Buenos Aires, Ediciones Peuser, (1956). Grand in-8 (28.4 cm) non paginé (238) pages, nombreuses photos noir et blanc 303 ill. (14 color) including 288 from photographs, mostly by Grete Stern.et tableaux couleurs. Reliure pleine toile sous jacquette illustrée,bon etat
Born and trained in Germany, Grete Stern fled to Argentina in 1935 to escape Nazi persecution of the Jews. She soon established herself as one of the leading modernist photographers in Argentina, and her importance to the history of Argentine photography with a career spanning nearly sixty years, has only recently been recognized. Text in Spanish, French & English Remise de 20% pour toutes commandes supérieures à 200 €
Berlin, Offentliches Leben, 1937. 8vo. In the original wrappers. With repair to lower part and lower right corner bended, otherwise a very nice and clean copy. [Hermann:] Pp. 309-398. [Entire issue: Pp. 273-504, (3) + frontispeice depicting Jakob Friedrich Fries.].
First printing of Hermann's publication on the historical development and foundation of physics. Today she if famous for her pioneering work with respect to the interpretation of quantum theory, the present paper being her most extensive on the philosophical aspects of the development of research in physics.Attempts to interpret and understand what was then new and very puzzling physics were of great contemporary importance when Grete Hermann entered the field, and her work in physics was mainly related to the interpretation of quantum mechanics. More specifically, her main work in physics was on the philosophical foundations of quantum mechanics, the significance of modern physics for the theory of knowledge, and causality in physics. She was one of the active early contributors to the historic debates on causality in quantum mechanics, and on the completeness of quantum mechanics and its description of reality.Hermann's work during the 1930s reveals the influence of her background in the neo-Kantian school, yet it also owes much to the way in which Heisenberg and Weizsäcker had interpreted Bohr's doctrine of the indispensability of classical concepts in the description of experience.Heisenberg has written that Grete Hermann came to Leipzig for the purpose of challenging the philosophical basis of atomic physics. Heisenberg devoted an entire chapter of his book ""Physics and Beyond: Encounters and Conversations"" to a reconstruction of discussions that he had on quantum mechanics and Kantian philosophy with Grete Hermann and Carl Friedrich von Weizsäcker.
Berlin, Offentliches Leben, 1937. 8vo. Offprint in the original wrappers. Wrappers with minor miscolouring and top left corner of front wrapper slightly bended, otherwise a very nice and clean copy. 90 pp.
First printing of Hermann's publication on the historical development and foundation of physics. Today she if famous for her pioneering work with respect to the interpretation of quantum theory, the present paper being her most extensive on the philosophical aspects of the development of research in physics.Attempts to interpret and understand what was then new and very puzzling physics were of great contemporary importance when Grete Hermann entered the field, and her work in physics was mainly related to the interpretation of quantum mechanics. More specifically, her main work in physics was on the philosophical foundations of quantum mechanics, the significance of modern physics for the theory of knowledge, and causality in physics. She was one of the active early contributors to the historic debates on causality in quantum mechanics, and on the completeness of quantum mechanics and its description of reality.Hermann's work during the 1930s reveals the influence of her background in the neo-Kantian school, yet it also owes much to the way in which Heisenberg and Weizsäcker had interpreted Bohr's doctrine of the indispensability of classical concepts in the description of experience.Heisenberg has written that Grete Hermann came to Leipzig for the purpose of challenging the philosophical basis of atomic physics. Heisenberg devoted an entire chapter of his book ""Physics and Beyond: Encounters and Conversations"" to a reconstruction of discussions that he had on quantum mechanics and Kantian philosophy with Grete Hermann and Carl Friedrich von Weizsäcker.
Gallimard Broch D'occasion bon tat 01/01/1936 319 pages
, Posture Editions Nr 19, 2016 softcover, 297 x 210 mm, 160 pages, NL edition. ISBN 9789491262197.
