglais par Denise Meunier. 30 illustrations hors texte et 52 dans le texte. Bel exemplaire.‎

‎Partition de la chanson : The show is over now ‎

‎ Vogue international 1967‎

‎ Très bon état Format Coquille Piano ‎

‎Circus The Caribbean Orange‎

‎ 1978 Chicago, Museum of Contemporary Art, 1978, 203x243mm, 28p., broché sous couverture souple illustrée.Texte d’introduction de Judith Russi Kirshner, plan de découpage et douze pages de montages photographiques.Dans Circus, comme dans Conical Intersect (Paris, rue Beaubourg 1975) et Office Baroque (Anvers 1977), l’artiste effectue des découpes de grandes dimensions dans des taudis destinés à la démolition, afin d’en dégager des angles de vues qui les libèrent de leur destination initialeGordon Matta-Clark, A Retrospective Museum of Contemporary Art, Chicago 1985 p. 112-121. Gordon Matta-Clark IVAM 1992 p.305-312. ‎

‎Texte d’introduction de Judith Russi Kirshner, plan de découpage et douze pages de montages photographiques.Dans Circus, comme dans Conical Intersect (Paris, rue Beaubourg 1975) et Office Baroque (Anvers 1977), l’artiste effectue des découpes de grandes dimensions dans des taudis destinés à la démolition, afin d’en dégager des angles de vues qui les libèrent de leur destination initiale.Ref: Gordon Matta-Clark, A Retrospective Museum of Contemporary Art, Chicago 1985 p. 112-121. Gordon Matta-Clark IVAM 1992 p.305-312.(104814) Très bon ‎

‎[Réunion de 3 ouvrages sur la préhistoire de l'Angola] JANMART, J. - The Kalahari Sands of the Lunda (N.-E. Angola), their Earlier Redistributions and the Sangoan Culture. (Lisboa, Campanhia de Diamantes de Angola, 1953) - CLARK, J. Desmond - The distribution of prehistoric culture in Angola. (Lisboa, Campanhia de Diamantes de Angola, 1966) - CLARK, J. Desmond - Further Palaeo-Anthropological Studies in Northern Lunda. (Lisboa, Campanhia de Diamantes de Angola, 1968) - ‎

‎Lisboa: Campanhia de Diamantes de Angola, 1953-1968 3 vol. in-4, 1) 65 pages, illustrations, bibliographie. - 2) 102 pages, 5 photographies, 6 cartes et profils, 11 planches d'outils préhistoriques. Bibliographie. - 3) 205 pages, nombreuses planches d'outils préhistoriques. Bibliographie. Broché, bon état. "Subsidios para a historia, arqueologia e etnografia dos povos da Lunda Publicaçoes culturais N° 20 - 73 - 78).‎

‎[Réunion de 3 ouvrages sur la préhistoire de l'Angola] JANMART, J. - The Kalahari Sands of the Lunda (N.-E. Angola), their Earlier Redistributions and the Sangoan Culture. (Lisboa, Campanhia de Diamantes de Angola, 1953) - CLARK, J. Desmond - The distribution of prehistoric culture in Angola. (Lisboa, Campanhia de Diamantes de Angola, 1966) - CLARK, J. Desmond - Further Palaeo-Anthropological Studies in Northern Lunda. (Lisboa, Campanhia de Diamantes de Angola, 1968) - (Lisboa: Campanhia de Diamantes de Angola, 1953-1968). [M.C.: Afrique noire, Angola, préhistoire]‎

‎Ce soir je veillerai sur toi‎

‎Albin Michel Broch D'occasion bon tat 14/11/2001 288 pages ‎