4286 books for « a d anna »Edit

‎Argentieri Gemmari e Orafi d'Italia & Maestri Argentieri Gemmari e Orafi and supplements. 5 vols‎

‎Bulgari, Constantino G. and Anna Calissoni Bulgari: Argentieri Gemmari e Orafi d'Italia & Maestri Argentieri Gemmari e Orafi and supplements. 5 vols. 1958-2003. By Constantino Bulgari: Argentieri Gemmari e Orafi d'Italia. Notizie storiche e raccolta dei loro contrassegni con la riproduzione dei punzoni individuali e dei punzoni di stato. 5 vols. Rome: Fratelli Palombi, 1958-1987. Volumes I and II: Parte prima: Roma; Vol. III: Parte prima: Roma. Parte seconda Lazio-Umbria; Vol. IV: Parte terza: Marche-Romagna; Vol. V: Parte quarta: Emilia. Unifoumly bound in cloth 30x22cms. And Stato Pontificio : raccolta dei bolli di garanzia per l'argento e per l'oro usati nelle varie cittaÂŽ dello Stato Pontificio in ordine cronologico. Palombi Rome: 1974. Adjunct to the series Argentieri Gemmari e Orafi d'Italia. Bound in card. 14x9.75cms. With: Supplement by Constantino and Anna Bulgari Calissoni : Regolamenti bolli e bollatori della Citta' di Roma. Supplemento no.1. Palombi, Rome: 1977 Paperback. 29.5x21.5cms. Together with: Anna Bulgari Calissoni, Maestri Argentieri Gemmari e Orafi di Roma. Palombi Rome: 1987 and Maestri Argentieri Gemmari e Orafi Degli Stati Della Chiesa. Cornelia Edizioni Rome: 2003 both bound in cloth 30x22cms. Text in Italian.‎

‎Text in Italian‎

‎L'Opera Completa del Crivelli. Classici dell'Arte‎

‎Bovero, Anna: L'Opera Completa del Crivelli. Milan: Rizzoli, 1974. Series: Classici dell'Arte. 104pp with 64 colour plates and 213 monochrome illustrations. Hardback. 31.5x24.5cms. Text in Italian.‎

‎Text in Italian‎

‎From Pella to Gandhara. Hybridisation and Identity in the Art and Architecture of the Hellenistic East:‎

‎Chandrasekaran, Sujatha, Kouremenos, Anna eds: From Pella to Gandhara. Hybridisation and Identity in the Art and Architecture of the Hellenistic East:. Oxford: BAR, 2011. 193 pages, black and white figures and illustrations. Paperback.‎

‎Text in English‎

‎Este II La Necropoli di Villa Benvenuti‎

‎Capuis, Loredana, Anna Maria Chieco Bianchi: Este II La Necropoli di Villa Benvenuti. Rome: Giorgio Bretschneider, 2006. 536 pages of text, 64 black and white illustrations. Hardback. Text in Italian.‎

‎Text in Italian‎

‎Versailles: Science and Splendour‎

‎Ferrari, Anna: Versailles: Science and Splendour. Exhibition: London, Science Museum, 2025. 128 pages, illustrated throughout in colour and black & white. Hardback. Examining how the French monarchy harnessed science to enhance its prestige and extend its global influence under Louis XIV, XV, and XVI. 16 essays explore Henri Testelin's painting of the Royal Academy of Sciences, Isaac Thuret and clockmaking, astronomer Jean-Dominique Cassini's map of the moon, hydraulic engineering and the Marly machine, the cultivation of pineapples at Versailles, Louis XV's rhinoceros, Pierre-Joseph Buc'hoz and the Trianon Garden, Claude-Simeon Passemant's clock of the creation of the world, a portrait of Emilie du Chatelet, Abbe Jean-Antoine Nollet's inventions, Madame du Coudray's obstetric teaching model, portraits of Denis Diderot, the chemistry laboratory model for the King's sons, the expedition of La Perouse, and the flight of the Montgolfiere hot air balloon.‎

