1720 books for « b andrea »Edit

‎Pinocchio, Images d'une marionnette. Traduit de l'italien par René de Ceccaty et Nathalie Castagné.‎

‎ P., Gallimard, 1982, In-4, cartonné, 154 pp., illustré en couleurs. ‎

‎DELLE LETTERE DI M. ANDREA CALMO‎

‎in Vinegia ( Venise ) s. n. ( Camillo Pinzi ) 1580 4 livres en 1 vol. petit in-8 ( 14,5 x 10 cm ) T. , 43 ff. + 56 ff. + t. , 65 ff. + t. , 79 , (1) ff. . Chaque livre est folioté et non paginé . Chacun a son titre ( sauf le Libro II ) avec sous-titre " Nel quale si contiene varij, & ingeniosi discorsi filosofici, in piu lettere a diuersi indrizzate, compresi " , le dernier " Residuo delle lettere di m. Andrea Calmo, libro quarto. Indrizzate a diuerse donne, sotto molte occasioni de inamoramenti, ne la vulgar antiqua lengua veneta composte. Con cinquanta stanze al proposito dell'opera" . En italien vénitien . Contient : Al Clarissimo e dignissimo Procvrator il Mag. M. Julio Contarini , lettres à Paolo Lombardini, Antonio Cocco , Matteo Usper , Bartolomeo Salis , Michele Parrasio , Marino Venier , Lorenzo Contarini , Bernardo Tiepolo , Gabriele Gradenigo , Soretta Pomposi , Tuffonia di Altieri , Antonio Molino , Paolo Mazzante , Benedetto Soranzo , Caterina da Lodi , Piero Nani , francesco Michiel , Daniele Querini , Francesco Venier , Ludovico Dolce , Zaccaria Dolfin, Isabetta M. , Giambattista Giustiniani , A le honorandissime stampe + à Giovanni Corner , Pandolfo Guoro , Luigi Pisani , Zaccaria Barbarigo , Giambattista Dovizi abate Bibiena , Giovanni Donà , Paolo Giovio , Cristoforo Da Canale , Marin Zane , Beneto Pesaro , Bartolomeo Vitturi , GirolamoVenier , Marino Mocenigo , Leonardo Emo , Giovanni Rizzo , Giovanni Abioso , Cornelia Madonna , Fioravante Avogaro , Francesco Vedova , Valerio Zuccato , Girolamo Parabosco , Gianmaria Dal Cornetto , Luigi Artemio Giancarli , Hebrea Madonna Bellina , Ippolito Tromboncino , Moscardina di Ganzanti , Honorando mio spettacolo moderno ,Giovanni da Bruolo , Jacopo Tintoretto , Piero Beltrame , Alvise Dolfin , Sebastiano di Franceschi , Bartolomeo de Salis , Ranuccio Farnese , Federico Badoer , Francesco da Castello , Francesco Dall'Orso , Alle Signore Comedie + à Stefano Trevisan , Bartolomeo Paruta, Girolamo Morosini , Marin Pasqualigo, Francesco Zorzi , Marco Gussoni, Andrea Da Legge , Giovanni Francesco Priuli ,Domenico Marcello, Giovanni Cavalli , Andrea Contarini, Domenico Bon, conte di Val Marin , Pietro Aretino , Severino de Draghi , Lucio Maggio , Don Dona[t]o, Vicario in S. Spirito , Camillo Melle, Benetto Ragazzoni , Hadrian Wil[l]aert , Antonio Secco , Michelangelo Buonarroti , Francesco Bressan , Francesco da Burano , Anton Francesco Doni , Scipione Ziliol[i], Giovanni Andrea Gromio , Ventura Salvatronda, Bartolomeo de Salis , Francesco Morello , M.[esser] Giovanni, ingener de M. Fantin , Gian Paolo Rizzo , Giacomo Doria , Lunardo Gabardo , Bernardin di Schieti , Giambattista Sura , Francesco Savioni , Christopher Mielich , Filippo Maurici , Annibale Raimondi , Angela Sarra , Vienna Rizzi , Alla gloriosa Fama +à Silvio di Porcia , Signora Delizia , Tullia [Balino?] , Signora Balzana ,Signora Lucida , Signora Spagnoleta , Signora Florida ,Signora Basilica , Letizia [Parisotta?], Signora Ortensia ,Signora Virgilia,Signora Thesorina , Signora Laurina , Signora Romana , Signora Circenia , Signora Griseida , Signora Brunela , Signora Honoria , Signora Cavriola , Signora Galandra , Signora Ardelia , Signora Porzia , Signora Fulgenzia , Signora Leonoria , Signora Oliveta , Signora Celestina , Signora Vitruvia , Signora Fasana, Imperia [Zotta?], Signora Camilla , Signora Borghese , Signora Egidia , Signora Biancarda , Signora Calidonia , Signora Mesalina , Signora Violina , Signora Orsolina , Signora Telura , Signora Oriental , Signora Ferina, Signora Palmeria , Signora Corniola , Signora Frondosa , Signora Pompilia , Signora Alba , Signora Silvia , Signora Serpilia , Signora Cerviera , Signora Aquilina , Signora Fausta , Signora Fontana , Alle ottime e sacratissime Muse , Tavola . Aux titres , marque typographique Charitas tenant un serpent " Vigillae virus fel " . Lettrines , cul-de-lampe . Reliure plein parchemin ancien . Dos lisse, titre , nom de l' auteur , date . Toutes tranches rouges. ( Reliure du XIX s ) . Mouillure claire sur les quatre ou cinq premiers ff. . ( Collat. complet , sauf titre du Livre II ) . ‎

