‎Dubernard/Laurent ‎
‎Visual Arts‎

‎School of Visual Arts - Senior Library 2004‎

‎New York, School of Visual Arts, 2004. 5 books In-4, cloth cover, flat spine with black dots indicating the order of the books. Book 5 has 4 black dots and a cross on the first cover. White box with a representation of the books printed in black and gold on one side, and a cut-out portrait and a cross drawn in vector on the other side. Information about the book on the back of the box. Each year the School of Visual Arts in New York prints in a limited edition of the works of the graduate students of the design and advertising department and one of the professors of the school is selected to create the book. These are often internationally renowned graphic designers who are professors at the School of Visual Arts in NYC and, as for the editions of the Types Director Club, it must be an honor for a graphic designer to be selected to direct this type of edition. In our opinion, the 2004 edition by Carin Goldberg is certainly the most remarkable and moving, especially since the graphic designer left us in 2023. The book number 5 offers a visual exploration of Goldberg's student life combining fonts, calligraphy, vector shapes and naive drawing. Creating a style that is unique to her and certainly inspiring for a whole generation of students. The other 4 books present the work of students, we read them as we visit a contemporary art exhibition, between concept and curiosity. You will find attached in one of the books a CD-rom presenting works in motion design. In 2004 we are at the very beginning of the expansion of this animation discipline in art schools under After Effect and Premier and the artistic styles are very marked by the graphic capabilities of software and computers. There are the effects of texture and typography movement characteristic of the 2000s. Books from the School of Visual Arts - Senior Library are very rare to find. The 2018 version designed by Pentagram: https://www.pentagram.com/work/school-of-visual-arts-senior-library-2018/story The 2008 version designed by Poulin: http://www.poulinmorris.com/projects/publication/Exposed_School_of_Visual_Arts_Senior_Library.html The 2016 version designed by Scott Buschkuhl: https://hinterlandstudio.com/project/school-of-visual-arts/ An interview with Carin Goldberg in which she talks about this edition: https://bookdesigners.com/blog/carin-goldberg-2016 Page on the website of the International Graphic Alliance dedicated to this book: https://a-g-i.org/design/school-of-visual-arts-senior-library-2004 Condition : the box is damaged on the corners of one side ----------------------------- 5 livres In-4, couverture en toile, dos plat avec des points noirs indiquants l’ordre des livres. Le livre 5 présente 4 points noirs et une croix sur le premier plat. Coffret blanc avec une représentation des livres imprimés en noir et or d’un coté, et un portrait découpé et une croix dessinée en vectoriel de l’autre coté. Informations du livre sur le dos du coffret. Chaque année la School of Visual Arts de New-York, imprime dans une édition limitée, les travaux des étudiants dîplomés du département design et publicité et l'un des professeurs de l'école est sélectionné pour créer le livre. Ce sont souvent des graphistes de renommée internationale qui sont professeurs à la School of Visual Arts de NYC et, au même titre que pour les éditions du Types Director Club, ces éditions sont très prestigieuses. De notre avis, l’édition de 2004 de Carin Goldberg et certainement la plus remarquable et la plus émouvante, d’autant plus que la graphiste nous a quitté en 2023. Le livre 5 propose une exploration visuelle de Goldberg sur la vie d'étudiant associant polices de caractère, calligraphies, formes vectorielles et dessin naifs. Créant un style qui lui est propre et certainement inspirant pour tout une génération d’étudiants. Les 4 autres livres présentent les travaux d’étudiants, on les lit comme on visite une exposition d’art contemporain, entre concept et curiosité. Vous trouverez joint dans un des livres un CD-rom présentant des travaux en motion design. En 2004 nous sommes au tout début de l’expansion de cette discipline d’animation en école d'art sous After Effect et Premier et les styles artistiques sont très marqués par les capacités graphiques des logiciels et des ordinateurs. On y retourves les effets de texture et de mouvement de typograpie caractéristiques des années 2000. Les livres de la School of Visual Arts - Senior Library sont très rares à trouver. L'édition 2018 designée par Pentagram: https://www.pentagram.com/work/school-of-visual-arts-senior-library-2018/story L'édition 2008 designée par Poulin: http://www.poulinmorris.com/projects/publication/Exposed_School_of_Visual_Arts_Senior_Library.html L'édition 2016 designée par Scott Buschkuhl: https://hinterlandstudio.com/project/school-of-visual-arts/ Une interview de Carin Goldberg dans lequel elle cite cette édition: https://bookdesigners.com/blog/carin-goldberg-2016 Page sur le site de l’Alliance Graphique Internationale dédiée à ce livre: https://a-g-i.org/design/school-of-visual-arts-senior-library-2004 État : des coins sont abîmés sur un des cotés de la boite‎

