‎Encyclopédie Par L'image‎
‎Rubens‎

‎Pietro Pauolo RUBENS‎

‎ ANVERS, fonds Mercator - 1977 - In-4 - 25 x 34, 406 pp., 276 illustrations couleurs et N/B, cartonnage éditeur avec jaquette illustrée, sous emboîtage - état neuf ‎

‎edition française - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎El Siglo de Rubens en el Museo del Prado. ‎

‎Editorial Prensa Ibérica. Museo del Prado. S.D. 3 volumes grand in-4. Pleine toile avec jaquettes et emboîtage. Notes en lettres dorées sur l'étui. Très nombreuses ills. Le 3ème volume est un Index et une Bibliographie. Texte en Espagnol. Etat neuf. Poids de plus de 12 kilos. Frais d'expédition offerts. ‎

‎Munuscula amicorum. Contributions on Rubens and his Colleagues in Honour of Hans Vlieghe. 2 vols‎

‎Turnhout, Brepols, 2006 Hardback, original editor's jacket, english, german, french, dutch, 19x25 cm., VIII+688 pp., 190 x 250 mm. *fine condition! ISBN 9782503515663.‎

‎Pictura Nova PICT 10. Contents : I. A Tribute to Hans Vlieghe. II. Aspects of Rubens? Art. III. A Cabinet of Flemish Baroque Painting. Tabula gratulatoria. Index. Contents: I. A Tribute to Hans Vlieghe 1. Katlijne Van der Stighelen, Preface 2. Justus Müller Hofstede, Ad honorem viri doctissimi optimique collegae Hans Vlieghe 3. Katlijne Van der Stighelen, Bibliography of Hans Vlieghe 1960-2005 4. Prologue: David Freedberg, Why Connoisseurship matters II. Aspects of Rubens? Art II.1. Rubens: the Legend Revisited 1. Christine Göttler, Affectionate Gifts: Rubens?s Small Curiosities on Metallic Supports 2. Nils Büttner, Aristocracy and Noble Business. Some remarks on Rubens's financial affaires 3. Ulrich Heinen, ?con ogni fervore?. Liebe und Begierde in Rubens? Bibliothek, Leben und Werk 4. Elizabeth McGrath, Garlanding the Great Mother: Rubens, Jan Breughel and the celebration of Nature's fertility 5. Karolien De Clippel, ?Bacchanaal? of Vastenavond?: What?s in a name? Receptie en classificatie van Rubens? bacchische voorstellingen in de zeventiende eeuw 6. Carl Van de Velde, Rubens? brieven in het Nederlands 7. Filip Vermeylen, Cleopatra on the move. Rubens paintings sold at auction in Antwerp during the eigthteenth century 8. Frans Baudouin, Architecturale motieven op schilderijen van Rubens: enkele voorbeelden 9. Bernard Aikema, Rubens? ?meraviglia? II.2. Rubens: Paintings at the Easel, Drawings in the Chest 1. Cynthia Lawrence, Rubens and De Rincón in Valladolid: a reconsideration of the first Spanish sojourn and a new source for the Antwerp ?Raising of the Cross? 