Write to the booksellers8 books for « beckmann max »Edit
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20th (3)
21st (2)
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Expressionism (1)
Fine arts (2)
Germanic languages (3)
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Belgium (2)
France (6)
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ILAB (3)
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MAX BECKMANN, DIE HÖLLE 1919
Ausstellung und Katalog Alexander Dückers. 1983. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 129 pages, illustrées de reproductions noir et blanc dans et hors texte.240 pages, illustrées de reproductions de tableaux noir et blanc et couleur. Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Classification Dewey : 430-Langues germaniques. Allemand
Max Beckmann - Die frühen Bilder -
Kunsthalle Bielefeld 26. September bis 21. November 1982 - Städtische Galerie in Städelschen Kunstinstitut Frankfurt am Main 28. Januar bis 17. April 1983 - grand format broché souple sous couverture illustrée en couleurs, 218 pages illustrées en noir et en couleurs dont 76 planches en hors texte - bon état - texte en allemand -
The Watercolors and Pastels
Schirn Kunsthalle Frankfurt 2006 In-4 broché 29 cm sur 23. Très bon état d’occasion.
Très bon état d’occasion
Écrits
ENSBA 2002 In-8 broché 20,5 cm sur 14. 597 pages. Couverture légèrement poussiéreuse, intérieur frais. Bon état d’occasion.
Bon état d’occasion
DER ZEICHNER
R.Piper & Co. 1954. In-12. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages environ. Illustrations noir et blanc.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Auswahl und Einführung von Erhard Göpel. Classification Dewey : 430-Langues germaniques. Allemand
HOLZSCHNITTE, RADIERUNGEN, LITHOGRAPHIEN
Buchheim verlag. 1954. In-12. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé. Illustré en noir et blanc. Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Classification Dewey : 430-Langues germaniques. Allemand
Exhibition catalogue, Nijmegen (Holland), Commanderie van Sint Jan. 16 april 1988.
0. Nijmegen, in-8°, 119 pp, sewn, orig. wrappers. Text in Dutch.
Max Beckmann
, Museum Of Modern Art 2004, 2004 Paperback, 293 pages, English, 280 x 245 mm, New , with dustjacket, illustrations in colour and b/w, . ISBN 9780870702426.
Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art captials of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on The Beckmann Effect; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasionof the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.
