263 books for « derrida jacques »Edit

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION - MAGNIFICENT PRESENTATION-COPY]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, with only faint tanning to wrappers. Spine a bit browned. Internally near mint. 445, (3) pp.‎

4 Images

‎First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR ANDRÈ GREEN AND WIFE - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.This magnificent presentation-copy of Derrida's main work unites two of the greatest intellectual thinkers of the 20th century, both having profoundly altered the face of psychoanalysis and intellectual history in general. As Derrida is considered one of the greatest philosophers of the 20th century, so André Green (1927 - 2012) is considered one of the most important psychoanalytic thinkers of our times, creating what is now known as the Greenian theory of psychoanalysis.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University).‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION - PRESENTATION-COPY]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A bit of tanning and soiling to wrappers and usual wear to spine. Internally fine and clean, with pencil notes and underlinings by Gardair. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR JEAN-MICHEL GARDAIR - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.Jean-Michel Gardair (1942-2013) was a highly esteemed professor at the Sorbonne and a famous author and translator from Italian into French, who also wrote the prefaces for many of the great classics that appeared at Minuet (where Derrida also published his main works). He is responsible for enriching French Italianism with an original presence, both through his own novels and his critical works, through his numerous translations, and through his highly esteemed prefaces. ""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, just a tiny bit weak at the inner hinges. Old owner's name to front free end-paper (Carl Lemke 13.3.69). 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University).‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A bit of light wear to extremities, a few spots to back wrapper, and upper corner slightly bent, otherwise a nice and clean copy. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A very nice and clean copy with a slightly soiled spine. A bump to fore-edge. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎Mémoires d'aveugle. L'Autoportrait et autres ruines.‎

‎Paris Réunion des Musées Nationaux 1990 In-4 Broché, couverture illustrée à larges rabats Dédicacé par l'auteur‎

‎Catalogue édité à l'occasion de l'exposition présentée au Musée du Louvre d'octobre 1990 à janvier 1991. Texte de Jacques Derrida. 71 planches dont 22 en couleurs, l'une reprise en couverture, oeuvres de Coypel, Trouvain, Ribot, La Fage, Zuccaro, Lucas de Leyde, David, Primatice, Rubens, Bianchi, Ligozzi, Rembrandt, Baudelaire, Suvée, RegnaultFantin-Latour, Van Rysselbeghe, Bruegel, Rops, Redon, Gavarni, Chardin, Courbet, Calandrucci, Carrache, Clovio, .... Index et bibliographie in fine. 142 pp. >>> ENVOI AUTOGRAPHE signé et daté de DERRIDA Très bon 0‎

‎De la grammatologie.‎

‎(Paris), Les éditions de Minuit, (1967 - verso of t-p., recte 1970). 8vo. Orig. printed wrappers. Some underlinings in first part of the book, otherwise fine. 447 pp.‎

‎This copy is printed in 1970, but is an exact reprint of the first edition of 1967.Among Jacques Derrida's (1930-2004) three break-though books, 'De la grammatologie', 'L'écriture et la différence' and 'La Voix et le phénomène', all published in 1967, it is primarily the first that has become associated with the famous concept of 'deconstruction', which can be seen as Derrida's attempt to translate and bring further the idea of the 'Destruktion der Geschichte der Ontologie' set forth by Martin Heidegger. This connection suggests that Derrida seeks to continue the major project of Heidegger, but in a certain and specific sense. For Derrida's strategy is much more concerned with bringing forth the hidden binary schema in all kinds of text and ideas of a culture and not only in the philosophical ones. Therefore, in the present text Derrida presents some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, where Derrida shows that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Or put in other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The here presented ideas has had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology, and due to the thinking of Derrida a whole new world of problematic suppression and marginalisation has become apparent. This makes 'De la grammatologie' one of the must important philosophical works of the later part of the 20th century. ‎

‎Les Fins de l'homme à partir du travail de Jacques Derrida. Colloque de Cerisy 23 juillet-2 août 1980.‎

‎ Paris, Editions Galilée, 1981. Fort in-8, broché couverture beige illustrée en couleurs et à rabat, 695 pp plus table. ‎

