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Eschyle
Les Euménides
Gemini, 1949. in 4. en feuilles dans étui et emboîtage éditeur. 106pp. Gravures avec suite. 1 des 30 ex sur Lana à la forme avec suite. Tirage total à 350 ex. Très beau livre illustré par Hertenberger, grand prix de Rome.
Reference : 2063
etat comme neuf , dans un boitier avec un liseré cuir rouge Ref AC1*
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Martial Duvert
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5 book(s) with the same title
Les Euménides [ Livre dédicacé par l'auteur ] [Suivi de : ] Roses de Noël [ Edition originale - Livre dédicacé par l'auteur ]
1 vol. in-8 reliure de l'époque demi-veau rouge, dos à 4 nerfs, dates en queue : Euménides, Deuxième édition, Chez Philippe, Paris, 1840, VIII-338 pp. [Suivi de : ] Roses de Noël, E. Dentu, Paris, 1860, VII-324 pp.
Chacun des 2 ouvrages est dédicacé par l'auteur romantique et poète Edouard d'Anglemont (1796-1876) "à son ami Jules Lacroix." et "à Jules Lacroix, témoignage de sympathie et de confraternité". Belle provenance pour ce recueil peu commun. Bon état (reliure un peu frottée).
Les Choéphores Les Eumenides GF Flammarion
2011 2011. 5 ESCHYLE - Les Choéphores Les Eumenides / GF Flammarion 2011
Bon état
Tragoediae quae supersunt ac deperditarum fragmenta. Volumes III + IV : Vol. III : Choëphorae, eumenides, supplices. Vol. IV : Scholia Graeca. In septem Aeschyli, quae exstant, tragoedias
Jo. Jac. Gebauer. 1808-1821. In-8. Relié. Etat passable, Plats abîmés, Dos abîmé, Papier jauni. 334 + 459 pages. Texte en grec et latin. Un ex-libris à l'encre sur la page titre. Titre, auteur et tomaison dorés au dos. Tranches rouges. Rousseurs.. . . . Classification Dewey : 470-Langues italiques. Latin
2 volumes. Recensuit et commentario illustravit Chr. Godofr. Schütz. Vol. III : Choëphorae, eumenides, supplices. Vol. IV : Scholia Graeca. In septem Aeschyli, quae exstant, tragoedias. Classification Dewey : 470-Langues italiques. Latin
BOIS DES EUMENIDES -LE-
CIRCE EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782842425357
AISCHULOU, PROMETHEUS DESMÔTÊS, HEPTA EPI THÊBAIS, PERSAI, AGAMEMNÔN, EUMENIDES, HIKETIDES.
Paris (Parisiis), Ex officina Adriani Turnebi Typographi Regij, 1552.
12mo. (VIII),1-211,(1) p. 18th century calf 16.5 cm (Ref: Wartelle p. 2. Hoffmann I,32: 'Eine schöne und seltene Ausgabe'. Dibdin 1,237: 'beautifully printed'. Moss 1,7: 'a beautiful edition'. Brunet I, 77. Graesse 1,29. Ebert 180. Gruys p. 31/46; Mund-Dopchie p. 45/83) (Details: Back with 5 raised bands, the compartments with gilt floral motives. Red morocco shield in the second compartment. Triple fillet gilt borders on both boards. Gilt inside dentelles. Bookblock with gilt edges. Marbled endpapers. Woodcut printer's mark on the title) (Condition: Some wear to the extremes of the binding. Some foxing. Marginal repairs in 3 leaves) (Note: The Greek tragedian Aeschylus, 525/4-456 B.C., is the earliest of the surviving tragic playwrights. He 'can be considered the 'inventor' of tragedy as we understand it'. (The Classical Tradition, N.Y., 2010, p. 10) He became an instant classic in his time. In Byzantine times seven of his plays, the so called heptas, continued to be copied and studied, but in the West he was forgotten for almost one and a half thousand years. In the Renaissance he was revived with the arrival of Greek manuscripts in the West, and by the printing press. The oldest of the more than 100 surviving Aeschylean manuscripts dates from ca. 1000, and was written in Constantinople. It was brought to Florence by the Italian humanist G. Ausrispa. Aeschylus was published by Aldus in Venice in 1513. It was only in the late 18th century that Aeschylus was translated into French and German. 'From that time forward, interest in Aeschylus blossomed. The character of his language and thought (...) formerly a stumbling block, became a virtue for the new Romantic sensibility, aided perhaps by the fact that the Age of Revolution saw the Aeschylean Prometheus as the archetypal hero of defiance. In this regard the 'continuation' of Prometheus Bound by Herder (Der entfesselte Prometheus, 1802; choruses set to music by Liszt, 1850-1855) and Shelley (Prometheus Unbound, 1820) are of particular importance'. (Op. cit.) In the play Zeus is represented as a harsh and unjust tyrant. Aeschylus' authorship of the Prometheus is however disputed on metrical and stylistic ground, and with respect to the content. The French eminent humanist scholar Adrien Turnebus, 1512-1565, 'was a specialist in Greek textual criticism. From 1552-1556 he was Director of the Royal Press, and, in that capacity, published a series of Greek texts, including Aeschylus (1552) and Sophocles with the scholia of Triclinius (1553)'. (Sandys, 2,186) In 1547 Turnebus was appointed Professor Regius at the Collège Royal. 'Turnebus himself says the following on his sources and working method in his Greek foreword (of this Aeschylyus edition); after he had started work on this edition, he found his task more difficult than he had originally expected, on account of the excessive corruption of the text (i.e. Aldus); as a good physician he has attempted to heal the patient by both due caution and thoroughness; may the gentle reader sooner be grateful to him for his successes than blame him for his failures. Fortunately he had been given an old ms. of the triad by Aimar de Ranconet so that he had had a sound basis for its emendation, but correction of the other tragedies was extremely difficult through the lack of mss.; yet there too he had been able to emend considerably with the aid of the scholia and by conjecture'. (Gruys p. 35)) (Collation: alpha4, A-N8, O2) (Photographs on request)
