‎Marshall (Richard), Collectif‎
‎Jean-Michel Basquiat. ‎

‎Jean-Michel Basquiat. XXL-sized monograph ‎

‎, Taschen Gmbh , 2020 Hardcover, 29 x 39.5 cm, 6.09 kg, 500 pages Text in English. fine condition.+box ISBN 9783836586542.‎

‎Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, one of the most successful artists of his time. This XXL-sized monograph gathers Basquiat?s major works in pristine reproduction. Texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne introduce us to a legend synonymous with 1980s New York. The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat's expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life-so when asked about his subject matter, Basquiat answered royalty, heroism and the streets. In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time. This book allows an unprecedented insight into Basquiat's art, with pristine reproductions of his most seminal paintings, drawings, and notebook sketches. In large-scale format, the book offers vivid proximity to Basquiat's intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist's life and quote from his own statements and contemporary reviews to provide both personal background and historical context.‎

‎ART PRESS-N°371-OCTOBRE 2010-JEAN MICHEL BASQUIAT‎

‎100 PAGES-22 CM X 28,5 CM-EN COUVERTURE: JEAN MICHEL BASQUIAT PHOTOGRAPHIE NOIR ET BLANC-TEXTES EN FRANCAIS ET EN ANGLAIS-POSTERITES DE LOUISE BOURGEOIS, 2P, 2 PHOTOS-(ARMAND PIERRE) ARMAN MADE IN AMERICA, 7P-LES POLYPHONIES CARTOGRAPHIQUES ET RASTAQUOUERES DE JEAN MICHEL BASQUIAT, PAR BERNARD MARCADE, 7 PAGES-JACQUES MARTINEZ BODEGON, 6 PAGES-SETOUCHI LE FESTIVAL DE LA MER INTERIEURE, PAR MICHAEL FERRIER, 6P-LE SAINT SUAIRE OBJET ESTHETIQUE PAR EXCELLENCE, 4 PAGES-L'EROTIQUE D'UN VOILE, 7 PAGES-MICHEL HOUELLEBECQ, 5 PAGES-JEAN ECHENOZ DES ECLAIRS, PAR VINCENT ROY, 1P, PHOTO-(PRAR3)‎

‎COUVERTURE SOUPLE ETAT COMME NEUF‎

‎Jean-Michel Basquiat. Composition. The Notebooks.‎

‎<p><meta charset="utf-8"><span>A facsimile edition of the artist's fascinating working notebooks.</span></p><p><meta charset="utf-8"><span>Brooklyn-born Jean-Michel Basquiat (1960-88) was one of the most important artists of the 1980s. A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these fascinating and rarely seen notebooks for the first time.</span><br><br><span>The notebooks are filled with images and words that recur in Basquiat’s paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat’s deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.</span></p> new-York, 2015 Princeton / No More Rulers 304 p. 19,4 x 24,6‎

‎Neuf‎

‎JEAN MICHEL BASQUIAT‎

‎New-York Whitney Museum 1992 In4 broché sous couverture illustrée , 272 pages , illustations en noir et en couleurs. Important catalogue édité par le Whitney Muséum de New York pour une exposition itinérante. Textes par Dick Hebdige, Klaus Kertess, Richard Marshall, Rene Ricard, Greg Tate, et Robert Farris Thompson. Exemplaire du premier tirage, en très bon état.‎

‎Résonance : Jean-Michel Basquiat et l'Univers Kongo.‎

‎, Galerie Gradiva, 2022 Hardcover, 168 pages, ENG / FR, 300 x 250 x 25 mm, NEW / NOUVEAU, illustrations in colour. ISBN 9788829600939.‎

‎ Du 7 septembre au 19 novembre 2022, la galerie Gradiva propose, sous le titre de l'exposition Résonance, Jean-Michel Basquiat et l'Univers Kongo, une expérimentation esthétique inédite. Dans ses espaces situés 9 quai Voltaire, elle invite le visiteur à se laisser guider par l'émotion face au dialogue formel qu'elle établit entre les dessins de Jean-Michel Basquiat (1960-1988) et de puissantes figures de pouvoir nkisi nkonde de la sphère culturelle kongo provenant du Musée royal de l'Afrique centrale de Tervuren. L'exposition offre une plongée au c?ur des ?uvres et de leur âme.‎