‎POIRET (Paul). COCTEAU (Jean), DUFY (Raoul), FOUJITA, BOFA, DUPAS, MARTIN (Charles), DYL, DELUERMOZ, EDY-LEGRAND, GESMAR, BOUCHER (Lucien), SEM... ‎
‎Pan. ‎

‎Pan. Af Løjtnant Thomas Glahns Papirer. - [THE GOSPEL OF NEO-ROMANTICISM]‎

‎København, 1894. Samtidigt slidt halvlæderbd med rygforgyldning. Ryg lidt skæv. Indvendig ren og pæn. Contemporary half calf with gilt spine. Spine worn and a bit cocked. Internally nice and clean. ‎

‎First edition of Hamsun's masterpiece, generally considered his best work, one of the most important literary productions of the late 19th century, and together with ""Hunger"", Hamsun's most famous book. ""Pan"" profoundly influenced the entire trajectory of modern literature and with its brilliant and intimate descriptions of nature, it also pioneered the Pantheism of 20th century literature, as well as creating a new kind of Neo-Romanticist novels. Together with ""Hunger (from 1890), ""Pan"" pioneered modern psychological literature and the techniques now known as ""stream of consciousness"" and ""interior monologue"".Few other authors of the period have had the kind of impact that Hamsun had. Ernest Hemingway attempted to write in the style of Hamsun, as did Henry Miller who considered him his teacher. Thomas Mann loved him and considered him the most important author of the period, and Hermann Hesse referred to him as his favourite author. The Russian authors of the period, e.g. Bosris Pasternak, were profoundly influenced by his books, and Andre Gide considered him superior to Dostojevski. Everyone read him, and everyone was influenced by him, Kafka, Brecht, Gorky, Wells...According to his American bibliographer Robert Ferguson (in 1987), Hamsun is ""one of the most influential and innovative literary stylists of the past hundred years"". Isaac Bashevis Singer called Hamsun ""the father of the modern school of literature in his every aspect-his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism. The whole modern school of fiction in the twentieth century stems from Hamsun"", and Hemingway stated that ""Hamsun taught me to write"". Enstein said about him ""I consider him to be one of the greatest men of our period"", and Henry Miller said that it was reading Hamsun that prevented him from committing suicide. Maxin Girkij wrote to him in a letter ""- I tell you this quite sincerely, at this moment you are the greatest artist in Europe"" there is no one who can compare with you."", and Thomas Mann considered himself a disciple of Hamsun.Hamsun was awarded the Nobel Prize in Literature in 1920. By critics, Hamsun specialist, and Hamsun lovers, ""Pan"" is generally considered his greatest achievement, although ""Hunger"" is better known by laymen. ‎

‎Pan a franchi le Rubicon. Recherches sur le dieu-bouc romain‎

‎, Brepols - Ecole Pratique des Hautes Etudes, 2026 Hardback, Pages: 452, Size:156 x 234 mm, Illustrations:35 b/w, Language: French. ISBN 9782503618487.‎

‎Summary ...immense travail d' rudition fourni par . Borron qui pr sente ici une somme impressionnante sur une divinit jusqu'ici trop souvent consid r e comme allant de soi. ( lisabeth Buchet, dans Cahiers d' tudes du Religieux. Recherches Interdisciplinaires, 28, 2026, [en ligne]) labor dans le cadre d'une th se de doctorat, le sujet de cet ouvrage est un tre hybride, mi-homme, mi-bouc, le dieu grec que les Anciens nommaient Pan. Toutefois, on n'adoptera pas le point de vue hell ne sur cette divinit , mais plut t celui de Rome, qui accueillit de bonne heure le dieu parmi les siens. Cette monographie s'attache donc l' tude du dieu-bouc romain, entre le Ve si cle av. notre re, o son iconographie appara t en Italie, et le IIIe si cle de notre re, avant que le discours chr tien ne s'empare du personnage ; tout au long de ces huit si cles, elle questionnera les modalit s selon lesquelles Pan, dieu grec, impose sa pr sence dans le panth on et l'imaginaire romain. Pour mieux appr hender la complexit et les diverses facettes du sujet, c'est un point de vue interdisciplinaire qui pr vaudra, alliant l'apport des textes celui des images, de l'arch ologie et de l'histoire. TABLE OF CONTENTS Introduction Premi re partie : Le dieu-bouc en Italie I. Pan sur les rives italiennes I.1. Entre Arcadie et Grande Gr ce I.2. L'entr e en litt rature II. Pan rencontre les faunes II.1. Faunes : un ph nom ne pluriel II.2. Les modalit s de l'assimilation Deuxi me partie : Sous le signe du Capricorne : Pan parmi les dieux d'Auguste I. Auguste et l' laboration d'un ethos panique I.1. Le Capricorne I.2. La figure panique II. Un jalon id ologique august en II.1. Les Lupercales, ou la port e politique d'un festival II.2. Pan jupit rien, partie prenante du discours mill nariste ? III. La r ponse des lettr s au berger III.1. Faunus-Pan horatien, ou l'espace de la securitas III.2. Ovide : la remise en question d'une id ologie esth tique III.3. Transformations du Pan august en Troisi me partie : Un Pan de ralliement : les manifestations d'un engouement durable I. L'universalisme culturel la mode panique I.1. L'alt rit incluse dans les lettres romaines : uariationes paniques I.2. Faunes : le retour aux bois I.3. Pan, un dieu qui parle tous et en tout lieu II. Sur la piste du Grand Pan II.1. Au-del des fronti res esth tiques : l'espace panique comme lieu d'exp rimentation II.2. Et le bouc se fit homme pour les guider : vers une magnification du personnage Conclusion Annexes‎