9 Images

‎Andrea CALMO ( Venise 1510 - id 1571 ) était un écrivain polygraphe , poète , dramaturge et comédien , proche d' Anton Francesc Doni , de Pierre l' Arétin , du Tintoret . Il appartenait au courant de pensée des Polygraphes . " Lasciò briose finte Lettere (4 libri , 1547-56 ) scritte in dialetto veneziano misto di slatinature spropositate , faceti storpiamente di parole , elementi gergali . " ( Enciclopedia Treccani ) In questo, che è uno dei più interessanti e singolari documenti del costume cinquecentesco non soltanto veneziano, sono fantasiosamente e bizzarramente mescholati scherzi, freddure, spiritosaggini, tirate', chiacchere, fiabe e chimere', il tutto esposto in forma di lettere indirizzate da pescatori appartenenti a una stessa famiglia, nel corso di più generazioni, a destinatari per lo più illustri o fittizi: e sono in tutte, anche in quelle dell'ultimo, che si indirizzano, senz'alcuna sottoscrizione a varie cortigiane di Venezia, un'intima arguzia e una sottile ironia, [] che permette all'autore, calcolatamente, di passare dai pettegolezzi delle calli e dei campielli all'allusione ai maggiori pubblici avvenimenti, e anzi alla loro ironizzazione variamente giocata nelle sfumature del linguaggio. Alla fortunata raccolta - dal 1547 al 1610 se ne fece una ventina di edizioni - il Rossi riconosce un primo autentico pregio d'arte, oltre che un notevole valore storico, per i frequenti ricordi di avvenimenti, feste, giochi, balli, canzoni, proverbi e per la ripresa di nomerosi motivi della letterarura popolare [...] Le Lettere del Calmo divennero un repertorio fondamentale per i comici dell'arte e costituirono il modello per altri repertori apparentemente epistolari ( N. Vianello, Per un'edizione delle opere di Andrea Calmo. Saggio di bibliografia, in: Letteratura e critica. Studi in onore di Natalino Sapegno, Roma, 1976, III, pp. 224-225 ). " Ad alcuni dei maggiori artisti allora attivi a Venezia il Calmo dedicò delle lettere; ma, dietro agli elogi iperbolici che egli indirizza all'Aretino o al Tintoretto, si intuisce la scarsa confidenza e il sentimento di soggezione che l'autore dové nutrire verso quei sommi. Più familiari appaiono invece i rapporti con artisti minori, quali il Doni e il Parabosco, e con colleghi versati come lui nell'arte comica, quali il Giancarli e il Molino detto il Burchiella ." ( Ludovico Zorzi , Dizionario Biografico degli Italianii , Vol. 16 , 1973) ‎

‎VERLOREN TIJD. VEROORDEELD TOT ZES JAAR GEVANGENISSTRAF IN TURKIJE,‎

‎, Amsterdam, Arena, 2004, Paperback onder foto - kartonomslag, 150 x 235mm., 287pp.‎

