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Michel Dupré
"""Art"""
E.C. Editions 2015 Broché - 142 pages Bon état 220 g
Reference : 1884
ISBN : 9782911105869
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ART BOHEME - l'esprit du Carré-Rond
Mme Joséphine Montiel
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5 book(s) with the same title
Art Brut en question. Outsider Art in Question (Collection Strates)
, [BE] CFC-Editions , 2015 Hardback, 280x220mm, 224p, 200 colour illustrations, English/French edition . ISBN 9782875720122.
Expo: Mons 2015, 20/6 - 6/9/2015, BAM, Mons A travers les contributions des directions des plus grandes collections d'Art Brut europeennes , cet ouvrage propose une approche historique et critique de l'Art Brut et 'outsider' ainsi qu'un large choix d'oeuvres emblematiques et originales. La premiere partie du livre, L'Art Brut hier et aujourd'hui retrace l'evolution du (ou des) 'sens' confere(s) au fil du temps aux creations issues des marges: de l'art asilaire defini par les psychiatres (1921-1980) -comme Walter Morgenthaler & Adolf Wolfli ou Hans Prinzhorn & Karl Brendel- a l'Art Brut, un terme du a Jean Dubuffet (des 1945) qui va bouleverser l'art du vingtieme siecle, jusqu'aux creations actuelles, dont la signification depasse la seule condition existentielle, mentale ou sociale, de leurs auteurs. S'y trouve aussi presente le 'schizometre' de Marco Decopeliada, remettant en question les criteres de classification des pathologies psychiatriques. Complementaire a cette retrospective revisitant les temps forts et les personnalites marquantes de l'Art Brut, le second volet du livre, Interaction, reunit les realisations issues d'un processus creatif participatif inedit: des artistes contemporains internationaux - Clea Coudsi & Eric Herbin, Lise Duclaux, Yves Lecomte, Mireille Lienard, Emilio Lopez-Menchero, Tinka Pittoors et Caroline Rottier - ont oeuvre en dialogue avec des residents d'une institution pour personnes handicapees mentales (Le Carrosse). Aux cotes de grands noms de l'Art Brut (Aloise Corbaz, Adolf Wolfli, Henri Darger, Willem Van Genk, Madge Gill, Andre Robillard, Raphael Lonne, Auguste Forestier, Gaston Chaissac.) et des decouvertes recentes faites en milieu institutionnel, des creations originales realisees de concert avec des artistes contemporains soulignent ainsi l'importance de la creation pour tous les protagonistes de l'Art Brut et 'outsider'. Avec contributions des directions des plus grandes collections d'Art Brut europeennes: Prinzhorn Sammlung, Heidelberg - LAM, Villeneuve d'Ascq - Hopital Sainte-Anne, Paris - Haus der Kunstler, Gugging - Museum Dr. Guislain, Gand - MADmusee, Liege - art & marges musee, Bruxelles This books deals with singular creations - produced by people who led or have led poignant lives, and which have resulted from innovative artistic dialogues. The first part, Outsider Art: Today and Yesterday, examines the meaning(s) that have over time been attributed to works created by people on the fringes of society : from asylum art, and how it is viewed by psychiatrists, to Art Brut - a notion invented by the artist Jean Dubuffet which revolutionised art in the twentieth century - and contemporary works, whose significance far outweighs the existential condition of their authors. With contributions from the managers of the largest collections of Art Brut in Europe. This art "on the margins of culture" has opened up wonderful worlds and has also sparked debates about the very meaning and purpose of art, both for the creator and the viewer. Associated with this retrospective review, which takes a look at the highlights and key figures of Art Brut, recent works emphasize the extent to which creative activity in psychiatric remains a living and vital reality. The second part of the book, Interaction, which is also complementary and avoids any attempt to categorise the work, covers works that have resulted from a unique participatory creative process : contemporary artists - Clea Coudsi & Eric Herbin, Lise Duclaux, Yves Lecomte, MIreille Lienard, Emilio Lopez-Menchero, Tinka Pittoors, and Caroline Rottier - produced works in collaboration with residents of Le Carrosse, an institution for people with mental disabilities. Including great names of Art Brut (Aloise Corbaz, Adolf Wolfli, Henri Darger, Willem Van Genk, Madge Gill, Andre Robillard, Raphael Lonne, Auguste Forestier and Gaston Chaissac) and recent discoveries made in psychiatric institutions.