‎Pan. Af Løjtnant Thomas Glahns Papirer. - [THE GOSPEL OF NEO-ROMANTICISM]‎

‎København, Philipsen, 1894. Bound with the original printed wrappers in an exquisite nice later (ca 1940'ies) red goatskin binding wih gilt spine and lovely marbled paper over boards (Harry Larsen). Front wrapper with smaller repairsand light brownstaining to top. Back wrapper with a couple of small restorations, barely visible. Otherwise completely fresh. ‎

‎First edition of Hamsun's masterpiece, generally considered his best work, one of the most important literary productions of the late 19th century, and together with ""Hunger"", Hamsun's most famous book. ""Pan"" profoundly influenced the entire trajectory of modern literature and with its brilliant and intimate descriptions of nature, it also pioneered the Pantheism of 20th century literature, as well as creating a new kind of Neo-Romanticist novel. Together with ""Hunger (from 1890), ""Pan"" pioneered modern psychological literature and the techniques now known as ""stream of consciousness"" and ""interior monologue"".Few other authors of the period have had the kind of impact that Hamsun had. Ernest Hemingway attempted to write in the style of Hamsun, as did Henry Miller who considered him his teacher. Thomas Mann loved him and considered him the most important author of the period, and Hermann Hesse referred to him as his favourite author. The Russian authors of the period, e.g. Boris Pasternak, were profoundly influenced by his books, and Andre Gide considered him superior to Dostojevski. Everyone read him, and everyone was influenced by him, Kafka, Brecht, Gorky, Wells...According to his American bibliographer Robert Ferguson (in 1987), Hamsun is ""one of the most influential and innovative literary stylists of the past hundred years"". Isaac Bashevis Singer called Hamsun ""the father of the modern school of literature in every aspect - his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism. The whole modern school of fiction in the twentieth century stems from Hamsun"", and Hemingway stated that ""Hamsun taught me to write"". Einstein said about him ""I consider him to be one of the greatest men of our period"", and Henry Miller said that it was reading Hamsun that prevented him from committing suicide. Maxin Gorkij wrote to him in a letter ""- I tell you this quite sincerely, at this moment you are the greatest artist in Europe"" there is no one who can compare with you."", and Thomas Mann considered himself a disciple of Hamsun.Hamsun was awarded the Nobel Prize in Literature in 1920. By critics, Hamsun specialists, and Hamsun lovers, ""Pan"" is generally considered his greatest achievement, although ""Hunger"" is better known by laymen. The work is scarce with the original wrappers.‎

‎Unique photo album illustrating Pope Paul VI visit and flight to Istambul and Izmir aboard the Pan Am Jet Clipper Saint Paul in July 1967. With 64 large size photos and several other documents.‎

‎ New York / Rome -Vatican , 1967, large photo album, with 35 strong leaves, containing 64 large size original pictures (some in colour), size 180 x 238 mm, other documents include a photocopy of the pope's boarding pass, a list of the 59 press people who were aboard (compiled by Pan Am Rome office), 19 manuscript reservation cards for the cardinals and officials on board ( among them Cardinal Cigognani , Tisserant, Casaroli , Willebrands...) , the breakfast menu ( printed in gilt lettering, with silk ties), the dinner menu ( idem ) , excerpts from '' Il Viaggio di Paolo VI a Istanbul e a Efese, Loosely inserted are a photo of the chalice offered to the pope by Pan Am on the occasion of this voyage and a typescripted letter by the Vatican to thank for this gift. The letter is signed in holograph by cardinal Cicognani and was received at the office of Najeeb Elias Halaby ( 1915 - 2003). Album bound in full red leather, with large gilt title on front cover, with the papal coart of arms, kept in a similar slipcase. A fine copy. Unique album which illustrates the famous visit of the pope to Istanbul where he met patriarch Athenagoras for the second time. (2 pictures). The album was most probably made by the Rome office of Pan Am to be presented at the Vatican. This is probably a spare copy which ended up in the office of the future CEO N. Halaby ( a letter adressed to him by the Vatican, is inserted). A full account of the flight can be found in : Alejo Nicolas Larocca '' My Pan Am Story - forty years as a stewardess with the world's most experienced airline'' pp.170-177. The author , chief stewardess, is also depicted on two photographs.‎

‎DISQUE VINYLE 33T : LE JAZZ DE LA NOUVELLE-ORLEANS - Les Tin Pan Stompers, Mississipi Rag; Orchestre Claude Bolling, Lime-House Blues; Les Tin Pan Stompers, Tiger Rag; The Dutch Swing College Band, Ory's Creole Trombone; Les Tin Pan Stompers, When The...‎

‎FONTANA. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Légères traces de scotch. Les Tin Pan Stompers, Mississipi Rag; Orchestre Claude Bolling, Lime-House Blues; Les Tin Pan Stompers, Tiger Rag; The Dutch Swing College Band, Ory's Creole Trombone; Les Tin Pan Stompers, When The Saints Go Marching In; Orchestre Claude Bolling, Ain't She Sweet; The Dutch Swing College Band, South Rampant Street Parade; Les Tin Pan Stompers, Twelth Street Rag; Orchestre Claude Bolling, Harlem Strut; The Dutch Swing College Band, Carry Me Back To Old Virginny; Orchestre Claude Bolling, Alexander's Ragtime Band; Orchestre Claude Bolling, Weary Blues.. . . . Classification : 410-33 Tours‎

‎Disque n° 850 068 Y. Classification : 410-33 Tours‎