2. Bologna Bruxelles, Università di Bologna, 1995, in-8°, 95 pp, numerous b/w + coloured ills and plates, bibliographies, sewn, orig. stiff wrapper.
Bologna, Annesio Nobili, 1817-19. 4to. Bound uncut in 3 contemporary boards. Corners bumped and backstrips lacks. (4),407,XII(4),403,X(4),412,XV pp. and 55 partly folded engraved plates.
Contains a large amount of papers by the professors at the University at Bologna in the fields of Physics, Astronomy, Medicine, Geology, Botany, Zoology, Chemistry, Mathematics, Mineralogy etc.
Attention édition 1974. broché.
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RELIE SOUS JAQUETTE PAPIER.
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Bologna, Giulia et al: Bijoux et Reliures: Artistes XXe Siecle. BibliothÚque des Arts, 1992. (Translation of the 1990 Italian publication) 197 pages with 182 colour plates and 35 colour illustrations. Hardback. 31 x 25cms. 20th-century jewellery from private and public collections and contemporary artistic book bindings in the Weil Weiss collection. With bibliography. Text in French.
20th-century jewellery from private and public collections and contemporary artistic book bindings in the Weil Weiss collection. With bibliography. Text in French
[Battistello Caracciolo] - Spinosa, N and F. Bologna
Reference : 043124
(1991)
ISBN : 8843537172
Spinosa, N and F. Bologna: Battistello Caracciolo e il primo naturalismo a Napoli. Exhibition: Naples, Castel Sant'Elmo, 1991. 360 pages with 300 illustrations. Paperback. 28 x 25cms. The first in-depth study of the complete works of Battistello Caracciolo. Text in Italian.
The first in-depth study of the complete works of Battistello Caracciolo. Text in Italian
2. Bologna, Cassa di Risparmio, s.d. (ca. 1970), in-4°, 27,5 x 21 cm, 270 pp + 89 plates (some coloured), publisher's cloth with d.w. in slipcase.
Editions Solar 1980 1980. Gianfranco Bologna: Les oiseaux du monde / Solar 1980 . bon état
Très bon état
Galas Karsenty-Herbert. 1986. In-8. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Intérieur acceptable. Environ 20 pages. Couverture légèrement jaunie. Coins frottés. Quelques photos en noir et blanc.. . . . Classification Dewey : 792-Théâtre
Classification Dewey : 792-Théâtre
Paris, France Loisirs, 1988 1 volume 26 x 30,8cm Cartonnage éditeur sous jaquette au 1er plat illustré couleurs. 197p., 1 feuillet; très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Bon état.
Des rouleaux de papyrus aux débuts de l'imprimerie: techniques, matériaux, procédés d'écriture, illustrations; texte suivi de reproductions couleurs commentées illustrant "mille ans de chefs-d'oeuvre"; notices sur les grandes bibliothèques; notices biographiques sur les artistes de l'enluminure connus; glossaire; nombreuses reproductions; index; bibliographie. Réédition d'un ouvrage publié en 1988 (Solar) par Giulia BOLOGNA, directrice de la Biblioteca Trivulziana de Milan. Exemplaire bien complet de sa jaquette.
Milano Biblioteca Trivulziana 1985 1 vol. broché in-8 carré (210 x 210 mm), broché, couverture illustrée, 82 pp., photos en couleurs. 94 numéros décrits en italien et en français.
Bologna, Ferdinando: Gaspare Traversi nell'illuminismo Europe. Naples: Macchiaroli, 1980. 87pp plus 64 monochrome illustrations. Wrappers. 23.5x17cms. Very well illustrated study of this 18th century napolitan artist. Text in Italian.
Very well illustrated study of this 18th century napolitan artist. Text in Italian
EPFL Press (11/2013)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782889150496
EPFL Press (6/2016)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782940222957
BOLOGNA Carlo, MANDELLI Alfredo, LOVISETTI FUA Laura, et autres
Reference : 106.281
ISBN : 2864990059
Milano, Arnoldo Mondadori, 1977/Wissous (France), Diffusion Internationale des Arts et Loisirs, 1980-1981. 31 x 32, 10 volumes, 94 pp par livre, très nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile blanche et doré (cartonnage) + rhodoïd, très bon état (quelques rhodoïds légèrement déchirés)
"Collection complète en 10 volumes; en raison du poid (ca 12 kilos), un supplément de port peut être demandé."
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Testi di GUIDO LOPEZ G. A. DEL'ACQUA LILIANA GRASSI GIULIA BOLOGNA
Reference : 100140524
(1978)
Cariplo 1978 in folio. 1978. Cartonné jaquette.
