Musée d'art contemporain In-4 Couverture souple Montréal 2006
Reference : 17961
Très bon 52 pages. Catalogue d'exposition.
Librairie Bonheur d'occasion
M. Mathieu Bertrand
librairie@bonheurdoccasion.com
514-522-8848
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Ostfildern, Hatje Cantz, 2012 Hardcover with dustjacket, 199 pages, 28 x 20 cm. German/ English text. *Fine condition. . ISBN 9783775733106.
Catalogue raisonn of Neo Rauch''s printed editions, produced between 1993 and 2012. Foreword by Kerstin Wahala. Text by Rudij Bergmann, and interview by Wolfgang B scher with Neo Rauch. "Most recognized for his paintings and drawings, Rauch has also created an impressive output of printed works over the past two decades, which in Rauch''s own words ''are accessories to my painting.'' This publication presents the artist''s complete oeuvre of prints from 1993 to today, and celebrates Rauch''s gift of an edition of each of his prints to the town of Aschersleben in Germany, where he was raised.
, DuMont, 2007 Half-linnen binding, 116 pages, 30.5 x 23 cm, English/Deutsch. *. ISBN 9783832190095.
Neo Rauch: Para
, Phaidon Press, 2025 Paperback, Dimensions 290 x 250 mm, 160 Illustrations col.ill., Language English ed. *new. ISBN 9781838667740.
The definitive monograph on the acclaimed German artist Neo Rauch, one of the most influential figurative painters working today. Neo Rauch is one of the world?s most successful and popular contemporary artists. A leading force of the Leipzig School, the group of artists that emerged from East Germany in the early 1990s after the fall of the Berlin Wall, Rauch quickly established himself internationally through his large canvases featuring a crossover between Surrealism and popular imagery.
Ostfildern-Ruit, Hatje Cantz Publishers, 2010 Faux-alligator binding, with paper strip, 224 pages, 29.5 x 23.5 cm. English text. *Fine condition. ISBN 9783775725217.
When the Berlin Wall fell in 1989, the artist Neo Rauch was 30 years old, living in his East German hometown of Leipzig and just beginning to exhibit his paintings. It was the perfect moment for a painter who had been reared on Social Realism to gain access to art outside East Germany, to receive its influences into his art and to emerge onto the stage of world art as a star. At first closely identified with the generation of painters known as the Leipzig School, in recent years Rauch's wonderfully bizarre blend of Social Realism (not exactly a widely-mined style in contemporary art) with de Chirico or Stanley Spencer has come to be seen as a painterly barometer of post-Communist Europe. "Post-Communist Surrealism" could therefore be one way to describe the look of his canvases, which convey narrative intent--men and women from various historical eras performing obscure tasks in uniform, or midway through some ominous occasion--shifting styles several times within the same picture, but always displaying a lush brushwork. Rauch has established a particularly strong audience in the U.S., having been championed by The New York Times' Roberta Smith as the painter of the zeitgeist. Marking Rauch's fiftieth birthday and a simultaneous retrospective in Leipzig and Munich featuring works dating from 1982 to early 2010, this monograph is the most substantial appraisal of his work published to date. In it, his friends and colleagues supply testimonies, among them Luc Tuymans, Jonathan Meese and Micha l Borremans. Alongside essays by critics and historians, Timm Rautert provides a photographic portrait of Rauch's studio.
Köln, Taschen, 2012. 34,5x26 cm. 462 S. Mit vielen farbigen Abbildungen. Originalleinwand mit Schutzumschlag.
Originalausgabe. - Die bisher umfangreichste Monographie. Texte in Deutsch, Französisch und Englisch.