Fratelli fabri 1976 in4. 1976. Broché.
Reference : 100068190
couverture défraîchie frottée intérieur propre
Un Autre Monde
M. Emmanuel Arnaiz
07.69.73.87.31
Conformes aux usages de la librairie ancienne.
(Pubblicato dal Figaro di Parigi il 20 febbraio 1909). s. ed. (stampa: Poligrafia Italiana . Milano), 1909. In-4 p. (mm. 294x230), pp.nn. 4. Volantino (Febbraio 1909) con il manifesto del Futurismo in edizione integrale. "Prima edizione" in versione italiana. Il manifesto è firmato F.T. Marinetti - Direttore di Poesia / Milano - Via Senato 2. Cfr. Tonini I manifesti del futurismo italiano, p. 9, n. 1.14 - Salaris, p. 79 - Falqui, p. 44. Esemplare ben conservato.
, Hannibal Books, 2024 softcover, 270 x 220 mm, 144 Pages, English ed. ISBN 9789464941722.
Meet the work of the one and only Belgian futurist Recent years have seen revived interest in Jules Schmalzigaug (1882?1917). The only Belgian representative of Futurism deserves his place in the Royal Museum of Fine Arts Antwerp, which holds the world?s largest collection of his work. A talented pioneer of the international avant-garde, he also loved the work of Peter Paul Rubens and James Ensor, two other masters whose work is featured in the museum?s collection. Schmalzigaug experimented with a singing red and vibrant colours. Thanks to a generous gift by Gallery Ronny Van de Velde in 2022, the museum is now able to provide full access to the fascinating evolution of Schmalzigaug?s creative process. From his earliest academic studies and stylised city drawings to the Futurist arabesque rhythms he created in Venice and the pastels he made in The Hague and Scheveningen towards the end of his life: with this collection book, this young deceased colour artist receives the recognition he deserves. The Jules Schmalzigaug (1882?1917). Futurismo! exhibition runs in the print room at the Royal Museum of Fine Arts Antwerp from 28 September 2024 to 12 January 2025.
, Hannibal Books, 2024 softcover, 270 x 220 mm, 144 Pages, Nederlands ed. ISBN 9789464941715.
Maak kennis met het werk van de enige echte Belgische futurist Jules Schmalzigaug (1882-1917) is voor velen een ontdekking. Deze enige echte Belgische vertegenwoordiger van het futurisme hoort helemaal thuis in het KMSKA, dat de grootste verzameling ter wereld van zijn werk beheert. Dit toptalent van de internationale avant-garde hield ook van Peter Paul Rubens en James Ensor, twee andere KMSKA-toppers. Hij experimenteerde met zingend rood en kleur pur sang. Dankzij een genereuze gift van Galerie Ronny Van de Velde in 2022 kan het museum de boeiende evolutie in Schmalzigaugs creatieve proces volledig ontsluiten. Van zijn vroegste academiestudies en aangezette stadstekeningen tot zijn futuristische arabeskenritmes die hij in Veneti maakte en de latere Haagse en Scheveningse pastels: dit collectieboek geeft deze jonggestorven kleurkunstenaar de erkenning die hem toekomt. De tentoonstelling Jules Schmalzigaug (1882?1917). Futurismo! loopt van 28 september 2024 tot 12 januari 2025 in het prentenkabinet van het Koninklijk Museum voor Schone Kunsten Antwerpen.
Bompiani, 1986. Fort et Bompiani, 1986. Fort et grand in-4 relié pleine toile éditeur sous jaquette illustrée de 407 pages + index. Nombreuses reproductions dans et hors-texte. Catalogue réalisé à l'occasion de la grnde exposition "Futurismo & Futurismi" du Palazzo Grassi de Venise, 4 mai - 12 octobre 1986. Bel exemplaire
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MILANO ARNOLDO MONDADORI EDITORE 1977
In 8. Dim. 19x11 cm. Pp. LXVI+(8)+482+(2). Edizione del 1977 di questo studio su Marinetti e il futurismo a cura di Luciano de Maria. Alcune illustrazioni in bianco e nero. Alcune note manoscritte. In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. Pagine in ottime condizioni con rare fioriture. Edition of 1977 of this study about Marinetti and futurism written by Luciano de Maria. Some black and white illustrations. Some handwritten notes. In good conditions. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Pages are in very good conditions with occasional foxings.