‎DUBREULE (Manufacture d'Articles d'Éclairage et de Ménage)‎
‎[Catalogue]‎

‎Images des confréries parisiennes. Exposition, Paris, 18 décembre 1991 - 7 mars 1992. Catalogue des images de confréries ( Paris et Île-de-France ) de la collection de M. Louis Ferrand, acquise par la Bibliothèque historique de la Ville de Paris‎

‎ Paris, Bibliothèque historique de la ville de Paris, 1992, in-4, 303 pp., couverture illustrée. Catalogue imprimé sur deux colonnes, 152 oeuvres largement décrites et commentées, reproductions en regard , dont certaines à pleine page et en couleurs. Dos légèrement strié, autrement très belles conditions. ‎

‎Catalogue du Fonds Jean Cocteau de l'Université Paul Valéry‎

‎ Montpellier, Centre d'étude du XXe siècle : Bibliothèque interuniversitaire, Section Lettres, 1998, 363 pp. Bon état. ‎

‎La Poste en Alsace 1940-1945. Catalogue des marques postales et oblitérations‎

‎ 1986 Lingolsheim, Association des Spécialistes en marques et oblitérations d'Alsace Lorraine (SPAL), 1986, in-8, br., 195 p. Plats à peine salis, autrement très bon état. ‎

‎Local Coinages in a Roman World (Second Century BC?First Century AD). A Catalogue of the Richard B. Witschonke Collection of Coins in the Early Roman Provinces‎

‎, Brepols, 2024 Hardback, 2 vols, xvi + 560 pages, Size:210 x 297 mm, Illustrations:7452 b/w, 1 col., 3 tables b/w., Language: English. ISBN 9780897224017.‎

‎Summary The Richard B. Witschonke Collection of more than 3,700 coins, now in the collection of the American Numismatic Society, provides the historical and numismatic prologue to the study of Roman provincial coinage. Most of the specimens are of great historical and numismatic value, as explained in the historical introductions preceding each of the 36 sections of this catalogue. This collection offers a unique overview of the diverse ways in which the monetary systems of the Mediterranean basin responded to the Roman conquest in the second and early first centuries BCE and to the related necessity of interconnectivity. TABLE OF CONTENTS Foreword by Gilles Bransbourg Preface Introduction 1. Spain Introduction Catalogue 2. Spanish Imitations of Roman Republican Coinage Introduction Catalogue 3. Gaul Introduction Catalogue 4. Roman Republican Coinage Introduction (Liv M. Yarrow) Catalogue 5. Italian Imitations of Roman Republican Coinage Introduction Catalogue 6. Non-State Coinages of Central Italy Introduction (Clive Stannard) Catalogue (Clive Stannard and Lucia F. Carbone) 7. Italy Introduction (Federico Carbone) Catalogue 8. Sardinia Introduction Catalogue 9. Sicily and Adjacent Islands Introduction (Suzanne Frey-Kupper) Catalogue (Suzanne Frey-Kupper and Lucia F. Carbone) 10. Geto-Dacian Imitations of Roman Republican Coinage Introduction Catalogue 11. Eraviscan Imitations of Roman Republican Coinage Introduction Catalogue 12. Africa Introduction Catalogue 13. Crete and Cyrenaica Introduction (Federico Carbone) Catalogue 14. Achaea Introduction Catalogue 15. "Fleet Coinage" Introduction Catalogue 16. Macedonia Introduction (Sophia Kremydi) Catalogue (Sophia Kremydi and Lucia F. Carbone) 17. Thrace and Moesia Introduction Catalogue 18. Bosporus Introduction (Oliver D. Hoover) Catalogue 19. Paphlagonia Introduction (Oliver D. Hoover) Catalogue 20. Bithynia Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 21. Pontus Introduction Catalogue 22. Asia Introduction Catalogue 23. "Cistophoric" Countermarks Introduction Catalogue 24. Early Cistophori Introduction Catalogue 25. Aristonicus' Cistophori Introduction Catalogue 26. Late Cistophori Introduction Catalogue 27. Later Republican and Pre-Imperial Cistophori Introduction Catalogue 28. Lycia-Pamphylia Introduction (Oliver D. Hoover) Catalogue 29. Galatia and Pisidia Introduction (Oliver D. Hoover) Catalogue 30. Cappadocia Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 31. Cyprus Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 32. Cilicia Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 33. Syria Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 34. Coele Syria Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) 35. The Decapolis, Idumaea, and Judaea Introduction (Oliver D. Hoover) Catalogue (David Hendin, Oliver D. Hoover and Lucia F. Carbone) 36. Egypt Introduction (Oliver D. Hoover) Catalogue (Oliver D. Hoover and Lucia F. Carbone) Bibliography Indices‎

