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[PEINTRE] - SUTTER (Jean) -
Luce.
Geneve, Art book, 1971 ; in-8, 63 pp., cartonnage de l'éditeur. Avec jaquette - très bon état.
Reference : 201227977
Avec jaquette - très bon état.
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Librairie Lire et Chiner
Mme Laetitia Gorska
36 rue Marchands
68000 Colmar
France
03 89 24 16 78
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LIVRAISON OFFERTE SUR COLMAR commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
5 book(s) with the same title
Descrizione delle Pitture, Sculture, ed Architeture, Che si osservano nella Città di Mantova, e ne' suoi Contorni, data in luce, a comodo singolarmente de' Forestieri , da Giovanni Cadioli, Pittor Mantovano, ed Architetto Teatrale
Cadioli, Giovanni: Descrizione delle Pitture, Sculture, ed Architeture, Che si osservano nella Città di Mantova, e ne' suoi Contorni, data in luce, a comodo singolarmente de' Forestieri , da Giovanni Cadioli, Pittor Mantovano, ed Architetto Teatrale. Mantua: Per l'Erede di Alberto Pazzoni, 1763. 136 pages, with woodblock vignettes. In an elegant contemporary red leather binding with five raised bands, floral gilt panels and gilt borders, gilded paper 'damask' dentelles, all edges gilt. 19.5 x 12.5cms. Giovanni Cadioli (1710 -1767) was a Mantuan artist. In 1752 he established the Academy of Fine Arts of Mantua, and later became its director. Text in Italian.
Giovanni Cadioli (1710 -1767) was a Mantuan artist. In 1752 he established the Academy of Fine Arts of Mantua, and later became its director. Text in Italian
Signorelli 500. Maestro Luca da Cortona, pittore di luce e poesia
Henry, Tom: Signorelli 500. Maestro Luca da Cortona, pittore di luce e poesia. Exhibition: Cortona, MAEC (Museo dell'Accademia Etrusca e della Citta di Cortona), 2023. 192 pages, 100 colour illustrations. Paperback. 21x27cms. Text in Italian.
Text in Italian
Vite de' Pittori, Scultori, ed Architetti Napoletani. Non mai date alla luce da Autore alcano. 3 volumes in 2
Dominici, Bernardo De: Vite de' Pittori, Scultori, ed Architetti Napoletani. Non mai date alla luce da Autore alcano. 3 volumes in 2. Naples: Stamperia del Ricciardi, 1742; 1743; 1745 (the date 1743 has a printed paste over dated 1745. 3 volumes in 2, quarto. Early-19th century quarter calf, spines gilt in compartments, red morocco labels, marbled boards. Portrait frontispiece of the author to volume I, tailpieces. Bindings rubbed with a little wear at the extremities, front hinge of volume 3 cracked, significant browning and foxing to contents, lower corner of the title to volume II torn and repaired with loss of text. Very good condition. First edition of this important collection of Neapolitan art biographies compiled in response to Vasari's 'cursory reference' to the region's artistic traditions (Astarita, A Companion to Early Modern Naples, p. 318). Author Berndaro de Dominici (1683-1759) was the son of the painter Raimondo de Dominici and became an artist himself, living and working for many years in the household of the Duke and Duchess di Laurenzano, though no examples of his work have been identified. By 1721 he had begun compiling biographical notices on painters known to his father and to himself, and he published a life of Giordano that appeared as part of Bellori's Le Vitte de' Pittori, Scultori et Architetti Moderni in 1728. The Laurenzano household was a gathering place for the Neapolitan branch of the Accademia dell' Arcadia, a literary and philosophical society, which gave Dominici access to a number of scholars who influenced his philosophical outlook and assisted him with research for his books, particularly this, his major work. 'The Vite presents the history of art in Naples, from its mythic origins in late antiquity up to the mid-18th century, as a progressive development culminating in the work of Solimena⊠The material for the Vite was drawn from oral tradition, artists' memoirs, local guide books, histories, and many non-Neapolitan sources. There was little accurate information available for the period before the 16th century, hence the book is generally unreliable with regard to ancient, Medieval, and early Renaissance artists. Within ten years of his death de Dominici was accused of invention and in the late 19th century was deemed wholly unreliable. This attitude has been revised after new research on the later periods and especially on Solimena, and the Vite is now regarded as indispensable for any study of 17th and 18th-century art in Naples. Scholars are gradually exploiting the information the book provides on art collecting, art restoration, theatre and music' (Dictionary of Art. Vol. 9 p.120). Text in Italian.
