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Chefs-D'oeuvre De l' Art - Grands Sculpteurs
Moore
Hachette Couverture Illustrée à Rabat Paris 1969 XVI planches en couleurs sur un support papier format 26.5 -35.5 cm
Reference : 028044
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5 book(s) with the same title
XXe SIECLE-HOMMAGE A HENRY MOORE-NUMERO SPECIAL-1972
136 PAGES-24,7 CM X 32 CM-LE GENIE DE HENRY MOORE, PAR JACQUES LASSAIGNE-AU COEUR DE LA TERRE NATALE, PAR ROLAND PENROSE-NATURE ET CULTURE: DEUX GRANDES SOURCES, PAR PIERRE VOLBOUDT-LA PREMIERE MONOGRAPHIE: "HENRY MOORE SCULPTEUR" PAR HERBERT READ-LA CLE DE LA FIGURE HUMAINE, PAR PIERRE COURTHION-NOSTALGIE DU FEMININ, PAR YVON TAILLANDIER-LES THEMES DE MOORE, PAR GIUSEPPE MARCHIORI-MOORE ET L'ITALIE, PAR GIOVANNI CARANDENTE-LES DESSINS DE MOORE ROBERT MELVILLE: LE "SHELTER SKETCH-BOOK", RAYMOND COGNIAT: DIVERGENCE ET VIBRATION, PIERRE VOLBOUDT: "ELEPHANT SKULL" OU LES DEDALES DE L'IMAGINAIRE-HENRY MOORE PARLE, PAR PHILIP JAMES-LE CENTRE HENRY MOORE A TORONTO, PAR WILLIAM J. WITHROW-TEMOIGNAGES-NOTES BIOGRAPHIQUES-LITHOGRAPHIE ORIGINALE DE HENRY MOORE (MOURLOT IMPRIMEUR)-SANS JAQUETTE-(200D)
XXe SIECLE COUVERTURE RIGIDE ETAT TRES BON
Henry Moore. Complete Drawings 1982-1983: A Catalogue RaisonnÃ. Volume VI: Drawings 1982-83. Vol 6. Henry Moore Complete Drawings 6
Garrould, Ann (ed): Henry Moore. Complete Drawings 1982-1983: A Catalogue RaisonnÃ. Volume VI: Drawings 1982-83. Vol 6. London: Lund Humphries, The Henry Moore Foundation, 1994. Series: Henry Moore Complete Drawings 6. 192pp with 16 colour and 698 monochrome illustrations. Hardback. 29x24cms. Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes.
Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes. Text in English
Bacon Moore. Flesh and Bone.
, Antique Collectors' Club, Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478.
In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison.
'Henry MOORE'. Catalogue de l'exposition Pierre Gianadda à Martigny durant l'été 1989. Richement illustré. Catalogue des oeuvres exposées. Textes en français, allemand, anglais et italien. Martigny, Fondation Pierre Gianadda et Electa, Milano, Elemond Editori Associati 1989. Bel exemplaire broché, premier plat illustré, dos avec titres, format moyen carré, 320 pages avec: présentation, introduction, textes, catalogue, chronologie et grandes expositions, bibliographie. Henry Moore: sa vie, son époque. Le point de vue de Henry Moore sur le rôle de l'art et de l'artiste. Henry Moore en Suisse. CHF 60.00 Sculpture. Beaux-Arts. Henry Moore. AUB97 Martigny, Fondation Pierre Gianadda et Electa, Milano, Elemond Editori Associati 1989. Bel exemplaire broché, premier plat illustré, dos avec titres, format moyen carré, 320 pages avec: présentation, introduction, textes, catalogue, chronologie et grandes expositions, bibliographie.
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Henry Moore: sa vie, son époque. Le point de vue de Henry Moore sur le rôle de l'art et de l'artiste. Henry Moore en Suisse.
[Moore] - Gerald CRAMER - Alistair GRANT - David MITCHINSON
Reference : 014188
(1976)
Henry Moore. Catalogue of graphic work. L'Oeuvre gravé. Das Graphische werk. 1973 - 1975
Genève Editions Gérald Cramer 1976 In-4 Cartonnage toilé et étui illustré éditeur Ed. originale
Volume II du catalogue raisonné des gravure d'Henry Moore. Préface en français, anglais et allemand. Addenda au tome 1 et plus de 160 estampes décrites et reproduites, exécutées entre 1973 et 1975, lithographies et eaux-fortes. >Bel exemplaire avec son étui. Il est signé par Moore au colophon, mais ne contient pas d'estampe originale. Bon 0
