22 books for « j watteeuw »Edit

‎BRUEGEL IN ZWART EN WIT Het Complete Grafische Werk‎

‎Brussel, Royal Library of Belgium, / Hannibal, 2019 Hardcover, 300 x 270 mm, 288 pages, Nederlandstalig edition. ISBN 9789463887182.‎

‎Pieter Bruegel de Oude (1525/30-1569) is een van de beroemdste schilders van de Nederlanden. Hij is vooral bekend omwille van zijn schilderijen over het alledaagse boerenleven, maar daarnaast maakte hij ook uitzonderlijk grafisch werk, dat al in de zestiende eeuw internationaal gelauwerd werd. De Koninklijke Bibliotheek van Belgi (KBR) voert al jarenlang onderzoek naar dat minder bekende werk van Bruegel en brengt nu voor het eerst de volledige prentencollectie samen in een tentoonstelling, ter gelegenheid van het Bruegel-jaar. De expo vindt plaats van 15 oktober 2019 tot en met 16 februari 2020 in het Paleis van Karel van Lotharingen in Brussel, dat voor deze gelegenheid opnieuw zijn deuren opent na een lange renovatie. Rond het midden van de zestiende eeuw werd Vlaanderen het internationale productie- en handelscentrum voor grafiek. Samen met zijn uitgever, Hieronymus Cock, speelde Bruegel een sleutelrol in deze bloeiperiode. De tentoonstelling focust op het unieke vakmanschap en de ondernemerskwaliteiten van beide heren en toont aan de hand van verschillende staten en edities het lange maakproces dat grafisch werk ondergaat, van ontwerptekening tot afgewerkte prent. De onderwerpen van Bruegels tekeningen en prenten zijn ontzettend rijk. Steeds weer roept hij imaginaire werelden op, bevolkt door zonderlinge figuren, en verrast hij de kijker met vele uitzonderlijke details. De luxueuze catalogus bij deze unieke tentoonstelling reproduceert de werken op ware grootte en geeft de lezers zo de kans om van heel dichtbij kennis te maken met de beroemde prenten van Bruegel. Gespecialiseerde kunsthistorici, verbonden aan de KU Leuven en de Koninklijke Bibliotheek, geven in vijf essays een boeiend inzicht in de fascinerende wereld van Bruegels grafische werk. Author Maarten Bassens is a curator at the Royal Library of Belgium in Brussels. Joris Van Grieken Author Joris Van Grieken is a curator at the Royal Library of Belgium in Brussels. Lieve Watteeuw Author Lieve Watteeuw is head of the Book Heritage Lab at the University of Leuven. Jan Van Der Stock Author Jan Van der Stock is a professor at the University of Leuven.‎

‎Théâtre.‎

‎ Tourcoing, Impr. Georges Frère, 1926. In-8 broché, couv. ill., 308 pp., partitions de musiques in fine. ‎

‎" Jules Watteeuw est né le 29 juillet 1849 au 14 de la Grand-Place de Tourcoing. Il était journaliste patoisant et avait des dons de conteur. Le 13 mars 1898, il est décoré des palmes d'Officier d'Académie par le maire Victor Hasse-Broucq en présence du député Gustave Dron. " (Wiki) Couv. un peu défraîchie, qq. pâles rousseurs, bon ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Anjou Bible. A Royal Manuscript Revealed, Naples 1340‎

‎BE, Peeters- Musee, 2010 Bound, hardcover, with dusjacket, Pages: XII-335 p. fine illustrated in colorplates. ISBN 9789042924451.‎

‎The Anjou Bible, now kept in the Theology Faculty's Maurits Sabbe Library of the University of Leuven (Belgium) is a superbly illuminated manuscript created at the Royal Court of Naples in the turbulent fourteenth century. At this time much of Central and Southern Europe was governed by the successful dynasty of Anjou, which continued to expand its territories and encouraged artists and writers like Giotto, Simone Martini, Boccaccio and Petrarch. In 1328, after the death of her father, Joanna of Anjou became the official heir to the prosperous Kingdom of Naples and Sicily. Several years later her grandfather, Robert I, gave Joanna and her young fiance Andrew of Hungary a precious gift, which became known as the Anjou Bible, a manuscript that is priceless from a historical and art-historical point of view. In addition to Bible texts and splendid miniatures, it contains a wealth of historical information about the house of Anjou and the book's origins. One of the artists responsible for the magnificent painting was Cristophorus Orimina, the leading illuminator in Naples, who signed the work. The Anjou Bible has now been carefully conserved and studied: the research findings are brought together in this book. Essays by some of the most noted experts in the field describe how the arts were promoted at the court of Robert I of Anjou and also shed light on the Bible's genesis and on all the research methods and results. This book is richly illustrated and contains all the illuminated folios of the Anjou Bible. ‎