First edition of this important collection of Neapolitan art biographies compiled in response to Vasari's 'cursory reference' to the region's artistic traditions (Astarita, A Companion to Early Modern Naples, p. 318). Author Berndaro de Dominici (1683-1759) was the son of the painter Raimondo de Dominici and became an artist himself, living and working for many years in the household of the Duke and Duchess di Laurenzano, though no examples of his work have been identified. By 1721 he had begun compiling biographical notices on painters known to his father and to himself, and he published a life of Giordano that appeared as part of Bellori's Le Vitte de' Pittori, Scultori et Architetti Moderni in 1728. The Laurenzano household was a gathering place for the Neapolitan branch of the Accademia dell' Arcadia, a literary and philosophical society, which gave Dominici access to a number of scholars who influenced his philosophical outlook and assisted him with research for his books, particularly this, his major work. 'The Vite presents the history of art in Naples, from its mythic origins in late antiquity up to the mid-18th century, as a progressive development culminating in the work of Solimena⊠The material for the Vite was drawn from oral tradition, artists' memoirs, local guide books, histories, and many non-Neapolitan sources. There was little accurate information available for the period before the 16th century, hence the book is generally unreliable with regard to ancient, Medieval, and early Renaissance artists. Within ten years of his death de Dominici was accused of invention and in the late 19th century was deemed wholly unreliable. This attitude has been revised after new research on the later periods and especially on Solimena, and the Vite is now regarded as indispensable for any study of 17th and 18th-century art in Naples. Scholars are gradually exploiting the information the book provides on art collecting, art restoration, theatre and music' (Dictionary of Art. Vol. 9 p.120). Text in Italian
[RÉGIONALISME - NANTES - STE LUCE] ALTON ET BRÉTÉCHÉ NOTAIRES ROYAUX DE NANTES
Reference : 28619
(1685)
CONTRAT D'ACQUEST, d'une Terre située à la Gaignerie des Landes, Paroisse de Ste LUCE, vendue par Pierre Veillet, Laboureur et Marguerite Villaine sa Femme demeurants au village de la Beltrie autrement de l'Angle, Paroisse de Ste Luce à Me Gilles PETIT Sieur de l'Aubinière, Notaire à la Cour de Nantes demeurant au carroir des Changes, Paroisse St Saturnin, fait à Nantes, le 22 septembre 1685
nantes 1685 1 document original de 4 pages brochées, manuscrites à l'encre brune sur papier vergé crème, ligné et filigrané , format : 33 x 21,5 cm, orné d'un timbre fiscal en noir de Bretagne :"DIX HUIT DENIERS", CONTRAT D'ACQUEST, d'une Terre située à la Gaignerie des Landes, Paroisse de Ste LUCE, vendue par Pierre Veillet, Laboureur et Marguerite Villaine sa Femme demeurants au village de la Beltrie autrement de l'Angle, Paroisse de Ste Luce à Me Gilles PETIT Sieur de l'Aubinière, Notaire à la Cour de Nantes demeurant au carroir des Changes, Paroisse St Saturnin, fait à Nantes, le 22 septembre 1685, signatures manuscrites in-fine des notaires de Nantes: ALTON ET BRÉTÉCHÉ,
DOCUMENT ORIGINAL UNIQUE .... TRÉS RARE ..... en bon état (good condition). en bon état
[RÉGIONALISME - SAINTE-LUCE] PIERRE MAUCLERC DE LA MUZANCHERE ÉVEQUE DE NANTES - MORICET ET JALABER NOTAIRES ROYAUX DE NANTES
Reference : 28601
(1774)
AFFÉAGEMENT DE LA TERRE DE LA RINTIÈRE, PAROISSE DE SAINTE-LUCE PRÈS DE L'AUBINIÈRE, DE 48 CORDES, PAR PIERRE MAUCLERC DE LA MUZANCHÈRE ÉVEQUE DE NANTES, A PIERRE FRANCOIS GRIHAULT DE LA MOTTE, AVOCAT AU PARLEMENT, PROCUREUR AU SIÈGE PRÉSIDIAL DU COMTÉ DE NANTES, DEMEURANT AU PILORI, PAROISSE DE SAINTE-CROIX A NANTES, LE 9 JUILLET 1774
SAINTE-LUCE 1774 1 document manuscrit à l'encre brune sur vélin parchemin de 4 pages, format : 27,5 centimètres de haut sur 20,5 centimètres de large, cachet fiscal en haut de la 1ère page en noir : "BRETAGNE - 1 SOL", signatures historiées des Notaires Royaux de Nantes : MORICET ET JALABER, AFFÉAGEMENT DE LA TERRE DE LA RINTIÈRE, COMMUNE DE SAINTE-LUCE PRÈS DE L'AUBINIÈRE, DE 48 CORDES, PAR PIERRE MAUCLERC DE LA MUZANCHÈRE ÉVEQUE DE NANTES, A PIERRE FRANCOIS GRIBAULT DE LA MOTTE, AVOCAT AU PARLEMENT, PROCUREUR AU SIÈGE PRÉSIDIAL DU COMTÉ DE NANTES, DEMEURANT AU PILORI, PAROISSE DE SAINTE-CROIX A NANTES, LE 9 JUILLET 1774,
TRÉS RARE DOCUMENT ORIGINAL AUTHENTIQUE D'ÉPOQUE ............... en trés bon état (very good condition). en trés bon état
