‎ROSTAND (Edmond). SAUVAGE (Sylvain, Félix ROY dit,).‎
‎"Cyrano de Bergerac".‎

‎ Cyrano de Bergerac. Comédie héroïque en cinq actes en vers. ‎

‎ Reliure plein maroquin havane. Quadruple filet doré, dos orné de même, bordure intérieure de même. Tête dorée. Non rogné. Couverture et dos conservés. Reliure signée La Haye. ‎

‎Paris Librairie Charpentier et Fasquelle 1898 225 pp. In-8. Relié. Très bel état. 1 volume. ÉDITION ORIGINALE de cette célèbre pièce d'ou? est tirée la tirade des nez de Cyrano (Acte I, Scène IV).«Certains physiologistes prétendent que la longueur du nez est le diagnostic de l?esprit, de la valeur et de toutes les belles qualités, et qu?on ne peut être un grand homme si l?on n?a un grand nez» indique Théophile Gautier dans son grotesque consacré à Savinien Cyrano de Bergerac, ou «Cyrano-Savinien-Hercule» si l?on se fie à Rostand, dont le texte de Gautier fut l?une des inspirations de départ. Car Cyrano l?avait énorme, «ce nez qui d?un quart d?heure en tous lieux [le] précèd[ait]». Aussi énorme que son appétit pour le duel, aussi grand que son amour pour sa cousine Roxane et aussi péninsul-esque que le succès de la pièce.Cyrano de Bergerac, c?est le grand retour de la comédie en vers à l?époque du roman psychologique et du triomphe d?Ibsen. Jouée pour la première fois au Théâtre de la Porte Saint Martin le 28 décembre 1897 avec Coquelin aîné dans le rôle de Cyrano, la pièce est accueillie par une ovation, un triomphe tel que la vie Edmond Rostand s?en trouve métamorphosée, la pièce ne cesse d?être jouée, le plus grand succès depuis Hernani. L?Académie lui ouvre ses portes à seulement 33 ans. Les recettes lui permettent de faire bâtir la villa Arnaga à Cambo-les-Bains. Vraiment, la vie sourit à l?auteur de Cyrano - sa santé mise de côté. ‎

‎Cyrano de Bergerac sur Yvette, par le nom je suis et par le sang aussi Cyrano de Bergerac sur Dordogne / L'Ancestralité bergeracoise de Savinien II de Cyrano de Bergerac prouvée par Cyrano lui-même‎

‎ Dos agrafé "In-4 (21 x 27 cm et 21 x 30 cm), deux plaquettes sur Cyrano de Bergerac : ""Cyrano de Bergerac sur Yvette, par le nom je suis et par le sang aussi Cyrano de Bergerac sur Dordogne"" (1972, Martial Humbert Augeard, texte du dépliant 5m x 1m), et ""L'Ancestralité bergeracoise de Savinien II de Cyrano de Bergerac prouvée par Cyrano lui-même"" ; rousseurs aux plats des deux plaquettes, pliures et mouillure aux plats et dos usé à la première plaquette, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."‎

‎Cyrano de Bergerac. Comédie héroïque en cinq actes en vers. Représentée à Paris, sur le Théâtre de la Porte Saint-Martin, le 28 décembre 1897. 136e mille. - [""ONE OF THE CENTURY'S GREATEST SMASH HITS""]‎

‎Paris, 1898. 8vo. Contemporary half calf with five raised bands, gilt spine. Single gilt lines to boards. Capitals and corners worn. Inner hinges a bit weak. With Eugen Zabel's book plate to inside of front board, a postcard depicting Edmond Rostand's residense at Cambo, obviously posttamped on verso, pasted on to front free end-paper, contemporary newspaper-clipping about the numerous performances of ""Cyrano von Bergerac"" around the world pasted in to hinge of fly-leaf, where the presentation-inscription (for Eugène Zabel) is written, and finally, the original handwritten address in Rostand's hand, cut out from the envelope in which the book was sent to Zabel, is pased into hinge of half-title. Internally nice and clean.‎