‎Campaspe Talks Back. Women Who Made a Difference in Early Modern Art‎

‎, Brepols, 2024 Hardback, 436 pages, Size:230 x 280 mm, Illustrations:10 b/w, 196 col., 2 tables b/w., Language: English.*New. ISBN 9782503613055.‎

‎Summary With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonn of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom. TABLE OF CONTENTS Introduction Campaspe, Apelles, and Alexander the Great Hans Vlieghe, Katlijne: Portrait of an Art Historian I: Sitters & Subjects Barbara Baert, Cutting the Gaze: Salome in Andrea Solario's Oeuvre (c. 1465-1524) Nils B ttner, Rubens, the Capaio Ladies, and Their Niece Hans Cools, Why Margaret of Parma Should Make It to the Next Version of the Flemish Canon Liesbeth De Belie, Concerning Orbs and the Value of a Destroyed Portrait Guy Delmarcel, The Virtuous Women of the Bible: A Series of Baroque Tapestries from Bruges and Their Mysteries Gerlinde Gruber, Brave (if Brazen) Women: Spartans, not Amazons, by Otto van Veen (1556-1629) Karen Hearn, Portrait of a Poisoner? An Early Seventeenth-Century British Female Portrait Reconsidered Fiona Healy, Sacred History Imitating Real Life: How a Curious Portrayal of the Birth of the Virgin Reflects Childbirth Practices in the Early Modern Period Koenraad Jonckheere, Rubens's Verwe: Head Studies and Complexion Elizabeth McGrath, The Girls in Rubens's Allegory of Peace Hubert Meeus, Judith's Maid Bert Schepers, Lifting the Veil on Justus van Egmont (1602-1674): On Cleopatra Approaching Alexandria and Some Other Newly Identified Designs for Tapestries Lieke van Deinsen, The Voiceless Virgin and the Speaking Likeness: Anna Maria van Schurman's Portrait as a Labadist Hans Vlieghe, Portrait of a Young Woman in Triplicate: On a 'Rubensian' Head Study II: Artists & Artisans Rudy Jos Beerens, Unravelling the Story of Jannetje Laurensd. Wouters (c. 1640-1722), Tapitsierster Ralph Dekoninck, Pausias and Glycera by Rubens and Beert: Amorous Emulation and/or Mimetic Rivalry Kirsten Derks, Leaving Her Mark: Michaelina Wautier's Signing Practice Inez De Prekel, Female Artists and Artisans in the Antwerp Guild of St Luke, 1629-1719 Ad Leerintveld, Constantijn Huygens and Louise Hollandine, Princess of the Palatinate, or How High a Highness Could Rise in the Arts Fred G. Meijer, All in the Family: A Previously Unrecorded Landscape Painter: Catrina Tieling, 1670-? Judith Noorman, 'Elck heeft sijn eijgen pop': Dollmaker Drawings by Leonart Bramer and Dolls as Indicators of Class and Identity Anna Orlando, Sofonisba and van Dyck: A Matter of Style Marjan Sterckx, Talent and Sentiment: A Portrait of the Artist Marie-Anne Collot (1748-1821) as a Young Woman Jan Van der Stock, Women Who Stood Their Ground in the Guild of St Luke at the Beginning of Antwerp's 'Golden Age', 1453-1552 Francisca van Vloten, From 'Russian Rembrandt' to 'Baronin' and 'Nonna': Marianne von Werefkin (1860-1938), Evolution and Appreciation Wendy Wiertz, Craft, Gender, and Humanitarian Aid: The Representation of Belgian Lacemakers in the Era of World War I Beatrijs Wolters van der Wey, Catharina Pepyn, Rising Star III: Partners & Patrons Rudi Ekkart and Claire van den Donk, In the Lead: Another Look at the Role of Women in Seventeenth-Century Family Portraits Valerie Herremans, Arte et Marte: Countess Maria-Anna Mulert-van den Tympel and Ian-Christiaen Hansche's Pioneering Stucco Ceilings in Horst Castle (1655) Corina Kleinert, Hidden in the Footnotes: The Collection of Anna-Isabella van den Berghe, 1677-1754 Hannelore Magnus, 'Periculum in Mora': Frans Langhemans the Younger (1661-c.1720) and the Scandalous Elopement of Maria Cecilia de Wille Volker Manuth and Marieke de Winkel, The Marital Misfortunes and Messy Divorce of a Mennonite Woman: Catharina Hoogsaet Sarah Joan Moran, Court Beguinage Mistresses as Art Curators Erik Muls, Isabella and Catharina Ondermarck: Spiritual Daughters on a Mission Eric Jan Sluijter, Rembrandt's Saskia Laughing (1633): The Affect and Effect of Reciprocal Love Bert Timmermans, Art Patronage in an Unequal Playing Field: Women's Convents during the Building Boom of the Antwerp 'Invasion Conventuelle' Ben van Beneden, A Flemish Shepherd for Amalia? Some Thoughts on a Newly Discovered Painting by Thomas Willeboirts Bosschaert Carla van de Puttelaar, Marriage in Painting: Painterly Collaborations between Juriaan Pool and Rachel Ruysch and a Newly Discovered Portrait of a Girl Martine van Elk, 'The Name Gives Lustre': Anna Maria van Schurman's Glass Engravings Bert Watteeuw and Klara Alen, Dealing with Helena Jeremy Wood, In the Shadow of the 'Proud Duke'? Elizabeth Percy, Duchess of Somerset (1667-1722), as Patron Lara Yeager-Crasselt, Painting Margherita: Louis Cousin and Flemish Portraiture in Seventeenth-Century Italy Leen Huet, Epilogue: Reading between the Lines, Reading between the Brushstrokes - Two letters Bibliography of Katlijne Van der Stighelen, Compiled by Lies De Strooper and Koen Brosens‎