‎Textes de Philippe Lacoue-Labarthe, Jean-Luc Nancy, Jacques Derrida, Sarah Kofman, Louis Marin, J.-C. Lebensztejn, Jean-François Lyotard, etc. Bon exemplaire. Photos sur demande.‎

‎L'animal autobiographique. Autour de Jacques Derrida.‎

‎ Ed. Galilée, 1999. Fort volume in-8 br. de 576 p. Coll. " La philosophie en effet ". Actes du colloque tenu à Cerisy-la-Salle du 11 au 21 juillet 1997 sous la direction de Marie-Louise Mallet. Nombreuses contributions. E.O. Envoi autographe de Jacques Derrida.‎

‎Mémoires pour Paul de Man. (ENVOI A MAURICE NADEAU)‎

‎ In-8, broché, couverture rempliée, 231, (1) p., (1) f. blanc, (6) p. Paris, Galilée, 1988.‎

‎Edition originale de cet hommage et défense, par Jacques Derrida, de son "ami" Paul de Man.Cet ouvrage a fait couler beaucoup d'encre compte tenu en particulier du passé collaborationniste de Paul de Man. Il offre à Jacques Derrida l'occasion d'approfondir la problématique du deuil et de la mort, mais aussi de reformuler une définition de la déconstruction qui fit date.Bel envoi de l'auteur à Maurice Nadeau "Pour Maurice Nadeau (la chose annoncée dans la lettre que vous avez bien voulu publier au printemps) en signe de fidèle amitié, J. Derrida)".Exemplaire à l'état de neuf. ‎

‎_Promesse 1971- Automne- numéro 30-31 et hiver 1971 J.Derrida-J.-M.Rey, G.Scarpetta,Denis Kambouchner‎

‎ 1971 Tours, Promesse, 1971, 17 x 23 cm ,136 pp, bon état, ‎

‎. ‎

‎LA VÉRITÉ EN PEINTURE.‎

‎Flammarion. " Champs ". 1978. In-8° broché. Couverture illustrée par Valerio Adami. 440 pages. E.O. Cachet de S.P. Avis de parution conservé.‎

‎Envoi autographe de Jacques Derrida à Danièle Sallenave. Très bon état.‎

‎Jacques Derrida‎

‎ 1991 Paris, Seuil, Collection Les Contemporains,1991,190x111mm, 382p., broché. ‎

‎Double envoi de Jacques Derrida et Geoffrey Bennington à l'écrivain et critique Jean Ricardou (1932-2016).Edition originale, bel exemplaire. (104183) ‎

‎Jacques DERRIDA‎

‎ Seuil. Les Contemporains. 1991. Couverture cartonnée, souple, dos droit collé. Dim: 192 x 112 mm. 382 pages. Quelques notes sur la dernière page, sinon très bon état.‎

‎Double envoi de Jacques Derrida et Geoffrey Bennington. ‎

‎Critique, revue générale des publications françaises et étrangères - Tome LX- n°689- Octobre 2004-Sommaire: François Cusset: l'ami, le texte, le monde. Vies de Jacques Derrida- Chaques fois unique, la fin du monde- Laurent Jeanpierre: Pierre Bourdieu par‎

‎Centre national de la recherche scientifique/Institut de recherche sur les sociétés contemporaines. 2004. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 760 à 850.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire: François Cusset: l'ami, le texte, le monde. Vies de Jacques Derrida- Chaques fois unique, la fin du monde- Laurent Jeanpierre: Pierre Bourdieu par Pierre Bourdieu, ou la question du double- Vincent Debaene: la règle du jeu, fin de partie?- Jean-Michel Rabaté: la patience de Pound- Eric Marty: René Char, la vie d'un poète-etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎POSITIONS. Entretiens avec Henri Ronse, Julia Kristeva, Jean-Louis Houdebine, Guy Scarpetta.‎

‎Editions de Minuit. Collection " Critique ". 1972. In-8° broché. 133 pages. E.O. Premier tirage.‎