La Grammaire des Styles (3 Tomes - Complet) Tome I : L'Art égyptien - L'Art assyrien - L'art perse ; L'art byzantin ; L'art musulman ; L'art Indien - L'Art chinois - L'Art indo-chinois ; L'Art japonais ; Tome II : L'Art Grec et l'Art Romain. Le style pompéien ; L'art roman ; L'art gothique ; La Renaissance italienne ; La Renaissance Française ; Tome III : Le Style Louis XIII ; Le Style Louis XIV ; Le Style Louis XV ; Le Style Louis XVI ; Le Style Empire - Le Style Directoire.
3 vol. in-8 reliure demi-basane blonde, dos à 5 nerfs, Librairie d'Art R. Ducher, Paris, s.d. (circa 1924-1935), rappel des titres. Rappel des titres : La Grammaire des Styles (3 Tomes - Complet) Tome I : L'Art égyptien - L'Art assyrien - L'art perse ; L'art byzantin ; L'art musulman ; L'art Indien - L'Art chinois - L'Art indo-chinois ; L'Art japonais ; Tome II : L'Art Grec et l'Art Romain. Le style pompéien ; L'art roman ; L'art gothique ; La Renaissance italienne ; La Renaissance Française ; Tome III : Le Style Louis XIII ; Le Style Louis XIV ; Le Style Louis XV ; Le Style Louis XVI ; Le Style Empire - Le Style Directoire.
Bon ensemble (dos très lég. frotté, très bon état par ailleurs)
World Art : Themes of Unity in Diversity : Acts of the XXVIth International Congress of the History of Art.
, Penn State University Press, 1990 Hardcover, 3 Volumes; 265 + 535 + 893 = 1693 pages, In very Good condition, illustrated dustjackets, Language = 90 pct. English + partly French, Italian , German., images / illustrations in b/w. .290 x 225 x 75 mm; ISBN 9780271006079.
Under the sponsorship of the Comit International d?Histoire de l?Art (CIHA), scholars from 31 countries met in August in Washington, DC, to present papers and discuss the subject of the Congress. The CIHA was created by a group of scholars meeting in Vienna in 1873 to exchange results of research, discuss aspects of the theory of the history of art, and encourage international discourse. CIHA has since sponsored congresses at intervals of three or five years. Until now CIHA focused on European art from Constantine to the present, whereas the XXXVIth Congress, in a critical shift, encompassed the history of art from all periods and places. The seven sessions deal with broad themes that transcend cultural differences and are uniquely perceptible through the discipline of art history. Center and Periphery: Dissemination and Assimilation of Style examines the processes whereby local styles may be formed by ?dissemination? from a dominant cultural center and, conversely, those which form a cosmopolitan style by the ?assimilation? of disparate local tradition. Conceptual Designs: Diagrams and Geometric Patterns discusses form and meaning in diagrams and geometric patterns used as independent compositions or as ?incidental? ornament. The Written Word in Art and as Art explores the relationship between what is written and how it is written, and the contribution of both to an understanding of the work as a whole. The Artist is concerned with significant developments in the history of the artist?s self-consciousness. Art and Ritual examines the contribution of the study of ritual to an understanding of the form and meaning of a work of art, and vice versa. Art and National Identity in the Americas looks at the problems of regional and national self-definition in the art of North, Central, and South America, from the European conquests to the present. Preserving the World Art discusses the history and theory of conservation and restoration of works of art and their settings. Each session was chaired and its program determined by two distinguished scholars from widely divergent fiends, ensuring a broad and varied approach to the subject. Following introductory essays by the Chairs, the papers represent a selection of the best contribution by art historians as well as scholars in other disciplines. Included as well are plenary addresses by three international leaders in the field, Hermann Fillitz, Andr Chastel, and George Kubler.