‎Pokerfaced. Flemish and Dutch Baroque Faces Unveiled‎

‎, Brepols, 2010 Paperback, 277 p., 179 b/w ill., 210 x 297 mm, Languages: English, Dutch, German. ISBN 9782503525648.‎

‎J. Bos, 'Between Physiognomy and Pathognomy. Theoretical Perspectives on the Representation of Characters and Emotions in the Seventeenth Century'; U. Heinen, 'Velum est timantis imago. The Portraits of Stoics and the Stoicism of Portrait'; B. Watteeuw, 'Oppervlakkig of onderhuids? Over het psychologisch portret en de psychologie van het portretteren (1600-1650)'; J. Dequeker, 'A Physician?s View Beyond the Curtains of Seventeenth-Century Flemish and Dutch Baroque Portraits'; H. Roodenburg, 'Netherlandish Baroque Portraits and Civil Conversation'; R. Van Leeuwen, 'The Portrait Historie in Religious Context and its Condemnation'; D. Meuwissen, 'A Change in Tradition. The Seventeenth-Century Portraits in the Series with the Land Commanders of the Utrecht Bailiwick of theTeutonic Order'; K. De Clippel, 'Naked or Not Naked? Some Thoughts on Nudity and Portraiture in Seventeenth-Century Flemish Painting'; R. Ekkart, 'Het portret van de schilder en zijn familie. De familie van Mierevelt geschilderd door Pieter van Mierevelt'; B. Timmermans, 'Het (familie-)portret als visuele stamboom en maatschappelijk gezicht bij de zeventiende-eeuwse Antwerpse elites'; A. Jensen Adams, 'The Family Portrait Historie and the Viewer in Narrative Time'; J. De Landtsheer, 'Justus Lipsius (1547-1606). A Scholar and His European Network'; J. Muller, 'Eucharist and Eternal Life. The Wardens of the Sacrament Chapel in the St. Jacob?s Church Antwerp, Immortalised in their Group Portrait by Pieter Thys'; Z. Zaremba Filipczak, 'Portraits of Women who Do Not Love to be Lead by the Nose'; K. Hearn, 'Pregnancy Portraits in Sixteenth- and Early Seventeenth-Century England'; K. Van der Stighelen, 'Portretten en hun perceptie. De barokke blik op het portret.'‎

