2085 books for « anton f »Edit

‎Collegium anti-theticum universale fundamentale nach der in den thesibus Breithauptianis Befindlichen Ordnung der Theologischen Materien.‎

‎Halle, Waysen-Hauses, 1732. 4to. In contemporary full calf with five raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Light wear to extremities and scractches to boards. A nice and clean copy. (28), 999, (1) pp. + folded frontispiece. ‎

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‎The exceedingly rare first edition of Anton’s lectures edited by Schwenzel. Paul Anton (1661-1730), a Lutheran theologian, played a significant role in the Pietistic movement. He studied in Leipzig and later became a tutor there, aiding in the establishment of Francke's Collegia biblica. Anton traveled through southern Europe from 1687 to 1689. In 1695 he became a professor at the newly established University of Halle. Anton, along with Breithaupt and Francke, contributed to the development of Pietism in Halle, making the university a prominent center for Protestant theology in Germany. Anton's lectures, compiled here, gained widespread popularity. He stressed the importance of introspection in understanding true belief and highlighted sincerity and duty as essential virtues. ‎

‎Anton Somers 22 Instruments 2012-2021 / Anton Somers vioolbouwer te Antwerpen 22 instruments of the Violin family.‎

‎, Darling publ., 2022 Hardcover, 35x33cm, 107 pages ( 200gr silky paper) with full color illustrations. NL/ENG text ISBN 9783945525814.‎

‎The sensation of turning the beautiful printed pages, sensing the smooth resistance of the 200gr silky paper as well as experiencing the today rarely seen art of bookbinding manufacture in your hands, should be understood by those genuinely interested in exquisite built violins and cellos from spruce and maple, made by talented luthier hands and played with sensitive and reactive pernambuco bows. And the ears to be touched by vibrations of beauty, created with competence and some luck of a matching player, instrument and bow. For that experience even ordering this really nice book will even not be adequate. Best suggestion is to try to get an instrument by Anton in your hands and play it! --- Anton Somers. Born in 1986, Borgerhout, Belgium. Ever since childhood he was very passionate about woodworking. At the age of 15 he made his first instrument, the next year he started studying at the violin making school of Antwerp. Directly after his studies in 2006 he worked in a local workshop in Brussels till 2011. Anton then decided to take the leap and started his own business opening his workshop in his hometown Melsele where he grew up and is strongly connected to the cultural life. From 2013 till 2015 Anton Somers and his former employer tried to work together again, but now as chef d'atelier, in the workshop premises of Anton in Melsele. where he worked meanwhile on his own account. One can see finally an output of high quality instruments under his own name, with his own models and with his own varnish, which lead to a boost in his career. In September 2016 Anton also took on the challenge to work as a teacher in the violin making school of Antwerp ILSA. Sharing his knowledge for 5 years, he stopped teaching at the end of 2021 to be able to fully focus on his career. In December 2016 Anton received a Coup du Coeur in the violin making competition ?Violoncellenseine? in Paris which was dedicated to the cello. The cello was specially awarded for his tonality qualities by renowned cellist Damian Martinez Marco. In 2020 Anton was selected by Andy Lim personally to serve as one of the five supervisors for the 3-year string sextet project, where 24 last year student/ recently graduated violinmakers will make 2 violins, 2 violas and 2 cellos. Anton has the honour and the challenge to supervice the making of 2 cellos. In 2021 Anton made a string quartet containing completely CITES certified whalebone purflings. This quartet is shown in the book published by Darling Publications "Anton Somers Vioolbouwer te Antwerpen ~ 22 instruments of the violin family 2012-2021 which was launched in Brussels, June 2021. Anton?s instruments are appreciated by the most demanding musicians as also by investors who keep them in their private collection. ‎

‎Heilsame Worte von der Pflicht eines glaubigen Vertrauens auf Gott!‎

‎Hanover, Forster, 1731. 4to. In contemporary full calf with four raised bands with richly gilt spine. Leather on spine and boards with a few scratches. Small paper-label pasted on to top of spine. Internally very nice and clean. (38), 1036, (64) pp. + frontispiece.‎

‎Exceedingly rare first and only edition of Oesterreich’s work on the Christian duty to place trust in God, emphasizing faith as a fundamental aspect of a believer’s life. Not much is known about Anton August Oesterreich (1692-1745) other than he functioned as Pastor in Riddagshausen. We have not been able to trace a single copy in the trade and only two copies on OCLC (Ostfriesische Bibliothek and Herzog August Bibliothek)‎