‎Andrea Rohloff woont samen met haar familie in Berlijn. Ze zit nog op school, maar droomt ervan om haar eigen geld te verdienen en verre reizen te kunnen maken. Wanneer haar vriendin Jenny haar voor haar achttiende verjaardag een vakantie naar Turkije cadeau doet, is ze dan ook door het dolle heen. Andrea geniet met volle teugen van haar eerste vakantie zonder haar ouders, tot haar vriendin plotseling eerder vertrekt en een tas bij haar achterlaat. Met het laatste geld dat Jenny haar heeft gegeven, rijdt Andrea naar het vliegveld. Daar wordt ze door de Turkse politie gearresteerd met zes kilo heroine in haar tas. Andrea is verbijsterd, ze kan niet geloven dat haar vriendin haar zo heeft bedonderd. Ver van haar familie en onder de meest verschrikkelijke omstandigheden moet Andrea in een Turkse gevangenis op haar proces wachten; haar hangt dertig jaar gevangenisstraf boven het hoofd. Verloren tijd is het onthutsende verhaal van een jonge vrouw die door haar eigen naiviteit in een Turkse gevangenis belandde. Andrea Rohloff vertelt op eerlijke en aangrijpende wijze hoe het heeft kunnen gebeuren dat zij met zes kilo heroine op zak werd gearresteerd, en hoe zij haar tijd in de gevangenis wist te overleven. In prima staat.‎

‎Andrea Locatelli e il Paesaggio Romano del Settecento / Andrea Locatelli and Roman Landscape Painting of the Eighteenth Century‎

‎Busiri Vici, Andrea: Andrea Locatelli e il Paesaggio Romano del Settecento / Andrea Locatelli and Roman Landscape Painting of the Eighteenth Century. Rome: Ugo Bozzi, 1974. xi, 465pp with 81 colour and over 500 monochrome illustrations. Cloth. 29x26cms. Catalogue raisonnà of this rococo landscape painter (1695-1741) divided into biography, paintings of archaeological sites, marine views, the Latium countryside, figures and drawings. With bibliography, critical anthology, concordance and indices. Text in English and Italian. Text in Italian.‎

‎Catalogue raisonnà of this rococo landscape painter (1695-1741) divided into biography, paintings of archaeological sites, marine views, the Latium countryside, figures and drawings. With bibliography, critical anthology, concordance and indices. Text in English and Italian. Text in Italian‎

‎Chetyre knigi ob arkhitekture Andrea Palladio, v koikh posle kratkogo traktat...‎

‎Short description: In Russian. Palladio, Andrea. Andrea Palladio's Four Books on Architecture, which, after a brief treatise on the five orders and instructions most needed for construction, deals with private houses, roads, bridges, squares, xists, and temples. Moscow: Publishing House of All Acad. Architecture, MCMXXXVIII. 1938: Vorovsky Type-Lite. Chetyre knigi ob arkhitekture Andrea Palladio, v koikh posle kratkogo traktata o pyati orderakh i nastavleniy naibolee neobkhodimykh dlya stroitel'stva, traktuetsya o chastnykh domakh, dorogakh, mostakh, ploshchadyakh, ksistakh i khramakh. In Russian /Andrea Palladio's Four Books on Architecture, which, after a brief treatise on the five orders and instructions most needed for construction, deals with private houses, roads, bridges, squares, xists, and temples. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5330379‎

‎Jebel al-Mutawwaq. A Fourth Millennium BCE Village and Dolmen Field. Six Years of Spanish -Italian Excavations (2012?2018)‎

‎, Brepols, 2024 Paperback, xiv + 270 pages, Size:216 x 280 mm, Illustrations:161 b/w, 6 col., 43 tables b/w., 1 maps b/w, Language: English. *NEW ISBN 9782503609393.‎

‎Summary The Early Bronze Age site of Jebel al-Mutawwaq, located on a hill overlooking the Zarqa River in Jordan, was a thriving centre of population from the second half of the fourth millennium into the third millennium BCE. During this time, the settlement developed both in population and social complexity, undergoing the beginnings of an urbanization process that fundamentally changed the relationship between this community of the Transjordanian Highlands with the surrounding landscape, until it was completely abandoned around 2900 BCE. This volume offers a new assessment of the site by combining data from the first surveys of the site, under a Spanish team led by J. A. Fernandez-Tresguerres, with the new results from six seasons of excavations led by teams from Perugia in Italy, and San Esteban in Spain. In doing so, this work sheds new light on this walled settlement and its huge megalithic necropolises, and offers a fresh understanding of the site. TABLE OF CONTENTS List of Illustrations An Introduction to the Volume ANDREA POLCARO & JUAN RAMON MU IZ 1. Jebel al-Mutawwaq: History of Investigations JUAN RAMON MU IZ 2. The Historical Framework: EB I in Jordan ANDREA POLCARO 3. The Site of Jebel al-Mutawwaq: Architecture, Settlement Planning, and Space Organization ANDREA POLCARO & JUAN RAMON MU IZ 4. The Pottery: Function and Typologies ELOISA CASADEI & JOAQUIM DEL RIO 5. The Lithics: Function and Typologies ALESSANDRA CASELLI 6. Biomolecular Archaeology: Preliminary DNA Analysis of Skeletal Remains from Jebel al-Mutawwaq CHIARA PANICUCCI, SARA SILVESTRINI, GIORGIO GRUPPIONI, DONATA LUISELLI, ELISABETTA CILLI & PATRIZIA SERVENTI 7. The Development of Olive Growing at the Jebel al-Mutawwaq Site: Preliminary Data ALESSIA D'AURIA & GAETANO DI PASQUALE 8. Conclusions: The Importance of the Jebel al-Mutawwaq Settlement at the Beginning of the First Urbanization in the Southern Levant ANDREA POLCARO Works Cited‎