2. Anne-Marie Logan, A Noble Genoese Lady: by or attributed to Rubens? 3. Jeremy Wood, Rubens and Raphael: The designs for the tapestries in the Sistine Chapel 4. Justus Muller Hofstede, Rubens? ?Bethlehemitischer Kindermord? von ca 1610 5. Christopher Brown, Rubens' Coronation of Henri IV in Oxford 6. Kristin Lohse Belkin, ?La belle Hélène? and her Beauty Aids: A New Look at ?Het Pelsken? 7. Nora De Poorter, Verloren werk van De Crayer en Rubens van naderbij bekeken. De altaarschilderijen van de Brusselse Lieve-Vrouwebroeders 8. Ursula Härting, A Small Entertainment für King Charles II im Rubenshaus 9. Barbara Haeger, The Choir Screen at St. Michael?s Abbey in Antwerp: gateway to the heavenly Jerusalem III A Cabinet of Flemish Baroque Painting III.1. The Context of the Genius 1. Bert Timmermans, The Elite as Collectors and Middlemen in the Antwerp Art World of the Seventeenth Century 2. David Howarth, Charles I?s Spaniel? The Relation between Charles I and Anthony van Dyck reconsidered 3. Katlijne Van der Stighelen, Anton van Dyck en Zaventem: een apart verhaal over het ontstaan en nabestaan van twee enigmatische schilderijen 4. Fiona Healy, Vive l'Esprit. Sculpture as the Bearer of Meaning in Willem van Haecht's Art Cabinet 5. Nico Van Hout, Een stijltechnische analyse van de Rozenkransreeks in de Sint-Pauluskerk te Antwerpen 6. Koenraad Jonckheere, Wars van decorum. Het Laatste Avondmaal van Adriaen Thomasz Key: een uitgangspunt voor Rubens? 7. Jeffrey Muller, The Cult of St. Joannes Nepomucenus in the St. Jacob?s Church, Antwerp 8. Leo De Ren, ?Rubens hebben we al?. De Weense selectie uit de schilderijencollectie van Karel Alexander van Lotharingen III.2. The Genius of the Craftsman 1. Rudi Ekkart, Abraham de Vries, een Hollandse portrettist in Frankrijk en de Zuidelijke Nederlanden 2. Jan Muylle, Adriaen Brouwer beroofd op zee. De echo van een kunstenaarsanekdote? 3. Guy Delmarcel, De Antwerpse schilder Pieter van Lint(1609-1690) als ontwerper van wandtapijten. Een bijdrage 4. Joost Vander Auwera, Afgemeten, ingelijst en opgelijst. Kanttekeningen bij enkele aanvullingen op het oeuvre van Artus Wolffort (Antwerpen 1581-1641 ) 5. Arnout Balis, Venus en de Gratiën: een mythologisch schilderij van Justus van Egmont 6. Barbara Welzel, David Teniers II and Archduke Leopold Wilhelm 7. Ilja Veldman, Zuid-Nederlandse schilders in het fonds van prentuitgever Crispijn de Passe 8. Walter Liedtke, Toward a New Edition of Flemish Paintings in the Metropolitan Museum of Art Tabula gratulatoria‎