‎Theorie der Fechtkunst. Eine analytische Abhandlung sämmtlicher Stellungen, Stösse, Paraden, Finten u.s.w., überhaupt aller Bewegungen im Angriffe und der Vertheidigung. Nach dem Traité d'escrime par le Chevalier Chatelain, frey bearbeitet. nebst eine...‎

‎Wien, Anton Strauss, 1819. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. A label taped on lower half of spine. Inscription and stamp on title-page. (6),XX,(2),188,(2) pp., 2 folded tables and 20 folded lithographed plates. in different sizes. Faint brownspots to title-page and the first few leaves.‎

‎Jydske Jernbane (de 16 Sectionstitler). Anlæget af de Jydske Jernbaner 1862 (Den forgyldte titel på forpermen).‎

‎(København, 1862). Folio. (52,5 x 36,5 cm.). Samtidigt hldrbd. Ryg slidt og revner i skindet ved kapitæler. Indeholder 16 Sectioner med ialt 65 kortplaner i dobbelt-folio, enkelte endnu større, alle litograferede og med sektionstitler. De fleste med signaturer i farver og kolorerede efter signaturerne, som omfatter linieføring, veje, broer, amts-sogne-by etc. - skel, veje, broer, niveauer, viadukter etc. etc. og med indtegning og angivelse af samtlige berørte matrikler, skove, vandløb, søer etc.Sectionerne har overskrifterne ""Jydske Jernbane 1ste - 10 + (11.-16.) Section"": 1. Aarhus-Randers. - 2. Langaa-Viborg. - 3. Viborg-Skive-Struer. - 3A. Viborg-Skive-Struer II. - 4. Struer-Holstebro. - 5. Nyborg-Odense-Lille Belt. - 5A. Nyborg-Odense-Lille Belt II. - 6. Vamdrup-Kolding-Fredericia. - 7. Fredericia-Veile. - 8. Veile-Horsens-Aarhus. - 8A. veile-Horsens-Aarhus II. - 9. Randers-Hobro. - 10. Hobro-Aalborg. - 11. Skanderborg-Silkeborg. - 12. Nörre-Sundby-Hjörring. - 13. Hjörring-Frederikshavn. - 14. Esbjerg-Lunderskov. - 15. Bramminge-Ribe. - 16. Randers-Grenaa.‎

‎Givetvis kun litograferet i et meget begrænset antal, antageligt til brug for tilbudsgivere og som angivelse af indholdet af det omfang m.h.t. til linieføringen som beskrevet i anlægsloven af 1861. Arbejderne blev udført 1862-69.Kort efter vedtagelse af 1861-loven sendte staten to mand fra hærens ingeniørkorps til området mellem Vejle og Århus samt Midtjylland for at undersøge terrænet. Ingeniør Niels Henrik Holst (senere driftsbestyrer for de jysk-fynske statsbaner) og Anton Hoffmann undersøgte otte mulige linier, heraf gik de seks gennem Horsens, mens de to sidste løb længere mod vest med en sidebane til Horsens. Flere af de foreslåede linier gik vest om Mossø og via Ry, da man herved opnåede to ting. Dels undgik man det vanskelig terræn nær den jyske østkyst, og dels fik banen forbindelse til Silkeborgsøerne og Gudenåen. Holst og Hoffmann understregede dog i deres rapport, at banen burde føres gennem Horsens, og forbindelsen til Gudenåen kunne i stedet skabes ved trafik med dampskibe ad en vandvej, dvs. en kombination af gravede kanaler og søerne, fra Skanderborg sø eller Fuldbro Mølle (nær Tåning) ved Mossø, 6 km vest for Skanderborg. En linieføring vest om Mossø samt sidebanen til Horsens blev opgivet, da man ønskede en kortere linie Vejle-Århus. Loven om strækningen Vejle-Horsens-Fuldbro Mølle-Stilling-Århus blev vedtaget i januar 1863.‎

