‎[Steven-Paul Robert] - ‎ ‎DEBLUE, Henri‎
‎S.-P. Robert‎

‎Robert Mangold‎

‎Storr, Robert: Robert Mangold. Exhibition: New York, Pace Gallery, 2014. 32 pages, illustrated throughout in colour. Paperback. 26.5 x 26.5cms.‎

‎Robert Rauschenberg's New York : Pictures from the Real World‎

‎Corcoran, Sean (Ed.): Robert Rauschenberg's New York : Pictures from the Real World. Exhibition: New York, Museum of the City of New York, 2025. 184 pages, illustrated. Hardback. A catalogue of 74 of Robert Rauschenberg's photographs and prints for the exhibition at the Museum of the City of New York, marking the artist's 100th birthday. Examining the importance of photography in his practice.‎

‎A catalogue of 74 of Robert Rauschenberg's photographs and prints for the exhibition at the Museum of the City of New York, marking the artist's 100th birthday. Examining the importance of photography in his practice‎

‎The Robert Lehman Collection. I. Italian Painting‎

‎Pope-Hennessy, John: The Robert Lehman Collection. I. Italian Painting. 331 pages, fully illustrated in colour and black and white. Cloth. 28.5 x 22.5cms. The first volume of the comprehensive catalogue of the Robert Lehman Collection in The Metropolitan Museum of Art is justifiably devoted to Early Italian paintings, which were particularly close to Robert Lehman's heart.The earliest painting in this volume is an Umbrian work, a panel that once formed part of a thirteenth-century altarpiece. Twenty paintings come from fourteenth-century Siena, among them Madonnas by the Master of Monte Oliveto, Simone Martini, and Ugolino da Siena. Thirteen Florentine paintings are from the same century. Bernardo Daddi and his workshop and followers are represented, as well as Jacopo di Cione, Spinello Aretino, and others. From fifteenth-century Siena comes an incomparable group of twenty-seven paintings; eleven are by Giovanni di Paolo, including his famous Creation of the World and the Expulsion from Paradise, and seven are by Sano di Pietro. From Florence come works by Lorenzo Monaco, Bicci di Lorenzo, Cosimo Rosselli, and other artists. The Annunciation by Botticelli is one of the jewels of the Lehman Collection. The Venetian paintings include two well-known portraits by Jacometto and a celebrated Madonna and Child by Giovanni Bellini. Forty-five works are reproduced in color, the rest in duotone; in addition, there are ninety-seven comparative illustrations.‎

‎The first volume of the comprehensive catalogue of the Robert Lehman Collection in The Metropolitan Museum of Art is justifiably devoted to Early Italian paintings, which were particularly close to Robert Lehman's heart.The earliest painting in this volume is an Umbrian work, a panel that once formed part of a thirteenth-century altarpiece. Twenty paintings come from fourteenth-century Siena, among them Madonnas by the Master of Monte Oliveto, Simone Martini, and Ugolino da Siena. Thirteen Florentine paintings are from the same century. Bernardo Daddi and his workshop and followers are represented, as well as Jacopo di Cione, Spinello Aretino, and others. From fifteenth-century Siena comes an incomparable group of twenty-seven paintings; eleven are by Giovanni di Paolo, including his famous Creation of the World and the Expulsion from Paradise, and seven are by Sano di Pietro. From Florence come works by Lorenzo Monaco, Bicci di Lorenzo, Cosimo Rosselli, and other artists. The Annunciation by Botticelli is one of the jewels of the Lehman Collection. The Venetian paintings include two well-known portraits by Jacometto and a celebrated Madonna and Child by Giovanni Bellini. Forty-five works are reproduced in color, the rest in duotone; in addition, there are ninety-seven comparative illustrations.‎

‎Miasma: Pollution and Purification in Early Greek Religion by Robert Parker‎

‎Parker, Robert: Miasma: Pollution and Purification in Early Greek Religion by Robert Parker. Oxford: at the Clarendon Press, 1983. 413 pages, not illustrated. Hardback.‎

‎Robert Rauschenberg. Fabric Works of the 1970s‎

‎White, Michelle., Branden W. Joseph, Nick Mauss, and Joseph N. Newland: Robert Rauschenberg. Fabric Works of the 1970s. Exhibition: Houston, Menil Foundation, 2025. 248 pages, 150 colour and black & white illustrations. Hardback. 27.9 x 22.9cms. A survey of Rauschenberg's use of cloth in the 1970s and its significance in his oeuvre. Focusing on three of Rauschenberg's fabric series: the idiosyncratic Venetians, 1972-73; the gauzy Hoarfrosts, 1974-76; and the large, simple Jammers, 1975-76. Looking at his experiments with a material's ability to capture light, colour and hold a printed image, as well as his career-long interest in the intersection of art and the body as seen in his work on scenography and dance costumes.‎

‎A survey of Rauschenbergâs use of cloth in the 1970s and its significance in his oeuvre. Focusing on three of Rauschenberg's fabric series: the idiosyncratic Venetians, 1972-73; the gauzy Hoarfrosts, 1974-76; and the large, simple Jammers, 1975-76. Looking at his experiments with a material's ability to capture light, colour and hold a printed image, as well as his career-long interest in the intersection of art and the body as seen in his work on scenography and dance costumes‎