‎Examining how the French monarchy harnessed science to enhance its prestige and extend its global influence under Louis XIV, XV, and XVI. 16 essays explore Henri Testelin's painting of the Royal Academy of Sciences, Isaac Thuret and clockmaking, astronomer Jean-Dominique Cassini's map of the moon, hydraulic engineering and the Marly machine, the cultivation of pineapples at Versailles, Louis XV's rhinoceros, Pierre-Joseph Buc'hoz and the Trianon Garden, Claude-Simeon Passemant's clock of the creation of the world, a portrait of Emilie du Chatelet, Abbe Jean-Antoine Nollet's inventions, Madame du Coudray's obstetric teaching model, portraits of Denis Diderot, the chemistry laboratory model for the King's sons, the expedition of La Perouse, and the flight of the Montgolfiere hot air balloon‎

‎Johann Lucas Kracker. Ein Maler des SpÀtbarock in Mitteleuropa‎

‎Jávor, Anna: Johann Lucas Kracker. Ein Maler des SpÀtbarock in Mitteleuropa. Budapest: Enciklopedia Publishing House, 2005. 396pp with 65 colour plates and 210 monochrome illustrations. Boards. 26.3x23cms. Monograph on this 18th-century painter, who specialised in grand late baroque ceiling paintings from Austria, Prague and Slovakia. Includes his frescoes, oil paintings and drawings. Text in German.‎

‎Monograph on this 18th-century painter, who specialised in grand late baroque ceiling paintings from Austria, Prague and Slovakia. Includes his frescoes, oil paintings and drawings. Text in German‎

‎Giovanni da San Giovanni Pittore della Contraddizione‎

‎Banti, Anna: Giovanni da San Giovanni Pittore della Contraddizione. Florence: Sansoni, 1977. 253pp with 31 colour and 113 monochrome plates. Cloth, 27x21cms. Catalogue of the life and work of this 17th-century Italian painter and draughtsman (1592-1636), one of the most distinguished artists working in fresco in Florence at that time. With catalogue of works, bibliography and indices. Text in Italian.‎

‎Catalogue of the life and work of this 17th-century Italian painter and draughtsman (1592-1636), one of the most distinguished artists working in fresco in Florence at that time. With catalogue of works, bibliography and indices. Text in Italian‎

‎The Sevso Treasure. Part One: Art Historical Description and Inscriptions; Methods of Manufacture and Scientific Analyses. Journal of Roman Archaeology Supplementary Series Number 12‎

‎Mango, Marlia Mundell and Anna Bennett: The Sevso Treasure. Part One: Art Historical Description and Inscriptions; Methods of Manufacture and Scientific Analyses. Ann Arbor: Ann Arbor, 1994. Series: Journal of Roman Archaeology Supplementary Series Number 12. 480pp with 626 monochrome illustrations and figures, numerous line drawings throughout. Cloth. 28.5x22cms. The first volume devoted to this remarkable treasure contains an introduction, two sections on technical examination and conservation, and the inscriptions, weights and dimensions, followed by the descriptive catalogue. The catalogue itself is divided into 15 parts - each silver object (plate, amphora, ewer, basin, or casket) is examined, as well as the copper cauldron in which the treasure was discovered. Included is a copy of the New York Supreme Court's order and judgement in the case (entered 18 November 1993).‎

‎The first volume devoted to this remarkable treasure contains an introduction, two sections on technical examination and conservation, and the inscriptions, weights and dimensions, followed by the descriptive catalogue. The catalogue itself is divided into 15 parts - each silver object (plate, amphora, ewer, basin, or casket) is examined, as well as the copper cauldron in which the treasure was discovered. Included is a copy of the New York Supreme Court's order and judgement in the case (entered 18 November 1993). Text in English‎

‎La Collezione di Gemme del Museo Civico Archeologico di Bologna‎

‎Mandrioli Bizzarri, Anna Rita: La Collezione di Gemme del Museo Civico Archeologico di Bologna. Bologna: Comune di Bologna, 1987. 96 pages with 11 colour, 351 monochrome illustrations and 6figures. Hardback. 29x22cms. Fully illustrated catalogue of the collection, the core of which is formed by the Aldrovandi, Cospi and Palagi Collections. The gems range from the 5th century BC to the 19th century AD, including Greco-Persian, Etruscan, Italic and Roman, Republican and Imperial Roman, Sassanian and Arab intaglios, as well as a representative collection dating from the 16th to 19th centuries. with concordance; indices; bibliography. Text in Italian.‎