‎First edition, 136th thousand (same year as the first), presentation-copy ""à M. Eugène Zabel/ très cordial envoi, -/ remerciement, -/ et sympathie./ Edmond Rostand/ Octobre 98"" of Rostand's masterpiece, which against all odds became one of the most popular plays of the century and an overnight success throughout Europe.At the end of the 19th century in France, as well as in the rest of Europe, the industrialization was the force that dominated almost all aspects of society, i.e. everything from politics and sociology to science, art, philosophy, etc. And thus, also literature and theatre in this period were products of this new power. This meant that the trend that became prevailing within literature and drama was that of realism, which in France soon developed into naturalism. In the midst of this all-encompassing emphasis on objective documentation of everyday life which rejected romance, idealization and dreaming of any kind, emerged suddenly a work that no one could believe would have any success whatsoever, but which against all odds became the hugest dramaturgical success of the period and a theatrical monument that has been remembered ever since and which still stands as thus: Rostand's ""Cyrano de Bergerac"", the unlikely play about romantic heroes, fairy-tale like maidens, medieval-inspired sword-fights, about poetry, love, and art. The play had been taken on already in 1897, when the manuscript was finished, but the directors of the theatre regretted their decision immediately, not least due to the public reaction to the ""outdated"" romantic comedy-drama, which nobody would want to go see, and thus they severely cut the budget so that Rostand had to pay for all the costumes himself. Even the actor playing the main part, a leading actor at the time, regretted having taken the part, and Rostand is reported to have apologized to him for involving him in this ""disastrous adventure"". ""Therefore, when the curtain rose on ""Cyrano de Bergerac"" for the first time on December 28, 1897, expectations were low. The audience, however, was about to be pleasantly surprised. From the hero's last first majestic entrance to his last farewell, he transfixed his viewers. Theatergoers cheered Cyrano's triumphs, sighed at his suffering, laughed at his witty wordplay, and cried as his fate became known. A full hour after the curtain fell, the audience was still applauding thunderously. It is not easy to explain why Rostand's play confounded everyone by becoming one of the century's greatest smash hits. Perhaps the answer lies in ""Cyrano de Bergerac's"" stark contrast to the grimly realistic plays of its day, which often focused on modern society's darkest problems. The figure of the swashbuckling Cyrano dueling his way across the stage and stunning his compatriots with his verbal cleverness took Paris by storm. In fact, many critics, both of Rostand's time and later, attributed the play's tremendous success to its romanticism, or emphasis on idealism and heroism."" (Glencoe Literature Library, Study Guide for Cyrano de Bergerac).The work immediately became a huge success and within a very short amount of time, it had been translated into almost all European languages and was performed at theatres throughout Europe.Eugen Zabel was a famous literary critic and author, who at the time of ""Cyrano de Bergerac"" was editor of the ""Nationalzeitung"". He was born in Königsberg in 1851 and died in Berlin in 1925. In his youth he wrote poems, and after his move to Berlin, he worked as a journalist, critic, and writer. He did a lot of work on Russian themes, both political, historical, topographical, and literary, and he became closely connected to the country. He was highly respected for his liiterary criticism and his opinions, though often controversial, played an important role in public opiniation.‎

‎Recueil factice contenant L'Amante invisible, suivi de A trompeur, trompeur et demy (Scarron) - Histoire comique et Le Pédant joué (Cyrano de Bergerac) - Les véritables sentiments du monde et de l'éternité‎

‎A Paris, chez Antoine de Sommaville, A Paris, chez Pierre de Bats, A Rouen, chez Antoine Ferrand Relié "In-12 (9 x 13,8 cm), reliure plein veau, dos à 3 nerfs, recueil factice contenant les oeuvres suivantes : ""L'Amante invisible et A trompeur, trompeur et demy"" par Mr. Scarron (A Paris, chez Antoine de Sommaville, à la salle des Merciers, au Palais, 1659, 75 pp.) // ""Les oeuvres de Monsieur de Cyrano de Bergerac : Histoire comique (édition provinciale : A Rouen, chez Antoine Ferrand, aux degrez du Palais, 1663) // ""Le Pédant joué"" par Cyrano de Bergerac (édition provinciale : A Rouen, chez Antoine Ferrand, aux degrez du Palais, 1663, 156 pp.) // ""Les véritables sentimens du monde et de l'éternité"" par un P. Capucin (A Paris, chez Pierre de Bats, ruë S. Jacques, à l'image S. François, proche la petite porte de S. Severin, 1671, 48 pp.) ; mors frottés, cuir un peu craquelé au dos, marques d'usage sur les plats, sommaire manuscrit en première garde, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."‎

‎CYRANO DE BERGERAC,‎

‎ 1900 Louis Michaud, éditeur, sans date, environ 1900, In12, Br, couverture illustrée, 135pp.-‎

‎ Remise de 20% pour toutes commandes supérieures à 200 €‎