‎Munuscula amicorum. Contributions on Rubens and his Colleagues in Honour of Hans Vlieghe. 2 vols.‎

‎Turnhout, Brepols, 2006 Hardback, original editor's jacket, english, german, french, dutch, 19x25 cm., VIII+688 pp., 190 x 250 mm. ***library stamps present on title page and spine ISBN 9782503515663.‎

‎Pictura Nova PICT 10. Contents : I. A Tribute to Hans Vlieghe. II. Aspects of Rubens Art. III. A Cabinet of Flemish Baroque Painting. Tabula gratulatoria. Index. Contents: I. A Tribute to Hans Vlieghe 1. Katlijne Van der Stighelen, Preface 2. Justus Müller Hofstede, Ad honorem viri doctissimi optimique collegae Hans Vlieghe 3. Katlijne Van der Stighelen, Bibliography of Hans Vlieghe 1960-2005 4. Prologue: David Freedberg, Why Connoisseurship matters II. Aspects of Rubens? Art II.1. Rubens: the Legend Revisited 1. Christine Göttler, Affectionate Gifts: Rubens?s Small Curiosities on Metallic Supports 2. Nils Büttner, Aristocracy and Noble Business. Some remarks on Rubens's financial affaires 3. Ulrich Heinen, ?con ogni fervore?. Liebe und Begierde in Rubens? Bibliothek, Leben und Werk 4. Elizabeth McGrath, Garlanding the Great Mother: Rubens, Jan Breughel and the celebration of Nature's fertility 5. Karolien De Clippel, ?Bacchanaal? of Vastenavond?: What?s in a name? Receptie en classificatie van Rubens? bacchische voorstellingen in de zeventiende eeuw 6. Carl Van de Velde, Rubens? brieven in het Nederlands 7. Filip Vermeylen, Cleopatra on the move. Rubens paintings sold at auction in Antwerp during the eigthteenth century 8. Frans Baudouin, Architecturale motieven op schilderijen van Rubens: enkele voorbeelden 9. Bernard Aikema, Rubens? ?meraviglia? II.2. Rubens: Paintings at the Easel, Drawings in the Chest 1. Cynthia Lawrence, Rubens and De Rincón in Valladolid: a reconsideration of the first Spanish sojourn and a new source for the Antwerp ?Raising of the Cross? 2. Anne-Marie Logan, A Noble Genoese Lady: by or attributed to Rubens? 3. Jeremy Wood, Rubens and Raphael: The designs for the tapestries in the Sistine Chapel 4. Justus Muller Hofstede, Rubens? ?Bethlehemitischer Kindermord? von ca 1610 5. Christopher Brown, Rubens' Coronation of Henri IV in Oxford 6. Kristin Lohse Belkin, ?La belle Hélène? and her Beauty Aids: A New Look at ?Het Pelsken? 7. Nora De Poorter, Verloren werk van De Crayer en Rubens van naderbij bekeken. De altaarschilderijen van de Brusselse Lieve-Vrouwebroeders 8. Ursula Härting, A Small Entertainment für King Charles II im Rubenshaus 9. Barbara Haeger, The Choir Screen at St. Michael?s Abbey in Antwerp: gateway to the heavenly Jerusalem III A Cabinet of Flemish Baroque Painting III.1. The Context of the Genius 1. Bert Timmermans, The Elite as Collectors and Middlemen in the Antwerp Art World of the Seventeenth Century 2. David Howarth, Charles I?s Spaniel? The Relation between Charles I and Anthony van Dyck reconsidered 3. Katlijne Van der Stighelen, Anton van Dyck en Zaventem: een apart verhaal over het ontstaan en nabestaan van twee enigmatische schilderijen 4. Fiona Healy, Vive l'Esprit. Sculpture as the Bearer of Meaning in Willem van Haecht's Art Cabinet 5. Nico Van Hout, Een stijltechnische analyse van de Rozenkransreeks in de Sint-Pauluskerk te Antwerpen 6. Koenraad Jonckheere, Wars van decorum. Het Laatste Avondmaal van Adriaen Thomasz Key: een uitgangspunt voor Rubens? 7. Jeffrey Muller, The Cult of St. Joannes Nepomucenus in the St. Jacob?s Church, Antwerp 8. Leo De Ren, ?Rubens hebben we al?. De Weense selectie uit de schilderijencollectie van Karel Alexander van Lotharingen III.2. The Genius of the Craftsman 1. Rudi Ekkart, Abraham de Vries, een Hollandse portrettist in Frankrijk en de Zuidelijke Nederlanden 2. Jan Muylle, Adriaen Brouwer beroofd op zee. De echo van een kunstenaarsanekdote? 3. Guy Delmarcel, De Antwerpse schilder Pieter van Lint(1609-1690) als ontwerper van wandtapijten. Een bijdrage 4. Joost Vander Auwera, Afgemeten, ingelijst en opgelijst. Kanttekeningen bij enkele aanvullingen op het oeuvre van Artus Wolffort (Antwerpen 1581-1641 ) 5. Arnout Balis, Venus en de Gratiën: een mythologisch schilderij van Justus van Egmont 6. Barbara Welzel, David Teniers II and Archduke Leopold Wilhelm 7. Ilja Veldman, Zuid-Nederlandse schilders in het fonds van prentuitgever Crispijn de Passe 8. Walter Liedtke, Toward a New Edition of Flemish Paintings in the Metropolitan Museum of Art Tabula gratulatoria‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6-volumes catalogue raisonné of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates‎

‎, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.‎

‎This is the 6 -volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