Paris, Leroy, Sécail & Cie. 90 Boulevard Montparnasse, s.d. ( 1882 ),In8, reliure plein maroquin bleu à nerfs,plats ornés d'une bordure à frises dorées,reliure signée en pied PERISSE, titre au dos à caissons dorés,, toutes tranches dorées, intérieur des plats et gardes en satins (tissu bleu vert)), roulettes et filets dorés a l'intérieur des plats, 194pp.numerotées en chiffres romains XXXII, [4], XXXIII-CXXIV, [4], CXXV-CXLVI, [4], CXLVII-CLXXX, [4], CLXXXI-CXCIV, [8] pages : illustrations ; 17 cm, integralement en chromolithographies, pages illustrées in et hors texte en chromolithographies, montées sur onglet,,2 coins leg.usés,frais,rare.
Paris, Leroy, Sécail & Cie. 90 Boulevard Montparnasse, s.d. ( 1882 *), in-8°, 15,5 x 11,5 cm, (4)nn pp (title , frontispiece) + cxciv pp + 6 nn pp (full page chromolithos) + '4)nn pp (table, appendix ( complete). All pages printed in chromolithography, color illustrations, color plates. Bound in full morocco blue with rich gilt decoration on spine and both covers, all edges gilt. Very fine copy without any stains or wear at binding. This finely printed book was published in 1882 The date is not mentionned in the book but can be derived from an announcement in the biibliographical periodical '' Le Livre , revue mensuelle, Volume 3 , pp. 107, 1882''. The publication price of this book was 50 Francs. Rare and fine copy of a book entirely printed in chromolithography Remise de 20% pour toutes commandes supérieures à 200 €
Paris probably Thielman Kerver or the Hardouyn workshop C1510
Single leaf (sig. G4), 200 × 130 mm, printed in textura with full metalcut borders. Text from the Office of the Dead, Matins: the end of Psalm 7, with the versicles and Lessons i-iii from Job (Parce michi domine, Tedet animam meam, Manus tue domine fecerunt me) and their responsories. The recto has a candelabra border with putto and a captioned sequence from the Destruction of Jerusalem: Vespasian's siege of Jotapata and the sparing of Josephus ('Jaffet'), with two French captions. The two roundels are washed in blue and red. The verso is entirely hand-coloured and illuminated in body colour and gold. It has a gold architectural headpiece, an outer border of putti and grotesques in acanthus, a column of three figure cuts including (apparently) St Luke with his ox, and three cuts from the Story of Joseph in the lower margin. Initials throughout in burnished gold on blue and pink grounds. Small tear and loss at the fore-edge of the recto (inner margin of the verso), affecting the large side cut on the recto and the central column cut on the verso, with some loss of colour. Signature partly shaved. A rare survival: one side was left essentially uncoloured while the other was fully painted, so the leaf shows the metalcuts both as printed and as finished.