‎Pasquilles et chansons.‎

‎Marseille Laffitte reprints 1979 In-8 broché, couverture illustrée. 302 pp. ‎

‎Réimpression de l'édition de Tourcoing, 1926. 16 partitions in-fine. ‎

‎Besloten Hofjes van Mechelen laatmiddeleeuwse paradijstuinen ontrafeld‎

‎Antwerpen , Hannibal, 2018 Hardcover met stofomslag, 287 pagina's, rijkelijk ge llustreerd 29 x 24 cm, *nieuwstaat* ISBN 9789492677662.‎

‎Tijdens de late middeleeuwen ontstond in de Lage Landen een unieke religieuze kunstvorm, die gebruikmaakte van een grote verscheidenheid aan artefacten en memorabilia: de Besloten Hofjes. Deze unieke mixed-mediaobjecten stellen een ideale spirituele en paradijselijke wereld voor. Behalve gepolychromeerde beeldjes (poup es de Malines) bevatten de Hofjes zijdebloemen, metalen pelgrimsinsignes, wassen medaillons, relieken, artefacten in albast, perkament, papier en pijpaarde. Ze zijn afgewerkt met lovertjes, parels en kralen in glas, been, koraal en amber. Het geheel is een indrukwekkende, tot de verbeelding sprekende tuin, die met beschilderde panelen kan worden afgesloten.‎

‎Hof Bladelin in Brugge en de restauratie van de schilderijen in de Romeinse Zaal‎

‎Leuven, Peeters uitgeverij, 2021 Oorspronkelijk uitgevers omslag, 186 pagina's, 24.5 x 24.5 cm, Nederlandstalige tekst. *Nieuw. ISBN 9789042946606.‎

‎Het Hof Bladelin in Brugge en de restauratie van de schilderijen in de Romeinse Zaal ‎

‎Catalogue of Illuminated Manuscripts Museum Plantin-Moretus, Antwerp‎

‎Peeters; 1er édition (24 janvier 2013)‎

‎Relié, jaquette illustrée, nombreuses illustrations, comme neuf.‎

‎Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15)‎

‎Leuven 2013 Peeters Publishers Hardcover ‎

‎Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15) cataloge hard cover, 310 x 230 mm, 303 pages, red linen binding with white print, fabric wrap, lots of illustrations, in good condition ‎

‎ Pasquilles et chansons.‎

‎ 1960 Marseille Laffitte reprints 1979 In-8 broché, couverture illustrée. 302 pp. Réimpression de l'édition de Tourcoing, 1926. 16 partitions in-fine. Petite pliure à un angle du 1er plat, sinon tres bon état ‎

‎Le broutteux. ‎

‎Le broutteux. Pasquilles & chansons. In 8 broché, 165x230mm. Titre, 298pages dont 16 pages de musique ; 3 pages de table des matières édité sous les auspices des Amis de Tourcoing ; Imprimerie Georges Frères. 1926. Rousseurs, concentrées à certaines pages, ainsi qu’en début et fin de volume. Premier plat de couverture contrecollée.‎

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‎Le Missel de Mathias Corvin et la Renaissance en Hongrie ‎

‎ 1993 Bibliothèque royale Albert Ier Soft cover ‎

‎Le Missel de Mathias Corvin et la Renaissance en Hongrie couverture souple, 260 x 220 mm, 103 pages , Bon état ‎

‎Catalogue of Illuminated Manuscripts of the Museum Plantin Moretus, Antwerp.‎

‎, Peeters, 2013 Bound, Pages: 303 p. illustrated in color. fine condition. *new. ISBN 9789042929159.‎

‎From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576. Corpus of Illuminated Manuscripts, 20 - Low Countries Series 15.‎

‎Rogier Van Der Weyden in Context. Proceedings of Symposium XVII, Leuven, November 2009 ‎

‎BE - , Peeters leuven,, 2012 Gebonden, Hardcover.402 Pages, Illustrated. 30x305x221 mm. English. ISBN 9789042926929.‎