‎Cy Twombly: Catalogue Raisonn of Drawings, Vol. 1 - 8 (complete set) ‎

‎Munchen, Schirmer/Mosel, 2011 8 Volumes in slipcase, each in linen binding and illustrated dustjacket, 25.5 x 35 cm, Fully illustrated. English edition. *Fine condition.‎

‎Cy Twombly Catalogue Raisonn of Drawings Vol. 1, 1951?1955 Cy Twombly Catalogue Raisonn of Drawings Volume 2, 1956 - 1960 Cy Twombly Catalogue Raisonn of Drawings Volume 3, 1961?1963 Cy Twombly Catalogue Raisonn of Drawings Volume 4, 1964?1969 Cy Twombly Catalogue Raisonn of Drawings Volume 5, 1970?1971 Cy Twombly Catalogue Raisonn of Drawings Volume 6, 1972?1979 Cy Twombly Catalogue Raisonn of Drawings Volume 7, 1980?1989 Cy Twombly Catalogue Raisonn of Drawings Volume 8, 1990?2011. Cy Twombly Catalogue Raisonn of Drawings Vol. 1 includes works on paper produced between 1951 and 1955. It includes several works on paper that the artist produced in Lexington, VA between 1951 and 1952 which will be of particular interest to scholars focused on his early practice. It also catalogues entries from early sketchbooks as well as his famed North African Sketchbooks (1953). It is an indispensable resource for scholars writing about either the sketchbooks themselves or their substantive connections to subsequent paintings, as the sketchbooks are reproduced here in their entirety. The volume also includes Study for Tiznit (1953), a preliminary for one of Twombly?s more frequently exhibited early paintings, and sketches completed in Augusta, Georgia while Twombly was stationed there during his brief military service. The latter will be of particular interest to those writing about Twombly?s line and his idiosyncratic hand, as this was the method through which he later reported developing his signature childlike (but never childish) scrawl. The volume also includes a large set of drawings the artist reportedly intended to publish as an album, though this project never came to fruition. It will be of interest to scholars researching Twombly?s printmaking practice as well, as there are numerous formal resemblances to his later prints throughout; see Cy Twombly Catalogue Raisonn of Printed Graphic Work 1953?2002, ed. Heiner Bastian. Those researching the North African Sketchbooks might also consult Anne-Grit Becker?s ?Marks and Material in Cy Twombly's North African Sketchbooks? (2017) and Cycles and Seasons, ed. Nicholas Serota (2008). The relationship between early paintings and drawings is discussed in Carol A. Nigro?s ?Cy Twombly?s Humanist Upbringing? (2008). For more on early works, including those produced at Black Mountain College, primary sources are gathered and reproduced in Writings on Cy Twombly, ed. Nicola del Roscio (2002). Those interested in Twombly?s line and the ?unlearning? of his hand, as well as later iterations like the ?blackboard? paintings, should consult Roland Barthes?s classic text ?The Wisdom of Art? (1979) as well as the catalogue in which it originally appeared, Cy Twombly: Paintings and Drawings 1954?1977. The Gagosian Gallery catalogue In Beauty it is finished: Drawings 1951?2008 (2018) also includes relevant material, as does Cy Twombly at the Hermitage: Fifty Years of Works on Paper, ed. Julie Sylvester (2008). There are also many connections to the sculptures, especially via the North African Sketchbooks, on which see Kate Nesin, Cy Twombly?s Things (2014). (Publication description by Jamie Danis)‎