‎I precedenti psicologici dello schizofrenico (Inscribed by Andrea Devoto) , with 3 other offprint from Andrea Devoto (La svalutazione psicologica delle parole - Risultati del Pigem-test in soggetti schizofrenici - Aspettativa e frustrazione) ‎

‎Leo S. Olschki Editore , Academia Toscana di Scienze e Lettre La Colombaria Malicorne sur Sarthe, 72, Pays de la Loire, France 1960 Book condition, Etat : Bon paperback, editor's printed wrappers grand In-8 1 vol. - 83 pages‎

‎ 1st edition Contents, Chapitres : I precedenti psicologici dello schizofrenico (Leo Olschki, 1960), 83 pages - We join 3 other offprints from Andrea Devoto : 1. La svalutazione psicologica delle parole (estratto dall' Archivio Glottologico Italiano, Felice Le Monnier, 1959, 10 pages) - 2. Risultati del Pigem-test in soggetti schizofrenici (Congress Report of the IInd International Congress for Psychiatry, September 1957, vol. III, 6 pages) - 3. Aspettativa e frustrazione (estratto vol. Atti XII congresso degli psicologici italiani, 1958, 6 pages). The 3 offprints are under original printed wrappers, with specific title - cf : schizophrénie The first book (Precedenti psicologici dello schizofrenico) is inscribed by Andrea Devoto to the French philosopher Maurice Merleau-Ponty, we join 3 other offprint from the author without signature, the 4 publications are under original printed wrappers, in fine or near fine condition, no markings, except the one to Merleau-Ponty‎

‎DELL'ORIGINE E PROGRESSO DELL'ALMA CITTA, DI ROMA e sue ANTICHITA.‎

‎ Sans date, ni mention d'imprimeur (page de titre manquante), 1 volume in-12 de 165x100 mm environ, divisé en 2 parties : 1. Antichita di Roma, 256 pages avec 85 vignettes + 1 planche composée de 10 figures - 2. Roma moderna : 142 pages avec 97 vignettes et 42 planches de médailles, demi-basane bordeaux, titre doré sur dos lisse. Notes manuscrites sur le premier contreplat, petits défauts de marge, des pages brunies avec quelques taches et auréoles, frottements d'usage sur la couverture. Texte en italien. Il s'agit ici d'une édition non identifiée du texte d'Andrea PALLADIO, "L'Antichita di Roma".‎

5 Images

‎Andrea di Pietro della Gondola, dit Andrea Palladio né à Padoue le 30 novembre 1508 et mort à Vicence le 19 août 1580 est un architecte de la Renaissance italienne. Il est l'auteur d'un traité intitulé Les Quatre Livres de l'architecture.Son uvre a eu une influence considérable et influence encore aujourd'hui de nombreux architectes. Vers 1554, à Venise et à Rome : L'Antichita di Roma avec de nombreuses rééditions (1557), (1560), (1600), (1606), (1629), etc. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Andrea Mantegna‎

‎ RELIE NEUF SOUS BLISTER. IN-4. 2KG2 Anglais. 499 pages. ENVOI COLISSIMO UN PORT SUPPLEMENTAIRE SERA DEMANDER VERS L ETRANGER. PHOTOS SUR DEMANDE. Andrea Mantegna ~ Mantegna, Andrea. Metropolitan Museum of Art, Relié, 1992 ‎

‎Andrea h japp la voyageuse J'ai lu‎

‎Éditions J'ai lu 2001 2001. Andrea H. Japp: la voyageuse/ J'ai lu 2001 . Andrea H. Japp: la voyageuse/ J'ai lu 2001‎

