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GLASER Milton
Graphic design
Overlook Press, 1973, 26 x 26, non paginé, cousu, couverture souple illustrée. Avec 344 illustrations, dont 97 en couleurs. Préface de Jean-Michel Folon.
Reference : GRAPHISSME0715
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Le Plaisir du Texte
M. Fabrice Sivignon
1 rue Violi
69001 Lyon
France
04 78 58 44 04
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Règlement par chèque, mandat, virement bancaire ou Paypal. Prix en euros, auxquels il convient d'ajouter le coût du port. Les livres voyagent aux frais et risques de l'acheteur. Expédition dès réception du règlement.
5 book(s) with the same title
Reference : albcc002b95d43fa304
Jens Mueller. The History of Graphic Design. Vol. 1 1890 1959 The History of Graphic Design. Part 1. 1890 1945. Art. I
Jens Mueller. The History of Graphic Design. Vol. 1 1890 1959 The History of Graphic Design. Part 1. 1890 1945. Art. In Russian (ask us if in doubt)./Jens Muller (Dzhens Myuller). The History of Graphic Design. Vol. 1 1890 1959 Istoriya graficheskogo dizayna. Chast' 1. 1890 1945 gg (na angliyskom yazyke). Tiskusstvo. Series: XXL VERY BIG LONDON TASCHEN 2018 480s. SKUalbcc002b95d43fa304.
Reference : alb737706f3797c1562
Jens Mueller. The History of Graphic Design. Vol. 2 1960 Today The History of Graphic Design. Part 2. From 1960 to the
Jens Mueller. The History of Graphic Design. Vol. 2 1960 Today The History of Graphic Design. Part 2. From 1960 to the Present Day. Art In Russian (ask us if in doubt)./Jens Muller (Dzhens Myuller). The History of Graphic Design. Vol. 2 1960 Today Istoriya graficheskogo dizayna. Chast' 2. Ot 1960 goda do nashikh dney (na angliyskom yazyke). Tiskusstvo Series: XXL VERY BIG LONDON TASCHEN 2018 480s. SKUalb737706f3797c1562.
Sara De Bondt / De Baerdemaeker, Jo Ceuleers, Jan Van Haute, Katrien Hollis, Richard Meyers, Jean-Michel Pauwels, Hilde Puttaert, Hugo Serulus, Katarina
Reference : 62317
Off the Grid: Histories of Belgian Graphic Design.
, Occasional Papers , 2022 Softcover, 272 pages , kleur illustraties, 24 x 17 cm, English Text. ISBN 9780995473089.
In Off the Grid onderzoekt grafisch ontwerpster Sara De Bondt de beginselen van grafisch ontwerp in Belgi in de jaren ?60 en ?70, een geschiedenis die tot op heden weinig aandacht heeft gekregen. De tentoonstelling presenteert een brede waaier van drukwerk, logo-objecten, boekobjecten en posters ? velen nooit eerder tentoongesteld ? van ontwerpers zoals Paul Ibou, Corneille Hannoset, Boudewijn Delaere, Sofie Alouf, Rob Buytaert, Herman Lampaert en Jeanine Behaeghel. ----- This book offers a collaborative panorama of Belgian graphic design history from a multiplicity of perspectives, with essays on type design, colonisation and labour relations among other subjects. Contributors include historians, practicing designers, teachers and first-hand accounts. With hundreds of previously unpublished illustrations such as posters, signage, typography, book design, logos and archival photographs. Interviews with Sophie Alouf-Bertot, Rob Buytaert, Boudewijn Delaere, Paul Ibou, and Herman Lampaert. Essays by Jo De Baerdemaeker, Pia Jacques and Leroy Meyer (Belgian Institute Graphic Design), Sara De Bondt, Jan Ceuleers, Katrien Van Haute, Richard Hollis, Jean-Michel Meyers, Hilde Pauwels, Hugo Puttaert, and Katarina Serulus.
Echoes of the Future, Rational Graphic Design and Illustration
, Gestalten, 2012 Softcover, 24 x 28 cm, 176 pages, full color, English, Fine copy. Including an index. ISBN 9783899554137.
Echoes of the Future is a stunning compilation of recent graphic design and illustration that is inspired by our collective visual memory. Today?s young designers are not copying elements from classic modernism, letterpress printing, and other design styles of the past, but rather, they are synthesizing them to create a new aesthetic that emanates quality, timelessness, and sustainability.
Tender Spot Graphic Design The Graphic Design of Mario Lombardo
, Gestalten, 2010 Hardcover, 19.5 x 27 cm, 256 Pages, full color, English, Fine copy. Including an index. ISBN 9783899553192.
With work that playfully transcends the boundaries of individual styles and creative disciplines, Mario Lombardo is one of the few German designers of notable international significance. His combination of masterful classical graphic design with experimental concepts is already influencing a new generation of designers. He actively includes clients such as K-Swiss, Sony Music and Red Bull in the design process to develop sophisticated results with which they can identify. This is the first monograph to feature the broad spectrum of Lombardo?s creative output.