Jan van Kessel I (1626-1679): Crafting a Natural History of Art in Early Modern Antwerp
, Brepols - Harvey Miller, 2016 Hardcover with dusjacket, VI+208 pages., 50 b/w ill. + 52 colour ill., 220 x 280 mm, Languages: English, FINE! ISBN 9781909400238.
The curious art of Jan van Kessel provides an intriguing lens through which to explore the intersections between craft practices, collecting, and the pursuit of natural knowledge in early modern Antwerp. The Antwerp artist Jan van Kessel the Elder (1626-1679) was esteemed throughout Europe for producing finely-wrought, miniature paintings on copper that depict a wide range of flora and fauna, exotic landscapes, and objects of natural artistry (e.g. shells, coral, precious stones). The ?natural? world presented in Van Kessel?s art was not a transparent window onto nature, however, but instead was ambitiously crafted through the artist's reappropriation of Antwerp's artistic traditions, material culture, and artisanal knowledge practices. Through a combination of wit, technical virtuosity, self-referentiality, and allusions to local art-historical lineage, Van Kessel?s paintings encourage viewers to simultaneously think about art, in terms of collecting, connoisseurship, citation, and media, and think anew about nature. This study uses Van Kessel?s art as a distinctive lens through which to examine the relationship between craft, curiosity, and the pursuit of natural knowledge in the early modern period. Each chapter situates Van Kessel within a particular context where art and natural history intersected in late seventeenth-century Antwerp. Taken together, these investigations reveal how his production responded to a unique convergence of circumstances in that city which included the growth of a popular, commercial strand of natural history, a thriving culture of art collecting and connoisseurship focused on local artists, and a burgeoning luxury industry. Van Kessel?s material and conceptual interventions into the representation of nature, such as his innovative, painted ?cabinets without drawers? and witty signatures formed from insects and snakes, enabled him to redefine the scope of natural historical illustration and negotiate the value and status of the small-format cabinet picture. Nadia Baadj is a Post-Doctoral Researcher at the Institute for Art History at the Universitat Bern. Her research focuses on intersections between art and science as well as artists' materials and techniques in the early modern period, with a particular focus on Northern Europe. She has published in The Art Bulletin, Nederlands Kunsthistorisch Jaarboek, and the Boletin del Museo del Prado. She has also contributed to exhibitions of Dutch and Flemish art at the Rijksmuseum, Frans Hals Museum, Clark Art Institute, and Ringling Museum of Art.
Art Guide - Kunstgids Antwerpen
, Fransastic , 2023 softcover, 176-pages, bilingual (Dutch / English), full colour, handy and stylishly designed publication a representation of the diversity of the art offer in Antwerp.
In deze publicatie met aandacht aan de meest vooraanstaande kunstlocaties in Antwerpen waaronder : Art Gallery de Wael, Zero X Gallery, FOMU, Tim van Laere Art Gallery, Keetelaar Art Gallery, MOMU, het MAS Stroom Museum, Ibasho Art Gallery, Everyday Gallery, het KMKHA, Red Star Line Museum en de Everyday Art Gallery samen met meer dan 50 kunstenaars. // In this publication with attention to the most prominent art locations in Antwerp including: Art Gallery de Wael, Zero X Gallery, FOMU, Tim van Laere Art Gallery, Keetelaar Art Gallery, MOMU, the MAS Stroom Museum, Ibasho Art Gallery, Everyday Gallery, the KMKHA, Red Star Line Museum and the Everyday Art Gallery together with more than 50 artists.