‎Bon état‎

‎I QUATTRO LIBRI DELL'ARCHITETTURA.‎

‎Ne' quali, dopo un breve trattato de' cinque ordini, & di quelli avertimenti, che sono più necessarii nel fabricare; si tratta della case private, delle Vie, dei Ponti, delle Piazze, de i Xisti, et de Tempij. appresso Bartolomeo Carampello, Venetia, 1581. In-4 p. (mm. 310x210), 4 voll. in 1 tomo, p. pergam. coeva, titolo manoscritto su dorso a cordoni, pp. 67; 78,1c.b.; 46,(2); 133,(1),1 c.b. Con quattro bei frontespizi architettonici inc. su legno - che incorporano la marca tipografica Regina Virtus di Franceschi - e 221 xilografie nel testo di differente formato, delle quali 156 a piena pagina, eseguite da Giovanni e Cristoforo Chrieger, Cristoforo Coriolano, e altri, da Andrea Palladio. Al colophon, marca tipografica silografata. Il testo è ornato da graziosi capilettera figurati a vignetta, pure inc. su legno."Seconda edizione" di questo fondamentale trattato di architettura pubblicato per la prima volta nel 1570, a Venezia. Questa edizione, praticamente identica alla prima sia per il testo che per le straordinarie illustrazioni, è stata supervisionata dal figlio di Andrea Palladio, Silla."The Four Books of Architecture" contain the principles of the architectural style which later became known as Palladianism. Andre Palladio was born at Padua as Andrea di Pietro. It was his patron Giangiorgio Trissino, the Italian humanist, who gave him the name Palladio after the angel in Trissinos epic poem "LItalia liberata da Goti", Rome, 1547-8, who signifies the beauty of classical architecture. Palladios lasting influence on architectural style in many parts of the world was exercised less through his actual buildings than through his textbook. This is divided into four sections: orders and elementary problems, domestic building, public building and town planning and temples.. At the end of his life he left plans for that "tour de force of trompe loeil", the Teatro Olimpico in Vicenza, which was finisched by his pupil Vincenzo Scamozzi. Palladio also provided illustrations for D. Barbaros edition of Vitruvius (Venice, 1556) and he published a guide-book to the antiquities of Rome, "LAntichità di Roma", 1554, often reprinted, which was related to the earlier "Mirabilia Romae" which it extended and helped to replace (così PMM,92)Cfr. Fowler,213 - Adams,II, p.39-n.101 - Cicognara,595 - Graesse,V ,p. 340 - Berlin Kat., 2594 - Millard,66.Esemplare ben conservato..‎

‎Devoto Dei Prodigi‎

‎Milano Bandini Editore 1994 In folio en feuilles sous emboîtage, Album de 6 estampes signées de Andrea Cangemi, on joint l'édition courante in 4 broché de 51 pages. Tirage limité à 105 exemplaires, celui-ci exemplaire nominatif. taches sur l'emboîtage sinon bon exemplaire.‎

‎Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Exploring Iconographic Flexibility and Permeability‎

‎, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.‎

‎Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Let cia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates‎

‎Leon Kossoff: Catalogue Raisonnà of the Oil Paintings‎

‎Rose, Andrea: Leon Kossoff: Catalogue Raisonnà of the Oil Paintings. London: 2021. 640 pages, 566 colour; 69 black and white illustrations. Hardback in a slipcase. 31.5 x 29.5cms. Catalogue of 510 known works, 3 unfinished paintings, 25 destroyed paintings, 20 unidentified paintings and 2 destroyed pieces reassembled by others, all illustrated and discussed in detail. Chronology, list of exhibitions. With an introduction by Andrea Rose, an essay on Kossoff's relationship with the old masters by Dr Barnaby Wright, an extensive chronology and a short essay by Rose on Kossoff's materials, technique and studio practice.‎

‎Catalogue of 510 known works, 3 unfinished paintings, 25 destroyed paintings, 20 unidentified paintings and 2 destroyed pieces reassembled by others, all illustrated and discussed in detail. Chronology, list of exhibitions. With an introduction by Andrea Rose, an essay on Kossoffâs relationship with the old masters by Dr Barnaby Wright, an extensive chronology and a short essay by Rose on Kossoffâs materials, technique and studio practice. Text in English‎

‎L'Oeuvre du chevalier Andréa de Nerciat, I. Le Doctorat impromptu. - Félicia, ou Mes fredaines. - Monrose, ou Le Libertin de qualité. - Mon noviciat. - Les Aphrodites. - Le Diable au corps.. Comprenant une oeuvre entière, des morceaux ignorés, avec des documents nouveaux et des pièces inédites concernant la vie d'Andréa de Nerciat. Introduction, essai bibliographique, analyses et notes par Guillaume Apollinaire. Ouvrage orné d'un portrait d'Andréa de Nerciat hors texte‎

‎Collection Les Maîtres de l'amourParis, Bibliothèque des curieux, 1910 in-8, [2] ff. n. ch., 292 pp., avec un portrait-frontispice, broché. ‎

‎Premier volume de la série de trois qu'Apollinaire consacra à l'édition de l'oeuvre de Nerciat.Cioranescu, XVIII, 48 118. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Pat Andrea.‎

