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Jacques Mesnil
Raphael
Les Editions Braun & Cie broché Couverture Illustrée Paris 1950 collection des maîtres - 60 planches en format 12 - 16 cm
Reference : 054561
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Librairie Internet Antoine
Henry Charlier
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5 book(s) with the same title
RAPHAEL D'URBIN ET SON PERE GIOVANNI SANTI par J. D. Passavant, [...] Édition française, refaite, corrigée et considérablement augmentée par l'auteur sur la traduction de M. Jules Lunteschutz, revue et annotée par M. Paul Lacroix, [...]
1860 Paris: Jules Renouard, 1860. Complet en 2 vol. in-8: 15 x 22 cm. I/ viii-582 pp.; II/ 644 pp. Étude pionnière sur Raphael parue pour la première fois à Leipzig en 1839 sous le titre «Rafael von Urbino und sein Vater Giovanni Santi». Avec le portrait de Raphael gravé par Girard en frontispice du 1er volume, une vue de la maison de l'artiste à Rome en frontispice du second volume et un fac-similé d'un autrographe de Raphael. Charmantes reliures en basane lavallière. Dos à nerfs maqurés de filets dorés avec pièces de titre en chagrin noir. Piqûres épases. Collection très décorative.
Artiste-peintre né à Francfort, figure active du mouvement des nazaréens, Johann David Passavant (1787-1861) fut aussi conservateur du Städelsches Kunstinstitut dès les années 1830. On lui doit des catalopgues et des études pionières sur les maîtres anciens, cette vie de Raphael en témoigne.
Histoire de la vie et des ouvrages de Raphaël orné d'un portrait
1835 Paris, Firmin Didot frères, Ad. Le Clere et Cie, 1835, in-8 de (4)-460-(8) pp., portrait de Raphaël gravé sur Chine par Coiny en frontispice, belle reliure de l'époque, demi-maroquin rouge grain lisse, dos à nerfs orné de roulettes dorées, soulignés de filets à froid et dorés, jolis fleurons romantiques dorés, quelques pâles mouillures au début de l'ouvrage sinon bel exemplaire sans rousseurs.
3e édition revue et augmentée. 1 fac-similé d'écriture, 2 planches gravées in fine, et un portrait ajouté de Raphael en pied gravé à l'eau-forte par Lalaisse d'après Deveria.
"(FIBIGER, MATHILDE) + (JULIUS CHRISTIAN GERSON) (+) (PETER VANDAL)
Reference : 63447
(1851)
Clara Raphael. Tolv Breve, udgivne af Johan Ludvig Heiberg. Andet Oplag (+) Fem Breve til Clara Raphael fra en Ung Hustru (+) Blik paa det verdenshistoriske Værk ""Clara Raphael"" og den derved fremkaldte Damelitteratur.
Kjøbenhavn, 1851. 8vo. In recent blue paper covered boards with white paper title-label to front board. Annotations in pencil to pasted down front end-paper. Internally with light occassional brownspotting. X, 110, 35, (1), 71 pp.
A most interesting sammelband containing the scarce second edition, published the same year as the first, of the first feminist novel in Denmark, the highly controversial and influential ""Clara Raphael"", which is the work that sparked the battle for women's rights in Denmark. Bound together is one of the most important responses to it from the same year (“Fem Breve til Clara Raphael”) as well as Drejer’s (under the pseudonym Vandal) critical commentary. Fibiger’s novel caused enormous controversy. The intellectual elite was in uproar. Within the first year of its publication, ca 25 responses to it were published in newspapers and periodicals and ca 10 brochures and pamphlets pertaining to it. The novel caused vexation in all political camps. The demands for equality between the sexes were scrutinized in all regards, and many politicians began singing the praises of “the woman of the home”. It is in this strain of thought that the famous author of children’s books, Julius Christian Gerson, wrote his significant contribution to the feud, “Five Letters to Clara Raphael from a Young Wife”, also published in 1851. Using the pseudonym “A Young Wife”, he claims, in the voice of this fictitious woman, that Fibiger’s novel had violated the female gender and that the emotions and the striving that are presented as those most pertinent for the woman, are completely foreign to the true woman. He lets his fictitious female author praise herself for being “a young mother who wishes for nothing and wishes to be nothing outside of her circle.” The debate that arose following the publication of ""Clara Raphael"" was very harsh indeed, and the whole public debate was hard on Mathilde Fibiger. Her views were lost on almost all notable men of the period, but she clearly needed to defend herself. ""Clara Raphael"" is the main work of feminism in Denmark and the first Danish governess novel. It founded an entirely new genre of women's novels hitherto unknown in Denmark. The work, which constitutes the break-through of feminism in Denmark, was greatly controversial and immediately caused great furore. It resulted in the so-called Clara Raphael Dispute, in which for instance N.F.S. Grundtvig defended Mathilde Fibiger. Due to the controversial contents of the work, Mathilde Fibiger published it anonymously, and only J.L. Heiberg (1791-1860, perhaps the most famous cultural persona during the Danish Golden Age. He played a more significant role than any other author or thinker during this period) is mentioned on the title-page, as the editor. No publisher had wanted to touch this highly controversial work, and