‎Fully illustrated catalogue of the collection, the core of which is formed by the Aldrovandi, Cospi and Palagi Collections. The gems range from the 5th century BC to the 19th century AD, including Greco-Persian, Etruscan, Italic and Roman, Republican and Imperial Roman, Sassanian and Arab intaglios, as well as a representative collection dating from the 16th to 19th centuries. with concordance; indices; bibliography. Text in Italian‎

‎Federico Zeri. Dietro l'immagine. Opere d'arte e fotografia‎

‎Cavina, Anna Ottani: Federico Zeri. Dietro l'immagine. Opere d'arte e fotografia. Exhibition: Bologna, Museo Civico Archeologico, 2010. 236 pages, colour and black and white illustrations throughout. Paperback. 28x24cms. Text in Italian.‎

‎Text in Italian‎

‎Jean Bellegambe Making, Meaning and Patronage of His Works‎

‎Koopstra, Anna: Jean Bellegambe Making, Meaning and Patronage of His Works. Turnhout: 2022. 155 pages, 119 colour and black and white illustrations. Hardback. 30.5x21.5cms. A case study of five paintings by Jean Bellegambe, with a focus on patronage. Eight chapters trace Bellegambe's career and discuss his materials and working methods for commissions such as the Cellier Altarpiece, the Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk, Triptych of the Annunciation, Triptych of the Last Judgement and the Pottier Triptych.‎

‎A case study of five paintings by Jean Bellegambe, with a focus on patronage. Eight chapters trace Bellegambeâs career and discuss his materials and working methods for commissions such as the Cellier Altarpiece, the Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk, Triptych of the Annunciation, Triptych of the Last Judgement and the Pottier Triptych. Text in English‎

‎Regolamenti bolli e bollatori della Citta' di Roma. Supplemento no.1. Argentieri Gemmari e Orafi d'Italia‎

‎Bulgari, Constantino G. and Anna Bulgari Calissoni: Regolamenti bolli e bollatori della Citta' di Roma. Supplemento no.1. Rome: 1977. Series: Argentieri Gemmari e Orafi d'Italia. 71 pages, illustrated throughout with marks. Paperback. 29.5x21.5cms. Text in Italian.‎

‎Text in Italian‎

‎Rubens a Genova‎

‎Buttner, Nils, Anna Orlando: Rubens a Genova. Exhibition: Genoa, Palazzo Ducale, 2022. 413 pages. Fully illustrated in colour. Paperback. 28x24cms. A consideration of Rubens' production in Genoa. Six chapters discuss his relationship with the city, its architecture, court life and political and social context. Also considers Rubens' depiction of women, important clients like Ambrogio Spinola and his treatment of the sacred and the profane. Each chapter includes a catalogue of exhibition highlights including illustrations, comparanda, provenance and bibliographies. Concludes with an exhibition checklist and layout. Text in Italian.‎

‎A consideration of Rubens' production in Genoa. Six chapters discuss his relationship with the city, its architecture, court life and political and social context. Also considers Rubens' depiction of women, important clients like Ambrogio Spinola and his treatment of the sacred and the profane. Each chapter includes a catalogue of exhibition highlights including illustrations, comparanda, provenance and bibliographies. Concludes with an exhibition checklist and layout. Text in Italian‎

‎Il Mastelletta,- (Giovanni Andrea Donducci 1575-1655)‎

‎Coliva, Anna: Il Mastelletta,- (Giovanni Andrea Donducci 1575-1655). Rome: Multigrafica, 1980. 157 page plus 107 monochrome illustrations. Wrappers. 21.5x15.5cms. With 102-item catalogue, bibliography. Text in Italian.‎

‎With 102-item catalogue, bibliography. Text in Italian.‎

‎Carlo Saraceni‎

‎Cavina, Anna Ottani: Carlo Saraceni. Milan: Mario Spagnol, 1968. 189pp with 10 colour plates plus 155 monochrome illustrations. Cloth. 27x21cms. Standard reference work, including a catalogue of works, documentation, bibliography. Text in Italian.‎

‎Standard reference work, including a catalogue of works, documentation, bibliography. Text in Italian‎

‎Benozzo Gozzoli e Cosimo Rosselli nelle terre di Castelfiore.Pittura devozionale in Valdelsa‎

‎Nocentini, Serena; Anna Padoa Rizzo: Benozzo Gozzoli e Cosimo Rosselli nelle terre di Castelfiore.Pittura devozionale in Valdelsa. 2011. 199 pages. Hardback.‎