‎ Galerir Rachlin Lemarié Beaubourg, 1997. In-4 br. Catalogue de l'exposition qui a eu lieu du 12 avril au 17 mai 1997. Texte de J. Henric. Illustrations en couleurs de Pat Andréa. E.O.‎

‎Andrea h japp La parabole du tueur Le Masque Grand format‎

‎Editions du Masque 1996 1996. Andrea H. Japp: La parabole du tueur/ Le Masque Grand Format 1996 . Andrea H. Japp: La parabole du tueur/ Le Masque Grand Format 1996‎

‎Très bon état‎

‎L'œuvre du Chevalier Andréa de Nerciat. Comprenant une Oeuvre entière, des morceaux ignorés avec des documents nouveaux et des pièces inédites. Introduction, essai bibliographique, analyses et notes par…‎

‎Paris Bibliothèque des Curieux, coll. "Les Maîtres de l'amour" 1911 1 vol. in-8, broché, 321 pp., portrait-frontispice, bibliographie. Deuxième édition reprenant l'introduction et les notes d'Apollinaire. Petites mouillures au dos, sinon bon état.‎

‎Markus Lupertz Mythos und Metamorphose.‎

‎, Andrea Madesta. Ausst'publikation. Koln , 2010 310 x 250 x 20 mm. 144 S. mit zahlr. Abb. Biografie, Bibliografie und Werkliste. Fester Einband. Text in englischer und deutscher Sprache. dustjacket ISBN 9783940953643.‎

‎Statt sich der grossen Gemalde und Skulpturen, die Lupertz' Werk pragen, zu widmen, stellt dieser Band die Zeichnungen in den Vordergrund. Wer genau hinsieht, dem fallt auf, dass diese zeichnerischen Arbeiten mit zum Schonsten gehoren, was wir von Markus Lupertz kennen lernen durfen. Das oft Grobe und Heroische, die bewusst zugefugte Verstummelung oder Antikisierung seiner ? grossen Werke? fehlt hier, das Formenrepertoire scheint eher unmittelbar aus der Hand gekommen zu sein. Und auch die Bozzetti besitzen eine im korperlichen Mass verankerte Anschaulichkeit, die so selten zu finden ist. Zeichnung und Skulptur fuhren einen intimen Dialog, der mitunter praziser uber die innere Spannung des Werkes von Markus Lupertz Auskunft erteilt, als es andere seiner Werke vielleicht tun wollen. Insofern ist Andrea Madesta in ihrer Auswahl ein ganz eigener besonders ein aktualisierter, Blick auf die Arbeiten Markus Lupertz' gelungen.‎

‎Markus Lupertz Mythos und Metamorphose‎

‎Koln, Andrea Madesta. Ausst'publikation. , 2010 310 x 250 x 20 mm. 144 S. mit zahlr. Abb. Biografie, Bibliografie und Werkliste. Fester Einband. Text in englischer und deutscher Sprache. dustjacket, NEW. ISBN 9783940953643.‎

‎Statt sich der grossen Gemalde und Skulpturen, die Lupertz' Werk pragen, zu widmen, stellt dieser Band die Zeichnungen in den Vordergrund. Wer genau hinsieht, dem fallt auf, dass diese zeichnerischen Arbeiten mit zum Schonsten gehoren, was wir von Markus Lupertz kennen lernen durfen. Das oft Grobe und Heroische, die bewusst zugefugte Verstummelung oder Antikisierung seiner ? grossen Werke? fehlt hier, das Formenrepertoire scheint eher unmittelbar aus der Hand gekommen zu sein. Und auch die Bozzetti besitzen eine im korperlichen Mass verankerte Anschaulichkeit, die so selten zu finden ist. Zeichnung und Skulptur fuhren einen intimen Dialog, der mitunter praziser uber die innere Spannung des Werkes von Markus Lupertz Auskunft erteilt, als es andere seiner Werke vielleicht tun wollen. Insofern ist Andrea Madesta in ihrer Auswahl ein ganz eigener besonders ein aktualisierter, Blick auf die Arbeiten Markus Lupertz' gelungen.‎

‎Gnosticism and Its Metamorphoses Dynamics of Development and Reworking of Gnostic Texts and Motifs from Antiquity to the Twentieth Century‎

‎, Brepols - Harvey Miller, 2025 Paperback Pages: 252 pages, Size:156 x 234 mm, Illustrations:1 b/w, 2 tables b/w. Language(s):English, Coptic, Greek. *new. ISBN 9782503616995.‎