it was only after the appearance of ""Jane Eyre"" that a publishing house dared take it on. As Mary Wollstonecraft had pioneered feminist philosophy with ""A Vindication of the Rights of Women"" from 1792 and argued for education as the means to liberate women, so Mathilde Fibiger surprised her Danish contemporaries with her groundbreaking novel ""Clara Raphael. Twelve Letters"", from 1851, in which she made the connection between the national-democratic movement and the liberation of women. With this book, which deals with the inequality of the sexes and the lack of possibility for women to develop themselves, Mathilde Fibiger became the first notable advocate of the emancipation of women in Denmark. It was not only the political controversy caused by the request of equality that made the book so extremely controversial, it was also the ability of the merely 20 year old author to clearly and precisely state and substantiate the essential problems. When reading the book, it is not difficult to see why it came to have the effect that it did, and why it caused the furor that it did. For instance, Clara Raphael, when despairing at the position of women in society, writes: ""Our position in society is tragic, and why? What right does man have to suppress us? For subjugated we are, despite the chains being gilded."" She understands that casting off these chains will be no easy matter, and that it will not only be a matter of politics, but also of consciousness and mindset: ""When the peasants were granted their freedom, some of them wept, begging for permission to keep things as they had been."" One of the beaming sentences of the novel is Clara's response to her friend when asked what she is actually fighting for: ""I will fight and live for what I understand by the emancipation of women."" Her hope of breaking with the existing patriarchal system of society required national and democratic self-awareness, which for her constituted a promise of freedom. In 1871, Frederik Bajer (1837-1922) and Matilde Bajer (1840-1934) founded the Danish Women's Society, the first women's organisation in Denmark. Mathilde Fibiger was one of the earliest members of the Society. When the Danish Women's Society was established, it did not demand female suffrage. It was not until 1906 that a majority of the members were in favour of making that demand the official policy of the Society. In Denmark, women were not allowed to vote in parochial church council elections until 10+3" not until 1908 were they allowed to vote in parish council and local council elections, and not until 1915 in the Folketing and the Landsting elections. It was not until then that women became fully-fledged citizens in a political sense.
RAPHAEL (after / d’après) / VOLPATO, Giovanni / MORGHEN, Raphael:
Reference : 136456aaf
1) Effigies cognitae in in Scholae Atheniensis... A key to some of the figures depicted in Raphael's School of Athens: 23 figures, all seen bust-length, and the explanatory key below. Etching - Giovanni Volpato (1733-1803) after Raphael - Italien school .
s.d. ca. 1760, 26x38 cm 4 leaves of orig. etchings,
2) Effigies cognitae in Montis Parnassi... A key to some of the figures depicted in The Parnassus, after the fresco designed by Raphael for the Stanza della Segnatura: eleven poets, all seen bust-length, and the explanatory key belowEtching- Raphael Morghen after Raphael - 1775 -3) (after Raphael) by Raphael Morghen (Naples 1758 - Florence 1833). 1.Cardinal Giovanni de' Medici, later Pope Leo X (1475-1521), 2. Pope Saint Leo I 'The Great' (d.461), 3. Perugino (c.1450 – 1523) and 4. Attila the Hun (d.453).4) Effigies cognita Julius Papa Secundus... Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Raphaël et l'art français.
P., Réunion des Musées Nationaux, 1983, gr. in-8° carré, 492 pp, 835 illustrations (qqs-unes en couleurs), 400 notices érudites, annexes, biblio, index des artistes cités, index des oeuvres de Raphaël citées, broché, couv. illustrée, 2e plat lég. frotté, bon état
Catalogue édité à l'occasion de l'exposition "Hommage à Raphaël : Raphaël et l'art français", présentée au Grand Palais, Paris, du 15 novembre 1983 au 13 février 1984. Textes de Jacques Thuillier (Présence d'un peintre), Martine Vasselin (La fortune gravée de Raphaël en France), Jean-Pierre Cuzin (Raphaël et l'art français : introduction au catalogue), Catalogue, Peintures et dessins, Gravures... — "L'année 1983 a marqué le cinquième centenaire de la naissance du peintre et architecte Raphaël Sanzio (1483-1520). Pour célébrer cet anniversaire, les Musées Nationaux de France ont présenté cette exposition exceptionnelle sur "Raphaël et l'art français", tenue au Grand-Palais. Elle fut mise sur pied par Jean-Pierre Cuzin, conservateur au Département des peintures du Musée du Louvre. Énorme, elle avait pour but d'illustrer l'influence de Raphaël sur les artistes français, du seizième au vingtième siècle, de l'École de Fontainebleau jusqu'à Pablo Picasso, et renfermait quatre cents peintures, dessins, gravures, sculptures, objets d'art, meubles, médailles et tapisseries, empruntées de musées et de collections du monde entier..." (Myra Nan Rosenfeld, Vie des Arts, 1984) Désormais les frais d'envoi sont de 6 € seulement pour les livres jusqu'à 1 kg (colissimo suivi), pour la France métropolitaine.