‎Il Patrimonio Artistico del Quirinale. La Quadreria e le Sculture. Opere dell'Ottocento e del Novecento. 2 volumes‎

‎Damigella, Anna Maria et al: Il Patrimonio Artistico del Quirinale. La Quadreria e le Sculture. Opere dell'Ottocento e del Novecento. 2 volumes. Milan: Electa, 1995. Together, x, 524pp with 11 colour and 1,700 monochrome illustrations. Cloth. 28x25cms. Complete, illustrated catalogue of the collection of 19th and 20th centuries paintings and sculptures arranged alphabetically by artist. Text in Italian.‎

‎Complete, illustrated catalogue of the collection of 19th and 20th centuries paintings and sculptures arranged alphabetically by artist. Text in Italian‎

‎Il Garofalo Benvenuto Tisi pittore (c.1476-1559) Catalogo Generale.‎

‎Baraldi, Anna Maria Fioravanti: Il Garofalo Benvenuto Tisi pittore (c.1476-1559) Catalogo Generale. Rimini: Luise Editore, 1993. 309 pages, fully illustrated in black & white, with 30 colour plates. Cloth. 31.5x23.5cms. Comprehensive study on the artist, including a catalogue of 193 paintings and 19 drawings. Text in Italian.‎

‎Comprehensive study on the artist, including a catalogue of 193 paintings and 19 drawings. Text in Italian‎

‎Seidengewebe des 18. Jahrhunderts II: Naturalismus. Die Textilsammlung der Abegg-Stiftung. Band 3‎

‎Jolly, Anna: Seidengewebe des 18. Jahrhunderts II: Naturalismus. Riggisberg: 2002. Series: Die Textilsammlung der Abegg-Stiftung. Band 3. 432pp., with 13 colour plates, 135 colour and 119 monochrome illustrations. Cloth, 31.5 x 23.8cms. Catalogue of the natural style silks of around 1730 to 1745 in the Abegg-Stiftung. First produced in France by Jean Revel, who used gradual colour transitions and shading to create a 'natural' look, many of these textiles were originally intended to be made into ladies' dresses and are filled with colourful flower motifs and designs for formal gardens and landscapes set with castles and follies. Text in German with English summary.‎

‎Catalogue of the natural style silks of around 1730 to 1745 in the Abegg-Stiftung. First produced in France by Jean Revel, who used gradual colour transitions and shading to create a 'natural' look, many of these textiles were originally intended to be made into ladies' dresses and are filled with colourful flower motifs and designs for formal gardens and landscapes set with castles and follies. Text in German with English summary‎

‎Il Mobile Toscano 1200-1800‎

‎Massinelli, Anna Maria: Il Mobile Toscano 1200-1800. Milan: Electa, 1993. 226pp with 75 colour and 42 monochrome plates, 120 colour and 212 monochrome illustrations. Cloth. 28.5x26cms. Well illustrated study of furniture from Tuscany, divided by century. With index of craftsmen; bibliography. Text in Italian.‎

‎Well illustrated study of furniture from Tuscany, divided by century. With index of craftsmen; bibliography. Text in Italian‎

‎Francesco Menzocchi: Forli 1502-1574‎

‎Ferretti, Anna Colombi and Luciana Forli: Francesco Menzocchi: Forli 1502-1574. Exhibition: Forli, Pinacoteca Civica, 2003. 348pp with 348 illustrations. Cloth. 30x21cms. Life and work of the 16th century Italian artist. Text in Italian.‎

‎Life and work of the 16th century Italian artist. Text in Italian‎

‎Stefano della Bella (1610-1664) : disegni della Biblioteca Marucelliana di Firenze‎

‎Tempesti, Anna Forlani: Stefano della Bella (1610-1664) : disegni della Biblioteca Marucelliana di Firenze. 190 pages, illustrated. Paperback. 24 x 17cms. Text in Italian.‎

‎Text in Italian‎

‎Roberto de Longe‎

‎Arisi, Ferdinando, Anna Coccioli Mastroviti, Raffaella Colace, et al: Roberto de Longe. Piacenza: 2013. 480 pages, illustrated throughout in colour. Hardback. 31.5 x 22.5cms. Text in Italian.‎

