‎(MATISSE Henri) / COLLECTIF‎
‎Henri Matisse‎

‎Henri Matisse‎

‎ 1975 Centre national d'art et de culture Georges Pompidou Soft cover ‎

‎Henri Matisse 235 x 205 mm, couverture souple, 248 pp, avec illustrations en n/b , en bon état ‎

‎Henri Matisse, exposition de Centenaire 1970‎

‎ 1970 Ministère d' Etat Affaires Culturelles Soft cover ‎

‎Henri Matisse, exposition de Centenaire 1970 235 x 205 mm, couverture souple, 319 pp, avec illustrations en n/b et couleurs, en bon état ‎

‎MATISSE : Photographies. Exposition 4 juillet - 30 septembre 1986 (Cahiers Henri Matisse, 2).‎

‎Cahiers Henri Matisse 2.- Musée des Beaux-Arts, Nice.- Exposition 4 juillet - 30 septembre 1986. In-8 broché (26 x 18,7 cm), couverture illustrée à larges rabats, 158 pages. Préface par Xavier Girard,, Matisse et la photographie par Jean-François Chevrier, illustré de photographies de Henri Matisse, bibliographie.- 520g.- Excellent état.‎

‎Henri Matisse Jazz / Cut-outs 2 vols.‎

‎, Taschen, 2009 Hardcover, 480 pages, ENG, 400 x 300 x 80 mm, NEW !! , 2 volumes !, Full Paged Illustrations in colour / b/w, Includes a sturdy hard cardboard box for protection ! Second volume even covered in plastic foil ! Brandnew !. ISBN 9783822830529.‎

‎A perfect facsimile of Jazz, a 20th century masterpiece This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: Jazz. At last, readers can experience Jazz as if holding the 1947 original. The reputation of Henri Matisse (1869?1954) as the most important artist of the modern era is rivaled only by Picasso?who himself said, "All things considered, there is only Matisse." Towards the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age, he developed a new technique: he drew shapes on colored paper, cut them out and pasted them together. These gouaches decoup?es (gouache cut-outs) represented a revolution in modern art, yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that Matisse had found a brilliant solution to the age-old conflict between line and color?one that would profoundly influence generations of artists to come. Printed in exactly the same colors, using paper and inks similar to the 1947 edition, the facsimile volume allows readers to experience Jazz in its original, unbound form. * Printed in 18 colors on a small offset press, 4 pages at a time, to obtain the highest fidelity to the original * Printed on Old Mill in 190 g/m from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness, much like handmade paper * As with the original, this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover The second volume provides a thorough historical context to Matisse's cut-outs, tracing their genesis in his 1930 trip to Tahiti, through to his final years in Nice. Also included are other pivotal works from his later career, including his contributions to Verve magazine and his exquisite decoration of the Vence Chapel. Includes rare and historic photographs by Matisse taken in Tahiti, as well as photos of Matisse by Henri Cartier-Bresson, Brassa?, and the filmmaker Murnau. The text is supplemented by quotations from Matisse, Picasso, E. T?riade (the publisher of Jazz and Verve), the poets Louis Aragon, Henri Michaux, and Pierre Reverdy, and Matisse's son-in-law, Georges Duthuit.‎

‎HENRI MATISSE- Art du livre, Cahiers Henri Matisse no 3, Musée Matisse à Nice, Nice , 1986 ; Matisse dans les collections du Musée des Beaux -Arts à Lyon, Lyon, 1987, ensemble 2 vol. in 4, broché sous étui commun, catalogue de l'exposition au Musée des Beaux-Arts à Lyon en 1987 reprenant partiellement l' exposition au Musée de Nice de l'année précedante; très bon état;‎