‎On 20 September 2009 the new M-Museum Leuven (Belgium) was inaugurated with the opening of the exhibition Rogier van der Weyden 1400-1464 - Master of Passions. The starting point of the exhibition was the work of Rogier van der Weyden himself and the intention was to display and define his individual style and contribution. To demonstrate the significance of his overwhelming influence across artistic media, his own works were brought together with those of his contemporaries and followers: painters, designers, sculptors, tapestry weavers and embroiderers. His significance was reflected in the international Colloquium Rogier van der Weyden in Context, which took place on 22, 23 and 24 October 2009. It was organised by Illuminare - Centre for the Study of Medieval Art (KU Leuven), the Art History Department KU Leuven and Artes.Leuven, in conjunction with the UCL (Catholic University of Louvain-la-Neuve, Laboratoire d'etude des oeuvres d'art par les methodes scientifiques) and the KIK-IRPA (Royal Institute for Cultural Heritage, Belgium). It was the XVIIth Symposium for the Study of Underdrawing and Technology in Painting, yet its scope was extended beyond the technical examination of paintings so that the work of one great genius, Rogier van der Weyden, could be considered in a variety of contexts. The papers in this volume are grouped around the following themes: (i) Rogier van der Weyden, painter and designer; (ii) Archival sources; (iii) Studies in painting; (iv) Studies in underdrawing; (v) Studies in sculpture; (vi) The legacy of Van der Weyden.‎

‎Catalogue of illuminated manuscripts museum Plantin-Moretus Antwerp.‎

‎ Paris, Leuven, Peeters, 2013. In-4, rel. éd. pleine toile rouge sous jaquette ill. en coul., 301 pp., très nb. ill. en coul., texte en anglais, concordances, index bibliographie in fine. ‎

‎Collection "Corpus of illuminated manuscripts: volume n° 20. Low Countries. Series 15. Illuminare. Centre for the study of medieval art, Ku Leuven. Très bel ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Chansons fables et pasquilles tourquennoises --- premier volume‎

‎Imprimerie frère-glorieux 1883 in12. 1883. Relié.‎

‎Bon état cependant couverture défraîchie bords frottés intérieur jauni propre‎

‎PASQUILLES & CHANSONS .‎

‎"IMPRIMERIE GEORGES FRERE. 1926. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur acceptable. 298 pages - 1er plat désolidarisé - déchirure + annotation sur le 1er plat - 2ème plat manquant - dos manquant - ouvrage désolidarisé - ouvrage commençant à la page 5 ""préface"" - ouvrage en langue picarde.. . . . Classification Dewey : 782.42-Chanson"‎

‎Ouvrage en langue picarde - Edité sous les auspices des amis de tourcoing. Classification Dewey : 782.42-Chanson‎

‎PASQUILLES et CHANSONS‎

‎RÉGION NORD / PASQUILLES et CHANSONS Jules Watteeuw " Le brouteux " vol broché, 225x160, couverture illustrée ( petit manque angulaire au dos), 298pp, bon état général pages de notes de musique en fin de volume édité sous les auspices " Amis de Tourcoing" 1926 ref/c55‎

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‎Beauvais et les Beauvaisiens des années 40 - Une ville française sous l'occupation allemande ‎

‎Beauvais, G.E.M.O.B., 1980, in-4 rel. toile noire (21,5 x 27,5), 262 p., préface d'Henri Michel, abondante iconographie, jaquette comportant de petits, défauts (bordure pelliculée), plusieurs signatures ainsi qu'un poème manuscrit en page de garde, bon état. ‎

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‎Des centaines de photographies commentées qui constituent une remarquable évocation de Beauvais sous l'occupation allemande. Voir le sommaire sur photos jointes. ‎

‎Catalogue of Illuminated Manuscripts Museum Plantin-Moretus , Antwerp.‎

‎ Leuven, Peeters, 2013, in-4°, 301 pp, colour ills. Publisher's cloth with printed wrapper. Describes 102 manuscripts. Indices. Published in the series '' Corpus of Illuminated manuscripts - Low Countries series 15 '' Volume 20.‎

‎Catalogue of Illuminated Manuscripts Museum Plantin-Moretus , Antwerp.‎

‎ Leuven, Peeters, 2013, in-4°, 301 pp, colour ills. Publisher's cloth with printed wrapper. Describes 102 manuscripts. Indices. Published in the series '' Corpus of Illuminated manuscripts - Low Countries series 15 '' Volume 20. Mint copy.‎