‎CHROMOLITHOGRAPHIE ART-NOUVEAU : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Wien Gerlach & Schenk 1896 une planche chromolithographiée par ANTON SEDER, format : 44 centimètres de large par 56 centimètres de haut, titrée : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, léger manque de papier en marge sur moins d'un cm2, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Anton Johann Nepomuk SEDER est né à Munich en 1850, il est décédé à Strasbourg en 1916. En 1889, il fût nommé directeur de la nouvelle école des arts décoratifs de Strasbourg. Il est connu pour être un dessinateur et designer du mouvement art nouveau ....... illustration fantastique ou "fantasy". Un véritable choc à l'époque .... RARETE ....... en bon état (good condition). en bon état NOUS SOMMES EN CONGÉ DU 29 AVRIL 2025 AU 13 MAI 2025 merci de votre compréhension!‎

‎CHROMOLITHOGRAPHIE ART-NOUVEAU : "N°4 - COBRAS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Wien Gerlach & Schenk 1896 une planche chromolithographiée par ANTON SEDER, format : 44 centimètres de large par 56 centimètres de haut, titrée : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, léger manque de papier en marge sur moins d'un cm2, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Anton Johann Nepomuk SEDER est né à Munich en 1850, il est décédé à Strasbourg en 1916. En 1889, il fût nommé directeur de la nouvelle école des arts décoratifs de Strasbourg. Il est connu pour être un dessinateur et designer du mouvement art nouveau ....... illustration fantastique ou "fantasy". Un véritable choc à l'époque .... RARETÉ ....... en bon état (good condition). en bon état NOUS SOMMES EN CONGÉ DU 29 AVRIL 2025 AU 13 MAI 2025 merci de votre compréhension!‎

‎CHROMOLITHOGRAPHIE ART-NOUVEAU : "N°8 - COQUILLAGES", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Wien Gerlach & Schenk 1896 une planche chromolithographiée par ANTON SEDER, format : 44 centimètres de large par 56 centimètres de haut, titrée : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, léger manque de papier en marge sur moins d'un cm2, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Anton Johann Nepomuk SEDER est né à Munich en 1850, il est décédé à Strasbourg en 1916. En 1889, il fût nommé directeur de la nouvelle école des arts décoratifs de Strasbourg. Il est connu pour être un dessinateur et designer du mouvement art nouveau ....... illustration fantastique ou "fantasy". Un véritable choc à l'époque .... RARETÉ ....... en bon état (good condition). en bon état NOUS SOMMES EN CONGÉ DU 29 AVRIL 2025 AU 13 MAI 2025 merci de votre compréhension!‎

‎CHROMOLITHOGRAPHIE ART-NOUVEAU : "N°11 - CRABES ET CREVETTES", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Wien Gerlach & Schenk 1896 une planche chromolithographiée par ANTON SEDER, format : 44 centimètres de large par 56 centimètres de haut, titrée : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, léger manque de papier en marge sur moins d'un cm2, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Anton Johann Nepomuk SEDER est né à Munich en 1850, il est décédé à Strasbourg en 1916. En 1889, il fût nommé directeur de la nouvelle école des arts décoratifs de Strasbourg. Il est connu pour être un dessinateur et designer du mouvement art nouveau ....... illustration fantastique ou "fantasy". Un véritable choc à l'époque .... RARETÉ ....... en bon état (good condition). en bon état NOUS SOMMES EN CONGÉ DU 29 AVRIL 2025 AU 13 MAI 2025 merci de votre compréhension!‎

‎CHROMOLITHOGRAPHIE ART-NOUVEAU : "N°6 - BATRACIENS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Wien Gerlach & Schenk 1896 une planche chromolithographiée par ANTON SEDER, format : 44 centimètres de large par 56 centimètres de haut, titrée : "N°3 - POISSONS", tirée de : "Das Thier in der decorativen Kunst. (Les animaux dans les arts décoratifs), par Seder Anton, léger manque de papier en marge sur moins d'un cm2, 1896 Wien, Gerlach & Schenk Editeurs", ‎

‎Anton Johann Nepomuk SEDER est né à Munich en 1850, il est décédé à Strasbourg en 1916. En 1889, il fût nommé directeur de la nouvelle école des arts décoratifs de Strasbourg. Il est connu pour être un dessinateur et designer du mouvement art nouveau ....... illustration fantastique ou "fantasy". Un véritable choc à l'époque .... RARETÉ ....... en bon état (good condition). en bon état NOUS SOMMES EN CONGÉ DU 29 AVRIL 2025 AU 13 MAI 2025 merci de votre compréhension!‎