Nel Aerts (b. 1987) moves in a freely, intuitive way between different media as painting, drawing, collage, performance and sculpture. Since a few years she focuses more often on the portrait-genre, which she visualises on paper or on wooden panels, with careful attention to the different qualities of each material. As such, she is creating a large collection (family almost) of posing subjects caught between abstract patterns and hard-edged figuration. The figures she portraits refer to both popular culture and her direct, everyday surroundings. The self-portraits are tragicomic in the sense of the contrasts they evoke. Alternately they are desperate or funny, extra- or introverted, thought- or playful carved from wood or originated as a collage, but they are always introspective and self-relativistic. In Hundred Zundert, ?Nel Aerts evokes a visual rendezvous with Vincent van Gogh and sets the tone for the near one hundred drawings that would be made during her three-month residency at the Van Gogh House in Zundert. Rather than ?following in the footsteps of Van Gogh?, Aerts is interested in examining the mud and earth around them by (literally) placing herself in the environment of Van Gogh?s youth. The resulting work is characterised by a deceptive interplay between formal simplicity and playfulness which belies a substantial complexity. (?) Nel Aerts?s working process is uncomplicated and free of any pretension: black ball pen (dozens), sheets of white A4 paper (hundreds) and spontaneous, almost naive line work (in seemingly infinite supply) are the building blocks of a story that is nevertheless rich in visual and intimate detail, a story that teeters between seriousness and playfulness, at once both comical and deeply emotive.? From: ?Portrait of the Artist?, Grete Simkut , in: Hundred Zundert.
Bern, Alfred Scherz Verlag, 1940, in-8vo, 284 S. + 1 Bl. (Verlagswerbung), mit hs. Widmung der Autorin auf Vortitel: ‘Dr. Louis Blanc - Zur Erinnerung an eine seltsame Begegnung mit viel Dank für Ihre Liebenswürdigkeit, Grete von Urbanitzky’, Orig. Leinenband mit Autor und Buchtitel auf Vorderdeckel u. Rücken, an den Kanten und am Rücken leicht gebräunt, ansonsten guter Zustand.
Erstausgabe mit Widmung einer wichtigen Vertreterin der modernen österreichischen Frauenliteratur. Der Roman spielt 1938 in Paris und erschien während des Krieges in der Schweiz, just zu der Zeit, als Urbanitzky, welche sich 1933 in Berlin niedergelassen hatte und sich als „national“ deutsche Schriftstellerin verstand, ins Pariser Exil zog, nachdem die Nazis nach und nach all ihre Bücher auf den Index gesetzt hatten. Sie distanzierte sich in der Folge vom totalitären Gedankengut der Nationalsozialisten. Image disp.
Phone number : 41 (0)26 3223808
GREMESE EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9788873017578
Gallimard (4/2025)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782073014986
Kormos - Gyula Macskassy, Grete Just, Tibor Csermak, Szabolcs Szabo (ill.):
Reference : 9651
(1962)
Londres, Bancroft, [1962]. In-4 à l'italienne, cartonnage illustré, dos de toile rouge. Bords et coins frottés, particulièrement les coins supérieurs, intérieur frais.
Que les défauts mentionnés ne vous découragent pas: il s'agit d'un très bel album, magnifiquement illustré par une brochette de dessinateurs hongrois. Et malgré le côté un peu effrayant (ou grâce à lui?), il plaît vraiment aux enfants - on le sait, on l'a testé...
Berlin Ernst Rowohlt Verlag 1919. 8°. 221 S., 1 Bl. Anzeigen. Mit einigen s/w. Abbildungen auf Tafeln. Originalpappband.
Erste Ausgabe, wurde 1947 unter dem Titel "Die ersten Schritte" in Wien neu aufgelegt. - Mit einem Vermerk in Bleistift "Bis auf die letzten 2 Seiten identisch mit Die ersten Schritte" auf dem Titelblatt. - Rücken gebräunt und Papierbezug an den Kanten aufgeplatzt. Ecken etwas bestossen. - Sauberes Exemplar.
Casterman 1998, grand in-8 cartonnage éditeur, 112pp; illustré - très bon état
Basel, Basler Berichthaus, 1940, in-8°, 280 S. + 22 S. Werbung auf Tafeln und Vorsätzbl., Original-Leinenband.
Phone number : 41 (0)26 3223808
GRETE, A. / JENSEN, O. / THONI, J. / PLATTNER, E. / HOHL, J. / LIECHTI, P. / MOOSER, W.:
Reference : 116038aaf
Bern, Druck von K. J. Wyss, 1906, in-4to, 595 S., H.-Leinenband.