‎Theology, Modernity, and the Visual Arts‎

‎, Brepols, 2024 Hardback, 330 pages, Size:225 x 300 mm, Illustrations:78 col., Language: English. ISBN 9782503607122.‎

‎Summary In an increasingly visual age, images are the new lingua franca and Christian theology must ask how it can be 'spoken' with nuance and integrity. This book brings together theologians, biblical scholars, art historians, and curators to consider what questions about Christ and modernity might be posed by the visual arts, and what truths about Christ and modernity they might ask us to face. Its authors explore modern and contemporary artists from Pablo Picasso to Kent Monkman and Paul C zanne to Cornelia Parker, addressing questions of theory, practice, and interpretation. Their contributions are orientated by an enquiring and critical focus on how modern and contemporary visual art coexists with, counters, illuminates, and serves Christianity. TABLE OF CONTENTS Introduction Art with Christianity Thinking with Christianity: A Grammar of Doubt and Belief in Contemporary Art (Jonathan Anderson) The Right Eyes: Curating a Theology of Modernist Painting (Daniel A. Siedell) Making Pain Incarnate: An Iconophilic Interpretation of Pablo Picasso's Guernica (Christina Carnes Ananias) Secularization as Realization? (Johann H. Claussen) Art instead of Christianity Missionary Position: Kent Monkman and Christianity (Matthew J. Milliner) Monochromes and Monotheisms: An Apophatic Dialogue with Ad Reinhardt (Aaron Rosen) Lines of the Sacred: Toward a Heterology of Drawing (Jeremy Biles) Squinting at the Invisible: Spiritual Seeing and the Art of Michael Simpson (Jennifer Sliwka) Inheriting the Mantle: Modern and Contemporary Art as the Inheritor of the Prophetic and Apocalyptic Tradition (C.A. Strine) Art about Christianity How About...? R.G. Collingwood, T.J. Clark, and the Conditions of a Haveable World (Ben Quash) Scandalous Particularity: Visual Depictions of Jesus in Modern Art (Rebekah Eklund) Optical Allusions? Exploring the Ambiguity of Biblical Texts in Modern and Contemporary Art (Christine E. Joynes) A Search for Symbols and Images Adequate to Our Predicament (Neil MacGregor) Strange Flesh: The Body of the Risen Jesus in the Art of Edward Knippers (W. David O. Taylor) Art for Christianity Showing People Jesus: Sight and the Visual Arts at Canterbury (Felicity Harley-McGowan) Vision and Mission: Making Art for a World in Danger (Frances Spalding) Re-Visiting Creation (Chlo Reddaway) Bibliography Index‎

‎Age of Rubens Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe‎

‎, Brepols, 2016 Softcover ,IV+302 pages ., 81 b/w ill. + 21 colour ill., 210 x 297 mm Languages: English, French. ISBN 9782503549484.‎

‎This thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens?s contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velazquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. Luc Duerloo is professor of early modern political history at the University of Antwerp. His current research focuses on the Court of the Archdukes Albert and Isabella, their international policies and artistic patronage. His monograph Dynasty and Piety: Archduke Albert (1598?1621) and Habsburg Political Culture in an Age of Religious Wars (2012) won the Filips van Marnix van Sint Aldegonde Prize for History, and was translated into Spanish as El archiduque Alberto: Piedad y politica dinastica durante las guerras de religion (2015). R. Malcolm Smuts is Professor Emeritus of History at the University of Massachusetts Boston. His publications include Court Culture and the Origins of a Royalist Tradition in Early Stuart England (1987), Culture and Power in England 1585?1685, and numerous articles and edited collections dealing with the political and cultural history of early modern England and Europe. ‎

‎Lithographie originale : Conference for Women in the visual arts. The Phoenix.‎

‎ Lithographie 63x50 cm en 8 couleurs signée dans la planche sur une feuille de papier vélin 74,5x60,8 cm. Affiche de la conférence organisée à la Corcoran Gallery of Art à Washington du 20 au 22 avril 1972. Premier grand évènement artistique féministe américain organisé par Mary Beth Edelson avec Elaine De Kooning, Judy Chicago et Miriam Schapiro. Autour de la conférence, une cinquantaine de participantes exposeront dans 35 galeries et musées de la ville. Marge supérieure rognée sur 3,5 cm et rousseurs sans atteinte à la gravure, lithographie en très bon état. Expédition sous tube cartonné avec suivi. ‎

‎Izobrazitel'noe iskusstvo Arabskoy Respubliki Egipet. In Russian /Visual Arts...‎

‎Short description: In Russian. Bogdanov, Anatoly Andreevich. Visual Arts of the Arab Republic of Egypt. Moscow: Fine Arts, 1975. Izobrazitel'noe iskusstvo Arabskoy Respubliki Egipet. In Russian /Visual Arts of the Arab Republic of Egypt. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU6910445‎