‎ANTON CORBIJN. MOODE / MODE‎

‎, Hannibal Publishing, 2020 Gebonden, Hardcover, 314 x 264 mm, 240 pages, ENG/ NL edition. ISBN 9789463887373.‎

‎In MO DE, leading international photographer and film-maker Anton Corbijn presents images from his extensive body of work in which he explores the crossover between photography and the world of fashion - in the broadest sense of the word. Corbijn's portraits of figures such as Alexander McQueen, Tom Waits and Naomi Campbell have now achieved iconic status. As visual director behind Depeche Mode and through his decadeslong collaboration with U2 and others, he has made his mark on the way we look at an important aspect of contemporary culture. With MO DE, Anton Corbijn shows that fashion is everywhere. The book features more than a hundred images and collaborations from Corbijn's rich oeuvre, many of them never seen before. The work's world premi re will be in Knokke-Heist, running from 4 April to 5 July 2020. In MO De presenteert de internationaal toonaangevende fotograaf en filmmaker Anton Corbijn beelden uit zijn rijke oeuvre waarin hij de cross-over tussen de fotografie en de modewereld opzoekt. Daarmee omarmt hij de term 'mode' in de ruimste zin. De portretten die Corbijn maakte van onder anderen Alexander McQueen, Tom Waits, Kate Moss, Bj rk en Clint Eastwood hebben een iconische status verworven. Als visual director achter Depeche Mode en door zijn decennialange samenwerking met onder meer U2 heeft hij een stempel gedrukt op hoe wij naar een belangrijk stuk hedendaagse cultuur kijken. Met MO De bewijst Anton Corbijn dat mode overal is. Dit boek toont meer dan honderdvijftig beelden en samenwerkingen uit Corbijns oeuvre, waarvan vele voor het eerst worden gepubliceerd. Karen Van Godtsenhoven, associate curator van The Costume Institute van het Metropolitan Museum of Art, schreef een tekstbijdrage. Boek bij de gelijknamige tentoonstelling in Cultuurcentrum Scharpoord, Knokke-Heist, van 26 september 2020 tot 10 januari 2021.‎

‎ANTON CORBIJN. IKONEN‎

‎, Hannibal Books, 2022 HB, 340 x 240 mm, 144 pages, ENG - NL edition. Fine. ISBN 9789464366815.‎

‎In IKONEN presenteert topfotograaf en regisseur/filmmaker Anton Corbijn bijzonder beeldmateriaal over iconen en hoe die worden herdacht. De monografie bevat onder andere Corbijns serie Cemeteries, een intrigerende reeks foto's van grafstenen, en a.somebody, een verzameling zelfportretten naar overleden grootheden uit de muziekwereld gefotografeerd in Corbijns geboortedorp Strijen. Daarnaast toont IKONEN een nog niet eerder gepubli ceerde serie over Lenins visuele aanwezigheid in de USSR uit de vroege jaren '80. Herdenking, beeltenissen en iconische figuren vormen de centrale spil van Corbijns nieuwste uitgave. Publicatie bij de gelijknamige tentoonstelling van 30 september 2022 tot 26 februari 2023 in Landgoed Het Hof in Bergen, Nederland. ***** Previously unpublished work on commemoration, effigies and iconic figures by master photographer Anton Corbijn Master photographer and director/filmmaker Anton Corbijn presents in his latest publication a series of striking images focusing on icons and how they are commemorated. IKONEN contains three series: Cemeteries, a.somebody and Lenin, USSR. Cemeteries is an intriguing collection of black-and-white photos of gravestones. In a.somebody, we can see dozens of self-portraits after past legends from the world of music, photographed in Strijen, the village of Corbijn?s birth ? outdoors and in his studio. The book also shows previously unpublished series on Lenin?s visual presence in the former USSR from the early 1980s. Publication to accompany the eponymous exhibition, from 30 September 2022 to 26 February 2023 in Landgoed Het Hof in Bergen, The Netherlands. With a preface by Anton Corbijn and a text contribution by art writer Dominic Eichler.‎

‎Depeche Mode by Anton Corbijn‎

‎, Taschen, 2021 Hardcover with dusjacket, 512 pages, ill. English. fine condition. ISBN 9783836586702.‎

