FALGAYRETTES-LEVEAU Christiane, BLIER Suzanne Preston, CISSE Youssouf Tata, BOULORE Vincent, BOURGEOIS Arthur P.
Reference : 1304436
Paris: Fondation Dapper, 1996 in-4, 272 pages, 138 illustrations en couleurs, 17 illustrations n/b, carte. Bibliographie, index. Reliure toile, jaquette, bon état.
Magies. (Paris: Fondation Dapper, 1996) [M.C.: catalogue d'exposition, Art africain]
Meudon: Chaffin, 1984 in-4, 271 pages, 16 illustrations en couleurs, 2 + 247 illustrations n/b, carte. Bibliographie, glossaire. Reliure toile, jaquette, étui, état neuf. Texte anglais et français. Ouvrage de référence sur l'art des ethnies Yaka et Suku du Congo R. D. C.
Art of the Yaka and Suku. (Meudon: Chaffin, 1984) [M.C.: Art africain, Congo (R.D.C.)]
Milan: Editions 5 continents, 2014 in-8 (16,5 x 24 cm), 136 pages, 18 illustrations en n/b, 62 planches en couleurs. Bibliographie. Relié, bon état. Collection "Visions d'Afrique". Texte français.
Yaka. Collection "Visions d'Afrique". (Milan: Editions 5 continents, 2014) [M.C.: Art africain, Congo (R.D.C.), Yaka]
, SKIRA / Rizzoli 2015, 2015 Hardcover, 288 pages, ENG, 325 x 235 mm, dustjacket, 325 illustrations in full colour, New, . ISBN 9780847845217.
The first publication of the Barnes Foundation?s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes?s socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France?s African colonies?Mali, C te d?Ivoire, Gabon, and the Congo?as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes?s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume.
Édition Peter Blum, New York - Imp Stinehour Press. Maquette de Klaus Baumgärtner. 1992. Texte en anglais. Sous étui, deux tomes, couvertures cartonnées toilées. Ouvrages illustrés de 19 planches en couleurs, dont 8 en doubles pages. Dim: 228 x 296 mm. 32 + 36 pages. Imprimés à 1200 exemplaires. Parfait état.