‎Summary The complex and multifaceted religious phenomenon called Gnosticism continues to fascinate both specialists and the wider audience. This volume explores the ?metamorphoses? of Gnosticism, through the analysis of selected examples. Late antique Gnostic groups and schools of thought developed and even changed their ideas when interacting with other religious groups and with various sources. Confrontation and polemics with the so-called ?Great Church? and with other Christian groups were crucial to doctrinal elaboration of all parties involved. On a different side, one can trace the metamorphoses of Gnostic ideas through the centuries, as these ideas influenced, and were reinterpreted by, other religious and cultural traditions and currents, from Manichaeism to medieval dualistic movements, modern esotericism, and even contemporary literature. The essays gathered in this volume focus on two main topics, namely how ancient Gnostic groups developed their doctrines by interpreting and reworking their wide range of sources (Jewish, early Christian, Platonic ones, etc.), and how ancient Gnostic ideas and motifs survived ? with new forms ? in later philosophical, religious, and literary works, up to the twentieth century. The volume consists of three sections, the first being dedicated to early anti-Gnostic controversy in texts embedding Jewish-Christian and Petrine traditions and using Gnostic motifs for polemical purposes; the second to some treatises from the Nag Hammadi corpus and other Gnostic manuscripts (plus Epiphanius? Panarion) so as to provide fresh insights into late antique Gnostic texts and groups; and the third to three case studies of the modern reception and reworking of Gnostic writings and ideas. TABLE OF CONTENTS Introduction. The Metamorphoses of Gnosticism (Andrea Annese & Francesco Berno) Gnostic Motifs and Anti-Gnostic Polemics The Coptic Act of Peter (P. Berol. 8502.4): A ?Misplaced? Composition? (Francesco Berno) The Pseudo-Clementines as Witnesses of ?Gnostic Jewish-Christianity?? Assessing Ancient Christian Discourses on Religious Knowledge (Philippe Therrien) Gnostic Texts and Groups in Late Antiquity Notes and Subscriptions of the Nag Hammadi Codices. Questions of Definition, Problems of Interpretation (Marta Addessi) The Insertion of Five Doxologies in the Holy Book of the Great Invisible Spirit (NHC III.2 & IV.2) (Elena Sol) Mapping Valentinians in Fourth-Century Egypt according to Epiphanius of Salamis (Panarion 31.7.1) (Przemys?aw Piwowarczyk) The Anonymous Writing in the Bruce Codex. Similarities and Differences with Other ?Gnostic? Texts (Anne Pasquier) The Christology and Soteriology of the Pistis Sophia Texts. Connections with Mainstream Christianity and ?Eastern? Valentinianism (Andrea Annese) Reception of Gnosticism in the 19th and 20th Centuries The Reception and Reimagination of Ancient Gnosticism within the glise Gnostique de France. Simon Magus, a Case Study (Alberto Alfredo Winterberg) A Decadent Reading of Gnosticism and Early Christianity. Simon Magus in Boito?s Nerone (Chiara Ombretta Tommasi) Myth, Heresy, Gnosis: Mario Pomilio?s Fifth Gospel and a Rewriting of Apocryphal Literature (Maria Fallica)‎

‎Lot 6 livrets: La surprise de sa vie : Elizabeth George + Insuffisance de preuves & Le cadeau : Frances Fyfield + Rigor Mortis : Brigitte Aubert + La femme au bout du fil : Shizuko Natsuki + Autopsie d'un petit singe : Andrea H. Japp + Les larmes d'Andr..‎

‎LE MONDE / MASQUE/ PRESSES DE LA CITE / SEUIL. NON DATE. In-8. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Lot de 6 livrets en feuillets : 6 Nouvelles inédites parues dans le journal LE MONDE, a découper / plier (pages parfois non coupées) - entre 25 / 35 PAGES par nouvelle. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)‎

‎Lot 6 livrets: La surprise de sa vie : Elizabeth George + Insuffisance de preuves & Le cadeau : Frances Fyfield + Rigor Mortis : Brigitte Aubert + La femme au bout du fil : Shizuko Natsuki + Autopsie d'un petit singe : Andrea H. Japp + Les larmes d'Andromaque : Sara Paretsky Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)‎