‎In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool. Also in the fall of 2020, TASCHEN released the edition Depeche Mode by Anton Corbijn (81-18) and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed cool as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world. Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as Enjoy the Silence and Personal Jesus ); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master. Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them. This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.‎

‎Une banale histoire suivie de La Steppe - Goûssèv - Volôdia.‎

‎Paris / [s.l., Monte-Carlo], Imprimerie Nationale / André Sauret, "Collection du Grand Prix des meilleurs romans étrangers", 1955 1 volume 16 x 22cm Broché sous couverture rempliée sur cartons, en étui mauve orné de la répétition en petits caractères blancs de noms d'écrivains étrangers et de titres d'oeuvres, surmontée de fac-similés de signatures. 343p. dont 1 portrait en frontispice, 4 feuillets. Très bon état; non coupé.‎

‎Ouvrage réunissant les traductions, par Denis ROCHE, de 4 nouvelles du grand écrivain russe Anton TCHEKHOV (Anton Pavlovic CEHOV, 1860-1904): "Une banale histoire, fragment des mémoires d'un homme vieux", "La Steppe, histoire d'un voyage" (celui d'un enfant traversant la steppe, 1ère grande nouvelle de l'écrivain, publiée en 1888), "Goûssèv" et "Volôdia"; préface de Pierre BRISSON; lithographie originale de ALEXEÏEFF en frontispice. Tirage à 3400 exemplaires; 1 des 3000 sur vélin d'Arches, justifié n°242 (après 300 sur grand vergé, enrichis), bien complet de son étui. ‎

‎Budilovich Anton. Primitive Slavs in their language, way of life and concepts a‎

‎Budilovich Anton. Primitive Slavs in their language, way of life and concepts according to these vocabulary. Research in the field of linguistic paleontology of Slavs. Part one. Issue two. In Russian /Budilovich Anton. Pervobytnye slavyane v ikh yazyke, byte i ponyatiyakh po dannym leksikalnym. Issledovaniya v oblasti lingvisticheskoy paleontologii slavyan. Chast pervaya. Vypusk vtoroy. Kyiv Printing House by M.P.Fritz. 1879. 420s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbd15f337ee65e4e84.‎

‎Budilovich Anton. A textbook of Church Slavonic grammar for secondary schools.‎

‎Budilovich Anton. A textbook of Church Slavonic grammar for secondary schools. In Russian (ask us if in doubt)/Budilovich Anton. Uchebnik tserkonoslavyanskoy grammatiki dlya srednikh uchebnykh zavedeniy.. Warsaw. Typography of the Warsaw School District. 1883. 92 p. SKUalb14830014c1a9038a.‎

‎Chekhov A. P. Complete Collection of Works by Anton P. Chekhov. In 22 Volumes. C‎

‎Chekhov A. P. Complete Collection of Works by Anton P. Chekhov. In 22 Volumes. Complete Set. In Russian (ask us if in doubt)/Chekhov A. P. Polnoe Sobranie Sochineniy Ant. P. Chekhova. V 22-kh tomakh. Polnyy komplekt. Short description: In Russian (ask us if in doubt).Volumes 1-22. Edition 2 with the attachment of Anton Chekhov's portrait.‎

‎Anton tchékhov l'offense‎

‎editions pierre horay 1958 1958. Anton Tchékhov: l'offense/ Editions Pierre Horay 1958 . Anton Tchékhov: l'offense/ Editions Pierre Horay 1958‎

‎Très bon état‎

‎STAD. VILLE,‎

‎, Schoten, Internationale Kring Anton van Wilderode, 1999, Gebonden, blauw linnen met goudopdruk, 160x 195mm., 56pp., prachtige kleurenfoto's. ‎

‎Bibliofiele uitgave. Vertaling/traduction Emile Lauf. Fotografie Lieven Nollet. Boek is als nieuw.‎

‎BUITENGAATS. ANTON VAN WILDERODE. GEDICHTEN,‎

‎, Boechout, Wereld-Missiehulp, 1996, Originele uitgeversomslag karton onder geillustreerde kartonomslag, frontispice, 220 x 300mm., 78pp., z/w tekeningen.‎

‎GESIGNEERD door de twee kunstenaars VAN WILDERODE, Anton en VANWIJNSBERGHE, Dries die zich ten dienste stellen van Missiehulp. In goede staat.‎

