‎Valsecchi Marco‎
‎National gallery‎

‎National Gallery - Investigating Jan Van Eyck‎

‎Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.‎

‎I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Sch lzel, Gem ldegalerie, Dresden: The Dresden TriptychRachel Billinge, H l ne Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Mus e du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIH l ne Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNo l Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universit t Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.‎

‎The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2‎

‎Penny, Nicholas: The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2. London: The National Gallery, 2008. 528pp with 300 colour and 45 monochrome illustrations. Hardback. 28.5x21.6cms. The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery.‎

‎The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery. Text in English‎

‎GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,‎

‎London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.‎

‎This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.‎

‎Museums of Peace: National Gallery of Art, Washington National Gallery of Art,‎

‎Museums of Peace: National Gallery of Art, Washington National Gallery of Art, Washington - In Russian /Muzei mira: National Gallery of Art, Washington Natsionalnaya galereya iskusstv, Vashington. - In Japanese. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba055484225efd792.‎

‎Museums of Peace: National Gallery, London National Gallery. - In Russian /Muz‎

‎Museums of Peace: National Gallery, London National Gallery. - In Russian /Muzei mira: National Gallery, London Londonskaya natsionalnaya galereya. - In Japanese. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb97fd0a8597d89d12.‎