" The photograph (portrait format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. The photograph is signed twice in the plate: [1] Bonfils 5 ; [2] Bonfils Photogrqph à Beyrouth vue de Balbek et de tout l'orient 1873. Both inscriptions by hand. The year indication of a Bonfils photograph is very rare.The picture shows the famous falling stone but now supported by a crude new square pillar. The Paul Getty museum shows a similar photograph (allthough in smaller size) dated 1872, without de new supporting pillar. This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling. The board's corners are also a bit damaged with small loss of material,1 small spot just touching the lower margin of the picture.."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a small 3-language label, printed on reddish paper. This label is signed in print: Bonfils, photograph Allais. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils 34) and with a white on black caption in the righthand lower corner: "" 34 Karnak, temple de Ramessès IV...No date (after 1867 - ca. 1870-1880). This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling. The reight hand margin of the photograph shows also some tiny foxing spots.."
" The photograph is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; Lith. A. Brugueirolle et Cie.''. The photograph is signed and numbered by hand in the plate ''Bonfils 55''. This extraordinary large photograph is in fine condition, notwithstanding the board margins which show some dustsoiling and a few foxing spots (in the margin only)."
" The photograph is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; Lith. A. Brugueirolle et Cie.''. The photograph is signed and numbered by hand in the plate ''Bonfils 50''. In the right hand lower corner another (printed ) caption : 50 Medinet Abou. No date (ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the board margins which show some dustsoiling and a few foxing spots, and one small mariginal tear (in the margin only)."
" The photograph is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; Lith. A. Brugueirolle et Cie.''. Albumen silver print from glass negative. The photograph is signed and numbered by hand in the plate ''Bonfils 35''. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some tiny foxing spots, and some light dustsoiling."
The photograph is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. The photograph is signed and numbered by hand in the plate ''Bonfils 87''. And with a small printed caption in the lower right hand corner: ''87 Port Said...'' This extraordinary large photograph is in fine condition, notwithstanding the board margins which show some dustsoiling and a few minor foxing spots (really in the margin only).
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; A. Brueguerolles''. Signed in manuscript in the plate (Bonfils 78); and with a white on black caption in the righthand lower corner: "" 78 Nubie Temple de Debot''.Albumen silver print from glass negative. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, (When the Aswan High Dam was constructed in the 1960's the temple wasdonated to Sain. It was rebuild in Madrid."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; Lith. A. Brugueirolle et Cie''. Signed in manuscript in the plate (Bonfils 79); and with a white on black caption in the righthand lower corner: "" 79 Nubie Temple de Kerdaseh'' Albumen silver print from glass negative. Undated (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show tiny foxing spots and dustsoiling. The reight hand margin of the board is slightly damaged with some loss of material .The sky in the picture shows a some very faint foxing spots."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.Brugueirolles''. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils 68) and with a white on black caption in the righthand lower corner: "" 68 Ile de Phyloe, pris de Bighée'. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some a few minor foxing spots and dustsoiling.."
" The photograph (portrait format is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.Brugueirolles. Albumen silver print from glass negative. Signed in manuscript in the plate; Bonfils 33. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling.."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils no number) and with a white on black caption in the righthand lower corner: "" 245 Athènes les Propylées.. No date (after 1867 - ca. 1870-1880)This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some very slightly dustsoiling. One of the corners of the board is damaged , with some missing material."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils number 257) and with a white on black caption in the righthand lower corner: "" 257 vue générale d'Athènes, vue de l'est'' No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling. There is also some foxing in the sky of the picture (left upper corner)."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils number 240) and with a white on black caption in the righthand lower corner: "" 240 Athènes, le Parthénon'' No date (after 1867 - ca. 1870-1880). This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some minor foxing spots and dustsoiling.."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed in manuscript in the plate Bonfils 13 . No date (after 1867 - ca. 1870-1880) . This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some minor dustsoiling.."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a small 3-lingual tipped-on printed explanation of the photograph (in French, English and German). Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils, no number ) and with a white on black caption in the righthand lower corner: "" 490 Damas tombeau de Saint Jean'' No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some slight dustsoiling."
The photograph (portrait format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a small 3 - lingual tipped on label printed on reddish paper.. Albumen silver print from glass negative. Signed in manuscript in the plate Bonfils 18 . No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some minor dustsoiling and with some faint unobtrusive spots in the picture...
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. Albumen silver print from glass negative. Signed in manuscript in the plate;(Bonfils, no number ) and with a white on black caption in the righthand lower corner: "" 495 Damas Porte du Kan-Assad-Pascha dans le bazar de Damas .No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some very slight dustsoiling."
" The photograph (portrait format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. The photograph is unsigned and unnumbered. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some tiny foxing spots, and some light dustsoiling."
" The photograph (portrait format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. The photograph is unsigned and unnumbered. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding some very slight dustsoiling of the board's margins."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. The photograph is unsigned and unnumbered. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some tiny foxing spots, and some light dustsoiling."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. The photograph is unsigned. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling. The board's margin a bit damaged with small loss of material, The sky in the picture shows a few very faint foxing spots.."
The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.Brugueirolles. Albumen silver print from glass negative. The photograph is signed in the plate: Bofils 67.. No date (after 1867 - ca. 1870-1880) This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some tiny foxing spots and minor dustsoiling..
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.Brugueirolles. Albumen silver print from glass negative. Signed in manuscript in the plate; and with a white on black caption in the righthand lower corner: "" 61 Pilon du Temple d'Edfou'' . No date (after 1867 - ca. 1870-1880)This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some foxing spots and dustsoiling. The sky in the picture shows a few very faint foxing spots.."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed with a white on black caption in the righthand lower corner: "" 256 Athènes, Temple de Thésée'' No date (after 1867 - ca. 1870-1880). This extraordinary large photograph is in fine condition, notwithstanding the margins of the board which show some minor foxing spots and dustsoiling. The sky in the picture has some hardly noticeble very faint foxing."
" The photograph (landscape format) is mounted on thick white board (size 63 x 48 cm) with printed ornamental olive-coloured border. The border bears the inscription :'' Vues de tout l'Orient'' - ''Par Bonfils, Phot. Allais (Gard) ''. . On the back-side is a large tipped-on printed explanation of the photograph (in French, English and German). This explanation is signed in print: ''Alais, Typ.; J. Martin''. Albumen silver print from glass negative. Signed in manuscript in the plate Bonfile 261. and also with a white on black caption in the righthand lower corner: "" 261Sainte-Sophie à Constantinople..No date (after 1867 - ca. 1870-1880). This extraordinary large photograph is in good condition, allthough the imprint is faded to a certain degree. Margins show also a few smaller foxing spots.."