‎Le règne des vivants.‎

‎<p><meta charset="utf-8"><span>Designer, architecte, théoricien, professeur, auteur de nombreux ouvrages, Andrea Branzi a accompli une œuvre considérable, tournée vers une expérimentation radicale du design, qui interroge la société post-industrielle des XXe et XXIe siècles.</span><br><br><span>Membre du groupe Archizoom Associati de 1964 à 1974, il participe à la création du Studio Alchimia en 1977 avant de rejoindre le collectif Memphis en 1981. À travers dessins, objets de design, projets d’architecture, peintures ou encore installations, Branzi s’intéresse au rapport entre le design industriel et la notion de « nature », qui n’existe plus en tant que telle, mais devient une « seconde nature » artificielle. Pour Branzi, le design est avant tout émotionnel. Son œuvre protéiforme questionne l’environnement domestique et les objets qui nous accompagnent : comment donner « un monde hospitalier » aux hommes, aux vivants ? Quel est le sens de notre appartenance au « règne des vivants » ?</span><br><br><span>Catalogue de l’exposition « Andrea Branzi, le règne des vivants » se tenant au musée des impressionnismes Giverny, du 11 juillet au 2 novembre 2025, dirigé par Marie-Ange Brayer, conservatrice en chef, cheffe du service Design et prospective industrielle au musée national d’Art moderne, Centre Pompidou.</span></p> Paris, 2025 Norma edition / musée des impressionnismes Giverny 95 p., nombreuses fig. couleur, cartonnage editeur 16,5 x 24,7‎

‎Neuf‎

‎ITINERARIO, OVERO NOVA DESCRITTIONE DE' VIAGGI PRINCIPALI D'ITALIA.‎

‎Nella quale si ha piena notitia di tutte le cose più notabili, & degne d'esser vedute di Andrea Scoto. Novamente tradotto dal latino in lingua italiana, & accresciuto di molte cose, che nel latino non si contengono. appresso Francesco Bolzetta, Vicenza, 1615. In-24 gr. (mm. 143x95) - 3 parti in 1 vol. - mz. pelle ottocentesca, fregi e titolo oro al dorso, pp. (10),20, 1 c.b., 153 cc.num., 1 c.b.; 112 cc.num.; 72 cc.num.; marca tipografica ai 3 frontesp., testat. e iniziali ornate, tutto in xilografia.<br> La I parte descrive l'Italia settentrionale e parte di quella centrale (al fine sta scritto: In Vicenza, nella Stamparia di Dominico Amadio Libraro all'Ancora) - La II parte è dedicata alla descrizione di Roma (curioso il cenno sul conservarsi sano in Roma e sulle qualità dei vini che vi si bevono) - La III parte riguarda un viaggio da Roma a Napoli, da Napoli a Pozzuoli e ritorno a Tivoli, con l'aggiunta di Frà Girolamo Capugnano; in fine una poesia in lingua italiana sulle città d'Italia. "Mancano le tavole fuori testo".<br>Cfr. Cat. Piantanida,1367: "Interessante guida, assai diffusa nel '600 e '700.. L'opera risultò più tardi scritta da Francesco Scotti, senatore di Anversa, e non da Andrea suo fratello. La I ediz. di questa traduz. è di Venezia, 1610" - Cat. of the British Library,II, p. 835. Queste due bibliogr. non citano l'esistenza di tavole fuori testo che sono invece precisate da Fossati Bellani,I,308 e da Borroni,II,3051(9).<br> Corto del marg. sup., altrimenti esemplare ben conservato.‎

‎IL PRINCIPE PERFETTO E MINISTRI ADATTATI.‎

‎Documenti politici e morali corredati d'emblemi del P. Andrea Mendo della Compagnia di Gerù, voltati dall'idioma castigliano. presso Vincenzo Foggioli, Roma, 1816. In-8 gr. (mm. 272x192), p. pelle bazana coeva, elegante cornice floreale dorata ai piatti, decoraz. e tit. oro su due tasselli al dorso, pp. XXIV,472, con una bella tavola, disegnata da Agostino Tofanelli ed incisa in rame da Giovanni Folo, in cui è raffigurato Carlo II che presenta il libro a sua madre Maria Luisa di Borbone, Duchessa di Lucca, cui è dedicata l'opera; il volume è illustrato da 80 pregevoli vignette (inc. in rame da G. Mochetti) che raffigurano emblemi, ciascuna posta all'inizio di altrettanti Documenti. Il gesuita Andrea Mendo (1608-1684) compose l'opera per dare buoni consigli al Principe' (Filippo IV) in merito al buon governo, alla politica, alla diplomazia, ecc., sulla scia del Machiavelli. "Prima edizione della traduzione italiana", effettuata da Carlo Luigi di Borbone.Cfr. Palau,V, p. 151 che cita le numerose ediz. (a partire dalla prima di Leon de Francia, 1642), inclusa la versione in italiano - Praz Studies in XVII century imaginery, p. 420 - De Backer,II, p. 406.Alone al margine bianco della tavola con i ritratti; qualche lieviss. fiorit., altrimenti esempl. ben conservato, su carta forte.‎