‎Valsecchi Marco‎
‎National gallery‎

‎The Prints of Roy Lichtenstein : Planche de six timbres, sans valeur faciale, reproduisant des oeuvres de Roy Lichtenstein, édité par The National Gallery of Art, Washington.‎

‎ The National Gallery of Art, Washington 1994. Planche de six timbres, sans valeur faciale, au format 15 x 13 cm, reproduisant des oeuvres en couleurs, de Roy Lichtenstein, édité par le musée : The National Gallery of Art, Washington, pour l'exposition qi eut lieu du 30 octobre 1994 au 8 janvier 1995. Etat de neuf. Rare.‎

‎ Chère cliente, Cher Client, bonjour, merci de votre visite, la librairie sera fermée jusqu'à la semaine prochaine. Les commandes passées à partir du 8 avril seront traitées et expédiées dès le mercredi 15 avril.Amitiés, bibliophiliques.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 10 € sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎- Investigating Jan Van Eyck - The National Gallery ‎

‎Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.‎

‎I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Schölzel, Gemäldegalerie, Dresden: The Dresden TriptychRachel Billinge, Hélène Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Musée du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIHélène Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNoël Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universität Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.‎

‎GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,‎

‎London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.‎

‎This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.‎

‎Museums of Peace: National Gallery of Art, Washington National Gallery of Art,‎

‎Museums of Peace: National Gallery of Art, Washington National Gallery of Art, Washington - In Russian /Muzei mira: National Gallery of Art, Washington Natsionalnaya galereya iskusstv, Vashington. - In Japanese. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba055484225efd792.‎

‎Museums of Peace: National Gallery, London National Gallery. - In Russian /Muz‎

‎Museums of Peace: National Gallery, London National Gallery. - In Russian /Muzei mira: National Gallery, London Londonskaya natsionalnaya galereya. - In Japanese. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb97fd0a8597d89d12.‎