‎Envoi autographe de Jacques Derrida à Claude [Bonnefoy]. Très bon état.‎

‎La Carte-postale de Socrate à Freud et au-delà.‎

‎Paris Aubier-Flammarion, coll. "La Philosophie en effet" 1980 1 vol. Broché fort in-8, broché, couverture illustrée à rabats, 551 pp. Édition originale en service de presse avec cet envoi autographe de Derrida, parfaitement minimaliste, "à David", écrit à l'encre bleue sur le feuillet intitulé "Envois" qui suit la page de titre. Dos ridé, sinon bon état.‎

‎La Double Séance. ‎

‎Paris Tel Quel 1971 1 vol. broché in-4, broché, 98 pp. Très rare tiré à part réunissant deux séances du Groupe d'Études Théoriques (25 février et 5 mars 1969) parues dans les n° 41 et 42 de la revue Tel Quel. Cette analyse croisée d'un extrait du Philèbe de Platon et de Mimique de Mallarmé sera reprise dans La Dissémination (1972). Notre exemplaire est enrichi d'un bel envoi autographe signé de Derrida au critique Jean-Pierre Richard, avec de nombreux passages soulignés au stylo bleu par ce dernier, d'autant qu'il est ici régulièrement cité pour son étude sur Mallarmé...‎

‎Points de suspension : entretiens. Choisis et présentés par Elisabteh Weber.‎

‎Paris Galilée, coll. "La philosophie en effet" 1992 1 vol. broché in-8, broché, couverture à rabats, 419 pp. Édition originale avec un envoi autographe signé de Derrida à Maurice Nadeau. Très bon état.‎

‎DERRIDA. Éperons. Les styles de NIETZSCHE. - AGOSTINI. Coup sur coup, introduction à Épérons. Dessins de François LOUBRIEU.‎

‎ Venezia, Corbo e Fiore / Flammarion, 1976. In-4, broché, couverture imprimée à rabat, 129 pp. ‎

‎Édition originale. Dessins de François Loubrieu. Édition quadrilingue, français, anglais, italien, allemand. Bel exemplaire. Photos sur demande.‎

‎Prégnances. Illustrations de Colette DEBLE.‎

‎Roubaix, Brandes 1993 In-8, en ff., couverture rempliée, 34 pp. ‎

‎Edition originale tirée à 888 ex. sur vélin pur fil, un des 15 de tête comprenant 7 lithographies sur Chine et un dessin originale (sur deux annoncées) de Colette Deblé. Bien complet du texte de Colette Deblé L'En-Deça sur f. volant. Bel exemplaire signé au colophon par les auteurs. Les peintures et lavis de Colette Deblé sont pour Derrida l'occasion d'analyser une modalité particulière de citation picturale. "Elle écrit et décrit elle-même son travers, son amour de la traversée, en pleine eau, "à travers" - et c'est ainsi qu'elle fait travailler la citation comme travail de l'accouchement. Travail d'une parturiente. Rappelé ou anticipé dans la prégnance des générations" (Derrida, Prégnances, pp 21-22 ; cf : L'Atelier des Brisants, 2004) Très bon état d’occasion ‎

‎Genèses, généalogies, genres et le génie. Les secrets de l'archive.‎

‎Paris Galilée, coll. "Lignes fictives" 2003 1 vol. broché in-8, broché, couverture à rabats, non coupé, 100 pp. Édition originale. Un des 60 exemplaires de luxe numérotés, mais sans l'emprunte numérique originale de Simon Hantaï. En excellente condition.‎

‎Artaud le Moma. Interjections d'appel.‎

‎Paris Galilée, coll. "Ecritures/Figures" 2002 1 vol. broché in-8 carré, broché, couverture à rabats, 113 pp., table des illustrations. Édition originale du texte d'une conférence prononcée le 16 octobre 1996 au Moma de New York pour l'ouverture de la première grande exposition mondiale des peintures et dessins d'Artaud ("Antonin Artaud, Works on Paper"), illustré de 55 reproductions en couleurs in texte. Bandeau éditeur conservé. En bonne condition.‎

‎Antonin Artaud dessins et portraits‎

‎ 1986 Paris, Gallimard, 1986, 24 x 30 cm , 268 pp, reliure d'éditeur avec jaquette, très bon état, ‎

‎. ‎

‎L'autre cap, suivi de la démocratie ajournée.‎

‎Paris Editions de Minuit 1991 1 vol. broché in-8, broché, 123 pp. Très bon état.‎