12 books for « buchloh »Edit

‎Gerhard Richter: Large Abstracts ‎

‎Ostfildern-Ruit, Hatje Cantz, 2009 Hardcover with dustjacket, 159 pages, 35 x 26 cm, English text. *near fine condition. ISBN 9783775722490.‎

‎Talking to art historian Benjamin Buchloh in 1988, Gerhard Richter cited the appearances of Jackson Pollock and Lucio Fontana at the second Documenta in Kassel in the late 50s as decisive encounters for his then-incipient art. Just a few years later, Richter would style himself as a German "Pop" artist, but in the 80s he returned to pure abstraction for its possibilities of "bitter truth, liberation, and... a completely different and new content... expressing itself." His abstract paintings present a heavily worked surface, blurred and scraped to both veil and expose prior layers. In other words, they manage a tension between depth (layer) and strong horizontal activity (blur). Unlike much heavily worked abstraction, and in spite of their scale, their total effect is not heroic--Richter's almost-deadpan, process-oriented transparency cancels out such chest-beating--but the artist that responded to the direct energies of Pollock's work has clearly found a way, some decades later, to conjure both zest and detachment simultaneously. Abstraction has made up a dominant portion of Richter's output since the 80s, inaugurating a fruitful dialectic with figuration, and Large Abstracts collects works produced between 1986 and 2006. For this volume, Buchloh (once described by former Museum of Modern Art, New York, curator and current Dean of the Yale School of Art Robert Storr as, "the artist's longtime sparring partner") returns to the fray, and, along with Beate S ntgen and Gregor Stemmrich, offers critical insight on this iconic oeuvre. Edited by Ulrich Wilmes. Features essays by Benjamin H.D. Buchloh, Beate Sontgen, and Gregor Stemmrich. Includes 136 color illustrations and a bibliography.‎

‎October 42 Art, Theory, Criticism, Politics. Broodthaers.‎

‎, Cambridge, Mass. : The MIT Press , 1988 Original publishers paper-covered boards, white wrappers printed in black & red. 210 pages, 8vo; illustrated, Bibliography by Marie-Pascale Gildemyn. **VERY FINE CONDITION!. ISBN 0262521350.‎

‎October books. - Cambridge, Mass.; vol. 1988: 1. printed in black & red. Bibliography by Marie-Pascale Gildemyn. Hint of toning & soil at edges of white covers. Marcel Broodthaers (b. January 28, 1924 d. January 28, 1976) was a Belgian poet, filmmaker and artist. He struggled with poverty for twenty years as a poet, before the idea of inventing something insincere dawned on him which began with the production of objects such as embedding fifty unsold copies of his book of poems Pense-B te in plaster as "a concrete gesture", in which one cannot access the book without destroying the sculpture, passing this prohibition along to the viewer. "During his short yet prolific period as an artist, he radically rethought conventional approaches to poetry, film, books, and exhibition practice itself, proving enormously influential to future generations of artists." (Francis Wilmott, MoMA)‎

‎Kerry James Marshall‎

‎Royal Academy of Art‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781915815125‎

‎Broodthaers: Writings, Interviews, Photographs‎

‎, MIT Press, 1988 Softcover, 210 pages, 23 x 18 cm, English text, illustrations in b/w. *Good condition. ISBN 9780262521352.‎

‎ISBN 10: 0262521350 / ISBN 13: 9780262521352 ‎

‎JAMES COLEMAN: EXHIBITION CATALOGUES 2002-05‎

‎, SPRENGEL/LENBACHHAUS MUSEUM, MUSEU DO CHIADO, /2002 Trois ouvrages reli s avec jaquette sous coffret blanc, 550 pages, 24 x 29 x 6 cm .‎

‎Catalogue de 3 expositions au Sprengel Museum, Hannovre (2002), au Lehnbachhaus de M nich (2002) et au Museu do Chiado, Libonne (2005). Installations et vid os de l'artiste n en Irlande en 1941.‎

‎Umbo: Vom Bauhaus Zum Bildjournalismus‎

‎Richter Verlag (septembre 1995)‎

‎Softcover as new‎

‎Andy Warhol Retrospective ‎

‎Paris, Centre Georges Pompidou, 1989. Cartonné, bien complet de la jaquette, 25 cm x 29 cm, 479 pages, très importante iconographie noir & blanc et couleur in et hors-texte. Textes de Kynaston Mc Shine, Robert Rosenblum, Benjamin H. D. Buchloh, Marco Livingstone, œuvres, chronologie, portrait collectif, bibliographie, index thématique, … Très bon état ‎

‎DISCORDANCE / COH RENCE‎

‎, Eindhoven, Netherlands: Van Abbemuseum 1976, 1976 Paperback, 80 pages, ENG / FR / D / , 270 x 210 mm, book in good condition, illustrations in b/w and a few in colour.‎

‎Andy Warhol, rétrospective.‎

‎Paris, Centre Georges Pompidou, 1989. 24 x 28, 479 pp., très nombreuses illustrations en couleurs et en N/B, broché, bon état.‎

‎Dénonciation‎

‎La différence, coll. « Mobile matiére » 1991 In-8 broché 20 cm sur 13. 239-74 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Essais historiques I : art moderne‎

‎Art édition ,1992, in-8 de 174 pages ,illustrations hors-texte ,broché ,Etat correct ,Couverture insolé .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎L'Ecrit et l'Art II‎

‎Villeurbanne, Le Nouveau Musée/Institut, "Ecrits d'artistes", 1997, 17 x 24, 232 pages cousues sous couverture imprimée. Contributions de Norbert Bandier, Marc Dachy, Luc Lang, etc. Quelques illustrations noir & blanc. Quelques illustrations noir & blanc. Ouvrage publié à l'occasion du colloque des 4 et 5 juin 1993.‎

‎Défraîchi.‎