‎STAD. VILLE.‎

‎Schoten, Internationale Kring Anton van Wilderode, 1999 Gebonden, blauw linnen met goudopdruk, 16x19.5 cm., 56 pp., prachtige kleurenfoto's. ISBN 9080536512.‎

‎Bibliofiele uitgave. Vertaling/traduction Emile Lauf. Fotografie Lieven Nollet. Gesigneerd door Lieven Nollet. Oplage 500 exemplaren. Een van de 490 exemplaren genummerd van 11 tot 500. Ex-libris Goethals.‎

‎ADVOKAT ERNST STAAS. SKIZZEN UND BILDER.‎

‎Leipzig, Insel Verlag, 1917 Gebunden, originale Abdeckung Verlag, 19.6x12.3 cm., 263 S., Nachwort von Anton Kippenberg.‎

‎Flash - Back, Mauritshuis, Rineke Dijkstra, Anton Corbijn, Stephan Vanfleteren e.a.‎

‎, Hannibal Books 2022, 2022 Hardcover, 112 pages, NL / ENG , 360 x 305 mm, Nieuw, met illustraties / images in kleur / colour, ISBN 9789464366266.‎

‎Naar aanleiding van de 200ste verjaardag van het Mauritshuis Den Haag vroeg het museum aan zestien Nederlandse topfotografen om te reflecteren op hun wereldcollectie en gebouw. Geen remake van een bestaand schilderij, maar conceptueel nieuw werk: waar voelt de fotograaf een link met wat hij ziet, hoe interpreteert hij die 17de-eeuwse kunst, de maatschappelijke en inhoudelijke lading in het werk, hoe resoneert dat en wat doet dat weer met ons brein? De schilderijen van Remrandt, Vermeer, Van der Weyden e.a. zijn honderden jaren op talloze plekken door duizenden ogen bekeken. Hoe kijken de werken terug naar ons? Wat zagen we eerder niet en wat zien wij niet maar de fotografen wel? Kunnen we kunst cht tot ons door kunnen laten dringen en zo ja, hoe? Met werk van onder meer Rineke Dijkstra, Desir e Dolron, Dustin Thierry, Erwin Olaf, Stephan Vanfleteren, Anton Corbijn en Viviane Sassen.------What happens when new masters pick up where old masters left off? On the occasion of the bicentenary of the Mauritshuis in The Hague, the museum asked contemporary photographers to reflect on the permanent collection. Which masters capture their imagination? How do they interpret 17th-century art? The result: 16 new works by 16 contemporary photographs, including Erwin Olaf, Rineke Dijkstra, Anton Corbijn and Stephan Vanfleteren, one for each room in the Mauritshuis. The new works will be displayed alongside the 17th-century works that inspired them and will be put equally next to each other in this luxury book. The photographers were entirely free to select what they wanted to work with. For some it was a painting, for another a detail from a painting, or even an entire room in the museum. Expect to see original and surprising reflections on 17th-century art: counterparts, commentaries, alternatives. None of the photographs is a remake of the original painting. One thing is certain: you will never look at Rembrandt, Vermeer or Steen in the same way. Catalogue of the exhibition of the same name at the Mauritshuis in The Hague from 1 June to 16 October 2022.‎

‎Neue Erdbeschreibung. Ersten Theil, welcher Danemark, Norwegen, Schweden und das russische Reich, Preussen, Polen, Ungarn, und die europäischen Türken enthalt (+) Neue Erdbeschreibung Zweynter Theil, welcher, Portugal, Spanien, Frankreich, Italien u...‎

‎Hamburg, Bohn, 1770 (vol. 1) & 1769 (vol. 2). 8vo. Uniformly bound in two contemporary full calf bindings with four raised bands and gilt lettering and ornamentation to spines. Wear to extremities, some of gilting worn off. Spine-ends with a bit of loss of leather. Ex-libris pasted on to pasted down font end-paper (F. v. Iuel). Internally nice and clean. XX, 1672, (168) pp." (16), 1460, (176) pp.‎

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‎Sixth edition of Büsching’s magnum opus. Its ""merit lies in providing a description of the earth on a scientific foundation. Even if he only captured it political-statistically without discussing it physically, that is to say, from the historical and not from the natural scientific point of view, his work remains a great achievement"" (cf. NDB)‎