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Mach 1 - Encyclopédie De l' Aviation
Volume 7
Editions Atlas Bruxelles 1980 pages 1781 à 2075 en format 23 - 30 cm - nombreuses photographies en couleurs - reliure rigide en simili cuir avec titre en dorure
Reference : 057371
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5 book(s) with the same title
Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6 VOLUMES SET catalogue raisonn of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates
, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.
This is the 6 -volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.
Edward Hopper. Catalogue Raisonne. 4 volumes in slip case. CD-Rom. Volume I. Edward Hopper: Perspective on His Life and Work. Volume II: Watercolors. Volume III: Oils. Volume IV: CD-Rom.
New York /London , Whitney Museum of American Art; and W. Norton & Company, , 2006 4 volumes. Large 4to. *Very Fine, cloth bound in cloth slip case, with 1,500 illustrations, 600 in colour. *very fine condition. ISBN 9780393037869.
Edward Hopper. A Catalogue Raisonne. 4 volumes in slip case. CD-Rom. Volume I. Edward Hopper: Perspective on His Life and Work. Volume II: Watercolors. Volume III: Oils. Volume IV: CD-Rom. The definitive complete Edward Hopper. This long-awaited catalogue of Edward Hopper's oils, watercolors, and illustrations will be published in a unique format: a magnificent three-volume boxed set of the text and works and a Windows-only CD-ROM which includes all scholarly information? provenance, bibliographies, exhibition histories, etc.?cross-referenced and coded to allow many methods of access and updating. Volume One contains an essay on Hopper and his place in American art, plus all illustration work done in the beginning of his career. Volume Two presents over 350 watercolor paintings and related texts. Volume Three presents over 360 oil paintings and their texts. This extraordinary work, representing years of scholarship, sets new standards for the catalogue raisonne, as well as offering collectors and museum-goers alike an extraordinary display of the works of one of the most important American artists. 1500 illustrations and paintings, 600 in full color
Cuneiform Texts in The Metropolitan Museum of Art. Volume I: Tablets, Cones, and Bricks of the Third and Second Millennia B.C.
Turnhout, Brepols, 1988 Cloth binding with dustjacket, 408 pages, 29 x 22.5 cm, english text. *Fine condition. . ISBN 0870994956.
This book is the initial publication in a four-volume series on the collection of cuneiform tablets and inscriptions in the Metropolitan Museum's Department of Ancient Near Eastern Art. It is a scholarly study of objects acquired largely during the 1880s, when the Metropolitan became the first American museum to acquire a substantial number of cuneiform texts. Today the Museum's collection totals more than five hundred texts and fragments; the publication of these volumes will make these texts available in a manner that will instruct and inform as wide an audience as possible. Cuneiform Texts in The Metropolitan Museum of Art, Volume I: Tablets, Cones, and Bricks of the Third and Second Millennia B.C. presents 120 commercial texts, legal texts, and letters, along with cones and bricks, from ancient Mesopotamia. This material is offered in both transliteration and translation, with drawings and selected photographs of the tablets as well as descriptions, drawings, and photographs of the seal impressions appearing on them. Features of special interest in this volume include the presentation of Sumerian ledger-account translations in modern accounting formats; allocations for the royal family of the Sumerian king Sulgi of the Third Dynasty of Ur; an Old Babylonian military confrontation with the Kassites, as disclosed in correspondence; Old Assyrian correspondence involving smuggling, moth-eaten textile shipments, legal testimony, and a caravan report presented in both textual translation and modern-ledger format; as well as new collations and translations of Amarna-period royal correspondence. Ira Spar is the editor of the Museum's cuneiform-tablet project, with a distinguished international group of collaborators assisting in the preparation of the texts. Each scholar has prepared manuscripts within his respective field of expertise, and hand copies of the tablets and seal inscriptions have been drawn by Dr. Spar. The inclusion in this volume of a comprehensive catalogue of the seal impressions on the tablets and cases illustrates the Museum's interest in publishing these works of art in their original context. The seal impressions are presented with brief commentary together with photographs and scale drawings prepared by Holly Pittman, Associate Curator in the Department of Ancient Near Eastern Art at the Metropolitan Museum. The second volume of this series will contain the literary and scholastic texts from the second millennium B.C. to the first century A.D.; the third volume will present the administrative, commercial, and legal tablets from the first millennium B.C. A final short volume will contain all cuneiform inscriptions found on objects in the Museum's collections.
D.A. Hardy (Ed.) / C.G. Doumas (Ed.) / J.A. Sakellarakis (Ed.) / P.M. Warren (Ed.) / J. Keller (Ed.) / V.P. Galanopoulos (Ed.) / N.C. Flemming (Ed.) / T.H. Druitt (Ed.) / A.C. Renfrew (Ed.)
Reference : 66341
Thera and the Aegean World III: Proceedings of the Third International Congress, Santorini, Greece, 3-9 September 1989 (Complete 3 volume set: Volume I: Archaeology; Volume II: Earth Sciences; Volume III: Chronology)
London, The Thera Foundation, 1990 3 Volumes, Grey cloth binding with dustjacket, 511; 487; 242 pages, 29 x 22 cm. ENG TEXT **VERY FINE CONDITION!! ISBN 9780950613376.
Thera and the Aegean World III: Proceedings of the Third International Congress, Santorini, Greece, 3-9 September 1989 (Complete 3 volume set: Volume I: Archaeology; Volume II: Earth Sciences; Volume III: Chronology)
Letters of Gregory the Great Volume 1: Books 1-4; Volume 2: Books 5-9; Volume 3: Books 10-14,
Turnhout, Brepols, 2004 Paperback, XXXIV+996 p., 155 x 230 mm. Languages : English. ISBN 9780888442901.
This translation of the Registrum epistularum of Gregory the Great, the first complete version in English, and only the second in any modern language, will provide all medievalists access to one of the most important documentary collections to have survived from the period. All fourteen books of the letters are presented in three volumes, each with a preface of its own but sharing the introduction found in the first volume. Books 1-4 appear in volume 1, Books 5-9 in the second volume, and Books 10-14 (and appendices) in the concluding volume, which also contains a glossary, bibliography, and indices. The Introduction provides a brief biography of Gregory and discussions of the historical background, as well as detailed exposition of a range of topics, from Gregory's missions and his relationship with Augustine of Canterbury, to the pope's major correspondents and his use of Scripture. A section on the stylistic features of the letters shows the range of Gregory's literary and rhetorical art.