‎Text in Italian‎

‎Egenhændigt brev, til ""Frøken Agnes Lunn"", signeret ""Anna Ancher"". - [ORIGINALT HÅNDSKREVET OG SIGNERET BREV FRA ANNA ANCHER]‎

‎""Skagen 14de Februar 1895"". 1 side 8vo. ""Desværre ser jeg mig ikke istand/ til at modtage nogen Be-/ stilling paa Portrætter, som/ De har været saa venlig at/ tiltænke mig. jeg har nemlig/ en lille Pige og vil ikke blive/ længere borte fra hende end/ de Dage jeg rejser for at se/ Billeder"" jeg rejser da for at/ friske mit Syn lidt og maa/ saa have uindskrænket Frihed./ Takkende for Deres gode Me-/ ning om mig er jeg Deres/ ærbødige/ Anna Ancher.""‎

‎Et vidunderligt originalt håndskrevet og signeret brev fra en af de mest elskede og hædrede Skagensmalere, der både afslører, hvordan Anna Ancher arbejdede og fik inspiration samt hvordan hun så på rollen som mor. ""Blandt de danske Skagensmalere står Anna Ancher (1859-1935) som den mest populære. I en periode, hvor kun meget få kvinder fik mulighed for at gøre sig gældende som kunstnere, havde hun modet til at træde ud af skabet, det skab, som 1800-tallets mandsdominerende offentlighed havde anbragt så mange talentfulde kvinder i. Men Anna Ancher var for original en kunstner til, at hun kunne gemmes af vejen og gøres til en hemmelighed. Med sine lysfyldte og koloristisk følsomme billeder beherskede hun kvinders verden som kun få - om overhovedet nogen.""‎

‎The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]‎

‎A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]‎

19 Images

‎Unique copy with 12 original colored symbolical drawings sometimes (3 of them with comments in english) and 14 leaves with manuscript text (3 letters and poems) in flemish. Most of this extra-material is not signed except three letters (two dated 13-5-73 and 28-10-74) signed "Tante Han" or “Hanna”, clearly original work by "Anna Marjula", pseudonym used to protect the identity of the author (The letter "E". On an envelop is written : "These drawings illustrate the fifth conversation with the Great Mother pages 26-27". Many early jungian analysts worked with Anna Marjula (Toni Wolff, Emma Jung or Barbara Hannah), but her real name remained unknown, until now (but we knew it was a pianist). Indeed, our research allowed us to identify the recipient, Ms. Parvati Chavoix-Jodjana ("Vati") but especially the author, who hides behind the pseudonym of Anna Marjula : the famous dutch pianist and composer Hanna Beekhuis (1889-1980) ! A newspaper clipping is joined on a postcard, (that we join), titled : "Gouden medaille voor Hanna Beekhuis" and here's the translation : "Gold medal for Hanna Beekhuis: Arnhem, 3 Oct. - The Dutch composer of chamber music works and songs, Hanna Beekhuis from Ellecom, who currently resides in Zurich, has won a gold medal and an honorary diploma with "Reflet du Japon", a composition for viola and viola at an international competition held in Buenos Aires". It is known she won this medal in 1961.Hanna Beekhuis resided in Zurich, and was previously in relationship with Carl Jung (28 letters or copy of letters between Jung and Hanna Beekhuis, from 1942 until 1960, would be kept in the ETH-Bibliothek). Barbara Hannah explains in her preface that “Professor Jung had, however, once spoken to Anna of including it in a volume of case histories, and, as he died before he had collected the other cases, she was naturally disappointed”. We identify well the identical writing of "Aunt Hanna" with that present on the handwritten drawings, and with the only autograph word reproduced in the work - "Eve".Our incredible copy comes from Parvati Chavoix-Jodjana, daughter of a famous javanese dancer in France, Raden Mas Jodjana (1893-1972) and his wife Raden Ayou. Hanna Beekhuis accompanied the dancer in the 1920s. Another interesting relation with Jungian Psychanalysis is that the Jodjana were friends with Kurt Binswanger and his wife Erica since 1935.Here's some translated extract on a signed letter : “You said me that your Father has become your Guru. What is a guru ? [… ] Your father told me that he was a free thinker. I am that too but Christianity [ … ] is still in blood”. In another one : "The Jodjanas" have meant a lot to me in the course of my life, especially your father, [ … ] your mother too”.‎