‎[ARTS] - MARIE (Dominique) - ‎
‎L'art de la renaissance. ‎

‎L'Art de la Renaissance‎

‎Citadelles & Mazenod, Mazenod L'art et les grandes civilisations Cartonné avec jaquette sous emboîtage 1984 Grand in-4 (26 x 33 cm), cartonnage toilé de l'éditeur avec jaquette illustrée sous emboîtage, 606 pages, iconographie en couleur ; petite trace au dos de la jaquette, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎HISTOIRE DE L'ART PENDANT LA RENAISSANCE‎

‎ 1889 3 volumes, reliure plein chagrin bleu-marine (binding full shagreen) in-quarto, dos 5 nerfs (spine with raised bands) - décoré à froid (blind-stamping decoration) - entre-nerfs à fleuron (floweret) - titre frappé or (gilt title), plats magnifiquement décorés à froid (cover blind-stamping) avec un médaillon or en relief au centre (with a medallion gold in relief in the center), marque-page en tissu (bookmark in tissue), toutes tranches dorées (all edges gilt), ex-libris (book-plate) de François Merlant Député-Maire de Nantes gravé à l'Eau-Forte par René Pinard - sur chaque volume (book-plate engraved with Etching on each book), nombreuses (many) illustrations, naissances de rousseurs (beginning of the redness marks), 744+864+759 pages, 1889 à Paris Librairie Hachette et Compagnie,‎

‎premier volume (first book ) : les Primitifs - second volume : l'Italie, l'Age d'Or - troisième volume (third book) : l'Italie, la fin de la Renaissance - très belle reliure en bon état (beautiful binding in very good condition) ‎

‎Histoire de l'Art pendant la Renaissance‎

‎Edition originale en 3 volumes éditée par Hachette en 1889-91-95. Grands in-4 sur Japon. Edition numérotée, n°4. Très nombreuses illustrations et planches en couleur. Reliure en demi-maroquin à coins chocolat, signée Pagnant. Tranches dorées. Dos à nerfs, caissons, filets et arabesques dorés. Très beau.‎

‎Art of the Renaissance Book. Tributes in Honor of Lilian Armstrong‎

‎, Brepols, 2023 Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638.‎

‎Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Sz pe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and G nther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une nigmatique illustration dans un incunable v nitien Fran ois Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attivit di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virt Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Mus e Jacquemart-Andr Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Sz pe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprim s Venise (1896): storia di un incunabolo moderno Ilaria Andreoli‎

‎L'Art de la Renaissance‎

‎Mazenod. 1984. Gd.in-4 toilé sous jaquette ill.en couleurs.Etui.Iconographie importante pleines Pages.Couleurs et noir. Etat neuf.‎