Odense, Iversen, (1784). 12mo. Uden omslag, rester af papirsomslag på ryg. 318,(4),126,(2) pp. Brunplettet.
Første årgang af Iversen's ""Statskalender"", hvoraf der kun udkom 3 årgange. - Bibl. Danica II:745
Short description: In Russian. Iversen, Vladimir Mikhailovich. New things in the Volosovsky parking lot of a prehistoric man, type I. N. Skorokhodov. Novye veshchi Volosovskoy stoyanki doistoricheskogo cheloveka. In Russian /New Things at the Volosovsky Parking Site of Prehistoric Man. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5097720
Grand format, couverture souple. 141 pages. Textes en français et en anglais. Illustrations couleurs. Très bon état 2004 Fragments éditions
KELLY (Mary)]. IVERSEN (Margaret), CRIMP (Douglas), BHABHA (Homi K.).
Reference : 104851
(1997)
London Phaidon 1997 1 vol. broché in-4 carré, broché, couverture en couleurs, 159 pp., nombreuses reproductions en noir et en couleurs. Edition anglais. Bonne condition.
Copenhagen, Gad, 1961. Small folio. Nice contemporary red half calf with slight wear to capitals. Internally nice, clean, and fresh. Ex libris to inside of front board. 177 pp. + 24 plates.
A lvely copy printed on nice, heavy paper.
Museum Tusculanum Press 1984 71 pages in8. 1984. Broché. 71 pages.
Bon Etat de conservation intérieur propre ex-libris sur la page titre couverture un peu défraîchie jaunie trois taches sur le coin inférieur du premier plat trace d'étiquette sur le 2e plat (en bas près du dos)
Turnhout, Brepols, 2009 Hardback, XIV+558 p., 16 b/w ill., 3 b/w tables, 160 x 240 mm. ISBN 9782503520575.
This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard?s poetry, the Gloss to Lamentations, and ritual representations or ?liturgical drama?. The two final chapters treat fourteenth-century uses and understandings of Boethius?s De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions. Languages : English, Latin.
Turnhout, Brepols, 2010 Hardback, XX+317 p., 44 b/w ill. + 6 colour ill., 2 b/w tables, 1 b/w line art, 156 x 234 mm. ISBN 9782503531335.
A discussion of lyrical poetry written for performance within the medieval Roman Mass, including the Latin texts, medieval interpretations and commentaries, all with English translations. The liturgical celebration of the Mass, a multifarious spiritual, artistic, and intellectual manifestation, had a central position in the cultural life of medieval Europe. The 'Gregorian Chants', mostly words from passages of the Old Testament, were reinterpreted and ornamented by means of new lyrics, and became the basis for new literary and musical genres, such as tropes, sequences, and other new lyrics. In spite of all the unifying efforts made by the Carolingian reformers, a rich variety in practice came to characterize the performance of the Mass in the ninth through the twelfth centuries. Extensive repertories of new texts and melodies were spread in manuscripts all over Europe. Until now this fascinating material has been the preserve of a small circle of specialists in musicology and philology. With this volume, the author introduces and analyses these hidden treasures to make them available to a wider public. It is directed to those with an interest in the philosophy, theology, and history of medieval Latin literature, and in the expressions of spiritual, poetic, and musical creativity of the European Middle Ages. Languages : English, Latin.
Aabenraa, 1978. Orig. papbd. 518 pp.
IVERSEN, BENT., PERNILLE WEGENER JESSEN, BENT OLE GRAM MORTENSEN, MICHAEL STEINICKE & KARSTEN ENGSIG SØRENSEN.
Reference : 36648
(2008)
ANDERSEN, PAUL KRÜGER, NIS JUL CLAUSEN, HANS HENRIK EDLUND, BENT IVERSEN, AAGE MICHELSEN & HANS VIGGO GODSK PEDERSEN.
Reference : 36652
(2008)
IVERSEN, BENT., JØRGEN NØRGAARD, MORTEN WEGENER & NIELS ØRGAARD.
Reference : 5666
(1998)
Kristiania, 1913. Privat halvfablea. 84 pp.
Videnskapsselskapets Skrifter. II. Hist.- Filosofiske Klasse 1912. Nr. 4.