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‎Opus 3‎

‎DISQUE VINYLE 33T : CHOPIN - 14 VALSES - Valse N°1 en Mi Bémol Majeur, Opus 18, Valse N°12 en Fa Mineur, Opus 70, Valse N°5 en La Bémol Majeur, Opus 42, Valse N°3 en La Mineur, Opus 34, Valse N°7 en Do Dièse Mineur, Opus 64‎

‎DEUTSCHE GRAMMOPHON. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette ouvrante en couleurs. Valse N°1 en Mi Bémol Majeur, Opus 18, Valse N°12 en Fa Mineur, Opus 70, Valse N°5 en La Bémol Majeur, Opus 42, Valse N°3 en La Mineur, Opus 34, Valse N°7 en Do Dièse Mineur, Opus 64, Valse N°6 en Ré Bémol Majeur, Opus 64, Valse N°10 en Si Mineur, Opus 69, Valse N°8 en La Bémol Majeur, Opus 64, Valse N°4 en Fa Majeur, Opus 34, Valse N°9 en La Bémol Majeur; Opus 69 Valse N°13 en Ré Bémol Majeur, Opus 70, Valse N°2 en La Bémol Majeur, Opus 34, Valse N°11 en Sol Bémol Majeur, Opus 70, Valse N°14 en Mi Mineur.. . . . Classification : 410-33 Tours‎

‎Disque n°2530965. Classification : 410-33 Tours‎

‎Tribunal confessariorum et ordinandorum, R. P. Martini Wigandt, ordinis praedic. ss. theologiae magistri, ejusdemque in celeberrima, et antiquissima universitate viennensi doctoris, ac quondam studii generalis in conventu primi moderatoris. Complectens materias theologico-morales juxta probabiliora ac inconcussa dogmata angelici, ac quinti Ecclesiae Doctoris D. Thomae Aquinatis, ejusque invictissimae scholae. Nunc primum compluribus miscellaneis casibus desumptis ex gravioribus auctoribus, auctum, et illustratum, adjunctis utrobique dubitandi, et resolvendi rationibus. Constitutionibus, et decretis pontificiis, in suis respective tractatibus collocatis, noviter adauctum. A plurimisque mendis, quae in anterioribus impressionibus scatebant fideliter correctum. Demumque quadruplici tractatuum, seu quaestionum, casuum, constitutionum, seu decretorum, ad, calcemque indice omnium rerum notabilium locupletissimo superadditum. Opus confessariis, et poenitentibus utilissimum. Cum gemino tractatu propositionum damnatarum, et bullae cruciatae R. P. Francisci Vidal sacrae theologiae lectoris ejusdem ordinis‎

‎Matriti (Madrid), Joachim Ibarra in via vulgo de la Urosas Typographum, 1763. 2030 g In-folio, plein vélin, [20] ff., 860 pp.. Impression du célèbre imprimeur espagnol, Joachim Ibarra. Traces de lacets. Manque de peau au bas du dos, rousseurs dans la marge des premiers feuillets. . (Catégories : Droit, Religion, Droit canon, )‎

‎Pianoscores (8) . Humoresken für das Pianoforte opus 6 (11 pp), Neue Lyrische Stücke für Pianoforte opus 38 (19 pp), Lyrische Stückchen opus 43 (17 pp), Aus dem Volksleben opus 19 (19 pp), Albumblätter opus 28 (15 pp), Walzer Capricen für vier Händen für pianoforte solo opus 37 (15 pp), Norwegischer Brautzug opus 19 n°2 (7 pp), Lyrische Stücke opus 12 (11 pp).‎

‎"2. Leipzig, C.F.Peters, s.d., lithographic scores, two-coloured title-pages, platenumbers;6237, 7263, 6729, 6954, 5676, 6204, 7151, 6859, scores bound in one volume, contemporary half roan."‎

‎Mazurkas Opus 59 Nos 1 À 3, Opus 63 Nos 1 À 3, Opus 68 No 4, Ballades No 3 Opus 47 Et No 4 Opus 52, Polonaises No 5 Opus 44 Et No 6 Opus 53‎

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‎Corpus Christianorum. Oswaldus de Corda Opus pacis,‎

‎Turnhout, Brepols, 2002 Hardback, CLIV+99 p., 155 x 245 mm. ISBN 9782503047911.‎

‎The Opus pacis, a manual for Carthusian copyists and correctors of Latin manuscripts, was written in 1417 by Oswald de Corda, Bavarian-born vicar of the Grande Chartreuse; it is the earliest known example of an attempt to formulate principles of textual emendation. Although the Opus pacis includes discussions of orthography, etymology, and grammar, it focuses on the practical dilemmas of scribes faced with variant spellings, accents, and pronunciations. The twelve surviving manuscripts of the treatise testify to its popularity throughout the fifteenth and early sixteenth centuries: it circulated also outside the Carthusian Order (to the Cologne Crosiers, the Cologne Brethren of the Common Life, the Benedictines of St. Matthias in Trier, and the reforming bishop, Nicholas of Cues) and inspired the compilation of similar handbooks in other religious orders (the Windesheim and Bursfeld Congregations). This thesis offers the first complete critical edition of the text and description of the manuscripts, two of which are autographs. The accompanying study examines the Carthusian tradition of textual uniformity, the biography of Oswald de Corda, the sources and structure of the Opus pacis, and the use and influence of the work within and outside the Carthusian Order. The study concludes by showing how Carthusian piety fundamentally inspired and encouraged these monks' concern for uniformity. Although the attitude of reverence toward the written word could inhibit criticism of sacred texts, the Opus pacis, recommends judicious emendation and looks forward to the work of Erasmus and other religious humanists of the sixteenth century. Languages: Latin.‎