Bon état avec sa jaquette intérieur propre bonne tenue
Nicolo Maltese Broché In-4 (21,5 x 28,5 cm), broché, 117 pages, sans date, photographies en couleurs ; mors et bords des plats frottés, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ARIATTI Augusto - Guido ARIATTI - ( Coltivatore della Canapa nell' Emilia Romagna ) - ( Hemp cultivation in the Bologna area ) :
Reference : 42599
15. Bologna, Augusto & Guido Ariatti, Dicembre 1928, in-folio album, format oblong, 29 x 36 cm, 40 pp with 38 original photographs , photo size 145 x 230 mm. Album cover in brown letter with on the front cover a large figure of a female spinner holding a bobbin. The pictures have manuscript captions (in Italian) written in white ink on the dark brown album leaves. Very nicely preserved. According a note on the tile page the album was presented in 1928 to the owners of the '' Société de Filature et Tissage - Ligugé'', doubtless an important customer of the hemp growers to make yarn from the hemp fibers. This company ( la filature de Ligugé) was for over 100 years the most important industrial plant in the French ''département de la Vienne''. It stopped its activities in 1976. Its building are now part of the cultural heritage. The photographs show the sowing , harvesting , transport, retting etc. of the hemp. All transport with ox carts on wooden wheels which can't be too different from those used in Roman Times. Very nicely preserved and interesting photographic documentary on the cultivation of hemp ( canapa in Italian, chanvre en français , hennep in het Nederlands ) in the Italian region of Emilia Romagna in the first quarter of the 20th century.
Paris, Solar, (1990). In-4, rel. pleine percaline écrue sous jaquette ill. en coul., 197 pp., nombreuses reproductions photographiques en noir et en coul., certaines à pleine page, glossaire.
Bon ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €)
2. Bologna, Galleria d'arte Forni, 1981, square in-8°, 20 x 20 cm, (16) nn pp with some colour illustrations, stapled , original stiff wrapper.
JAMES FRAWLEY. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm. Présenté par Paramount.. . . . Classification : 0-Affiches Cinéma
Acteurs suite : John Beck, Ned Beatty, Joe Ferrer, Ruth Gordon, Harold Gould, Larry Hagman, Sally Kellerman, Richard Mulligan, Lynn Redgrave. Une production de Cohen & Freeman Phillips. Musique de David Shire. Producteurs exécutifs Michael & Julia Phillips. Ecrits et produit par Fred Freeman & Lawrence J. Cohen. Classification : 0-Affiches Cinéma
Giulio Einaudi Editore 1969 in8. 1969. Cartonné jaquette.
Bon Etat jaquette défraîchie intérieur propre
, Brepols, 2024 Paperback, xvi + 120 pages, Size:216 x 280 mm, Illustrations:20 b/w, 66 col., 8 tables b/w., Language: English. ISBN 9782503611198.
Summary In the Roman world, wall paintings were one of the most pervasive art forms, adorning buildings of all levels, from public spaces and elite houses to far more modest dwellings. Yet despite the very visual nature of their work, Roman painters have remained largely invisible to history. This book attempts to rectify this situation, by shifting the focus from the paintings themselves to the people who realized them, looking beyond the bright colours and imaginative forms to investigate the materials, production practices, and choices underpinning artistic decisions. Taking Pompeii as its starting point, this volume reconstructs what it meant to paint for a living, and asks if it was actually possible to make a living as a painter in the Roman world. Wall paintings are investigated stylistically but also from an ethnological and economic point of view. Broader comparisons across time and space, combined with a quantitative analysis of the labour involved in making wall paintings, allow the author to assess this art form as an economically-embedded practice. Through this unique approach, the volume exposes the social and economic forces underlying craft production, and offers new insights into the lived experience of Roman artisans. TABLE OF CONTENTS List of Illustrations List of Abbreviations Introduction and Book Structure Chapter 1. Painters and Workshops: An Ongoing Debate The Morellian Method Individual Style and Attribution in Archaeology Identifying Roman Wall Painters' Hands 'Workshop': A Terminological Issue Workforce Organization, Division of Labour, and Specialization Identifying Specific Teams of Painters: Previous Approaches and Their Limits Art and Its Makers in the Ancient World Chapter 2. Pompeian Painters Third Style Painters Further Possible Attributions Observations on Distribution and Dating: Workshops or Teams of Painters? Fourth Style Painters The 'Vettii Workshop' Patronage and Commissioning Chapter 3. Making in Figures: The Energetics of Wall Painting Wall Painting Technique Labour Figures The Casa dei Pittori al Lavoro (IX, 12, 9) Materials: Plaster and Colours Production Times: Plastering and Painting Costs Living Standards Local Demand and Professional Choices Free Labour or Slaves? Chapter 4. Being a maker in the Classical World and Beyond Quattrocento Florence and Other Comparative Models Instability of Employment Mobility Versatility and Specialisation Apprenticeship Sketch-books and the Creation of Art Chapter 5. Conclusions Works Cited