Phone number : 41 (0)26 3223808
Italie, 2016 Flavius 128 p., illustré, broché. 21 x 28
Occasion
Phaidon. 1949. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 255 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte (illustrations en couleurs contre collées).. . . . Classification Dewey : 750-La peinture et les peintres
traduit de l'anglais par Edith Combe. Classification Dewey : 750-La peinture et les peintres
Eßlingen u. München, J. F. Schreiber, o. J. (1923). 4°. (26) S. Mit 12 ganzs., farb. Illustr. von Hanns Cassar. Illustr. Orig.-Pappband.
Selten! - Einzelne Seiten stockfleckig. 2 Bl. mit je einem 3 cm langen Einriss im Falz. 1 Blatt gelockert. Das Mittelblatt mit Rostflecken. Der Einband berieben.
Grete Lainer. Préf. de Michel Neyraut. Lettre-préface de Sigmund Freud
Reference : 46448
(1988)
Paris, Denoël, 1988, in-8, broché, 229 pages. Bon état. Sans défauts
NB. La librairie sera fermée jusqu'à fin janvier. Les questions et commandes seront traitées dans les 48h, les envois reprendront le 2 février. Merci !
Jeheber. 1944. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Quelques rousseurs. 325 pages.. . . . Classification Dewey : 830-Littératures des langues germaniques
Traduit de l'allemand par M. De la mothe et A.Pellet. Classification Dewey : 830-Littératures des langues germaniques
(Berlin, Julius Springer, 1926). 8vo. Without wrappers. Extracted from ""Mathematische Annalen. Begründet 1868 durch Alfred Clebsch und Carl Neumann. 95. Band"". Pp. 735-788.
First publication of Hermann's seminal paper (her doctoral thesis) which founded computer algebra. It first established the existence of algorithms - including complexity bounds - for many of the basic problems of abstract algebra, such as ideal membership for polynomial rings. Hermann's algorithm for primary decomposition is still in use today. The paper anticipates the birth of computer algebra by 39 years.""[The paper] is an intriguing example of ideas before their time. While computational aspects of mathematics were more fashionable before the abstractions of the twentieth century took hold, mathematicians of that time certainly knew nothing of computers nor of today's idea of what an algorithm is. The significance of the paper can be found on the first page, where we find (in translation):The claim that a computation can be found in finitely many steps will mean here that an upper bound for the number of necessary operations for the computation can be specified. Thus it is not enough, for example, to suggest a procedure, for which it can be proved theoretically that it can be executed in finitely many operations, if no upper bound for the number of operations is known. The fact that the author requires an upper bound suggests that there must exist an actual procedure or algorithm for doing computations. We see in this paper the first examples of procedures (with upper bounds given) for a variety of computations in multivariate polynomial ideals. Thus we have here a paper anticipating by 39 years the birth of computer algebra"". (ACM SIGSAM Bulletin, Volume 32. 1998).Not in Hook & Norman.
London, Phaidon, 1949. Folio. In publisher's full red cloth in the original dust-jacket. Dust-jacket with light wear, otherwise fine. 251 pp.
Internationaler Sozialisticher Kampf. sans date. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 59 pages. Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Classification Dewey : 430-Langues germaniques. Allemand
Ernst Kaufmann. 1951. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 87 pages. Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Aus der geistlichen DIchtung der Gegenwart. Neue Ausgabe. Classification Dewey : 430-Langues germaniques. Allemand
ALFRED MAME. 1926. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 320 pages. Quelques photos et illustrations en noir et blanc dans le texte et hors texte dont une en frontispice. Dos fendu.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
Classification Dewey : 840-Littératures des langues romanes. Littérature française
EDITIONS PHAIDON. 1949. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 255 pages. Nombreuses illustrations en noir et blanc et en couleurs, dans le texte et hors texte. Quelques illustrations contre collées.. . . . Classification Dewey : 750-La peinture et les peintres
Traduit de l'anglais par Edith Combe. Classification Dewey : 750-La peinture et les peintres
J. JACOBS S.A.. 17 OCT 1973. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 47 pages. Nombreuses photos et illustrations en noir et blanc dans le texte et hors texte. Couverture rempliée. Un nom de particulier sur la page de garde.. . . A l'italienne. Classification Dewey : 740-Dessin, arts décoratifs et mineurs
Classification Dewey : 740-Dessin, arts décoratifs et mineurs