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Madeline Jean
Le détroit
Calmann lévy 310 pages in12. Sans date. Relié. 310 pages.
Reference : 217194
Etat passable exemplaire bibliothèque bords frottés couverture très défraichie plusieurs taches rousseurs le prix tient compte de l'état
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Un Autre Monde
M. Emmanuel Arnaiz
07.69.73.87.31
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5 book(s) with the same title
Alain guillaume Le détroit de silence un croyant face à la mort
ed salvator 1982 1982. Alain Guillaume: Le détroit de silence un croyant face à la mort/ Ed. Salvator 1982 . Alain Guillaume: Le détroit de silence un croyant face à la mort/ Ed. Salvator 1982
Etat correct
Le Détroit de Formose
Points 1998 1998. Anthony Hyde - Le Détroit de Formose / Points 1998
Bon état
Les champignons du détroit de Behring
Presses Pocket 1990 1990. Alexandre Vialatte - Les champignons du détroit de Behring / Presses Pocket 1990
Bon état
Olivier Truc Le détroit du Loup
Le Livre de Poche 2015 2015. Olivier Truc - Le détroit du Loup / Le livre de poche 2015
Bon état
Italian Sculpture in the Detroit Institute of Arts,
Turnhout, Brepols, 2003 Hardback, two-volume catalogue, 564 p., 390 b/w ill. 43 colour ill., 210 x 280 mm. ISBN 9781872501383.
This two-volume catalogue covers the entire collection of post-antique Italian sculpture in the Detroit Institute of Arts, ranging from early medieval to the early twentieth century. The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection. New book.
