Numéro 82 de la revue Europe, octobre 1952. Un volume in-8 broché, couverture illustrée, 156 pages. Bon état.
Reference : 6383
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Burkel, Rolende van Strydonck de: Le Bijou Art Nouveau en Europe. Brussels: Racine, 1998. 188pp with 19 colour plates, 186 colour and 12 monochrome illustrations. Cloth. 29.8x25.8cms. Superbly illustrated overview of Art Nouveau designs for jewellery throughout Europe at the turn of the century, arranged systematically by country, with essays on the forms, functions and materials. Text in French.
Superbly illustrated overview of Art Nouveau designs for jewellery throughout Europe at the turn of the century, arranged systematically by country, with essays on the forms, functions and materials. Text in French
Gee, Malcolm, Kate Kangaslahti and Chara Kolokytha
Reference : 121757
(2022)
ISBN : 9783110737363
Gee, Malcolm, Kate Kangaslahti and Chara Kolokytha: Modern Art Reviewed. Art Reviews, Magazines and Journals in Europe, 1910 - 1945. Berlin: 2022. 272 pages, fully illustrated in black and white with 15 colour plates. Hardback. 24 x 17cms. Twelve essays trace the history and legacy of specialist art reviews, bulletins and magazines across Europe, with case studies on British, French, German, Belgian, Finnish and Danish periodicals including 'Der Cicerone', 'Linien' and 'The London Bulletin'.
Twelve essays trace the history and legacy of specialist art reviews, bulletins and magazines across Europe, with case studies on British, French, German, Belgian, Finnish and Danish periodicals including âDer Ciceroneâ, âLinienâ and âThe London Bulletinâ. Text in English
Wieczorek, Alfried and Hans-Martin Hinz:: Europas Mitte um 1000 : Europe's Centre Around AD 1000. 5 volumes. Exhibition: Berlin, Martin-Gropius-Bau, 2000. I. 3 volumes in German: Together, 1,545pp illustrated throughout in colour and monochrome. Cloth, 30.5x25.5cms. 27th Council of Europe exhibition describing all aspects of life in the Middle Ages, from the mundane day to day, to the events and influences which structured modern Europe as we know it now. With loans from all over the continent, the exhibition includes examples of arms and armour, illuminated manuscripts, textiles, jewellery, sculpture, reliquaries, ivory, chalices. Bound in cloth. II. English language handbook to the exhibition. 168 pages and English language catalogue to the exhibition. 631 pages. Both paperbacks. 30x24.5cms. Text in German & English.
Text in German & English
Yoo, Hee-Gwone and Kristen Regina: Visual Resources from Russia and Eastern Europe in the New York Public Library. A Checklist. New York: 2008. 380pp with 120 colour illustrations. Cloth. A full catalogue of almost 900 illustrated books, journals, posters, engravings and prints, as well as original works of art on paper, originally from Russia and Eastern Europe, and now held in the New York Public Library, a collection unparalleled in breadth outside Russia. Includes over 120 colour illustrations of items that are only to be found in the library. Seven appendices list a further 3,000 individual plates and images from selected reference books. Each entry includes an English translation or transliteration for those in Cyrillic..
A full catalogue of almost 900 illustrated books, journals, posters, engravings and prints, as well as original works of art on paper, originally from Russia and Eastern Europe, and now held in the New York Public Library, a collection unparalleled in breadth outside Russia. Includes over 120 colour illustrations of items that are only to be found in the library. Seven appendices list a further 3,000 individual plates and images from selected reference books. Each entry includes an English translation or transliteration for those in Cyrillic.. Text in English
Peter M. Lukehart, et. al: Academies of Art in Europe and the Americas, 1600 - 1900. Washington DC: 2026. 496 pages, 251 colour illustrations. Paperback. 25.4 x 17.8cms. An in-depth study of the institutional history of global art academies. Seventeen essays examine academies in Brazil, Colombia, Italy, France, Germany, Mexico, Turkey, the United States, and beyond. The authors consider shifting modes of teaching, membership, and aesthetic standards, against the backdrop of socio-political events and changes to concepts of race, class, and gender.
An in-depth study of the institutional history of global art academies. Seventeen essays examine academies in Brazil, Colombia, Italy, France, Germany, Mexico, Turkey, the United States, and beyond. The authors consider shifting modes of teaching, membership, and aesthetic standards, against the backdrop of socio-political events and changes to concepts of race, class, and gender. Text in English