Philipp Reclam Jun.. 1970. In-18. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur acceptable. 425 pages.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Iniversal-Bibliothek, 8352-57. In der mittelhochdeutschen Fassung B nach der Ausgabe von Karl BARTSCH mit den Bruchstücken der Fassung A herausg., übers. von Bernhard SOWINSKI. Classification Dewey : 430-Langues germaniques. Allemand
[W. Schade, J. Ulrich et M. Weinholdt] - Franz Abt, Anton Bruckner, Ernst Herzog von Sachsen-Coburg-Gotha, Leopold Damrosch, Fr. Gernsheim, Ferd. Hiller, Bruno Hilpert, Bolko Graf von Hochberg, Heinrich Hofmann, Hans Huber, Gg. Kastner, Eduard Kremser, Edmund Kretschner, Dincenz Lachner, Ed. Lassen, Franz Liszt, J. Lubicz, Victor E. Metzler, Heinr. Pfeil, Rob Radecke, Karl Reinecke, Carl Reinthaler, Jos. Rheinberger, Bernh. Scholz, Wilh. Speidel, Franz Wüllner, Carmen Sylva, Felix Dahn, Rob. Hamerling, Hans Herrig, Wilh. Jordan, Alberta von Puttkamer, Emil Rittershaus, Victor von Scheffel, Aug. Schricker, Theod. Dulpinus, Wera , Herzogin von Württenberg
Reference : 1266
(1886)
1886 Strassburg (Strasbourg), Selbstverlag des Strassburger Männer-Gesangvereins, 1886. 43 x 32 cm, in-folio, 105 pp. - 1 f. n. ch., nombreuses illustrations en noir dans le texte et parfois à pleine page par W. Schade, J. Ulrich et M. Weinholdt, musique notée manuscrite reproduite en fac-similé par P. Meisenbach, cartonnage de l'éditeur de toile havane orné d'une large composition dorée et à froid sur le premier plat, tranches rouges.
Edition originale et unique. Une double page illustrée présente le vieux Strasbourg et le "nouveau Strasbourg" (les principaux bâtiments de l'architecture monumentale allemande). La plupart des illustrations sont des portraits des compositeurs reproduits en médaillon dans de très larges encadrements gravés. Coiffes endommagées et coins un peu émoussés, pour le reste un fort bon exemplaire. (Prévoir des frais de port pour 2 kg)
o. Ort, o. Verleger, 1742, in-4to, Kupfertitel + 148 S, Einfacher-Pappband d. Zeit.
Erste Ausgabe. / First Edition. No place or printer. With engr. title-page by Stockmar after Keülla (without the folding plate). "Very rare. Contains the results of the Duke's research into the aims of Freemasonry" (cf. Wolfstieg). "Rare work, privately printed and distributed only among the friends of the Duke in a few presentation copies. Many pains were taken as to typography and decoration, and the book is adorned by several attractive woodcut ornaments" (cf. Seebaß). The title page, engraved by the Ducal medallist to the court Stockmar (cf. Thieme/B. XXXII, 80), depicts a view of the Belvedere Castle near Weimar. - Somewhat browned throughout, but showing very little staining. First endpaper with hw. name. Holzmann/Bohatta II, 9394; Rosenthal 274; Kopp I, 139; Seebaß 249; Kloß 269; Wolfstieg 42102.
Phone number : 41 (0)26 3223808
Ernst Sachsen-Gotha-Altenburg Herzog, I. ( 1601-1675 ) - Jakob SANDRART ( engraver ) - Kaspar von STIELER - Heinrich Ernst TREIBERN ( poets ) :
Reference : 33733
" Gotha, gedruckt durch Christoph Reyhern, (1678) , in-folio, 476 x 340 mm, (6)nn pp (including the frontispiece) + 378 pp (with 10 engravings, including the frontispiece, most of them folding) + 108 pp + (20)nn pp , bound in modern half leather, gilt title on spine, marbled boards, old bookblock retained. Nice copy printed on crisp paper. Only edition of this sumptuous baroque publication. It commemorates and describes the funerary proceedings of the duke Ernst Sachsen-Gotha-Altenburg (1601-1675). Some of the plates depict the funeral procession (the first is a fine bird's eye view) and the lying in state. There is also a huge portrait engraving of the deceased, measuring 424 x 552 mm. The frontispiece depicts a bust of the duke and is dated and signed by the engraver Jakob Sandrat (see Thieme/Becker XXIX , 397). The book ends with several funeral orations and a long (20 pp) poem by Kaspar von Stieler (1632-1707) who by some is credited to be the editor of this book. Complete copy with the often missing portrait; some of the copies we could trace bibliographically only had 9 or fewer engravings (instead of 10 , as in our copy). (See Berliner Ornamentstichkatalog Nr. 3111).."