‎Melin Robert‎
‎Le stage‎

‎This Earthly Stage' World and Stage in Late Medieval and Early Modern England,‎

‎Turnhout, Brepols, 2011 Hardback, XI+297 p., 20 b/w ill., 3 b/w tables, 156 x 234 mm. ISBN 9782503532264.‎

‎A collection of scholarly essays exploring relationships between 'stage' and 'world' in the drama and ritual performance of late medieval and early modern England. The thirteen essays collected in ''This Earthly Stage' explore intersections between the world as stage and the stage as world in late medieval and early modern England. The volume features studies of stages both familiar and unfamiliar, and worlds old and new - from the ritual performance of funerals for the fifteenth-century London elite to the electronic recreation of Shakespeare on the Internet. The essays engage with a variety of scholarly fields, including art and iconography, cultural and social history, digital humanities, literature, myth, philology, and philosophy. Most studies examine performative elements of Shakespeare?s works in relation to a representative selection of other plays from the dramatic genres in which he wrote, while they also analyse broader topics which traverse a number of plays, such as kingship and rites of civic performance in relation to stage drama. All of the essays consider the overarching issue of representation in late medieval and early modern English drama and culture through a range of theoretical approaches. This volume offers a valuable contribution to contemporary medieval and early modern scholarship, with a particular interest for those researching and teaching early modern English drama and culture. Languages : English. ‎

‎Genre and the Production of Gendered Identity on the Lyric Stage‎

‎, Brepols, 2025 Hardback, Pages: xxii + 317, Size:210 x 270 mm, Illustrations:22 b/w, 5 tables b/w., 17 music examples, Language: English. ISBN 9782503615585.‎

‎Summary The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage. TABLE OF CONTENTS Mark Everist and Jennifer Walker, Introduction Gender, Genre, and Gender Crossing Orsolya Gy rf s, Too Soft and Tender : Opera Seria Masculinity and the Case of Mozart's La clemenza di Tito Nicola Badolato, Effeminate Heroes and Female Warriors in Seventeenth-Century Venetian Libretti: Between Cross-Casting and en travesti Luis Antonio Gonz lez Mar n, Women in Men's Costume: Heroic Roles and Female Singers in Hispanic Baroque Lyric Theatre Luc a Mag n Abollo, The Voice of Heroes: Catalina Pacheco or 'la mujer vestida de hombre' in the Eighteenth-century Spanish Theatre (1738-1760) Valeria De Lucca, Norma travestie (1841) and its 'Male Heroines' Gender, Genre, and Eroticism Sarah Gutsche-Miller, Imagined Eroticism: The Art of Suggestion in Parisian Music-Hall Ballet Kimberly Francis, The Sounds of Sex: The French Garment Worker of the Belle poque Jonathan Mallada lvarez, Sexuality and Eroticism at the Teatro Apolo in Madrid (1900-1910) Carl Tertio Druml, Dance Craze and Eroticism: Operetta as a Carrier of Zeitgeist Peter Mondelli, What Use is mile Zola to the Operetta Historian? Reconsidering the Roles of Courtesans on the Operetta Stage Gender, Genre, and Lyric Space Mark Everist, 'Opera' off the Stage: Gender and Genre in op ra de salon Elena Luporini, Do Not Open that Door: Perspectives on Gender in B la Bart k's Bluebeard's Castle Sonja Starkmeth, Taking Centre Stage: 'Chorus Girls' in Late Victorian Popular Musical Theatre Evi Nikita, Women in Greek Operetta between the Wars: Gender, Identity and Sexuality Index of Names‎

‎Larsen Earnie Larsen Ernie. Stage II Recovery: Life Beyond Addiction Stage II R‎

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‎Starostova O.F. English on stage. English on Stage In Russian /Starostova O.F.‎

‎Starostova O.F. English on stage. English on Stage In Russian /Starostova O.F. Angliyskiy na stsene. English on Stage M. GITIS 2013. 224s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbfd2f3a0a44167440.‎