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LENORMAND, Henri-René.
Images.
Paris : Les bijoux typographiques, 1925 In-12, broché, couverture imprimée.
Reference : 43543
Edition originale, tirée à 150 ex. sur vergé de filin.
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5 book(s) with the same title
Histoire d'un brave petit soldat. Text et images de Charolotte Schaller-Mouillot.
Paris, Berger-Levrault, 1915. Quer-4°. (20) Bl. Mit farb. Illustrationen von Charlotte Schaller-Mouillot. Farb. illustr. Orig.-Halbleinenband.
Mit stärkeren Gebrauchsspuren. Besitzerstempel auf dem vorderen Titelblatt. Fachmännisch restauriert.
Le Marchand d'images.
Dreste, C.C. Meinhold & fils. 8°. 1 Bl, 30 S. 7 kol. Tafeln v. E. Sachsse.. Illustr. HLn d.Zt.
Durchgehend braunfleckig. S. 27 mit kl. Einriss. Vorsätze leicht fleckig.
Architectura caelestis. Images of the hidden prime of styles.
Salzburg, Residenzs Verlag, 1970. 4°. 210 (1) S. Mit 2 sign. Orig.-Radierungen und zahlr. Illustr. von Ernst Fuchs. Orig.-Leinenband mit farb. illustr. Schutzumschlag illustr. Leinenschuber.
Nr. 117 von 200 Exemplaren der Vorzugsausgabe mit 2 Orig.-Radierungen. - Schutzumschlag mit hinterlegtem Einriss.
Reading Images and Texts <br>Medieval Images and Texts as Forms of Communication. Papers from the Third Utrecht Symposium on Medieval Literacy, Utrecht, 7-9 December 2000
, Brepols - Harvey Miller, 2005 Hardcover. X 546 p., 141 b/w ill. 19 colour ill., 160 x 240 mm, Languages: English, Latin, Fine copy. Including an index. ISBN 9782503514376.
The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>In recent years the relations between images and texts have benefitted from an increase in scholarly attention. In medieval studies, art historians, historians, codicologists, philologists and others have applied their methods to the study of illuminated manuscripts and other works of art. These studies have shifted from a concern about the contents of the messages contained in the artefacts (e.g. in iconography) to an interest in the ways in which they were communicated to their intended audiences. The perception of texts and images, their reception by contemporaries and by later generations have become topics in their own right. The analysis of individual manuscripts and works of art remains the basis for any consideration of their transmission and uses. Yet the time has come for an evaluation of the results of recent work on medieval communication. The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>According to some, medieval images may be ?read?. According to others, the perception of images is fundamentally different from that of texts. Do images have a morphology (colours, lines, planes), a syntax and semantics of their own? In other words: do both texts and images have a ?grammar?? Is it useful to speak of ?visual literacy?? Can texts be considered as images? How are texts and images perceived? Do they communicate different kinds of messages? Can an image?s message be put into words? In which social contexts does medieval man prefer the visual to the textual? What about the interplay of texts and images (e.g. in rituals and ceremonies)? Do we observe an evolution in the perception of images due to the development of a literate mentality? These are some of the questions discussed in the contributions to this volume.
Ethno-Psychologie - suite à la Revue de Psychologie des Peuples - Publication du Centre Universitaire de Psychologie des Peuples- ethnologieSommaire : Images de l'Europe 1871 - 1971Lettre de M. Jules Romains - Lettre de Hugo Dyserinck - Le concept européen ( H. Brugmans ) - Images de l'Allemagne en France ( Martin Steins ) - Images de la France en Allemagne 1870 - 1970 ( Jean Nurdin ) - L'Italie du " Non expedit " t l'Italie du Concordat ( Une auto-image confronée aux hétéro-images européennes ( Giannantonio Paladini ) - Pareto, historien de l'Europe contemporaine ( Bernard valade ) - Images de l'Europe dans " Les hommes de bonne volonté " Extrait des " Hommes de bonne volonté " ( Georges Bonneville ) - Cataloge des études concernant les images d'Europe ( S. Marandon ) - Bibiographie - Chronique - Nouvelles du Centre
1971 1 vol in-8 broché - 160 pages - 26ème année - N° 4 - 4ème trimestre 1971
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